Books by Albert Camus

The Rebel: An Essay on Man in Revolt

by Albert Camus

By one of the most profoundly influential thinkers of our century, The Rebel is a classic essay on revolution that resonates as an ardent, eloquent, and supremely rational voice of conscience for our tumultuous times.

For Albert Camus, the urge to revolt is one of the "essential dimensions" of human nature, manifested in man's timeless Promethean struggle against the conditions of his existence, as well as the popular uprisings against established orders throughout history. And yet, with an eye toward the French Revolution and its regicides and deicides, he shows how inevitably the course of revolution leads to tyranny.

Translated from the French by Anthony Bower.

The Stranger

by Harlan Coben, Albert Camus, Chris Van Allsburg, Camilla Lackberg

The enigmatic origins of the stranger that Farmer Bailey hits with his truck and brings home to recuperate seem to have a mysterious relation to the weather. Could he be Jack Frost?

The Stranger

by Harlan Coben, Albert Camus, Chris Van Allsburg, Camilla Lackberg

NOW A NETFLIX ORIGINAL SERIES!

A secret destroys a man’s perfect life and sends him on a collision course with a deadly conspiracy in this shocking thriller from #1 New York Times bestselling author Harlan Coben.

The Stranger appears out of nowhere, perhaps in a bar, or a parking lot, or at the grocery store. Their identity is unknown. Their motives are unclear. Their information is undeniable. Then they whisper a few words in your ear and disappear, leaving you picking up the pieces of your shattered world...

Adam Price has a lot to lose: a comfortable marriage to a beautiful woman, two wonderful sons, and all the trappings of the American Dream: a big house, a good job, a seemingly perfect life.

Then he runs into the Stranger. When he learns a devastating secret about his wife, Corinne, he confronts her, and the mirage of perfection disappears as if it never existed at all. Soon Adam finds himself tangled in something far darker than even Corinne's deception, and realizes that if he doesn't make exactly the right moves, the conspiracy he’s stumbled into will not only ruin lives—it will end them.

The Stranger

by Harlan Coben, Albert Camus, Chris Van Allsburg, Camilla Lackberg

A secret destroys a man’s perfect life and sends him on a collision course with a deadly conspiracy in this shocking thriller from #1 New York Times bestselling author Harlan Coben.

The Stranger appears out of nowhere, perhaps in a bar, or a parking lot, or at the grocery store. His identity is unknown. His motives are unclear. His information is undeniable. Then he whispers a few words in your ear and disappears, leaving you picking up the pieces of your shattered world...

Adam Price has a lot to lose: a comfortable marriage to a beautiful woman, two wonderful sons, and all the trappings of the American Dream: a big house, a good job, a seemingly perfect life.

Then he runs into the Stranger. When he learns a devastating secret about his wife, Corinne, he confronts her, and the mirage of perfection disappears as if it never existed at all. Soon Adam finds himself tangled in something far darker than even Corinne's deception, and realizes that if he doesn't make exactly the right moves, the conspiracy he’s stumbled into will not only ruin lives—it will end them.

The Stranger

by Harlan Coben, Albert Camus, Chris Van Allsburg, Camilla Lackberg

With the excitement of a perfectly executed thriller and the force of a parable, The Stranger is the ultimate masterpiece from Nobel Prize Winner Albert Camus—one of the most engaged and intellectually alert writers of the past century.

Albert Camus's spare, laconic masterpiece about a murder in Algeria is famous for having diagnosed, with an almost scientific clarity, that condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life.

The Stranger

by Harlan Coben, Albert Camus, Chris Van Allsburg, Camilla Lackberg

A local woman is killed in a tragic car crash, but it isn’t a clear-cut drunk driving case. The victim’s blood contains high alcohol levels, but she rarely drank a drop. Meanwhile, a reality television show begins shooting in the town, and as cameras shadow the stars’ every move, tempers start to flare. When a party ends with an unpopular contestant’s murder, all eyes turn to the cast and crew—could there be a murderer among them? The ratings spike as the country tunes in to a real-life murder mystery. detective patrik Hedstrom finds himself increasingly unable to focus on the strange circumstances of the first case, but what if that holds the key to a series of other unsolved cases across Sweden? Under the unforgiving media spotlight, Patrik tackles his toughest investigation yet.

The Stranger

by Harlan Coben, Albert Camus, Chris Van Allsburg, Camilla Lackberg

With the intrigue of a psychological thriller, The Stranger—Camus's masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward.

Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life.

“The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and devious narrator remains one of the key expressions of a postwar Western malaise, and one of the cleverest exponents of a literature of ambiguity.” —from the Introduction by Peter Dunwoodie

First published in 1946; now in translation by Matthew Ward.

Travels in the Americas: Notes and Impressions of a New World (The France Chicago Collection)

by Albert Camus

Albert Camus’s lively journals from his eventful visits to the United States and South America in the 1940s, available again in a new translation.

In March 1946, the young Albert Camus crossed from Le Havre to New York. Though he was virtually unknown to American audiences at the time, all that was about to change—The Stranger, his first book translated into English, would soon make him a literary star. By 1949, when he set out on a tour of South America, Camus was an international celebrity. Camus’s journals offer an intimate glimpse into his daily life during these eventful years and showcase his thinking at its most personal—a form of observational writing that the French call choses vues (things seen).

Camus’s journals from these travels record his impressions, frustrations, joys, and longings. Here are his unguarded first impressions of his surroundings and his encounters with publishers, critics, and members of the New York intelligentsia. Long unavailable in English, the journals have now been expertly retranslated by Ryan Bloom, with a new introduction by Alice Kaplan. Bloom’s translation captures the informal, sketch-like quality of Camus’s observations—by turns ironic, bitter, cutting, and melancholy—and the quick notes he must have taken after exhausting days of travel and lecturing. Bloom and Kaplan’s notes and annotations allow readers to walk beside the existentialist thinker as he experiences changes in his own life and the world around him, all in his inimitable style.

Exile and the Kingdom

by Albert Camus

Set in North Africa, Paris, and Brazil, the six stories in this masterful collection reveal probing portraits of spiritual exile, and man’s perpetual search for an inner kingdom in which to be reborn.

