Books by Daniel Pinchbeck
Breaking Open the Head: A Psychedelic Journey into the Heart of Contemporary Shamanism
A dazzling work of personal travelogue and cultural criticism that ranges from the primitive to the postmodern in a quest for the promise and meaning of the psychedelic experience.
While psychedelics of all sorts are demonized in America today, the visionary compounds found in plants are the spiritual sacraments of tribal cultures around the world. From the iboga of the Bwiti in Gabon, to the Mazatecs of Mexico, these plants are sacred because they awaken the mind to other levels of awareness--to a holographic vision of the universe.
Breaking Open the Head is a passionate, multilayered, and sometimes rashly personal inquiry into this deep division. On one level, Daniel Pinchbeck tells the story of the encounters between the modern consciousness of the West and these sacramental substances, including such thinkers as Allen Ginsberg, Antonin Artaud, Walter Benjamin, and Terence McKenna, and a new underground of present-day ethnobotanists, chemists, psychonauts, and philosophers. It is also a scrupulous recording of the author's wide-ranging investigation with these outlaw compounds, including a thirty-hour tribal initiation in West Africa; an all-night encounter with the master shamans of the South American rain forest; and a report from a psychedelic utopia in the Black Rock Desert that is the Burning Man Festival.
Breaking Open the Head is brave participatory journalism at its best, a vivid account of psychic and intellectual experiences that opened doors in the wall of Western rationalism and completed Daniel Pinchbeck's personal transformation from a jaded Manhattan journalist to shamanic initiate and grateful citizen of the cosmos.
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2012: The Return of Quetzalcoatl
Read Daniel Pinchbeck's posts on the Penguin Blog
Cross James Merrill, H. P. Lovecraft, and Carlos Castaneda -each imbued with a twenty-first-century aptitude for quantum theory and existential psychology-and you get the voice of Daniel Pinchbeck. And yet, nothing quite prepares us for the lucidity, rationale, and informed audacity of this seeker, skeptic, and cartographer of hidden realms.
Throughout the 1990s, Pinchbeck had been a member of New York's literary select. He wrote for publications such as The New York Times Magazine, Esquire, and Harper's Bazaar. His first book, Breaking Open the Head, was heralded as the most significant on psychedelic experimentation since the work of Terence McKenna.
But slowly something happened: Rather than writing from a journalistic remove, Pinchbeck-his literary powers at their peak-began to participate in the shamanic and metaphysical belief systems he was encountering. As his psyche and body opened to new experience, disparate threads and occurrences made sense like never before: Humanity, every sign pointed, is precariously balanced between greater self-potential and environmental disaster. The Mayan calendar's "end date" of 2012 seems to define our present age: It heralds the end of one way of existence and the return of another, in which the serpent god Quetzalcoatl reigns anew, bringing with him an unimaginably ancient-yet, to us, wholly new-way of living.
A result not just of study but also of participation, 2012 tells the tale of a single man in whose trials we ultimately recognize our own hopes and anxieties about modern life.
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Tom Sachs: Spaceships
by Daniel Pinchbeck, Thomas E. Crow
The most recent body of work by the popular American artist to focus on his highly inventive interpretation of space travel, published for the first time.
Published to accompany exhibitions simultaneously in New York and Palm Beach, the book follows the interdisciplinary show that centers around the theme of spaceships by the artist Tom Sachs (b. 1966), both with representations of spaceships and rockets in sculptural and painted forms, and more indirect references that relate either formally or conceptually to the idea of the spaceship in our society. A sculpture of a Hoover vacuum suggests the vacuum of space; a bricolage rendition of Sachs’ favorite record player recalls the form of a spaceship; and a work relating to the Titanic suggests the idea of transporting between realms. Other works more directly represent spaceships and relate to Sachs’ space program, which has been of central importance to his work over the past decade and a half.
The book follows Sachs’ immersive, participatory installations on the theme of space, most recently at the Deichtorhallen in Hamburg. Last August, Sachs launched his Rocket Factory, a genre-defying project that brought NFTs into the physical realm by launching fully assembled replicas of NFT rockets (one of which took place at LACMA in 2021) and then making paintings after component and assembled rockets.
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Toward 2012: Perspectives on the Next Age
by Daniel Pinchbeck, Ken Jordan
An informed, challenging, and engaging collection of essays on the new choices in lifestyles and community as we begin the countdown toward the year 2012.
This fresh and thought-provoking anthology draws together some of today’s most celebrated visionaries, thinkers, and pioneers in the field of evolving consciousness— exploring topics from shamanism to urban homesteading, the legacy of Carlos Castaneda to Mayan predictions for the year 2012, and new paths in direct political action and human sexuality.
Toward 2012 highlights some of the most challenging, intelligent pieces published on the acclaimed website Reality Sandwich. It is coedited by Daniel Pinchbeck, the preeminent voice on 2012, and online pioneer Ken Jordan, and features original works from Stanislav Grof, John Major Jenkins, and Paul D. Miller (DJ Spooky); interviews with Abbie Hoffman and artist Alex Grey; and a new introduction by Pinchbeck.
