Books by Andrew Holleran

The Kingdom of Sand: A Novel

by Andrew Holleran

A NEW YORK TIMES BOOK REVIEW EDITOR'S CHOICE PICK
ONE OF THE LONDON TIMES' TOP TWENTY-SIX FICTION BOOKS OF THE YEAR
LA TIMES 5 BEST BOOKS OF 2022
BBC CULTURE'S 50 BEST BOOKS OF 2022
LONGLIST FOR THE MARK TWAIN AMERICAN VOICE IN LITERATURE AWARD

"[Holleran's] new novel is all the more affecting and engaging because the images of isolation and old age here are haunted . . . in 1978 Holleran wrote the quintessential novel about gay abandon, the sheer, careless pleasure of it: Dancer From the Dance. Now, at almost 80 years of age, he has produced a novel remarkable for its integrity, for its readiness to embrace difficult truths and for its complex way of paying homage to the passing of time." ―Colm Toibin, The New York Times Book Review

"It’s rare to find fiction that takes this kind of dying of the light as its subject and doesn’t make its heroes feel either pathetic or polished with a gleam of false dignity . . . This sad, beautiful book captures the sensations Holleran’s characters are chasing ― as well as the darkness that inevitably comes for them, and us." ―Mark Athitakis, The Los Angeles Times

One of the great appeals of Florida has always been the sense that the minute you get here you have permission to collapse.

The Kingdom of Sand is a poignant tale of desire and dread―Andrew Holleran’s first new book in sixteen years. The nameless narrator is a gay man who moved to Florida to look after his aging parents―during the height of the AIDS epidemic―and has found himself unable to leave after their deaths. With gallows humor, he chronicles the indignities of growing old in a small town.

At the heart of the novel is the story of his friendship with Earl, whom he met cruising at the local boat ramp. For the last twenty years, he has been visiting Earl to watch classic films together and critique the neighbors. Earl is the only person in town with whom he can truly be himself. Now Earl’s health is failing, and our increasingly misanthropic narrator must contend with the fact that once Earl dies, he will be completely alone. He distracts himself with sexual encounters at the video porn store and visits to Walgreens. All the while, he shares reflections on illness and death that are at once funny and heartbreaking.

Holleran’s first novel, Dancer from the Dance, is widely regarded as a classic work of gay literature. Reviewers have described his subsequent books as beautiful, exhilarating, seductive, haunting, and bold. The Kingdom of Sand displays all of Holleran’s considerable gifts; it’s an elegy to sex and a stunningly honest exploration of loneliness and the endless need for human connection, especially as we count down our days.

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The Kingdom of Sand: A Novel

by Andrew Holleran

A NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE AND PAPERBACK ROW

“[Holleran’s] new novel is all the more affecting and engaging because the images of isolation and old age here are haunted . . . In 1978 Holleran wrote the quintessential novel about gay abandon, the sheer, careless pleasure of it: Dancer from the Dance. Now, at almost eighty years of age, he has produced a novel remarkable for its integrity, for its readiness to embrace difficult truths and for its complex way of paying homage to the passing of time.” ―Colm Tóibín, The New York Times Book Review

“It’s rare to find fiction that takes this kind of dying of the light as its subject and doesn’t make its heroes feel either pathetic or polished with a gleam of false dignity . . . This sad, beautiful book captures the sensations Holleran’s characters are chasing―as well as the darkness that inevitably comes for them, and us.” ―Mark Athitakis, Los Angeles Times

One of the great appeals of Florida has always been the sense that the minute you get here you have permission to collapse.

The Kingdom of Sand is a poignant tale of desire and dread―Andrew Holleran’s first new book in sixteen years. The nameless narrator is a gay man who moved to Florida to look after his aging parents―during the height of the AIDS epidemic―and has found himself unable to leave after their deaths. With gallows humor, he chronicles the indignities of growing old in a small town.

At the heart of the novel is the story of his friendship with Earl, whom he met cruising at the local boat ramp. For the last twenty years, he has been visiting Earl to watch classic films together and critique the neighbors. Earl is the only person in town with whom he can truly be himself. Now Earl’s health is failing, and our increasingly misanthropic narrator must contend with the fact that once Earl dies, he will be completely alone. He distracts himself with sexual encounters at the video porn store and visits to Walgreens. All the while, he shares reflections on illness and death that are at once funny and heartbreaking.

Holleran’s first novel, Dancer from the Dance, is widely regarded as a classic work of gay literature. Reviewers have described his subsequent books as beautiful, exhilarating, seductive, haunting, and bold. The Kingdom of Sand displays all of Holleran’s considerable gifts; it’s an elegy to sex and a stunningly honest exploration of loneliness and the endless need for human connection, especially as we count down our days.