From a variety of masterfully rendered perspectives, these six stories depict people at painful odds with the world around them. A wife can only surrender to a desert night by betraying her husband. An artist struggles to honor his own aspirations as well as society's expectations of him. A missionary brutally converted to the worship of a tribal fetish is left with but an echo of his identity. They display Camus at the height of his powers.

Now, on the 50th anniversary of the book’s publication, Carol Cosman’s new translation recovers a literary treasure for our time.

Albert Camus won the Nobel Prize for Literature in 1957.

Caligula and Three Other Plays

by Albert Camus

Four thought-provoking masterworks for the theater by the Nobel Prize–winning author of The Stranger and The Plague.

Also includes The Misunderstanding, State of Siege, and The Just Assassins.

Caligula and Three Other Plays

by Albert Camus

Four thought-provoking masterworks for the theater by the Nobel Prize–winning author of The Stranger and The Plague, in a restorative new translation by Ryan Bloom that brings together, for the first time in English, Camus's final versions of the plays, along with deleted scenes and alternate lines of dialogue.

Though known for his novels that plumb the depths of absurdism, it was the theater stage that Camus called “one of the only places in the world I'm happy." After forming two troupes in his early twenties in Algeria, the prolific author moved to Paris for work, where between 1944-1949 he would go on to stage the four original plays gathered in this collection.

Caligula, his first full-length work for the stage, begins with the infamous Roman emperor in the throes of grief at the death of his sister Drusilla and tugs at the same essential question that haunts so much of Camus’s work: Faced with the nullifying force of time, which snuffs out even our grandest emotions, how does one go on living? And is there a limit to the hardness of the human heart?

Here too are The Misunderstanding, a murderous tangle of the longing for home and the longing for elsewhere; The Just, depicting the 1905 assassination of a Grand Duke in Moscow and testing the ethical limits of one’s belief in a political cause; and State of Emergency, an allegorical romp where The Plague itself appears as a central character, shedding new light on our current battles with viral disease and authoritarian regimes.

These are engaging, often incendiary works, now in fresh English translations that beg to be performed.

The Myth of Sisyphus (Vintage International)

by Albert Camus

A Nobel Prize-winning author delivers one of the most influential works of the twentieth century, showing a way out of despair and reaffirming the value of existence.

Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide—the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly presents a crucial exposition of existentialist thought.

Speaking Out: Lectures and Speeches, 1937-1958

by Albert Camus

The Nobel Prize winner's most influential and enduring lectures and speeches, newly translated by Quintin Hoare, in what is the first English language publication of this collection.

Albert Camus (1913-1960) is unsurpassed among writers for a body of work that animates the wonder and absurdity of existence. Speaking Out: Lectures and Speeches, 1938-1958 brings together, for the first time, thirty-four public statements from across Camus's career that reveal his radical commitment to justice around the world and his role as a public intellectual.

From his 1946 lecture at Columbia University about humanity's moral decline, his 1951 BBC broadcast commenting on Britain's general election, and his strident appeal during the Algerian conflict for a civilian truce between Algeria and France, to his speeches on Dostoevsky and Don Quixote, this crucial new collection reflects the scope of Camus's political and cultural influence.

The Plague: A new translation by Laura Marris

by Albert Camus

“We can finally read the work as Camus meant it to be read. Laura Marris’s new translation of The Plague is, quite simply, the translation we need to have.” —Los Angeles Review of Books

The first new translation of The Plague to be published in the United States in more than seventy years, bringing the Nobel Prize winner's iconic novel to a new generation of readers. • "A redemptive book, one that wills the reader to believe, even in a time of despair." —The Washington Post

The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation, and claustrophobia follow as they are forced into quarantine. Each person responds in their own way to the lethal disease: some resign themselves to fate, some seek blame, and a few, like Dr. Rieux, resist the terror.

An immediate triumph when it was published in 1947, The Plague is in part an allegory of France's suffering under the Nazi occupation, as well as a timeless story of bravery and determination against the precariousness of human existence. In this fresh yet careful translation, award-winning translator Laura Marris breathes new life into Albert Camus's ever-resonant tale. Restoring the restrained lyricism of the original French text, and liberating it from the archaisms and assumptions of the previous English translation, Marris grants English readers the closest access we have ever had to the meaning and searing beauty of The Plague.

This updated edition promises to add relevance and urgency to a classic novel of twentieth-century literature.

The Plague

by Albert Camus

“Its relevance lashes you across the face.” —Stephen Metcalf, The Los Angeles Times • “A redemptive book, one that wills the reader to believe, even in a time of despair.” —Roger Lowenstein, The Washington Post

A haunting tale of human resilience and hope in the face of unrelieved horror, Albert Camus' iconic novel about an epidemic ravaging the people of a North African coastal town is a classic of twentieth-century literature.

The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they are forced into quarantine. Each person responds in their own way to the lethal disease: some resign themselves to fate, some seek blame, and a few, like Dr. Rieux, resist the terror.

An immediate triumph when it was published in 1947, The Plague is in part an allegory of France's suffering under the Nazi occupation, and a timeless story of bravery and determination against the precariousness of human existence.

The Plague

by Albert Camus

“We can finally read the work as Camus meant it to be read. Laura Marris’s new translation of The Plague is, quite simply, the translation we need to have.” —Los Angeles Review of Books

The first new translation of The Plague to be published in the United States in more than seventy years, bringing the Nobel Prize winner's iconic novel to a new generation of readers. • "A redemptive book, one that wills the reader to believe, even in a time of despair." —The Washington Post

The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation, and claustrophobia follow as they are forced into quarantine. Each person responds in their own way to the lethal disease: some resign themselves to fate, some seek blame, and a few, like Dr. Rieux, resist the terror.

An immediate triumph when it was published in 1947, The Plague is in part an allegory of France's suffering under the Nazi occupation, as well as a timeless story of bravery and determination against the precariousness of human existence. In this fresh yet careful translation, award-winning translator Laura Marris breathes new life into Albert Camus's ever-resonant tale. Restoring the restrained lyricism of the original French text, and liberating it from the archaisms and assumptions of the previous English translation, Marris grants English readers the closest access we have ever had to the meaning and searing beauty of The Plague.

