Books by David Grossman
To the End of the Land
From one of Israel’s most acclaimed writers comes a novel of extraordinary power about family life—the greatest human drama—and the cost of war.
Ora, a middle-aged Israeli mother, is on the verge of celebrating her son Ofer’s release from army service when he returns to the front for a major offensive. In a fit of preemptive grief and magical thinking, she sets out for a hike in the Galilee, leaving no forwarding information for the “notifiers” who might darken her door with the worst possible news. Recently estranged from her husband, Ilan, she drags along an unlikely companion: their former best friend and her former lover Avram, once a brilliant artistic spirit. Avram served in the army alongside Ilan when they were young, but their lives were forever changed one weekend when the two jokingly had Ora draw lots to see which of them would get the few days’ leave being offered by their commander—a chance act that sent Avram into Egpyt and the Yom Kippur War, where he was brutally tortured as POW. In the aftermath, a virtual hermit, he refused to keep in touch with the family and has never met the boy. Now, as Ora and Avram sleep out in the hills, ford rivers, and cross valleys, avoiding all news from the front, she gives him the gift of Ofer, word by word; she supplies the whole story of her motherhood, a retelling that keeps Ofer very much alive for Ora and for the reader, and opens Avram to human bonds undreamed of in his broken world. Their walk has a “war and peace” rhythm, as their conversation places the most hideous trials of war next to the joys and anguish of raising children. Never have we seen so clearly the reality and surreality of daily life in Israel, the currents of ambivalence about war within one household, and the burdens that fall on each generation anew.
Grossman’s rich imagining of a family in love and crisis makes for one of the great antiwar novels of our time.
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To the End of the Land (Vintage International)
NATIONAL BESTSELLER • A stunning novel that tells the powerful story of Ora, an Israli mother, and her extraordinary love for her son, Ofer, in a haunting meditation on war and family.
“One of the few novels that feel as though they have made a difference to the world.” —The New York Times Book Review
Just before his release from service in the Israeli army, Ora’s son Ofer is sent back to the front for a major offensive. In a fit of preemptive grief and magical thinking, so that no bad news can reach her, Ora sets out on an epic hike in the Galilee. She is joined by an unlikely companion—Avram, a former friend and lover with a troubled past—and as they sleep out in the hills, Ora begins to conjure her son. Ofer’s story, as told by Ora, becomes a surprising balm both for her and for Avram.
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Sleeping on a Wire: Conversations with Palestinians in Israel
Based on conversations with Palestinians in Israel, David Grossman's Sleeping on a Wire, like The Yellow Wind, is essential reading for anyone trying to understand the Middle East today.
Israel describes itself as a Jewish state. What, then, is the status of the one-fifth of its citizens who are not Jewish? Are they Israelis, or are they Palestinians? Or are they a people without a country? How will a Palestinian state―if it is established―influence the sense of belonging and identity of Palestinian Israeli citizens?
"No other Israeli writer so far has approached this touchy subject with such compassion, or looked at it with, so to speak, bifocal eyes, Israeli and Palestinian." --Amos Elon, The New York Review of Books
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Writing in the Dark: Essays on Literature and Politics
Recent essays on Israel, literature, and language from one of the country's most respected and best-loved voices
Throughout his career, David Grossman has been a voice for peace and reconciliation between Israel and its Arab citizens and neighbors. In six new essays on politics and culture in Israel today, he addresses the conscience of a country that has lost faith in its leaders and its ideals. This collection includes an already famous speech concerning the disastrous Second Lebanon War of 2006, the war that took the life of Grossman’s twenty-year-old son, Uri.
Moving, humane, clear-sighted, and courageous, touching on literature and artistic creation as well as politics and philosophy, these writings are a cri de coeur from a heroic voice of reason at a time of uncertainty and despair.
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Writing in the Dark: Essays on Literature and Politics
Profound essays on Israel, literature, and language from one of the country's most respected and best-loved voices
Throughout his career, David Grossman has been a voice for peace and reconciliation between Israel and its Arab citizens and neighbors. In these six essays on politics and culture in Israel, he addresses the conscience of a country that has lost faith in its leaders and its ideals. This collection, Writing in the Dark, includes an already famous speech concerning the disastrous Second Lebanon War of 2006, the war that took the life of Grossman's twenty-year-old son, Uri.
