Books by Ann J Abadie
Faulkner and the Short Story (Faulkner and Yoknapatawpha Series)
by Ann J Abadie, Evans Harrington
Papers presented in 1990 at the seventeenth annual Faulkner and Yoknapatawpha Conference at the University of Mississippi. A volume extolling the Nobel Laureate’s short story masterpieces with homage and critical appreciation
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Faulkner and Ideology (Faulkner and Yoknapatawpha Series)
by Ann J Abadie, Donald M. Kartiganer
Thirteen original papers from the Faulkner and Yoknapatawpha Conferences held in 1992 at the University of Mississippi
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Faulkner and Gender
by Ann J Abadie, Donald M. Kartiganer
These thirteen original essays from the annual Faulkner and Yoknapatawpha Conference, held in 1994 at the University of Mississippi, examine William Faulkner's texts in terms of their surprising range of gender portrayals.
The collection explores such themes as the male homosocial urge ay the heart of warfare, the blurring of gender distinctions in Faulkner's ?epicene? figures, the function of cross-dressing as a form of defiance of traditional hierarchies. Several of the essays see in Faulkner a challenge to the ?culture? vs. ?nature? dichotomy itself, suggesting that sex may be a product of gender rather than its origin, that the line between the biological given and the social performance may be even more tenuous than we have assumed.
More than any other of the various contextualist approaches brought to bear on Faulkner's work, the focus on gender exemplifies the theory of the cultural construction of reality. Recent literary criticism, in large part owing to the emergence of feminism, has convincingly argued the difference between gender and sex, between the acculturated and the naturel. Among the results of the attention to gender in Faulkner studies is a fresh sense of fictional character as a site of multiple, sometimes clashing, personae, each gender role a signifier threatening to float free, speaking the reigning discourse, but always with a touch of conscious or unconscious parody.
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Faulkner and the Artist (Faulkner and Yoknapatawpha Series)
by Ann J Abadie, Donald M. Kartiganer
Whatever the various roles he played and whatever his occasional claims that he was not at all a “literary man,” William Faulkner was in fact the most devoted of artists. He was absolutely dedicated to the work, and, as this volume demonstrates, he was fascinated with the personality, the generative process, and the practice of the artist.
These fourteen original essays from the annual Faulkner and Yoknapatawpha Conference, held in 1993 at the University of Mississippi, explore a wide range of issues revolving around the meaning of art, artistry, and the artist in Faulkner’s life and fiction. Here some of Faulkner’s most fervent readers and critics assess the impact on him of the visual arts and architecture, the role of artist figures in such novels as The Sound and the Fury and The Wild Palms, as well as their guise as lawyers in Sanctuary, Go Down, Moses, and The Town, and the meaning of “telling” and “design” as exemplified both in the actions of fictional characters and in Faulkner’s narrative strategies.
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Faulkner and Psychology (Faulkner and Yoknapatawpha Series)
by Ann J Abadie, Donald M. Kartiganer
Characteristically, William Faulkner minimized his familiarity with the theories of psychology that were current during the years of his apprenticeship as a writer, especially those of Freud. Yet, Faulkner’s works prove to be a trove for psychological study. These original papers from the annual Faulkner and Yoknapatawpha Conference, held in 1991 at the University of Mississippi, vary widely in their approaches to recent psychological speculation about Faulkner’s texts. In recent years psychological analysis of literature has shifted largely from investigation of a writer’s life to a focus on the work itself. Whether applying the theories of Freud and Lacan, drawing upon theoretical work in women’s studies and men’s studies, or emphasizing the rigid determinacy of psychological pressure, the essays included in this collection show Faulkner’s works to be unquestionably rich in psychological materials.
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The New Encyclopedia of Southern Culture: Volume 7: Foodways
by John T. Edge, James G Thomas Jr, Ann J Abadie
When the original Encyclopedia of Southern Culture was published in 1989, the topic of foodways was relatively new as a field of scholarly inquiry. Food has always been central to southern culture, but the past twenty years have brought an explosion in interest in foodways, particularly in the South. This volume marks the first encyclopedia of the food culture of the American South, surveying the vast diversity of foodways within the region and the collective qualities that make them distinctively southern.
Articles in this volume explore the richness of southern foodways, examining not only what southerners eat but also why they eat it. The volume contains 149 articles, almost all of them new to this edition of the Encyclopedia. Longer essays address the historical development of southern cuisine and ethnic contributions to the region's foodways. Topical essays explore iconic southern foods such as MoonPies and fried catfish, prominent restaurants and personalities, and the food cultures of subregions and individual cities. The volume is destined to earn a spot on kitchen shelves as well as in libraries.
