Books by David Thomson

The Whole Equation: A History of Hollywood

by David Thomson

With the same style and insight he brought to his previous studies of American cinema, acclaimed critic David Thomson masterfully evokes the history of America’s love affair with the movies and the tangled history of Hollywood in The Whole Equation.

Thomson takes us from D.W. Griffith, Charlie Chaplin, and the first movies of mass appeal to Louis B. Mayer, who understood what movies meant to America–and reaped the profits. From Capra to Kidman and Hitchcock to Nicholson, Thomson examines the passion, vanity, calculation and gossip of Hollywood and the films it has given us. This one-volume history is a brilliant and illuminating overview of “the wonder in the dark”–and the staggering impact Hollywood and its films has had on American culture.

The Whole Equation: A History of Hollywood

by David Thomson

A magnificent history of Hollywood from the invention of film to the present day, by the everywhere acclaimed David Thomson, who has established himself as the “greatest living film critic and historian” (The Atlantic Monthly), “irreplaceable” (The New York Times), and simply “the best writer about the movies” (San Francisco Chronicle).

Now we have his master work, The Whole Equation, which, in his own words, embraces “the murder and the majesty, the business statistics and millions of us being moved, the art and the awfulness.” It accommodates “the artistic careers, the lives of the pirates, the ebb and flow if business, the sociological impact–in short, the wonder in the dark, the calculation in the offices, and the staggering impact on America of moving pictures. Which is also the thunderous artillery of America unleashed on the world.”

Thomson tells us how D. W. Griffith and Charlie Chaplin created the first movies of mass appeal. He writes about Louis B. Mayer, who understood the whole equation and reaped the profits. He shows us how David O. Selznick exemplified the vanity and passion that gets memorable movies made; how the movies, offering a sense of common experience, helped Americans through the difficult years of the 1930s and ’40s; how and why the quest for the blockbuster changed the industry.

He examines the films of Capra, Wilder, Hitchcock, Spielberg; of Gable, Cagney, Monroe, Crawford, Brando, Bogart, Nicholson, Kidman; of Irving Thalberg, Lew Wasserman, Harvey Weinstein–and scores more. He considers noir films, the blacklist, agents, method acting. He tells us the stories behind The Godfather, Chinatown, and Jaws. And he follows the money–a trip essential to understanding Hollywood at its most thrilling and most disappointing.

David Thomson has given us a one-volume history of Hollywood that is as well one of the most brilliant, most insightful, entertaining, and illuminating books ever written on American film.

The New Biographical Dictionary of Film: Expanded and Updated

by David Thomson

For almost thirty years, David Thomson’s Biographical Dictionary of Film has been not merely “the finest reference book ever written about movies” (Graham Fuller, Interview), not merely the “desert island book” of art critic David Sylvester, not merely “a great, crazy masterpiece” (Geoff Dyer, The Guardian), but also “fiendishly seductive” (Greil Marcus, Rolling Stone).

This new edition updates the older entries and adds 30 new ones: Darren Aronofsky, Emmanuelle Beart, Jerry Bruckheimer, Larry Clark, Jennifer Connelly, Chris Cooper, Sofia Coppola, Alfonso Cuaron, Richard Curtis, Sir Richard Eyre, Sir Michael Gambon, Christopher Guest, Alejandro Gonzalez Inarritu, Spike Jonze, Wong Kar-Wai, Laura Linney, Tobey Maguire, Michael Moore, Samantha Morton, Mike Myers, Christopher Nolan, Dennis Price, Adam Sandler, Kevin Smith, Kiefer Sutherland, Charlize Theron, Larry Wachowski and Andy Wachowski, Lew Wasserman, Naomi Watts, and Ray Winstone.

In all, the book includes more than 1300 entries, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more.

Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.”

The Fatal Alliance: A Century of War on Film

by David Thomson

“A marvelous bombshell of a book, by one of our most formidably knowledgeable and insightful writers on film, it is filled with surprises and witty asides. Though Thomson is quick to pounce on the hypocrisies and historical omissions of some of these war movies, there is nothing compromised about his own daredevil judgments. We are in the hands of a master critic/essayist.”—Phillip Lopate
From one of the greatest living writers on film, a magisterial look at a century of battle depicted on screen, and a meditation on the twisted relationship between war and the movies.
In The Fatal Alliance the acclaimed film critic David Thomson offers us one of his most provocative books yet—a rich, arresting, and troubling study of that most beloved genre: the war movie. It is not a standard history or survey of war films, although Thomson turns his typically piercing eye to many favorites—from All Quiet on the Western Front to The Bridge on the River Kwai to Saving Private Ryan. But The Fatal Alliance does much more, exploring how war and cinema in the twentieth century became inextricably linked. Movies had only begun to exist by the beginning of World War I, yet in less than a century, had transformed civilian experience of war—and history itself—for millions around the globe. This reality is the moral conundrum at the heart of Thomson’s book. War movies bring both prestige and are so often box office blockbusters; but is there something problematic at how much moviegoers enjoy depictions of violence on a grand scale, such as Apocalypse Now, Black Hawk Down, or even Star Wars? And what does this truth say about us, our culture, and our changing sense of warfare and the past?