This updated edition promises to add relevance and urgency to a classic novel of twentieth-century literature.

The Plague

by Albert Camus

Translated by Stuart Gilbert

The Fall

by Albert Camus, James Preller, Chuck Hogan, Guillermo del Toro, Bethany Griffin, David Fulmer

Madeline Usher has been buried alive. The doomed heroine comes to the fore in this eerie reimagining of Edgar Allan Poe's classic short story "The Fall of the House of Usher." Gothic, moody, and suspenseful from beginning to end, The Fall is literary horror for fans of Miss Peregrine's Home for Peculiar Children and Asylum.
Madeline awakes in a coffin. And she was put there by her own twin brother. But how did it come to this? In short, non-chronological chapters, Bethany Griffin masterfully spins a haunting and powerful tale of this tragic heroine and the curse on the Usher family. The house itself is alive, and it will never let Madeline escape, driving her to madness just as it has all of her ancestors. But she won't let it have her brother, Roderick. She'll do everything in her power to save him—and try to save herself—even if it means bringing the house down around them.
With a sinister, gothic atmosphere and relentless tension to rival Poe himself, Bethany Griffin creates a house of horrors and introduces a whole new point of view on a timeless classic. Kirkus Reviews praised it in a starred review as "A standout take on the classic haunted-house tale replete with surprises around every shadowy corner."

The Fall

by Albert Camus, James Preller, Chuck Hogan, Guillermo del Toro, Bethany Griffin, David Fulmer

2010, First Edition, Hardcover with dust jacket, 312 pages

The Fall

by Albert Camus, James Preller, Chuck Hogan, Guillermo del Toro, Bethany Griffin, David Fulmer

From James Preller, the author of Bystander, another unflinching book about bullying and its fallout.

The summer before school starts, Sam's friend and classmate Morgan Mallen kills herself. Morgan had been bullied. Maybe she kissed the wrong boy. Or said the wrong thing. What about that selfie that made the rounds? Morgan was this, and Morgan was that. But who really knows what happened?

As Sam explores the events leading up to the tragedy, he must face a difficult and life-changing question: Why did he keep his friendship with Morgan a secret? And could he have done something-anything-to prevent her final actions?

This title has Common Core connections.

The Fall

by Albert Camus, James Preller, Chuck Hogan, Guillermo del Toro, Bethany Griffin, David Fulmer

NOBEL PRIZE-WINNING AUTHOR • One of the most widely read novels of all time—from one of the best-known writers of all time—about a lawyer from Paris who brilliantly illuminates the human condition.

Elegantly styled, Camus' profoundly disturbing novel of a Parisian lawyer's confessions is a searing study of modern amorality.

The Fall

by Albert Camus, James Preller, Chuck Hogan, Guillermo del Toro, Bethany Griffin, David Fulmer

When Richard Zale finds out that his best friend from his hometown of Wyanossing, Pennsylvania fell to his death from a cliff, the New York City actor returns home to find he is still attracted to Joey's sister Angela and certain that foul play was involved in his friend's death.

The Fall

by Albert Camus, James Preller, Chuck Hogan, Guillermo del Toro, Bethany Griffin, David Fulmer

An innovative new perspective on the tragedy of teen suicide.

The summer before school starts, Sam's friend and classmate Morgan Mallen kills herself. Morgan had been bullied. Maybe she kissed the wrong boy. Or said the wrong thing. What about that selfie that made the rounds? Morgan was this, and Morgan was that. But who really knows what happened?

As Sam explores the events leading up to the tragedy in journal format, he must face a difficult and life-changing question: Why did he keep his friendship with Morgan a secret? And could he have done something-anything-to prevent her final actions?

From James Preller, the author of Bystander, another unflinching book about bullying and its fallout.

“Preller provides a rare glimpse into the mind of a bully . . . Pair this with Jay Asher's Thirteen Reasons Why.” ―Booklist

This title has Common Core connections.

The Fall

by Albert Camus, James Preller, Chuck Hogan, Guillermo del Toro, Bethany Griffin, David Fulmer

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith

Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.

Jean-Baptiste Clamence - refined, handsome, forty, a former successful lawyer - is in turmoil. Over several drunken nights he regales a chance acquaintance with his story. He talks of parties and his debauchery, of Parisian nights and the Aegean sea, and, ultimately, of his self-loathing. One of Albert Camus' most famous works, The Fall is a brilliant, complex portrayal of lost innocence and the true face of man.

Myth Of Sisyphus: And Other Essays, The

by Albert Camus

One of the most influential works of this century, The Myth of Sisyphus and Other Essays is a crucial exposition of existentialist thought. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide; the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.

Algerian Chronicles

by Albert Camus

More than fifty years after Algerian independence, Albert Camus’ Algerian Chronicles appears here in English for the first time. Published in France in 1958, the same year the Algerian War brought about the collapse of the Fourth French Republic, it is one of Camus’ most political works—an exploration of his commitments to Algeria. Dismissed or disdained at publication, today Algerian Chronicles, with its prescient analysis of the dead end of terrorism, enjoys a new life in Arthur Goldhammer’s elegant translation.

“Believe me when I tell you that Algeria is where I hurt at this moment,” Camus, who was the most visible symbol of France’s troubled relationship with Algeria, writes, “as others feel pain in their lungs.” Gathered here are Camus’ strongest statements on Algeria from the 1930s through the 1950s, revised and supplemented by the author for publication in book form.

In her introduction, Alice Kaplan illuminates the dilemma faced by Camus: he was committed to the defense of those who suffered colonial injustices, yet was unable to support Algerian national sovereignty apart from France. An appendix of lesser-known texts that did not appear in the French edition complements the picture of a moralist who posed questions about violence and counter-violence, national identity, terrorism, and justice that continue to illuminate our contemporary world.