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Faulkner's Inheritance (Faulkner and Yoknapatawpha Series)
by Ann J Abadie, Joseph R. Urgo
Essays by Susan V. Donaldson, Lael Gold, Adam Gussow, Martin Kreiswirth, Jay Parini, Noel Polk, Judith L. Sensibar, Jon Smith, and Priscilla Wald
William Faulkner once said that the writer “collects his material all his life from everything he reads, from everything he listens to, everything he sees, and he stores that away in sort of a filing cabinet . . . in my case it's not anything near as neat as a filing case; it's more like a junk box.” Faulkner tended to be quite casual about his influences. For example, he referred to the South as “not very important to me. I just happen to know it, and don't have time in one life to learn another one and write at the same time.” His Christian background, according to him, was simply another tool he might pick up on one of his visits to “the lumber room” that would help him tell a story.
Sometimes he claimed he never read James Joyce's Ulysses or had never heard of Thomas Mann―writers he would elsewhere declare as “the two great men in my time.” Sometimes he expressed annoyance at readers who found esoteric theory in his fiction, when all he wanted them to find was Faulkner: “I have never read [Freud]. Neither did Shakespeare. I doubt if Melville did either, and I'm sure Moby-Dick didn't.”
Nevertheless, Faulkner's life was rich in what he did, saw, and read, and he seems to have remembered all of it and put it to use in his fiction. Faulkner's Inheritance is a collection of essays that examines the influences on Faulkner's fiction, including his own family history, Jim Crow laws, contemporary fashion, popular culture, and literature.
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Faulkner's Inheritance (Faulkner and Yoknapatawpha Series)
by Ann J Abadie, Joseph R. Urgo
Essays by Susan V. Donaldson, Lael Gold, Adam Gussow, Martin Kreiswirth, Jay Parini, Noel Polk, Judith L. Sensibar, Jon Smith, and Priscilla Wald
William Faulkner once said that the writer “collects his material all his life from everything he reads, from everything he listens to, everything he sees, and he stores that away in sort of a filing cabinet . . . in my case it's not anything near as neat as a filing case; it's more like a junk box.” Faulkner tended to be quite casual about his influences. For example, he referred to the South as “not very important to me. I just happen to know it, and don't have time in one life to learn another one and write at the same time.” His Christian background, according to him, was simply another tool he might pick up on one of his visits to “the lumber room” that would help him tell a story.
Sometimes he claimed he never read James Joyce's Ulysses or had never heard of Thomas Mann―writers he would elsewhere declare as “the two great men in my time.” Sometimes he expressed annoyance at readers who found esoteric theory in his fiction, when all he wanted them to find was Faulkner: “I have never read [Freud]. Neither did Shakespeare. I doubt if Melville did either, and I'm sure Moby-Dick didn't.”
Nevertheless, Faulkner's life was rich in what he did, saw, and read, and he seems to have remembered all of it and put it to use in his fiction. Faulkner's Inheritance is a collection of essays that examines the influences on Faulkner's fiction, including his own family history, Jim Crow laws, contemporary fashion, popular culture, and literature.
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Faulkner's Geographies (Faulkner and Yoknapatawpha Series)
The recent spatial turn in social theory and cultural studies opens up exciting new possibilities for the study of William Faulkner's literature. The fictional domains of Yoknapatawpha County and Jefferson, Mississippi, are not simply imagined communities but imaginative geographies of remarkable complexity and detail, as evidenced by the maps Faulkner created of his “apocryphal” county. Exploring the diverse functions of space in Faulkner's artistic vision, the eleven essays in Faulkner's Geographies delve deep into Yoknapatawpha but also reach beyond it to uncover unsuspected connections and flows linking local, regional, national, hemispheric, and global geographies in Faulkner's writings.
Individual contributions examine the influence of the plantation as a land-use regime on Faulkner's imagination of north Mississippi's geography; the emergence of “micro-Souths” as a product of modern migratory patterns in the urban North of Faulkner's fiction; the enlistment of the author's work in the geopolitics of the cultural Cold War during the 1950s; the historical and literary affiliations between Faulkner's Deep South and Greater Mexico; the local and idiosyncratic as alternatives to region and nation; the unique intersection of regional and metropolitan geographies that Faulkner encountered as a novice writer immersed in the literary culture of New Orleans; the uses of feminist geography to trace the interplay of gender, space, and movement; and the circulation of Caribbean and “Black South” spaces and itineraries through Faulkner's masterpiece, Absalom, Absalom!
By bringing new attention to the function of space, place, mapping, and movement in his literature, Faulkner's Geographies seeks to redraw the very boundaries of Faulkner studies.