Here are ideas that trace the arc of our evolution in consciousness, lifestyles, and communities as we draw closer to a moment in time that portends ways of living that are different from anything we have expected or experienced.
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Notes from the Edge Times
In this unsparing tour of the perils and promises of the current era, visionary author Daniel Pinchbeck helps us understand that we don't need to wait for the dawning of the next age to radically change our perspectives.
In the years since his pioneering work 2012, Daniel Pinchbeck has touched a legion of readers hungry for insight and guidance about new ways of living amid the crises of the current moment.
Notes from the Edge Times collects Pinchbeck's most penetrating recent columns, articles, and essays that amount to an extraordinary mosaic view of the hopes, nightmares, and signs of breakthrough that mark our present era. Pinchbeck examines the current economic collapse (an event he had foreseen by many months), radical political and ecological alternatives, the uses of psychedelics for spiritual insight, the revival of the sexual revolution, unexplained phenomena such as crop circles and the Norway spiral, the imminent (and often-misunderstood) question of 2012, and what it means to be an artist in a time of radical change.
Pinchbeck's virtuosity as a social critic, on full display in these pieces, is his ability to illuminate real and serious questions within unconventional topics that most literary intellects are unwilling to touch, from secret weapons systems to extrasensory abilities to the intelligence of plant life. In Notes from the Edge Times, Pinchbeck does more than critique present-day questions and conflicts; he provides fresh ideas for living more consciously now, and for constructing our own more enlightened futures, even as the world around us faces profound environmental, social, and spiritual challenges
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Open City #12: Equivocal Landscape
by Ford Madox Ford, Daniel Pinchbeck, Daphne Beal, Thomas Beller, Hunter Kennedy, Joanna Yas, Lewis Cole, Paula Bomer, Mungo Thomson, Rachel Wetzsteon, Miranda Lichtenstein
The most important new literary journal to emerge since Granta, Open City has published some of the best work by major writers and artists such as Mary Gaitskill, Denis Johnson, Jeff Koons, David Foster Wallace, Irvine Welsh, Terry Southern, Patrick McCabe, Sam Lipsyte, and David Berman. Edited by the writers Thomas Beller and Daniel Pinchbeck, and originally published by the late Robert Bingham, writing from Open City has been included in many prestigious anthologies, including Best American Short Stories and The Pushcart Prize. Known for launching the careers of today's best new writers, the editors are also committed to printing important unpublished work by writers from past eras, such as Richard Yates, Delmore Schwartz, Jim Thompson, Cyril Connolly, Edvard Munch, and Gregor von Rezzori. With its innovative and daring mix of the old and the new, Open City combines undiscovered writing by classic authors with a fascinating portrait of a literary generation in the making. Open City #12 includes "After the Wall," a special section on Berlin's new generation of fiction writers; a story by Lewis Cole on the end of radicalism; and debut fiction by Sam Brumbaugh and Heather Lorimer. This issue features a previously unpublished story by Ford Maddox Ford.
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When Plants Dream: Ayahuasca, Amazonian Shamanism and the Global Psychedelic Renaissance
by Daniel Pinchbeck, Sophia Rokhlin
Ayahuasca is a powerful tool for transformation, that more and more Westerners are flocking to drink in a quest for greater self-knowledge, healing and reconnection with the natural world. This formerly esoteric, little-known brew is now a growth industry. But why?
Ayahuasca is a psychoactive brew that has a long history of ritual use among indigenous groups of the Upper Amazon. Made from the ayahuasca vine and the leaves of a shrub, it is associated with healing in collective ceremonies and in more intimate contexts, generally under the direction of specialist – an ayahuasquero. These are experienced practitioners who guide the ceremony and the drinkers’ experience.
Ayahuasca has gained significant popularity these days in cities around the world. Why? What effect might ayahuasca be having on our culture? Does the brew, which seems to inspire environmental action, simplified lifestyles and more communitarian behaviour, act as an antidote to frenzied consumerist culture?
In When Plants Dream, Pinchbeck and Rokhlin explore the economic, social, political, cultural and environmental impact that ayahuasca is having on society. Part 1 covers the background; what ayahuasca is, where it is found, and its cultural origins. Part 2 explores the role and practices of the ayahuasquero in both Amazonian and Western cultures. Part 3 examines the medicinal plants of the Amazon, looking particularly at the ingredients in ayahuasca and their therapeutic qualities, covering the most up-to-date biomedical research, psychedelic science and psychopharmacology. It also covers all the legal aspects of ayahuasca use. Lastly in Part 4 Pinchbeck and Rokhlin question the future of ayahuasca.
When Plants Dream is the first book of its kind to look at the science and expanding culture of ayahuasca, from its historical use to its appropriation by the West and the impact it is having on cultures beyond the Amazon.
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