Books by Daphne Carr
Da Capo Best Music Writing 2006: The Year's Finest Writing on Rock, Hip-Hop, Jazz, Pop, Country, & More
by Mary Gaitskill, Daphne Carr
Whether you count yourself a member of the hip-hop nation, bang your head yearly at Ozzfest, wear a cowboy hat, or dance to the top twenty, you're sure to find something to love in Da Capo Best Music Writing 2006. Gathering a rich array of writing by music journalists, novelists, and scribes from a wide range of sources-highbrow literary quarterlies to 'zines and blogs--Da Capo Best Music Writing is a multi-voiced snapshot of the year in music writing that, like the music it illuminates, is every bit as thrilling as it is revealing.
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Best Music Writing 2008 (DA CAPO BEST MUSIC WRITING)
by Nelson George, Daphne Carr, Daphne Carroll
The ninth entry in the acclaimed series celebrating the best writing on every style of music, from rock to hip-hop, R&B to jazz, pop to blues, and more.
Best music writing is the definitive guide to the year in music writing, an annual feast of essays, missives, and musings on every musical style by critics, novelists, and musicians themselves. Culled from publications ranging from blogs to the New Yorker, the 2008 edition captures a year in music writing as diverse and riveting as the music it illuminates.
Writers who have appeared in Best Music Writing include: Greil Marcus, Sarah Vowell, Nick Tosches, Jonathan Lethem, Dave Eggers, David Rakoff, David Hadju, Lenny Kaye, The Onion, Gary Giddins, Jessica Hopper, Luc Sante, Kelefa Sanneh, David Byrne, Daphne A. Brooks, Jody Rosen, Anne Midgette, Sasha Frere-Jones, Elizabeth Méndez Berry, Alex Ross, Touré, Lynn Hirschberg, Chuck Klosterman, Elizabeth Gilbert, Jay McInerney, Elvis Costello, Susan Orlean, Mike Doughty, Lorraine Ali, and many more.
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Best Music Writing 2007 (Da Capo Best Music Writing)
by Robert Christgau, Daphne Carr
Rappers, rockers, emo-boys, jazz snobs, and poptimists alike eagerly anticipate each edition of Best Music Writing. Returning Series Editor Daphne Carr is joined by a true pioneer of the form, esteemed critic Robert Christgau. Past editions of Best Music Writing have included:Anne Midgette * David Ritz * Dave Eggers * Sasha Frere-Jones * Michaelangelo Matos * Elizabeth Méndez Berry * Alex Ross * Elizabeth Gilbert * Jay McInerney * Lynn Hirschberg * Chuck Klosterman * Sarah Vowell * Nick Tosches * Rosanne Cash * Greil Marcus * Richard Meltzer * Touré * Susan Orlean * Jonathan Lethem * Kate Sullivan * David Hadju * Gary Giddins * Luc Sante * Monica Kendrick * Kelefa Sanneh * and more...
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Best Music Writing 2010 (Da Capo Best Music Writing)
Best Music Writing has become one of the most eagerly awaited annuals out there. Celebrating the year in music writing by gathering a rich array of essays, missives, and musings on every style of music from rock to hip-hop to R&B to jazz to pop to blues and more, it is essential reading for anyone who loves great music and accomplished writing. Scribes of every imaginable sortnovelists, poets, journalists, musiciansare gathered to create a multi-voiced snapshot of the year in music writing that, like the music it illuminates, is every bit as thrilling as it is riveting.
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Best Music Writing 2009
Best Music Writing has faithfully collected the year's most compelling writing on music for a decade now, so it's appropriate this special edition be guest-edited by one of the best-known writers on music and popular culture, Greil Marcus, author of Lipstick Traces, Mystery Train, Like a Rolling Stone, and other groundbreaking excursions into the very fabric of music, America, and beyond.
As always, Series Editor Daphne Carr has culled an impressively wide range of essays, profiles, news articles, interviews, creative non-fiction, fiction, book reviews, long-format reviews, blog posts, and journal articles on music and music culture, from rock and hip-hop to R&B and jazz to pop, blues, and more. Writers who have been published in Best Music Writing include Alex Ross, Jonathan Lethem, Ann Powers, Dave Eggers, Susan Orlean, and more.
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Best Music Writing 2011 (Da Capo Best Music Writing)
by Daphne Carr, Alex Ross
Best Music Writing has become one of the most eagerly awaited annuals of them all. Celebrating the year in music writing by gathering a rich array of essays, missives, and musings on every style of music from rock to hip-hop to R&B to jazz to pop to blues, it is essential reading for anyone who loves great music and accomplished writing. Scribes of every imaginable sortnovelists, poets, journalists, musicians are gathered to create a multi-voiced snapshot of the year in music writing that, like the music it illuminates, is every bit as thrilling as it is riveting.
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Nine Inch Nails' Pretty Hate Machine (33 1/3)
by Daphne Carr
What is the world that Nine Inch Nails made, and what was the world that made Nine Inch Nails? These are the questions at the heart of this study of the band's 1989 debut, Pretty Hate Machine.
The album began as after-hours demos by mercenary new wave keyboardist Trent Reznor, and was disciplined into sparse industrial dance by a handful of the UK's best industrial producers. Carr traces how the album became beloved in the underground, found its mass at Lollapalooza, and its market at the newly opened mall store Hot Topic. For fans, Nine Inch Nails was a vehicle for questioning God, society, the family, sex, and the body. In ten raw, heartbreaking oral histories woven through the book, fans living in the post-industrial Midwest discuss the successes and failures of the American dream as they are articulated in Nine Inch Nails' music. Daphne Carr illuminates Pretty Hate Machine as at once singular and as representative of how popular music can impact history and change lives.
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