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Faulkner's Geographies (Faulkner and Yoknapatawpha Series)
The recent spatial turn in social theory and cultural studies opens up exciting new possibilities for the study of William Faulkner's literature. The fictional domains of Yoknapatawpha County and Jefferson, Mississippi, are not simply imagined communities but imaginative geographies of remarkable complexity and detail, as evidenced by the maps Faulkner created of his “apocryphal” county. Exploring the diverse functions of space in Faulkner's artistic vision, the eleven essays in Faulkner's Geographies delve deep into Yoknapatawpha but also reach beyond it to uncover unsuspected connections and flows linking local, regional, national, hemispheric, and global geographies in Faulkner's writings.
Individual contributions examine the influence of the plantation as a land-use regime on Faulkner's imagination of north Mississippi's geography; the emergence of “micro-Souths” as a product of modern migratory patterns in the urban North of Faulkner's fiction; the enlistment of the author's work in the geopolitics of the cultural Cold War during the 1950s; the historical and literary affiliations between Faulkner's Deep South and Greater Mexico; the local and idiosyncratic as alternatives to region and nation; the unique intersection of regional and metropolitan geographies that Faulkner encountered as a novice writer immersed in the literary culture of New Orleans; the uses of feminist geography to trace the interplay of gender, space, and movement; and the circulation of Caribbean and “Black South” spaces and itineraries through Faulkner's masterpiece, Absalom, Absalom!
By bringing new attention to the function of space, place, mapping, and movement in his literature, Faulkner's Geographies seeks to redraw the very boundaries of Faulkner studies.
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Faulkner and Film (Faulkner and Yoknapatawpha Series)
Considering that he worked a stint as a screenwriter, it will come as little surprise that Faulkner has often been called the most cinematic of novelists. Faulkner's novels were produced in the same high period as the films of classic Hollywood, a reason itself for considering his work alongside this dominant form. Beyond their era, though, Faulkner's novels―or the ways in which they ask readers to see as well as feel his world―have much in common with film. That Faulkner was aware of film and that his novels’ own “thinking” betrays his profound sense of the medium and its effects broadens the contexts in which he can be considered.
In a range of approaches, the contributors consider Faulkner’s career as a scenarist and collaborator in Hollywood, the ways his screenplay work and the adaptations of his fiction informed his literary writing, and how Faulkner’s craft anticipates, intersects with, or reflects upon changes in cultural history across the lifespan of cinema.
Drawing on film history, critical theory, archival studies of Faulkner's screenplays and scholarship about his work in Hollywood, the nine essays show a keen awareness of literary modernism and its relation to film.
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Faulkner and Film (Faulkner and Yoknapatawpha Series)
Considering that he worked a stint as a screenwriter, it will come as little surprise that Faulkner has often been called the most cinematic of novelists. Faulkner's novels were produced in the same high period as the films of classic Hollywood, a reason itself for considering his work alongside this dominant form. Beyond their era, though, Faulkner's novels―or the ways in which they ask readers to see as well as feel his world―have much in common with film. That Faulkner was aware of film and that his novels’ own “thinking” betrays his profound sense of the medium and its effects broadens the contexts in which he can be considered.
In a range of approaches, the contributors consider Faulkner’s career as a scenarist and collaborator in Hollywood, the ways his screenplay work and the adaptations of his fiction informed his literary writing, and how Faulkner’s craft anticipates, intersects with, or reflects upon changes in cultural history across the lifespan of cinema.
Drawing on film history, critical theory, archival studies of Faulkner's screenplays and scholarship about his work in Hollywood, the nine essays show a keen awareness of literary modernism and its relation to film.
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Faulkner in the Twenty-First Century (Faulkner and Yoknapatawpha Series)
by Robert W. Hamblin, Ann J Abadie
Contributions by Deborah N. Cohn, Leigh Anne Duck, Robert W. Hamblin, Michael Kreyling, Barbara Ladd, Walter Benn Michaels, Patrick O'Donnell, Theresa M. Towner, Annette Trefzer, and Karl F. Zender
Faulkner in the Twenty-First Century presents the thoughts of ten noted Faulkner scholars who spoke at the twenty-seventh annual Faulkner and Yoknapatawpha Conference at the University of Mississippi. Theresa M. Towner attacks the traditional classification of Faulkner's works as “major” and “minor” and argues that this causes the neglect of other significant works and characters. Michael Kreyling uses photographs of Faulkner to analyze the interrelationships of Faulkner's texts with the politics and culture of Mississippi.
Barbara Ladd and Deborah Cohn invoke the relevance of Faulkner's works to “the other South,” postcolonial Latin America. Also, approaching Faulkner from a postcolonial perspective, Annette Trefzer looks at his contradictory treatment of Native Americans.