Moving, human, clear-sighted, and courageous, touching on literature and artistic creation as well as politics and philosophy, these writings are a cri de coeur from "a writer who has been, for nearly two decades, one of the most original and talented not only in his own country, but anywhere" (The New York Times Book Review).
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A Horse Walks into a Bar: A novel
**WINNER OF THE 2017 MAN BOOKER INTERNATIONAL PRIZE**
The award-winning and internationally acclaimed author of the To the End of the Land now gives us a searing short novel about the life of a stand-up comic, as revealed in the course of one evening’s performance. In the dance between comic and audience, with barbs flying back and forth, a deeper story begins to take shape—one that will alter the lives of many of those in attendance.
In a little dive in a small Israeli city, Dov Greenstein, a comedian a bit past his prime, is doing a night of stand-up. In the audience is a district court justice, Avishai Lazar, whom Dov knew as a boy, along with a few others who remember Dov as an awkward, scrawny kid who walked on his hands to confound the neighborhood bullies. Gradually, as it teeters between hilarity and hysteria, Dov’s patter becomes a kind of memoir, taking us back into the terrors of his childhood: we meet his beautiful flower of a mother, a Holocaust survivor in need of constant monitoring, and his punishing father, a striver who had little understanding of his creative son. Finally, recalling his week at a military camp for youth—where Lazar witnessed what would become the central event of Dov’s childhood—Dov describes the indescribable while Lazar wrestles with his own part in the comedian’s story of loss and survival. Continuing his investigations into how people confront life’s capricious battering, and how art may blossom from it, Grossman delivers a stunning performance in this memorable one-night engagement (jokes in questionable taste included).
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Falling Out of Time
Following his magisterial To the End of the Land, the universally acclaimed Israeli author brings us an incandescent fable of parental grief––concise, elemental, a powerfully distilled experience of understanding and acceptance, and of art’s triumph over death.
In Falling Out of Time, David Grossman has created a genre-defying drama––part play, part prose, pure poetry––to tell the story of bereaved parents setting out to reach their lost children. It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son. The man––called simply Walking Man––paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net-Mender, the Midwife, the Elderly Math Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory? Is it possible, even for a fleeting moment, to call to the dead and free them from their death? Grossman’s answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching death’s hermetic separateness. For the reader, the solace is in their clamorous vitality, and in the gift of Grossman’s storytelling––a realm where loss is not merely an absence but a life force of its own.
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More Than I Love My Life: A novel
INTERNATIONAL BOOKER PRIZE NOMINEE • A remarkable novel of suffering, love, and healing—the story of three generations of women on an unlikely journey to a Croatian island and a secret that needs to be told—from the internationally best-selling author of To the End of the Land
“A magnificent book ... The way Grossman writes about these regions is unique, with a deep understanding of our experience.” —Josip Mlakić, Express (Croatia)
More Than I Love My Life is the story of three strong women: Vera, age ninety; her daughter, Nina; and her granddaughter, Gili, who at thirty-nine is a filmmaker and a wary consumer of affection. A bitter secret divides each mother and daughter pair, though Gili—abandoned by Nina when she was just three—has always been close to her grandmother.
With Gili making the arrangements, they travel together to Goli Otok, a barren island off the coast of Croatia, where Vera was imprisoned and tortured for three years as a young wife after she refused to betray her husband and denounce him as an enemy of the people. This unlikely journey—filtered through the lens of Gili’s camera, as she seeks to make a film that might help explain her life—lays bare the intertwining of fear, love, and mercy, and the complex overlapping demands of romantic and parental passion.
More Than I Love My Life was inspired by the true story of one of David Grossman’s longtime confidantes, a woman who, in the early 1950s, was held on the notorious Goli Otok (“the Adriatic Alcatraz”). With flashbacks to the stalwart Vera protecting what was most precious on the wretched rock where she was held, and Grossman’s fearless examination of the human heart, this swift novel is a thrilling addition to the oeuvre of one of our greatest living novelists, whose revered moral voice continues to resonate around the world.