Remotely: Travels in the Binge of TV

by David Thomson

A leading film critic on the evolving world of streaming media and its impact on society

The city at night under lockdown, a time of plague and anxiety. It is an exciting new age of television, the light that flutters in every cell in the city. But no one seems to be asking: What is the endless stream doing to us?

In Remotely, the most innovative writer on film and screens asks what happened to us as we sought consolation under lockdown by becoming a society of bingeing creatures. From Candid Camera and I Love Lucy to Ozark, Succession, and Chernobyl, David Thomson and his wife, Lucy Gray, wander through shows old and new, trying to pin down the nature and justification for what we call “entertainment.” Funny, mysterious, and warm, at last here is a book that grasps the extent to which television is not just a collection of particular shows—hits and misses—but a weather system in which we are lost pilgrims searching for answers.

Why Acting Matters (Why X Matters Series)

by David Thomson

A provocative, highly engaging essay on the art of pretending on the stage, on screen, and in daily life

Does acting matter? David Thomson, one of our most respected and insightful writers on movies and theater, answers this question with intelligence and wit. In this fresh and thought-provoking essay, Thomson tackles this most elusive of subjects, examining the allure of the performing arts for both the artist and the audience member while addressing the paradoxes inherent in acting itself. He reflects on the casting process, on stage versus film acting, and on the cult of celebrity. The art and considerable craft of such gifted artists as Meryl Streep, Laurence Olivier, Vivien Leigh, Marlon Brando, Daniel Day-Lewis, and others are scrupulously appraised here, as are notions of “good” and “bad” acting.

Thomson’s exploration is at once a meditation on and a celebration of a unique and much beloved, often misunderstood, and occasionally derided art form. He argues that acting not only “matters” but is essential and inescapable, as well as dangerous, chronic, transformative, and exhilarating, be it on the theatrical stage, on the movie screen, or as part of our everyday lives.

Why Acting Matters (Why X Matters Series)

by David Thomson

A provocative, highly engaging essay on the art of pretending on the stage, on screen, and in daily life
Does acting matter? David Thomson, one of our most respected and insightful writers on movies and theater, answers this question with inte

Warner Bros: The Making of an American Movie Studio (Jewish Lives)

by David Thomson

From the prizewinning Jewish Lives series, behind the scenes at the legendary Warner Brothers film studio, where four immigrant brothers transformed themselves into the moguls and masters of American fantasy

"Jack [Warner] is lucky to have a man who has brought a lifetime of sitting in theaters, shellacked by the beams of the projectionist’s light, and who has thought so deeply and eccentrically and opinionatedly and ultimately so brilliantly about him. We, his readers, are lucky too."—Leslie Epstein, Wall Street Journal

"For those new to Thomson’s magic-carpet rides: Sit back, hold on and enjoy the view."—Tom Shone, New York Times Book Review

Warner Bros charts the rise of an unpromising film studio from its shaky beginnings in the early twentieth century through its ascent to the pinnacle of Hollywood influence and popularity. The Warner Brothers—Harry, Albert, Sam, and Jack—arrived in America as unschooled Jewish immigrants, yet they founded a studio that became the smartest, toughest, and most radical in all of Hollywood.

David Thomson provides fascinating and original interpretations of Warner Brothers pictures from the pioneering talkie The Jazz Singer through black-and-white musicals, gangster movies, and such dramatic romances as Casablanca, East of Eden, and Bonnie and Clyde. He recounts the storied exploits of the studio’s larger-than-life stars, among them Al Jolson, James Cagney, Bette Davis, Errol Flynn, Humphrey Bogart, James Dean, Doris Day, and Bugs Bunny. The Warner brothers’ cultural impact was so profound, Thomson writes, that their studio became “one of the enterprises that helped us see there might be an American dream out there.”

About Jewish Lives:

Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present.

In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award.