Within the tragic fates of such characters as Quentin Compson, Gail Hightower, and Rosa Coldfield, Leigh Ann Duck finds an inability to cope with painful memories. Patrick O'Donnell examines the use of the future tense and Faulkner's growing skepticism of history as a linear progression. To postmodern critics who denigrate “The Fire and the Hearth,” Karl F. Zender offers a rebuttal. Walter Benn Michaels contends that in Faulkner's South, and indeed the United States as a whole, the question of racial identification tends to overpower all other issues. Faulkner's recurring interest in frontier life and values inspires Robert W. Hamblin's piece.
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American Landscapes: Meditations on Art and Literature in a Changing World (University of Mississippi Museum and Historic Houses Series)
by J. Richard Gruber, Ann J Abadie, University Press Of Mississippi
American Landscapes: Meditations on Art and Literature in a Changing World is a major contemporary survey of landscapes in art and literature of the United States, especially the American South. Inspired by William Dunlap’s extraordinary landscape Meditations on the Origins of Agriculture in America and a collection of forty paintings and photographs by Southern artists, this volume brings together artists, authors, and scholars to present new perspectives on art and literature both past and present.
The volume includes art and text from artists John Alexander, Jason Bouldin, William Dunlap, Carlyle Wolfe Lee, Ke Francis, Linda Burgess, Randy Hayes; photographers Sally Mann, Ed Croom, and Huger Foote; museum directors Betsy Bradley, Jane Livingston, and Julian Rankin; and authors W. Ralph Eubanks, John Grisham, J. Richard Gruber, Jessica B. Harris, Lisa Howorth, Julia Reed, Natasha Trethewey, Curtis Wilkie, Joseph M. Pierce, and Drew Gilpin Faust. This diverse group explores major eras of American history portrayed in Dunlap’s painting, a landscape that evokes the displacement and genocide of Native Americans, the enslavement of Africans, the Civil War, and William Faulkner’s fiction. They examine the history of landscape art in America, connecting art with the works of major writers like William Faulkner, Eudora Welty, Natasha Trethewey, and Jesmyn Ward.
In eighteen new essays written during the pandemic and since the events of January 6, 2021, the essayists emphasize how the key issues Dunlap addressed in his 1987 artwork have become part of the national discourse and make his work even more vital today.
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Fifty Years after Faulkner (Faulkner and Yoknapatawpha Series)
Contributions by Ted Atkinson, Michael P. Bibler, Deborah Clarke, David A. Davis, David M. Earle, Jason D. Fichtel, Elizabeth Fielder, Joseph Fruscione, Matthew Pratt Guterl, Patrick E. Horn, Cheryl Lester, Jessica Martell, Sharon Monteith, Richard C. Moreland, Alan Nadel, Julie Beth Napolin, François Pitavy, Ramón Saldívar, Hortense J. Spillers, Terrell L. Tebbetts, Zackary Vernon, Randall Wilhelm, and Charles Reagan Wilson
These essays examine issues across the wide arc of Faulkner's extraordinary career, from his aesthetic apprenticeship in the visual arts, to late-career engagements with the Cold War, the civil rights movement, and beyond, to the place of death in his artistic vision and the long, varied afterlives he and his writings have enjoyed in literature and popular culture. Contributors deliver stimulating reassessments of Faulkner's first novel, Soldiers' Pay; his final novel, The Reivers; and much of the important work between. Scholars explore how a broad range of elite and lowbrow cultural forms―plantation diaries, phonograph records, pulp magazines―shaped Faulkner's capacious imagination and how his works were translated into such media as film and modern dance. Essays place Faulkner's writings in dialogue with those of fellow twentieth-century authors including W. E. B. Du Bois, Ernest Hemingway, Richard Hall, and Jayne Anne Phillips; locate his work in relation to African American intellectual currents and Global South artistic traditions; and weigh the rewards as well as the risks of dislodging Faulkner from the canonical position he currently occupies.
While Faulkner studies has cultivated an image of the novelist as a neglected genius who toiled in obscurity, a look back fifty years to the final months of the author's life reveals a widely traveled and celebrated artist whose significance was framed in national and international as well as regional terms. Fifty Years after Faulkner bears out that expansive view, reintroducing us to a writer whose work retains its ability to provoke, intrigue, and surprise a variety of readerships.
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Faulkner and Mystery (Faulkner and Yoknapatawpha Series)
by Annette Trefzer, Ann J Abadie
Contributions by Hosam Aboul-Ela, Susan V. Donaldson, Richard Godden, Michael Gorra, Lisa Hinrichsen, Donald M. Kartiganer, Sarah Mahurin, Sean McCann, Noel Polk, Esther Sánchez-Pardo, Annette Trefzer, Rachel Watson, and Philip Weinstein
Faulkner and Mystery presents a wide spectrum of compelling arguments about the role and function of mystery in William Faulkner's fiction. Twelve new essays approach the question of what can be known and what remains a secret in the narratives of the Nobel laureate. Scholars debate whether or not Faulkner's work attempts to solve mysteries or celebrate the enigmas of life and the elusiveness of truth.