Algerian Chronicles

by Albert Camus

More than fifty years after Algerian independence, Albert Camus’ Algerian Chronicles appears here in English for the first time. Published in France in 1958, the same year the Algerian War brought about the collapse of the Fourth French Republic, it is one of Camus’ most political works―an exploration of his commitments to Algeria. Dismissed or disdained at publication, today Algerian Chronicles, with its prescient analysis of the dead end of terrorism, enjoys a new life in Arthur Goldhammer’s elegant translation.

“Believe me when I tell you that Algeria is where I hurt at this moment,” Camus, who was the most visible symbol of France’s troubled relationship with Algeria, writes, “as others feel pain in their lungs.” Gathered here are Camus’ strongest statements on Algeria from the 1930s through the 1950s, revised and supplemented by the author for publication in book form.

In her introduction, Alice Kaplan illuminates the dilemma faced by Camus: he was committed to the defense of those who suffered colonial injustices, yet was unable to support Algerian national sovereignty apart from France. An appendix of lesser-known texts that did not appear in the French edition complements the picture of a moralist who posed questions about violence and counter-violence, national identity, terrorism, and justice that continue to illuminate our contemporary world.

A Happy Death

by Albert Camus

The first novel from the Nobel Prize-winning author lays the foundation for The Stranger, telling the story of an Algerian clerk who kills a man in cold blood.

In A Happy Death, written when Albert Camus was in his early twenties and retrieved from his private papers following his death in 1960, revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man.

As the novel follows the protagonist, Patrice Mersault, to his victim's house -- and then, fleeing, in a journey that takes him through stages of exile, hedonism, privation, and death -it gives us a glimpse into the imagination of one of the great writers of the twentieth century. For here is the young Camus himself, in love with the sea and sun, enraptured by women yet disdainful of romantic love, and already formulating the philosophy of action and moral responsibility that would make him central to the thought of our time.

Translated from the French by Richard Howard

Resistance, Rebellion, and Death: Essays

by Albert Camus

NOBEL PRIZE WINNER • Twenty-three political essays that focus on the victims of history, from the fallen maquis of the French Resistance to the casualties of the Cold War.

In the speech he gave upon accepting the Nobel Prize for Literature in 1957, Albert Camus said that a writer "cannot serve today those who make history; he must serve those who are subject to it."

Resistance, Rebellion and Death displays Camus' rigorous moral intelligence addressing issues that range from colonial warfare in Algeria to the social cancer of capital punishment. But this stirring book is above all a reflection on the problem of freedom, and, as such, belongs in the same tradition as the works that gave Camus his reputation as the conscience of our century: The Stranger, The Rebel, and The Myth of Sisyphus.

The First Man

by Albert Camus

From the Nobel Prize-winning author comes the story of Jacques Cormery, a boy who lived a life much like his own, with the sights, sounds and textures of a childhood steeped in poverty and a father's death yet redeemed by the beauty of Algeria and the boy's attachment to his mother.

"A work of genius." —The New Yorker

Published thirty-five years after its discovery amid the wreckage of the car accident that killed Camus, The First Man is the brilliant consummation of the life and work of one of the 20th century's greatest novelists. Translated from the French by David Hapgood.

"The First Man is perhaps the most honest book Camus ever wrote, and the most sensual...Camus is...writing at the depth of his powers...It is
"Fascinating...The First Man helps put all of Camus's work into a clearer perspective and brings into relief what separates him from the more militant literary personalities of his day...Camus's voice has never been more personal." —The New York Times Book Review

The Plague, The Fall, Exile and the Kingdom, and Selected Essays (Everyman's Library)

by Albert Camus

From one of the most brilliant and influential thinkers of the twentieth century and a Nobel Prize-winning author: two novels, six short stories, and a pair of essays in a single volume that deploy his lyric eloquence in defense against despair.

In both his essays and his fiction, Albert Camus (1913—1960) provides an affirmation of the brave assertion of humanity in the face of a universe devoid of order or meaning.

The Plague—written in 1947 and still profoundly relevant—is a riveting tale of horror, survival, and resilience in the face of a devastating epidemic. The Fall (1956), which takes the form of an astonishing confession by a French lawyer in a seedy Amsterdam bar, is a haunting parable of modern conscience in the face of evil. The six stories of Exile and the Kingdom (1957) represent Camus at the height of his narrative powers, masterfully depicting his characters—from a renegade missionary to an adulterous wife—at decisive moments of revelation. Set beside their fictional counterparts, Camus’s famous essays “The Myth of Sisyphus” and “Reflections on the Guillotine” are all the more powerful and philosophically daring, confirming his towering place in twentieth-century thought.

The Stranger: The Graphic Novel

by Albert Camus

A visually stunning adaptation of Albert Camus’ masterpiece that offers an exciting new graphic interpretation while retaining the book’s unique atmosphere.

The day his mother dies, Meursault notices that it is very hot on the bus that is taking him from Algiers to the retirement home where his mother lived; so hot that he falls asleep.

Later, while waiting for the wake to begin, the harsh electric lights in the room make him extremely uncomfortable, so he gratefully accepts the coffee the caretaker offers him and smokes a cigarette. The same burning sun that so oppresses him during the funeral walk will once again blind the calm, reserved Meursault as he walks along a deserted beach a few days later—leading him to commit an irreparable act.

This new illustrated edition of Camus's classic novel The Stranger portrays an enigmatic man who commits a senseless crime and then calmly, and apparently indifferently, sits through his trial and hears himself condemned to death.

Create Dangerously: The Power and Responsibility of the Artist

by Albert Camus

A call to arms for artists, in particular those who came from an immigrant background, like he did. • “To create today means to create dangerously. Every publication is a deliberate act, and that act makes us vulnerable to the passions of a century that forgives nothing.”

In 1957, Nobel Prize-winning philosopher Albert Camus gave a speech entitled "Create Dangerously." Camus understood the necessity of those making art as a part of civil society. A bold cry for artistic freedom and responsibility, his words today remain as timely as ever. In this new translation, Camus's message, available as a stand-alone little book for the first time, will resonate with a new generation of writers and artists.