Copies

M2m New Literary Fiction- P

by Edmund White, Felice Picano, Andrew Holleran, Karl Woelz, Paul Lisicky

Anthology of literary fiction by gay men. Includes literary legends Edmund White, Andrew Holleran and Felice Picano as well as new writers Tom House, Paul Lisicky, Mitch Cullin, W.C. Harris, Robin Lippincott, Michael Carroll, Dan Jaffe and nine others. This is the first in a new series highlighting the best of contemporary gay male voices practicing the art of literary fiction.

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Grief

by Andrew Holleran

In the tradition of Michael Cunningham's The Hours, a beautiful novel destined to become a classic
Reeling from the recent death of his invalid mother, a worn, jaded professor comes to our nation's capital to recuperate from his loss. What he finds there -- in his repressed, lonely landlord, in the city's mood and architecture, and in the letters and journals of Mary Todd Lincoln -- shows him new, poignant truths about America, yearning, loneliness, and mourning itself.
Since Andrew Holleran first burst onto the scene with 1978's groundbreaking Dancer from the Dance, which has been continuously in print, he has been dazzling readers and critics with his haunting, brilliant prose. The Publishing Triangle ranks Dancer from the Dance at #15 on its list of the 100 best lesbian and gay novels ever, along with titles by Marcel Proust and Virginia Woolf. A new Andrew Holleran book is a major literary event; with Grief, Holleran is poised to reach a wider audience than ever before.

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Dancer from the Dance: A Novel

by Andrew Holleran

"An astonishingly beautiful book. The best gay novel written by anyone of our generation." — Harper's magazine
One of the most important works of gay literature, this haunting, brilliant novel is a seriocomic remembrance of things past -- and still poignantly present. It depicts the adventures of Malone, a beautiful young man searching for love amid New York's emerging gay scene. From Manhattan's Everard Baths and after-hours discos to Fire Island's deserted parks and lavish orgies, Malone looks high and low for meaningful companionship. The person he finds is Sutherland, a campy quintessential queen -- and one of the most memorable literary creations of contemporary fiction.
Hilarious, witty, and ultimately heartbreaking, Dancer from the Dance is truthful, provocative, outrageous fiction told in a voice as close to laughter as to tears.

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The Beauty of Men A Novel

by Andrew Holleran

"As valuable as Holleran may be as a chronicler of contemporary gay history, he is one of those gay writers whose stylistic prowess and critical intelligence deserves the attention of straight readers as much as that of the gay reading community. . . . The Beauty of Men is an honest attempt to grapple with loneliness and aging without self-pity or sentimentality, and for that reason, it will last." -- Washington Post

Andrew Holleran's classic Dancer from the Dance became an icon for gay men in the 1970s, portraying a man's descent from high society Connecticut to a glittering world of hedonism and promiscuity in New York City. In The Beauty of Men, his third novel, he writes a poignant story of loneliness, unfulfilled dreams, and loss of youth, set in the mid-1990s amid the ravaging AIDS crisis.

Forty-seven, gay, and alone, Lark leaves behind his youth and dreams in New York City to care for his dying mother in Florida. Mourning the passing of his glamorous younger self to time and the lives of friends and acquaintances to AIDS, he looks back on his past, to years spent in pursuit of hedonistic pleasures. Middle-aged, gray, and now seemingly invisible to the world around him, Lark has survived while those around him have all been taken. Left with nothing but his memories, he is forced to contemplate the cruel emptiness and bitter loneliness of his life while longing for a stunningly handsome man, who haunts is days and dreams.

Gorgeous and deeply moving, Holleran's heartbreaking novel is beyond its time; a study of the human condition and our yearning for meaning, purpose, and love in a cold and capricious world.

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Dancer from the Dance A Novel

by Andrew Holleran

One of The Atlantic's Great American Novels

"A hymn to gay liberation in the city, and to male beauty." -- Darryl Pinckney, T, The New York Times Style magazine

"Nothing could be more beautiful than Holleran's tableaux of New York, those hot summer city nights when lonely men sit on their stoops or their fire escapes and stare at that endless parade of unattainable lovers." -- Boston Globe

Andrew Holleran's landmark novel of a young man's search for love and companionship in New York's emerging gay world in the 1970s, with a new introduction by Garth Greenwell.

Young, astonishingly beautiful, and tired of living a lie, Anthony Malone trades life as a seemingly straight small-town lawyer for the decadence of New York's emerging gay scene--an odyssey that takes him from Manhattan's Everard baths and after hour discos, to lavish orgies on Fire Island and parks after dark. Rescuing Malone from a possessive lover and shepherding him through his immersion in this life of fierce joys and cheap truths is the flamboyant Sutherland, a high-camp quintessential queen. But for Malone, the endless city nights and Fire Island days are close to burning out, and despite Sutherland's abundant attentiveness and glittering world-weary wisdom, Malone soon realizes what he is truly looking for may not be found in these beautiful places, where life is crowded, and people are forever outrunning their own desires and death.

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