Scholars scrutinize Faulkner's use of the contemporary crime and detection genre as well as novels that deepen a plot rather than solve it. Several essays are dedicated to exploring the narrative strategies and ideological functions of Faulkner's take on the detective story, the classic “whodunit.” Among Faulkner's novels most interested in the format of detection is Intruder in the Dust, which assumes a central role in this essay collection.
Other contributors explore the thickening mysteries of racial and sexual identity, particularly the enigmatic nature of his female and African American characters. Questions of insight, cognition, and judgment in Faulkner's work are also at the center of essays that explore his storytelling techniques, plot development, and the inscrutability of language itself.
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Faulkner and the Ecology of the South (Faulkner & Yoknapatawpha Series)
by Ann J Abadie, Joseph R. Urgo
From the Publisher ---Features essays on Nobel Laureate William Faulkner's use of ecological and environmental concerns in his fiction ---Includes essays by such prominent scholars as Philip Weinstein and Cecelia Tichi ---Includes contributions from Eric Gary Anderson (George Mason University), Seth Berner (independent; Portland, Maine), Jeanne de la Houssaye (independent; New Orleans), Ann Fisher-Wirth (University of Mississippi), Thomas L. McHaney (Georgia State University), François Pitavy (University of Burgundy), Scott Slovic (University of NevadaReno), Cecelia Tichi (Vanderbilt University), Joseph Urgo (University of Mississippi) Michael Wainwright (University of London), and Philip Weinstein (independent) Product Description In 1952, Faulkner noted the exceptional nature of the South when he characterized it as "the only really authentic region in the United States, because a deep indestructible bond still exists between man and his environment." The essays collected in Faulkner and the Ecology of the South explore Faulkner's environmental imagination, seeking what Ann Fisher-Wirth calls the "ecological counter-melody" of his texts. "Ecology" was not a term in common use outside the sciences in Faulkner's time. However, the word "environment" seems to have held deep meaning for Faulkner. Often he repeated his abiding interest in "man in conflict with himself, with his fellow man, or with his time and place, his environment." Eco-criticism has led to a renewed interest among literary scholars for what in this volume Cecelia Tichi calls, "humanness within congeries of habitats and en-vironments." Philip Weinstein draws on Pierre Bourdieu's notion of habitus. Eric Anderson argues that Faulkner's fiction has much to do with ecology in the sense that his work often examines the ways in which human communities interact with the natural world, and François Pitavy sees Faulkner's wilderness as unnatural in the ways it represents reflections of man's longings and frustrations. Throughout these essays, scholars illuminate in fresh ways the precarious ecosystem of Yoknapatawpha County. Joseph R. Urgo, Oxford, Mississippi, is chair of the English department at the University of Mississippi. His books include Faulkner's Apocrypha, Novel Frames: Literature as Guide to Race, Sex, and History in American Culture, and In the Age of Distraction, all published by University Press of Mississippi. Ann J. Abadie, Oxford, is associate director of the Center for the Study of Southern Culture at the University of Mississippi. She has coedited Faulkner and His Contemporaries, Faulkner and War, Faulkner and Postmodernism, and Faulkner at 100: Retrospect and Prospect, among other Faulkner volumes, all published by University Press of Mississippi. Book Description Essays that explore Faulkner’s relationship to land, people, and the environment From the Inside Flap Essays that explore Faulkner's relationship to land, people, and the environment About the Author Joseph R. Urgo is chair of the English department at the University of Mississippi. His many books include In the Age of Distraction, from the University Press of Mississippi.Ann J. Abadie was associate director of the Center for the Study of Southern Culture at the University of Mississippi and is coeditor of numerous scholarly collections from the Faulkner and Yoknapatawpha Conference.