L'étranger (Collection Folio, no. 2) (French Edition)

by Albert Camus

Quand al sonnerie a encore retenti, que la porte du box s’est ouverte, c’est le silence de la salle qui est monté vers moi, le silence, et cette singuliere sensation que j’ai eue lorsque j’ai constaté que le jeune journaliste avait détourné les yeux. Je n’ai pas regardé du côté de Marie. Je n’en ai pas eu le temps parce que le président m’a dit dans une forme bizarre que j’aurais la tête tranchée sur une place publique au nom du peuple français…

The Possessed

by Albert Camus, Witold Gombrowicz

From “a master of verbal burlesque [and] a connoisseur of psychological blackmail” (John Updike), Witold Gombrowicz’s harrowing and hilarious pastiche of the Gothic novel, now in a new, authoritative English translation
Witold Gombrowicz is considered by many to be Poland’s greatest modernist, and in The Possessed, he demonstrates his playful brilliance and astonishing range by using the familiar tropes of the Gothic novel to produce a darkly funny and lively subversion of the form. With dreams of escaping his small-town existence and the limitations of his class, a young tennis coach travels to the heart of the Polish countryside to train Maja Ochołowska, a beautiful and promising player whose bourgeois family has fallen upon difficult circumstances. Yet as Maja and the young man are alternately drawn to and repulsed by the other, they find themselves embroiled in the fantastic happenings taking place at the dilapidated castle nearby, where a mad prince haunts the halls, and bewitched towels, conniving secretaries, famous clairvoyants, and uncanny doubles conspire to determine the fate of the lovers. Serialized first in Poland in the days preceding the Nazi invasion, and now translated directly into English for the first time by Antonia Lloyd-Jones, The Possessed is a comic jewel, a hair-raising thriller, and a provocative early masterpiece from the acclaimed author of classics like Pornografia and Cosmos.

The Possessed

by Albert Camus, Witold Gombrowicz

The Nobel Prize–winning author here adapts Dostoyevsky’s masterpiece for the stage—a rousing invective against nihilism that brings together two of the great literary minds of the last two centuries

When Albert Camus first read Dostoyevsky as a twenty-year-old philosophy student, it was a “soul-shaking experience.” The Possessed, in particular, had a profound effect on the young writer and thinker, who found in the novel an echo of his own disdain for the philosophy of nihilism and its potentially disastrous effects. “In many ways,” he writes in the foreword to the play, “I can claim that I grew up on it and took sustenance from it. For almost twenty years, in any event, I have visualized its characters on the stage.”

To complete this labor of love, Camus drew on hundreds of pages from Dostoyevsky’s The Notebooks for The Possessed, which document the Russian master’s torturous writing process, taking care all the while to preserve the “thread of suffering and affection that makes Dostoyevsky’s universe so close to each of us.” As a result, he breathed new life into the enigmatic Stavrogin, the gentle Shatov, and the God-haunted Kirilov, bringing us face to face with Dostoyevsky’s creations.

When it was finally performed, in 1959—with Camus himself directing—the play ran to four hours long and was an artistic and technical triumph, featuring thirty-three actors and seven sets. The last finished work before Camus’s death, The Possessed stands as an enduring literary statement about human existence in which the conscience of the twentieth century meets and defines in contemporary terms the conscience of the nineteenth century.

L'étranger

by Albert Camus

Dans Folioplus Classiques, le texte intégral, enrichi d'une lecture d'image, écho pictural de l'œuvre, est suivi de sa mise en perpective organisée en six points : Mouvement littéraire -La littérature engagée ; le genre et le registre -" Un court roman de moraliste " ; l'écrivain à sa table de travail -Un classicisme " instinctif " ; le groupement de textes -Personnages insoumis ; la chronologie -Albert Camus et son temps ; la fiche -Des pistes pour rendre compte de sa lecture.

Correspondance: (1944-1959) (French Edition)

by Albert Camus, Maria Casarès

Le 19 mars 1944, Albert Camus et Maria Casarès se croisent chez Michel Leiris. L'ancienne élève du Conservatoire, originaire de La Corogne et fille d'un républicain espagnol en exil, n'a que vingt et un ans. Elle a débuté sa carrière en 1942 au Théâtre des Mathurins, au moment où Albert Camus publiait L'Étranger chez Gallimard. L'écrivain vit alors seul à Paris, la guerre l'ayant tenu éloigné de son épouse Francine, enseignante à Oran. Sensible au talent de l'actrice, Albert Camus lui confie le rôle de Martha pour la création du Malentendu en juin 1944. Et durant la nuit du Débarquement, Albert Camus et Maria Casarès deviennent amants. Ce n'est encore que le prélude d'une grande histoire amoureuse, qui ne prendra son vrai départ qu'en 1948. Jusqu'à la mort accidentelle de l'écrivain en janvier 1960, Albert et Maria n'ont jamais cessé de s'écrire, notamment lors des longues semaines de séparation dues à leur engagement artistique et intellectuel, aux séjours au grand air ou aux obligations familiales. Sur fond de vie publique et d'activité créatrice (les livres et les conférences, pour l'écrivain ; la Comédie-Française, les tournées et le TNP pour l'actrice), leur correspondance croisée révèle quelle fut l'intensité de leur relation intime, s'éprouvant dans le manque et l'absence autant que dans le consentement mutuel, la brûlure du désir, la jouissance des jours partagés, les travaux en commun et la quête du véritable amour, de sa parfaite formulation et de son accomplissement. Nous savions que l'oeuvre d'Albert Camus était traversée par la pensée et l'expérience de l'amour. La publication de cette immense correspondance révèle une pierre angulaire à cette constante préoccupation. "Quand on a aimé quelqu'un, on l'aime toujours", confiait Maria Casarès bien après la mort d'Albert Camus ; "lorsqu'une fois, on n'a plus été seule, on ne l'est plus jamais".

Le Mythe De Sisyphe Essai Sur Labsurde (Collection Folio / Essais) (French Edition)

by Albert Camus

"Il n'y a qu'un problème philosophique vraiment sérieux : c'est le suicide." Avec cette formule foudroyante, qui semble rayer d'un trait toute la philosophie, un jeune homme de moins de trente ans commence son analyse de la sensibilité absurde. Il décrit le "mal de l'esprit" dont souffre l'époque actuelle : "L'absurde naît de la confrontation de l'appel humain avec le silence déraisonnable du monde."