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A Horse Walks Into a Bar: A novel (Vintage International)
WINNER OF THE MAN BOOKER INTERNATIONAL PRIZE • From the bestselling author of To the End of the Land comes a searing story of loss and survival.
In a dive bar in a small Israeli city, Dov Greenstein, a comedian a bit past his prime, takes the stage for his final show. Over the course of a single evening, Dov’s patter becomes a kind of memoir, taking us back into the terrors of his childhood. And in the dance between comic and audience, a deeper story begins to take shape as Dov confronts the decision that has shaped the course of his life—a story that will alter the lives of several of those in attendance.
A Horse Walks Into a Bar is a poignant exploration of how people confront life’s capricious battering.
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Lion's Honey: The Myth of Samson
Israel's most lauded contemporary writer retells the myth of Samson, one of the most tempestuous, charismatic, and colorful characters in the Hebrew Bible. There are few other Bible stories with so much drama and action, narrative fireworks and raw emotion, as we find in the tale of Samson: the battle with the lion; the three hundred burning foxes; the women he bedded and the one woman that he loved; his betrayal by all the women in his life, from his mother to Delilah; and, in the end, his murderous suicide, when he brought the house down on himself and three thousand Philistines.
"Yet, beyond the wild impulsiveness, the chaos, the din, we can make out a life story that is, at bottom, the tortured journey of a single, lonely and turbulent soul who never found, anywhere, a true home in the world, whose very body was a harsh place of exile. For me, this discovery, this recognition, is the point at which the myth — for all its grand images, its larger-than-life adventures — slips silently into the day-to-day existence of each of us, into our most private moments, our buried secrets." — from David Grossman's introduction to Lion's Honey.
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Lion's Honey: The Myth of Samson
Israel’s most lauded contemporary writer retells the myth of Samson, one of the most tempestuous, charismatic, and colorful characters in the Hebrew Bible. There are few other Bible stories with so much drama and action, narrative fireworks and raw emotion, as we find in the tale of Samson: the battle with the lion; the three hundred burning foxes; the women he bedded and the one woman that he loved; his betrayal by all the women in his life, from his mother to Delilah; and, in the end, his murderous suicide, when he brought the house down on himself and three thousand Philistines. Yet, beyond the wild impulsiveness, the chaos, the din, we can make out a life story that is, at bottom, the tortured journey of a single, lonely and turbulent soul who never found, anywhere, a true home in the world, whose very body was a harsh place of exile. For me, this discovery, this recognition, is the point at which the myth for all its grand images, its larger-than-life adventures slips silently into the day-to-day existence of each of us, into our most private moments, our buried secrets.” from David Grossman’s introduction to Lion’s Honey
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The Thinking Heart: Essays on Israel and Palestine (Vintage International)
We Know David Grossman's Voice Of Ringing Moral Clarity From Way Back: Since The Late 1980s And The Yellow Wind, His Classic Work On The Urgency Of The Two-state Solution And The Price Paid By Both Occupier And Occupied, He Has Been Criticizing His Country's Government And Pushing For Paths To A Lasting Peace. Just After October 7th, 2023, He Retreated Inwards To Ask Himself Anew These Difficult And Necessary Questions About His Beloved Nation: How Could This Massacre Have Happened? How Could The Netanyahu Government, Tangled In Its Web Of Scandals, Have Failed To Protect Its Citizens? And Did October 7 And The War That Followed Take With It The Last Hope Of A Two-state Solution? In These Eleven Essays, Which Appeared In Newspapers And Journals At Key Moments When Grossman Wanted To Hold The Government To Account, He Traces The Failures Leading Up To That Day And The Ensuing War, Enabled And Abetted By A Morally Bankrupt Party Clinging To Power. He Documents The Struggle Being Fought On Both Sides Between Those Committed To Conflict, And The Many Who Want To Live In Peace And Equality With Their Neighbors. He Asks What The Meaning And Purpose Of A Jewish State Can Be, When The Core Values Of Judaism, With Its Reverence For The Dignity Of Each Human Life, Are Cast Aside, And How His People, So Accustomed Throughout History To Being In The Minority, Have Not Proved Able To Exist As A Majority With The Dignity And Humanity That The Job Demands. Ultimately, Grossman Arrives At The Most Important Question Of All: Will There Ever Be A Lasting Peace In The Region?-- Provided By Publisher.