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Faulkner and Material Culture (Faulkner and Yoknapatawpha Series)
by Ann J Abadie, Joseph R. Urgo
From the Publisher This book of essays exploring the Nobel Laureate's literary uses of the worldly material around him - Collects essays by prominent Faulkner scholars exploring his use of materials in his fiction - Features essays by Charles S. Aiken (University of Tennessee); Katherine R. Henninger (Louisiana State University-Baton Rouge); T. J. Jackson Lears (Rutgers University); Miles Orvell (Temple University); Kevin Railey (Buffalo State College); D. Matthew Ramsey (Stephen F. Austin State University); Joseph R. Urgo (Hamilton College); Jay Watson (University of Mississippi); and Patricia Yaeger (University of Michigan). - Features illustrations - Continues the Faulkner & Yoknapatawpha Series Product Description Photographs, lumber, airplanes, hand-hewn coffins--in every William Faulkner novel and short story worldly material abounds. The essays in Faulkner and Material Culture provide a fresh understanding of the things Faulkner brought from the world around him to the one he created.Charles S. Aiken surveys Faulkner's representation of terrain and concludes, contrary to established criticism, that to Faulkner, Yoknapatawpha was not a microcosm of the South but a very particular and quite specifically located place. Jay Watson works with literary theory, philosophy, the history of woodworking and furniture-making, and social and intellectual history to explore how Light in August is tied intimately to the region's logging and woodworking industries.Other essays in the volume include Kevin Railey's on the consumer goods that appear in Flags in the Dust. Miles Orvell discusses the Confederate Soldier monuments installed in small towns throughout the South and how such monuments enter Faulkner's work. Katherine Henninger analyzes Faulkner's fictional representation of photographs and the function of photography within his fiction, particularly in The Sound and the Fury, Light in August, and Absalom, Absalom!. Book Description Essays exploring the Nobel Laureate’s literary uses of the worldly material around him From the Inside Flap Essays exploring the Nobel Laureate's literary uses of the worldly material around him About the Author Joseph R. Urgo is chair of the English department at the University of Mississippi. His many books include In the Age of Distraction, from the University Press of Mississippi.Ann J. Abadie was associate director of the Center for the Study of Southern Culture at the University of Mississippi and is coeditor of numerous scholarly collections from the Faulkner and Yoknapatawpha Conference.
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Faulkner and His Contemporaries (Faulkner and Yoknapatawpha Series)
by Ann J Abadie, Joseph R. Urgo
Although he spent the bulk of his life in Oxford, Mississippi-far removed from the intellectual centers of modernism and the writers who created it-William Faulkner (1897-1962) proved to be one of the American novelists who most comprehensively grasped modernism. In his fiction he tested its tenets in the most startling and insightful ways.
What, then, did such contemporaries as Ernest Hemingway, Eudora Welty, and Walker Evans think of his work? How did his times affect and accept what he wrote?
Faulkner and His Contemporaries explores the relationship between the Nobel laureate, ensconced in his "postage stamp of native soil," and the world of letters within which he created his masterpieces.
In this anthology, essays focus on such topics as how Faulkner's literary antecedents (in particular, Willa Cather and Joseph Conrad) influenced his writing, his literary/aesthetic feud with rival Ernest Hemingway, and the common themes he shares with fellow southerners Welty and Evans.
Several essays examine the environment in which Faulkner worked. Deborah Clarke concentrates on the rise of the automobile industry. W. Kenneth Holditch shows how the city of New Orleans acted as a major force in Faulkner's fiction, and Grace Elizabeth Hale examines how the civil rights era of Faulkner's later career compelled him to deal with his ideas about race and rebellion in new ways.
Although he spent the bulk of his life in Oxford, Mississippi-far removed from the intellectual centers of modernism and the writers who created it-William Faulkner (1897-1962) proved to be one of the American novelists who most comprehensively grasped modernism. In his fiction he tested its tenets in the most startling and insightful ways.
What, then, did such contemporaries as Ernest Hemingway, Eudora Welty, and Walker Evans think of his work? How did his times affect and accept what he wrote?
Faulkner and His Contemporaries explores the relationship between the Nobel laureate, ensconced in his "postage stamp of native soil," and the world of letters within which he created his masterpieces.
In this anthology, essays focus on such topics as how Faulkner's literary antecedents (in particular, Willa Cather and Joseph Conrad) influenced his writing, his literary/aesthetic feud with rival Ernest Hemingway, and the common themes he shares with fellow southerners Welty and Evans.
Several essays examine the environment in which Faulkner worked. Deborah Clarke concentrates on the rise of the automobile industry. W. Kenneth Holditch shows how the city of New Orleans acted as a major force in Faulkner's fiction, and Grace Elizabeth Hale examines how the civil rights era of Faulkner's later career compelled him to deal with his ideas about race and rebellion in new ways.
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Faulkner in Cultural Context (Faulkner and Yoknapatawpha Series)
by Ann J Abadie, Donald M. Kartiganer
What Faulkner once re-ferred to as his "material, the South," possesses the most substantive kind of reality - war and peace, wealth and poverty, race and sexual identity. Yet this reality is ultimately cultural, for it must be understood in terms of a way of life.