Les justes (French Edition)

by Albert Camus

"En février 1905, à Moscou, un groupe de terroristes, appartenant au parti socialiste révolutionnaire, organisait un attentat à la bombe contre le grand-duc Serge, oncle du tsar. Cet attentat et les circonstances singulières qui l'ont précédé et suivi font le sujet des Justes. Si extraordinaires que puissent paraître, en effet, certaines des situations de cette pièce, elles sont pourtant historiques. Ceci ne veut pas dire, on le verra d'ailleurs, que Les Justes soient une pièce historique. Mais tous les personnages ont réellement existé et se sont conduits comme je le dis. J'ai seulement tâché à rendre vraisemblable ce qui était déjà vrai... La haine qui pesait sur ces âmes exceptionnelles comme une intolérable souffrance est devenue un système confortable. Raison de plus pour évoquer ces grandes ombres, leur juste révolte, leur fraternité difficile, les efforts démesurés qu'elles firent pour se mettre en accord avec le meurtre - et pour dire ainsi où est notre fidélité." Albert Camus.

Caligula suivi de Le Malentendu (French Edition)

by Albert Camus

"Caligula : C'est une vérité toute simple et toute claire, un peu bête, mais difficile à découvrir et lourde à porter.Hélicon : Et qu'est-ce donc que cette vérité, Caïus ?Caligula : Les hommes meurent et ils ne sont pas heureux.Hélicon : Allons, Caïus, c'est une vérité dont on s'arrange très bien. Regarde autour de toi. Ce n'est pas cela qui les empêche de déjeuner.Caligula : Alors, c'est que tout, autour de moi, est mensonge, et moi, je veux qu'on vive dans la vérité !"

La Chute (Folio) (French Edition)

by Albert Camus

"Sur le pont, je passai derrière une forme penchée sur le parapet, et qui semblait regarder le fleuve. De plus près, je distinguai une mince jeune femme, habillée de noir. Entre les cheveux sombres et le col du manteau, on voyait seulement une nuque, fraîche et mouillée, à laquelle je fus sensible. Mais je poursuivis ma route, après une hésitation. [...] J'avais déjà parcouru une cinquantaine de mètres à peu près, lorsque j'entendis le bruit, qui, malgré la distance, me parut formidable dans le silence nocturne, d'un corps qui s'abat sur l'eau. Je m'arrêtai net, mais sans me retourner. Presque aussitôt, j'entendis un cri, plusieurs fois répété, qui descendait lui aussi le fleuve, puis s'éteignit brusquement."

The Outsider (Paperback)

by Albert Camus

'My mother died today. Or maybe yesterday, I don't know.' In The Outsider (1942), his classic existentialist novel, Camus explores the alienation of an individual who refuses to conform to social norms. Meursault, his anti-hero, will not lie. When his mother dies, he refuses to show his emotions simply to satisfy the expectations of others. And when he commits a random act of violence on a sun-drenched beach near Algiers, his lack of remorse compounds his guilt in the eyes of society and the law. Yet he is as much a victim as a criminal. Albert Camus' portrayal of a man confronting the absurd, and revolting against the injustice of society, depicts the paradox of man's joy in life when faced with the 'tender indifference' of the world. Sandra Smith's translation, based on close listening to a recording of Camus reading his work aloud on French radio in 1954, sensitively renders the subtleties and dream-like atmosphere of L'Étranger. Albert Camus (1913-1960), French novelist, essayist and playwright, is one of the most influential thinkers of the 20th century. His most famous works include The Myth of Sisyphus (1942), The Plague (1947), The Just (1949), The Rebel (1951) and The Fall (1956). He was awarded the Nobel Prize for Literature in 1957, and his last novel, The First Man, unfinished at the time of his death, appeared in print for the first time in 1994, and was published in English soon after by Hamish Hamilton. Sandra Smith was born and raised in New York City and is a Fellow of Robinson College, University of Cambridge, where she teaches French Literature and Language. She has won the French American Foundation Florence Gould Foundation Translation Prize, as well as the PEN Book-of-the-Month Club Translation Prize.

The Rebel An Essay on Man in Revolt

by Albert Camus

...The new emphasis on situations and flexibility does not abolish rules or the task of moral theology, but it does call for a radical rethinking. It is a platitude to say that man is in the midst of rapid change, both in himself and in his world. The traditional moral theology was too strongly tied to the notion of a fixed, essential human nature, set in the midst of a static hierarchically ordered universe. Yet its basic method of approaching the problem of ethics was correct―not through some special Christian concept of love or whatever it might be, but through the study of man. A renewed moral theology would not abandon this well-tried path, which is moreover especially appropriate at a time when the Christian must co-ordinate his moral strivings with those of non-Christians. But everything that was hitherto static would beset in motion, so that the landscape would soon begin to look very different. The new ethic would begin at precisely the same place as did the first chapter in any traditional textbook of moral theology, that is to say, with the question about man and the goal of his existence. But we would have regard to man as he understands himself today, not as an entity with a fixed essence, but as a dynamic existent living in a changing world...

