Books by Carol Becker

Theaster Gates

by Achim Borchardt-Hume, Carol Becker

The first monograph of Chicago-based Theaster Gates, one of the most exciting and highly regarded contemporary artists at work today.

Theaster Gates has developed an expanded artistic practice that includes space development, object making, performance and critical engagement with many publics. Gates transforms spaces, institutions, traditions, and perceptions.

Gates's training as an urban planner and sculptor, and subsequent time spent studying clay, has given him keen awareness of the poetics of production and systems of organizing. Playing with these poetic and systematic interests, Gates has assembled gospel choirs, formed temporary unions, and used systems of mass production as a way of underscoring the need that industry has for the body.

Gates refers to his working method as 'critique through collaboration' and his projects often stretch the form of what we usually understand visual art to be. His focus is also on the availability of information and the cross-fertilization of ideas. His multi-faceted exhibitions investigate themes of race and history through sculpture, installation, performance and two-dimensional works, furthering the artist's interest in a critique of social practice, shared economies and the question of objects in relation to political and cultural thought.

Gates' recent exhibition and performance venues include the Seattle Art Museum, Art Basel Miami Beach, Milwaukee Art Museum, Contemporary Arts Museum Houston, and the Whitney Biennial in New York. Gates was a participating artist in Documenta 13 in Kassel (2012) with his total-living installation 12 Ballads for Huguenot House. Other notable solo exhibitions include An Epitaph for Civil Rights at the Los Angeles Museum of Contemporary Art (2011) and My Labor Is My Protest, at White Cube Bermondsey, London (2012). Parallel to his artist career, Gates is also Director of Arts and Public Life Initiative at the University of Chicago and a board member of the city's South Side Community Center.

Recently commissioned as the 2012 Armory Show Artist and a Loeb Fellow at Harvard Graduate School of Design in 2011, Gates has received awards and grants from Creative Capital, the Joyce Foundation, Graham Foundation, and the Bemis Center for Contemporary Art.

Losing Helen

by Carol Becker

Losing Helen is a moving and inspiring essay that tracks an adult daughter through the many complex phases of grief as she anticipates the inevitable loss of her elderly mother. Finding strength and guidance in the spiritual insights of writers, artists, Western religion, and Eastern philosophies, the narrator undergoes a profound transformation while striving to design an end-of-life experience that is meaningful and sacred not only for her mother but also for herself.

Zones of Contention: Essays on Art, Institutions, Gender, and Anxiety (Suny Series, Interruptions: Border Testimony and Critical Discourses) (SUNY ... Testimony(ies) and Critical Discourse/s)

by Carol Becker

Addresses the questions: What might be the role of the artist in the 21st century? How essential is art to the psychic and political well-being of American society?

This collection of essays by cultural critic Carol Becker plumbs particular areas of controversy to understand what information these "zones of contention" might yield about the multifarious culture wars taking place within American society today.

In the process she addresses the place of art and artists in society, the difficulties facing women in the workplace, why male bonding exists, why women experience anxiety in relationship to creative endeavors, and why artists are misunderstood within American society. She positions art and artists, as well as institutional dynamics within a philosophical framework.

"Becker's analysis ranges across a broad spectrum of interests and concerns in the field of art. Larger issues, such as the role of art in society, are analyzed with the same focus and attention to the specific as are essays on individual artists and/or works of art. This book addresses perhaps the single most important area of concern in the arts at the present time. It is a really brilliant book, tremendously helpful and stimulating. " -- Marcia Tucker, Director, The New Museum of Contemporary Art

"The richness of Becker's experience and her journey as a thinker and educator provide inspiration to those wanting a better world and caution as to how to get there. Becker's history of study, position in the art and academic structures, and seasoning as a writer give her a unique voice that is vital and informative." -- Arlene Raven, author of Art in the Public Interest

"What is so remarkable about Carol Becker's book is that it imaginatively rewrites the role of the artist as a public intellectual. For Becker, understanding the complexity of the art process and its relationship with multiple publics is a pedagogical process that deepens our understanding of how industries are formed, artwork produced, and responsibilities engaged so as to enable the possibilities of democratic public life." -- from the Foreword by series editor, Henry A. Giroux

Thinking in Place: Art, Action, and Cultural Production (Cultural Politics & the Promise of Democracy)

by Carol Becker

Carol Becker, preeminent arts educator and contributor to leading art magazines, offers a beautifully poignant meditation on the role of place in artistic creativity. She focuses on place as a historical, physical entity and a conceptual site where ideas come into meaning. The book explores places from the coal-mining towns of western Pennsylvania, to the Birla House where Gandhi was shot, to the sinking city of Venice. A cross between theory, memoir, and history, her writing creates the experiential effect of being in specific places as well as imagining the evolution of ideas as they are manifested in museums and often become agents for social change.