The twelve essays in this volume, presented in 1995 at the University of Mississippi, trace some of the significant connections between Faulkner's fiction and its surrounding cultural life and show the ways in which the work of art and the cultural context combine to produce meaning.
At the University of Mississippi Donald M. Kartiganer is William Howry Professor of Faulkner Studies, and Ann J. Abadie, who has coedited all volumes in the Faulkner Conference series, is Associate Director of the Center for the Study of Southern Culture.
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Faulkner and War (Faulkner & Yoknapatawpha Series)
There are three wars in the mind and in the art of William Faulkner--the American Civil War, World War I, and World War II. Although he did not fight in any war, he postured as a veteran flyer, for he had enlisted in the Royal Flying Corps in Canada. In his novels, short stories, essays, and letters, war remained a looming subject.
Faulkner and War, a collection of essays from the Faulkner and Yoknapatawpha Conference, held at the University of Mississippi in 2001, explores the role that war played in the life and work of a writer whose career seems forever poised against a backdrop of wars going on or recently ended or in the volatile years between. Perhaps most significant for all his works was the Civil War, which had ended thirty-two years before Faulkner was born. Yet it was the vast, escapable panorama against which he set his novels of the anguished South.
John Limon discusses Faulkner's attempt to show how much of the sense of reality that the Great War produced could be rendered in fiction without explicit reference to it, as, for example, in one novel seemingly remote from the war, As I Lay Dying. Lothar Hönnighausen examines Faulkner's evolving ideological attitudes toward war in Soldiers' Pay, A Fable, and The Mansion.
These and other essays give illumination to Faulkner's close analysis of war and its consequences as they appear in his work.
Noel Polk, a professor of English at the University of Southern Mississippi, is the author of Children of the Dark House: Text and Context in Faulkner, Eudora Welty: A Critical Bibliography, Outside the Southern Myth (all from University Press of Mississippi), and other books.
Ann J. Abadie, co-editor of publications in the Faulkner and Yoknapatawpha Series, is associate director of the Center for the Study of Southern Culture at the University of Mississippi.
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Faulkner in America (Faulkner and Yoknapatawpha Series)
by Ann J Abadie, Joseph R. Urgo
With essays by Richard Godden, Catherine Gunther Kodat, Kathryn B. McKee, Peter Nicolaison, Charles A. Peek, Noel Polk, Hortense J. Spillers, Joseph R. Urgo, Linda Wagner-Martin, and Charles Reagan Wilson
William Faulkner is Mississippi's most famous author and arguably one of the country's greatest writers. But what was his relationship with America? How did he view the nation, its traditions, its issues?
In ten essays from the 1998 Faulkner and Yoknapatawpha Conference, held at the University of Mississippi, Faulkner in America looks closely at the exchange between William Faulkner the writer and his national affiliation. Collectively, the essays ask which American ideas, identities, and conflicts we should associate with Mississippi's Nobel Laureate.
The collection explores questions regarding Faulkner's place in American literature, his standing and esteem in literary studies, and his relation to the United States. To address such issues, the writers seek a definition of the phrase “Faulkner in America.”
One difficulty scholars wrestle with is how to deal with Mississippi's place in the union. Surely, Faulkner mused: Is Mississippi in America? When he thought about America, he thought about being left alone, about maintaining his distance.
Essays in this volume look at Faulkner's views on the “greening of American history,” on American figures such as Thomas Jefferson, on women in American letters, and on the American dream.
Authors find that the conceptually invigorating signification of the phrase “Faulkner in America” is, finally, provisional. Foremost in Faulkner's mind, in interviews as well as in the aesthetics of the apocryphal Yoknapatawpha County, is that whoever and whatever is in America arrived by battles won and lost, by emigration and enslavement, by choice and by compulsion. Faulkner in America occasions a rigorous examination of Faulkner's American century.
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Faulkner and Postmodernism: Faulkner and Yoknapatawpha, 1999 (Faulkner & Yoknapatawpha)
by John N. Duvall, Ann J Abadie
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Faulkner and the Southern Renaissance (Faulkner and Yoknapatawpha Series)
by Ann J Abadie, Doreen Fowler
About the Author Doreen Fowler is professor of English at the University of Kansas. She is coeditor of many volumes in the Faulkner and Yoknapatawpha Series, published by University Press of Mississippi.Ann J. Abadie is former associate director of the Center for the Study of Southern Culture at the University of Mississippi and coeditor of numerous scholarly collections from the Faulkner and Yoknapatawpha Conference. Product Description It began in the 1930s in a powerful and elegant literature arising from a seemingly improbable place, the rural, agrarian South. This literary flowering, a proliferation of southern letters, is called the Southern Renaissance. Although the definitive history of the southern literary renaissance has yet to be written, its leading figure, without question, was William Faulkner. Helping to define and describe this startling literary phenomenon and Faulkner's place in it are papers of eight noted scholars included in this collection. Brooks, Rubin, King, Minter, Watkins, Samway, Blackburn, and Spencer, one of the authors whose fiction is identified with the movement, focus their papers upon the philosophical and critical aspects of the Southern Renaissance. From the Inside Flap Collected essays on the relation of the Nobel Laureate to the Southern renaissance From the Back Cover Collected essays on the relation of the Nobel Laureate to the Southern renaissance
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Global Faulkner (Faulkner and Yoknapatawpha Series)
by Annette Trefzer, Ann J Abadie
Today, debates about globalization raise both hopes and fears. But what about during William Faulkner's time? Was he aware of worldwide cultural, historical, and economic developments? Just how interested was Faulkner in the global scheme of things?
