Books by Charlotte Mandell
War, Evil, and the End of History
by Bernard-Henri Levy, Charlotte Mandell
From the maverick author of the international bestseller Who Killed Daniel Pearl? — "a gripping blend of reportage and philosophy," according to The New York Times — comes another startlingly original work of literature.
In WAR, EVIL AND THE END OF HISTORY, Bernard-Henri Lévy continues his daring investigation into the breeding grounds of terrorism with a series of riveting first-person reports from five of the world's most horrific "forgotten" war zones. In Sri Lanka, he conducts a clandestine interview with a terrified young woman escaped from a suicide-bomber training camp . . . he journeys, blindfolded, into the Colombian jungle to interview a psychotic drug lord who considers himself the successor to Che Guevara and fronts a bloodthirsty "guerilla" army . . . Lévy surreptitiously observes the nameless slaves working the diamond mines that fund an endless war in Angola . . . airdrops into a rebel stronghold in the blockaded Nuba mountains of the Sudan . . . and reports on the ongoing carnage in Burundi between Hutus and Tutsis. But Lévy is more than just a journalist: as France's leading philosopher, he follows the reports with a series of intensely personal and probing "reflections" considering how, in an enlightened, cultured, and well-informed society, these wars have acquired such a perverse "non-meaning." He considers war literature from Stendhal, Hemingway, Proust and others, and issues an excoriating response to those who have glorified it. He reconsiders his own background as a student revolutionary in Paris in May 1968, and as a 22-year-old war reporter in Bangladesh. And, in one of the book's most moving passages, he recounts his travels with Ahmad Massoud, the anti-Taliban Afghan leader assassinated hours before the September 11 attacks. Already a huge bestseller in Europe, WAR, EVIL, AND THE END OF HISTORY is the work of a scintillating intellect at the height of its powers. Bernard-Henri Lévy's previous book foresaw today's headlines about Pakistan's secret trading of nuclear technology and the nexus of terrorist groups behind the murder of Daniel Pearl. WAR, EVIL, AND THE END OF HISTORY is his brilliant foray into the next danger zones.
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A Simple Heart (The Art of the Novella)
by Gustave Flaubert, Charlotte Mandell
Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practice by literature's greatest writers. In the ART OF THE NOVELLA series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.
With an attention to the details of bourgeois life considered almost scandalous at the time, A Simple Heart will remind many why Gustave Flaubert was acclaimed as the first great master of realism. But this heart-breaking tale of a simple servant woman and her life-long search for love meant something else to Flaubert. Written near the end of his life, the work was meant to be a tribute to George Sand—who died before it was finished—and was written in answer to an argument the two were having over the importance of realism. Although the tale displays his virtuosic gift for telling detail, and is based on one of his actual servants, Flaubert said it exemplified his belief that "Beauty is the object of all my efforts." This sparkling new translation by Charlotte Mandell shows how impeccably Flaubert achieved his goal.
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In the Shadow of Girls in Blossom
by Marcel Proust, Charlotte Mandell
'I was at one of those periods in youth--vacant, without any particular love object--when, like a lover seeing his beloved in all things, we desire, we seek, we see Beauty everywhere.'
In the Shadow of Girls in Blossom, the second volume of Proust's In Search of Lost Time (1913-27), is a novel of exploration and (self-) discovery, continuing the story of the narrator's youth and adolescence. From the enclosed spaces of the fin-de-siècle social world that revolves around Madame Swann, we move to the fictional town of Balbec on the Normandy coast, a place where the social classes intermingle with mutual fascination. Against the ever-changing backdrop of the sea--a constant reminder of beauty, mutability, and the vastness of the world beyond individual human affairs--the narrator encounters individuals who will shape his experience and indelibly colour his outlook on that world. He finds a friend in the aristocratic Robert de Saint-Loup and is perplexed by his enigmatic uncle the Baron de Charlus; he finds a tutelary figure in Elstir, the gifted, idiosyncratic painter; and in Albertine he comes to recognise the blossoming girl who will become the love--and the bane--of his life.
The novel provides a breath-taking illumination of what it is to encounter beauty and to seek to understand our relation to it, in people, in experiences, in art, or the landscape around us. An exploration of the thrills of infatuation, the fallibility of perception, and how desire builds and ebbs, the narrative prepares readers for the love affair that will define the narrator's future existence and shape the volumes of In Search of Lost Time to come.
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