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$16.00
Someone to Run With: A Novel
David Grossman's Someone to Run With tells the story of a lost dog, and the discovery of first love on the streets of Jerusalem, portrayed here with a gritty realism that is as fresh as it is compelling.
When awkward and painfully shy sixteen-year-old Assaf is asked to find the owner of a stray yellow lab, he begins a quest that will bring him into contact with street kids and criminals, and a talented young singer, Tamar, engaged on her own mission: to rescue a teenage drug addict.
A runaway bestseller in Israel, in the words of the Christian Science Monitor: "It's time for Americans to fall in love with (Grossman's) Someone to Run With."
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See Under: LOVE: A Novel
David Grossman's masterly fusing of vision, thought, and emotion make See Under: Love a luminously imaginative and profoundly affecting work.
In this powerful novel by one of Israel's most prominent writers, Momik, the only child of Holocaust survivors, grows up in the shadow of his parents' history. Determined to exorcise the Nazi "beast" from their shattered lives and prepare for a second holocaust he knows is coming, Momik increasingly shields himself from all feeling and attachment. But through the stories his great-uncle tells him―the same stories he told the commandant of a Nazi concentration camp―Momik, too, becomes "infected with humanity."
"A dazzling work of imagination."--Michiko Kakutani, The New York Times
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Falling Out of Time (Vintage International)
In this compassionate and genre-defying drama the internationally acclaimed author of To the End of the Land weaves an incandescent tale of parental grief.
A powerful distillation of the experience of understanding and acceptance, and of art’s triumph over death, Falling Out of Time is part play, part prose, and pure poetry. As Grossman’s characters ultimately find solace and hope through their communal acts of mourning, readers will find comfort in their clamorous vitality, and in the gift of storytelling—a realm where loss is not an absence, but a life force in its own right.
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Liberties Journal of Culture and Politics Fall 2024 Volume 5, Issue 1
by Ange Mlinko, David Grossman, Sean Wilentz, Ramachandra Guha, Sanford Levinson, William Deresiewicz, Steven B. Smith, Sohrab Ahmari, Jack M. Balkin, Ryan Ruby, Devin Johnston, Erica McAlpine, Jonathan Zimmerman, Katherine C. Epstein, Mark Edmondson, Annie Abrams
Liberties is an independent quarterly journal of ideas that publishes serious, stylish, and controversial essays about significant issues in culture and politics.
In the Fall 2024 issue of Liberties: Sean Wilentz bluntly defines the stakes of this election; Katherine C. Epstein laments the death of research and its consequences for our culture; Ryan Ruby presides over the unlikely meeting of Emily Dickinson and Franz Kafka; Mark Edmondson diagnoses the fever in contemporary politics; Sohrab Ahmari exposes the sordid depths to which rightwing extremism has sunk; Jonathan Zimmerman pushes back against the opponents of higher education; Jack M. Balkin and Sanford Levinson argue that "We The People" is not as clear as it looks; William Deresiewicz describes what is absent from social relations in America; Ramachandra Guha introduces the founding poet of the environmental movement, Rabindranath Tagore; Ange Mlinko resurrects the art of Amy Clampitt; Steven B. Smith reveals what is truly revolutionary about our sixteenth president; in Teaching Ellison by Annie Abrams: A high school teacher, a great writer, and how to live; Celeste Marcus on a film, a great director, and the rise of fascism; Leon Wieseltier examines the grotesque intellectual underpinnings of Trumpism and Vanceism; and new poetry from David Grossman, Erica McAlpine and Devin Johnston.
Liberties features essays from leading op-ed writers and scholars, award-winning and well-known non-fiction and fiction writers, next generation rising talents, and poets from around the world.
There's a reason why cultural warriors, political leaders, opinion makers, and engaged citizens from across political and cultural spectrum read and cherish Liberties.
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