The contributors to Global Faulkner suggest that a global context is helpful for recognizing the broader international meanings of Faulkner's celebrated regional landscape. Several scholars address how the flow of capital from the time of slavery through the Cold War period in his fiction links Faulkner's South with the larger world. Other authors explore the literary similarities that connect Faulkner's South to Latin America, Africa, Spain, Japan, and the Caribbean. In essays by scholars from around the world, Faulkner emerges in trans-Atlantic and trans-Pacific contexts, in a pan-Caribbean world, and in the space of the Middle Passage and the African Atlantic. The Nobel laureate's fiction is linked to that of such writers as Gabriel García Márquez, Wole Soyinka, Miguel de Cervantes, and Kenji Nakagami.
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Faulkner and Postmodernism (Faulkner and Yoknapatawpha Series)
by John N. Duvall, Ann J Abadie
Since the 1960s, William Faulkner, Mississippi's most famous author, has been recognized as a central figure of international modernism. But might Faulkner's fiction be understood in relation to Thomas Pynchon's Gravity's Rainbow as well as James Joyce's Ulysses?
In eleven essays from the 1999 Faulkner and Yoknapatawpha Conference, held at the University of Mississippi, Faulkner and Postmodernism examines William Faulkner and his fiction in light of postmodern literature, culture, and theory. The volume explores the variety of ways Faulkner's art can be used to measure similarities and differences between modernism and postmodernism.
Essays in the collection fall into three categories: those that use Faulkner's novels as a way to mark a period distinction between modernism and postmodernism, those that see postmodern tendencies in Faulkner's fiction, and those that read Faulkner through the lens of postmodern theory's contemporary legacy, the field of cultural studies.
In order to make their particular arguments, essays in the collection compare Faulkner to more contemporary novelists such as Ralph Ellison, Vladimir Nabokov, Thomas Pynchon, Walker Percy, Richard Ford, Toni Morrison, and Kathy Acker. But not all of the comparisons are to high-culture artists, since even Elvis Presley becomes Faulkner's foil in one of the essays.
A variety of theoretical perspectives frame the work in this volume, from Fredric Jameson's pessimistic sense of postmodernism's possibilities to Linda Hutcheon's conviction that cultural critique can continue in postmodernism through innovative new forms such as metafiction. Despite the different theoretical premises and distinct conclusions of the individual authors of these essays, Faulkner and Postmodernism proves once again that in the key debates surrounding twentieth-century fiction, Faulkner is a crucial figure.
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The Mississippi Encyclopedia
by Charles Reagan Wilson, Odie Lindsey, Ted Ownby, Ann J Abadie, James G. Thomas
Recipient of the 2018 Special Achievement Award from the Mississippi Institute of Arts and Letters and Recipient of a 2018 Heritage Award for Education from the Mississippi Heritage Trust
The perfect book for every Mississippian who cares about the state, this is a mammoth collaboration in which thirty subject editors suggested topics, over seven hundred scholars wrote entries, and countless individuals made suggestions. The volume will appeal to anyone who wants to know more about Mississippi and the people who call it home. The book will be especially helpful to students, teachers, and scholars researching, writing about, or otherwise discovering the state, past and present.
The volume contains entries on every county, every governor, and numerous musicians, writers, artists, and activists. Each entry provides an authoritative but accessible introduction to the topic discussed. The Mississippi Encyclopedia also features long essays on agriculture, archaeology, the civil rights movement, the Civil War, drama, education, the environment, ethnicity, fiction, folklife, foodways, geography, industry and industrial workers, law, medicine, music, myths and representations, Native Americans, nonfiction, poetry, politics and government, the press, religion, social and economic history, sports, and visual art. It includes solid, clear information in a single volume, offering with clarity and scholarship a breadth of topics unavailable anywhere else. This book also includes many surprises readers can only find by browsing.
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