The Modern Classics Myth of Sisyphus (Penguin Modern Classics)

by Albert Camus

The summation of the existentialist philosophy threaded throughout all his writing, Albert Camus' The Myth of Sisyphus is translated by Justin O'Brien with an introduction by James Wood in Penguin Classics. In this profound and moving philosophical statement, Camus poses the fundamental question: is life worth living? If human existence holds no significance, what can keep us from suicide? As Camus argues, if there is no God to give meaning to our lives, humans must take on that purpose themselves. This is our 'absurd' task, like Sisyphus forever rolling his rock up a hill, as the inevitability of death constantly overshadows us. Written during the bleakest days of the Second World War, The Myth of Sisyphus (Le Mythe de Sisyphe) argues for an acceptance of reality that encompasses revolt, passion and, above all, liberty. This volume contains several other essays, including lyrical evocations of the sunlit cities of Algiers and Oran, the settings of his great novels The Outsider and The Plague. Albert Camus (1913-60) is the author of a number of best-selling and highly influential works, all of which are published by Penguin. They include The Fall, The Outsider and The First Man. Awarded the Nobel Prize for Literature in 1957, Camus is remembered as one of the few writers to have shaped the intellectual climate of post-war France, but beyond that, his fame has been international. If you enjoyed The Myth of Sisyphus, you might like Camus' The Outsider, also available in Penguin Modern Classics. 'Camus could never cease to be one of the principal forces in our domain, nor to represent, in his own way, the history of France and of this century' Jean-Paul Sartre

Committed Writings

by Albert Camus

The Nobel Prize winner's most influential and enduring political writings, newly curated and introduced by acclaimed Camus scholar Alice Kaplan.

Albert Camus (1913-1960) is unsurpassed among writers for a body of work that animates the wonder and absurdity of existence. Committed Writings brings together, for the first time, thematically-linked essays from across Camus's writing career that reflect the scope of his political thought. This pivotal collection embodies Camus's radical and unwavering commitment to upholding human rights, resisting fascism, and creating art in the service of justice.

Personal Writings

by Albert Camus

The Nobel Prize winner's most influential and enduring personal writings, newly curated and introduced by acclaimed Camus scholar Alice Kaplan.

Albert Camus (1913-1960) is unsurpassed among writers for a body of work that animates the wonder and absurdity of existence. Personal Writings brings together, for the first time, thematically-linked essays from across Camus's writing career that reflect the scope and depth of his interior life. Grappling with an indifferent mother and an impoverished childhood in Algeria, an ever-present sense of exile, and an ongoing search for equilibrium, Camus's personal essays shed new light on the emotional and experiential foundations of his philosophical thought and humanize his most celebrated works.

L'Homme Revolte (Folio Essais Series : No 15) (French Edition)

by Albert Camus

"Je me révolte, donc nous sommes", affirme Albert Camus. La révolte est le seul moyen de dépasser l'absurde. Mais le véritable sujet de L'homme révolté est comment l'homme, au nom de la révolte, s'accommode du crime, comment la révolte a eu pour aboutissement les États policiers et concentrationnaires du XXᵉ siècle. Comment l'orgueil humain a-t-il dévié ?De violentes polémiques ont accompagné la sortie de cet essai. Les contemporains de Camus n'étaient pas mûrs pour admettre des vérités qui s'imposent désormais et mettent L'homme révolté en pleine lumière de l'actualité.

Lyrical and Critical Essays

by Albert Camus

“Here now, for the first time in a complete English translation, we have Camus’s three little volumes of essays, plus a selection of his critical comments on literature and his own place in it. As might be expected, the main interest of these writings is that they illuminate new facets of his usual subject matter.”—The New York Times Book Review

“A new single work for American readers that stands among the very finest.”—The Nation

The First Man The Graphic Novel

by Albert Camus

A visually arresting adaptation of Albert Camus’s masterful biographical novel that offers a new graphic interpretation for the next generation of readers.

This new illustrated of Camus’s final novel tells the story of Jacques Cormery, a boy who lived a life much like Camus’s own. This stunning, fully illustrated edition summons up the sights, sounds and textures of a childhood defined by poverty and a father's death, yet redeemed by the austere beauty of Algeria—and the young protagonist's attachment to his nearly deaf-mute mother.

In telling the story of his metaphorical search for his father, who died in World War I, Camus returns to the "land of oblivion where each one is the first man" and must find his own answers. Published thirty-five years after its discovery amid the wreckage of the car accident that killed the Nobel Prize–winning novelist, this graphic interpretation of The First Man is the brilliant consummation of the life and work of one of the twenty century's greatest authors.

La Peste

by Albert Camus

"- Naturellement, vous savez ce que c'est, Rieux ? - J'attends le résultat des analyses. - Moi, je le sais. Et je n'ai pas besoin d'analyses. J'ai fait une partie de ma carrière en Chine, et j'ai vu quelques cas à Paris, il y a une vingtaine d'années. Seulement, on n'a pas osé leur donner un nom, sur le moment... Et puis, comme disait un confrère : "C'est impossible, tout le monde sait qu'elle a disparu de l'Occident." Oui, tout le monde le savait, sauf les morts. Allons, Rieux, vous savez aussi bien que moi ce que c'est... - Oui, Castel, dit-il, c'est à peine croyable. Mais il semble bien que ce soit la peste."

Christian Metaphysics and Neoplatonism

by Albert Camus

Contemporary scholarship tends to view Albert Camus as a modern, but he himself was conscious of the past and called the transition from Hellenism to Christianity the true and only turning point in history. For Camus, modernity was not fully comprehensible without an examination of the aspirations that were first articulated in antiquity and that later received their clearest expression in Christianity. These aspirations amounted to a fundamental reorientation of human life in politics, religion, science, and philosophy. Understanding the nature and achievement of that reorientation became the central task of Christian Metaphysics and Neoplatonism. Primarily known through its inclusion in a French omnibus edition, it has remained one of Camus' least-read works, yet it marks his first attempt to understand the relationship between Greek philosophy and Christianity as he charted the movement from the Gospels through Gnosticism and Plotinus to what he calls Augustine's second revelation of the Christian faith. Ronald Srigley's translation of this seminal document helps illuminate these aspects of Camus' work. His freestanding English edition exposes readers to an important part of Camus' thought that is often overlooked by those concerned primarily with the book's literary value and supersedes the extant McBride translation by retaining a greater degree of literalness. Srigley has fully annotated Christian Metaphysics to include nearly all of Camus' original citations and has tracked down many poorly identified sources. When Camus cites an ancient primary source, whether in French translation or in the original language, Srigley substitutes a standard English translation in the interest of making his edition accessible to a wider range of readers. His introduction places the text in the context of Camus' better-known later work, explicating its relationship to those mature writings and exploring how its themes were reworked in subsequent books. Arguing that Camus was one of the great critics of modernity through his attempt to disentangle the Greeks from the Christians, Srigley clearly demonstrates the place of Christian Metaphysics in Camus' oeuvre. As the only stand-alone English version of this important work--and a long-overdue critical edition--his fluent translation is an essential benchmark in our understanding of Camus and his place in modern thought.

