Books by Celia Paul
Letters to Gwen John
by Celia Paul
With original artworks throughout, an extraordinary fusion of memoir and artistic biography from the acclaimed artist and author of Self-Portrait.
Dearest Gwen, I know this letter to you is an artifice. I know you are dead and that I’m alive and that no usual communication is possible between us but, as my mother used to say, “Time is a strange substance” and who knows really, with our time-bound comprehension of the world, whether there might be some channel by which we can speak to each other, if we only knew how.
Celia Paul’s Letters to Gwen John centers on a series of letters addressed to the Welsh painter Gwen John (1876–1939), who has long been a tutelary spirit for Paul. John spent much of her life in France, making art on her own terms and, like Paul, painting mostly women. John’s reputation was overshadowed during her lifetime by her brother, Augustus John, and her lover Auguste Rodin. Through the epistolary form, Paul draws fruitful comparisons between John’s life and her own: their shared resolve to protect the sources of their creativity, their fierce commitment to painting, and the ways in which their associations with older male artists affected the public’s reception of their work.
Letters to Gwen John is at once an intimate correspondence, an illuminating portrait of two painters (including full-color plates of both artists’ work), and a writer/artist’s daybook, describing Paul’s first exhibitions in America, her search for new forms, her husband’s diagnosis of cancer, and the onset of the global pandemic. Paul, who first revealed her talents as a writer with her memoir, Self-Portrait, enters with courage and resolve into new unguarded territory—the artist at present—and the work required to make art out of the turbulence of life.
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Self-Portrait
A collection of previously unpublished writing culled from the Kerouac archive
Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped, adding depth to his lifework—the Duluoz Legend—and our understanding of Kerouac the man. Far from being the adrenalized thrill-seeker that he depicted in On the Road’s Dean Moriarty, Kerouac himself was deeply spiritual, shy, and reclusive. He sought adventures for the sake of experience, needing them to fuel his writing, which according to him was his sole reason for living. Few people sacrificed more for their art.
This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death. Self-Portrait is a blend of fictional and nonfictional pieces, a few abandoned starts but most complete in themselves and all of them chosen for the revelations they contain.
In The Moon and Sixpence,Somerset Maugham wrote, “A man’s work reveals him… No one can produce the most casual work without disclosing the innermost secrets of his soul.” There are more than two dozen Kerouac biographies, but Self-Portrait reveals the artist in his own words, from his early ambition to the deep self-examination of his “Self-Ultimacy” period, his three-year struggle to write On the Road, musings about himself and America in the half-dozen years before the novel was published and then in the aftermath amid his public withdrawal, suffering from alcoholism and hounded by fame. Through it all there are tortuous feelings about his family—love, guilt, duty, and betrayal. As fans of Kerouac have come to learn, reading his work is a visceral probe.
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$40.00
Self-Portrait
A rich, penetrating memoir about the author's relationship with a flawed but influential figure—the painter Lucian Freud—and the satisfactions and struggles of a life lived through art.
One of Britain's most important contemporary painters, Celia Paul has written a reflective, intimate memoir of her life as an artist. Self-Portrait tells the artist's story in her own words, drawn from early journal entries as well as memory, of her childhood in India and her days as a art student at London's Slade School of Fine Art; of her intense decades-long relationship with the older esteemed painter Lucian Freud and the birth of their son; of the challenges of motherhood, the unresolvable conflict between caring for a child and remaining commited to art; of the "invisible skeins between people," the profound familial connections Paul communicates through her paintings of her mother and sisters; and finally, of the mystical presence in her own solitary vision of the world around her.
Self-Portrait is a powerful, liberating evocation of a life and of a life-long dedication to art.
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