Mon Cher Amour The Love Letters of Albert Camus and Maria Casares, 1944-1959

by Albert Camus

The impassioned correspondence between the Nobel Prize–winning author and the renowned Spanish French actress who appeared in his plays, tracing the extreme highs and lows of their all-consuming love affair—a bestseller in France, translated for the first time into English

Albert. Albert chéri. Write me sweet, passionate things. Tell me you love me and how you love me. Tell me you’ll take me to the sea one day—any sea at all—and that we’ll spend time on the shore and in the water. Tell me you’ll always be with me. Tell me about you, and today, especially, talk to me about us. —Maria Casarès to Albert Camus, Feb 1, 1950

It’s said that the affair began on June 6, 1944, the day the Allied forces landed in Normandy. The twenty-one-year-old Casarès was starring in a production of the thirty-year-old Camus’s play The Misunderstanding—and one thing (an afterparty hosted by Jean-Paul Sartre and Simone de Beauvoir) led to another.

Though their fling would be cut short by the end of the Occupation—and the return to Paris of Camus’s wife, Francine—the two were destined to meet again: four years later, to the day, they crossed paths by chance on the Boulevard Saint-Germain.

Over the next twelve years, without interruption—until the car wreck of January 4, 1960, that stole Camus’s life—the author and actress would correspond furiously, their words swelling and shimmering and surging like the ocean.

Ah! It’s so hard to leave you, your dear face will again fade into the night, but I’ll find you once more in this ocean you love, at the time of evening when the sky takes on the color of your eyes. —Albert Camus to Maria Casarès, June 1, 1949

Across 865 letters of immense and exquisite emotion, they cry and laugh and bicker and beg, make and break promises, talk Stendhal and Proust and Orwell, French theater, sickness, death, writer’s block, and, most of all, they pine—leaving behind a record of one of the great love stories of the twentieth century.

The Outsider

by Albert Camus

The Outsider is an enduring classic of existential writing by Albert Camus

'Mother died today.
Or maybe yesterday, I don't know'

Meursault is different. He will not lie. He will not pretend.
He is true to himself.

So when his mother dies and he is unmoved, he refuses to do the proper thing and grieve. Returning to Algiers after the funeral, he carries on life as usual until he becomes involved in a violent murder.

In court, it is clear that Meursault's guilt or innocence will not be determined by what he did or did not do.

He is on trial for being different - an outsider.

'The story of a beach murder, one of the century's classic novels. Blood and sand' J.G. Ballard

'A compelling, dreamlike fable' Guardian

Albert Camus was born in Algeria in 1913. He studied philosophy in Algiers and then worked in Paris as a journalist. He was one of the intellectual leaders of the Resistance movement and, after the War, established his international reputation as a writer. His books include The Plague, The Just and The Fall, and he won the Nobel Prize for Literature in 1957. Camus was killed in a road accident in 1960.

A Short Guide to Towns Without a Past

by Albert Camus

Best known for his existentialist novel The Outsider, set in French-occupied Algeria, Albert Camus was profoundly influenced by the landscapes, towns and traditions of his youth. Selected here are some of his finest personal essays about Algeria and its environs, including the luminous 'Nuptials at Tipasa', one of his earliest works where he developed the themes that would inform his later philosophy- to thrive now, without hope for paradise, as mortal life alone can be worthwhile.

Travels in the Americas Notes and Impressions of a New World

by Albert Camus

Albert Camus’s lively journals from his eventful visits to the United States and South America in the 1940s, available again in a new translation.

In March 1946, the young Albert Camus crossed from Le Havre to New York. Though he was virtually unknown to American audiences at the time, all that was about to change—The Stranger, his first book translated into English, would soon make him a literary star. By 1949, when he set out on a tour of South America, Camus was an international celebrity. Camus’s journals offer an intimate glimpse into his daily life during these eventful years and showcase his thinking at its most personal—a form of observational writing that the French call choses vues (things seen).

Camus’s journals from these travels record his impressions, frustrations, joys, and longings. Here are his unguarded first impressions of his surroundings and his encounters with publishers, critics, and members of the New York intelligentsia. Long unavailable in English, the journals have now been expertly retranslated by Ryan Bloom, with a new introduction by Alice Kaplan. Bloom’s translation captures the informal, sketch-like quality of Camus’s observations—by turns ironic, bitter, cutting, and melancholy—and the quick notes he must have taken after exhausting days of travel and lecturing. Bloom and Kaplan’s notes and annotations allow readers to walk beside the existentialist thinker as he experiences changes in his own life and the world around him, all in his inimitable style.

The Complete Notebooks

by Albert Camus

The first complete translation of Albert Camus's personal notebooks written between 1933 and 1959, including new material never before published in English.



Throughout his career, French writer and philosopher Albert Camus kept a series of notebooks that offers an unrivaled glimpse into the writer at his most personal and reflective. These notebooks contain his thoughts on politics, solitude, personal failings and regrets, his travels, and his relationships with friends and rivals. They also provide insight into his process as a thinker--his frustrations, his ideas for novels and plays (some pursued and others abandoned), his routines, his aspirations, and his self-recriminations.



For Camus devotees, there is no more intimate experience than reading these notebooks. On the one hand, his fallibility is on full display: He is irritated by mediocrity, frustrated with his health, plagued by insomnia, and miserable about life's petty necessities. Yet, he is also intensely curious and observant, sometimes moved to rapture by landscapes and people. Readers will experience the bounty of Camus's philosophical imagination and will witness firsthand how his ideas take shape. The notebooks contain drafts of letters to friends and recorded reflections on the compromises that being in the world demands.



This publication marks the first time Camus's complete notebooks have been published in one comprehensive volume. Expertly and movingly translated by Ryan Bloom with extensive footnotes contextualizing the entries, The Complete Notebooks will remain a literary treasure for years to come.