More praise for Jewish Lives:

"Excellent." –New York Times

"Exemplary." –Wall Street Journal

"Distinguished." –New Yorker

"Superb." –The Guardian

Warner Bros: The Making of an American Movie Studio (Jewish Lives)

by David Thomson

Behind the scenes at the legendary Warner Brothers film studio, where four immigrant brothers transformed themselves into the moguls and masters of American fantasy

Warner Bros charts the rise of an unpromising film studio from its shaky beginnings in the early twentieth century through its ascent to the pinnacle of Hollywood influence and popularity. The Warner Brothers—Harry, Albert, Sam, and Jack—arrived in America as unschooled Jewish immigrants, yet they founded a studio that became the smartest, toughest, and most radical in all of Hollywood.

David Thomson provides fascinating and original interpretations of Warner Brothers pictures from the pioneering talkie The Jazz Singer through black-and-white musicals, gangster movies, and such dramatic romances as Casablanca, East of Eden, and Bonnie and Clyde. He recounts the storied exploits of the studio’s larger-than-life stars, among them Al Jolson, James Cagney, Bette Davis, Errol Flynn, Humphrey Bogart, James Dean, Doris Day, and Bugs Bunny. The Warner brothers’ cultural impact was so profound, Thomson writes, that their studio became “one of the enterprises that helped us see there might be an American dream out there.”

The New Biographical Dictionary of Film: Fifth Edition, Completely Updated and Expanded

by David Thomson

David Thomson’s New Biographical Dictionary of Film topped Sight & Sound magazine’s 2010 poll of international critics and writers as the best film book of all time.

Now in its fifth edition, updated, and with more than 130 new entries—from Judd Apatow to Lena Horne—the classic, beloved film book is better than ever.

For thirty-five years, David Thomson’s Biographical Dictionary of Film has been “fiendishly seductive” (Greil Marcus, Rolling Stone), “the finest reference book ever written about movies” (Graham Fuller, Interview), and “not only an indispensable book about cinema, but one of the most absurdly ambitious literary achievements of our time” (Geoff Dyer, The Guardian). For this edition, Thomson has brought up to date and in some case recast the biographies, and has added new ones (Clive Owen, Scarlett Johansson, Jake Gyllenhaal, and Marion Cotillard, for example). The book now includes almost 1,500 entries, some of them just a pungent paragraph, some of them several thousand words long, every one a gem.

Here is a great, rare book that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own, from the man David Hare called “the most stimulating and thoughtful film critic now writing.”

The Big Screen: The Story of the Movies

by David Thomson

The Big Screen tells the enthralling story of the movies: their rise and spread, their remarkable influence over us, and the technology that made the screen―smaller now, but ever more ubiquitous―as important as the images it carries.
The Big Screen is not another history of the movies. Rather, it is a wide-ranging narrative about the movies and their signal role in modern life. At first, film was a waking dream, the gift of appearance delivered for a nickel to huddled masses sitting in the dark. But soon, and abruptly, movies began transforming our societies and our perceptions of the world. The celebrated film authority David Thomson takes us around the globe, through time, and across many media―moving from Eadweard Muybridge to Steve Jobs, from Sunrise to I Love Lucy, from John Wayne to George Clooney, from television commercials to streaming video―to tell the complex, gripping, paradoxical story of the movies. He tracks the ways we were initially enchanted by movies as imitations of life―the stories, the stars, the look―and how we allowed them to show us how to live. At the same time, movies, offering a seductive escape from everyday reality and its responsibilities, have made it possible for us to evade life altogether. The entranced audience has become a model for powerless and anxiety-ridden citizens trying to pursue happiness and dodge terror by sitting quietly in a dark room.
Does the big screen take us out into the world, or merely mesmerize us? That is Thomson's question in this grand adventure of a book. Books about the movies are often aimed at film buffs, but this passionate and provocative feat of storytelling is vital to anyone trying to make sense of the age of screens―the age that, more than ever, we are living in.

The Moment of Psycho: How Alfred Hitchcock Taught America to Love Murder

by David Thomson

It was made like a television movie, and completed in less than three months. It killed off its star in forty minutes. There was no happy ending. And it offered the most violent scene to date in American film, punctuated by shrieking strings that seared the national consciousness. Nothing like Psycho had existed before; the movie industry—even America itself—would never be the same.
In The Moment of Psycho, film critic David Thomson situates Psycho in Alfred Hitchcock’s career, recreating the mood and time when the seminal film erupted onto film screens worldwide. Thomson shows that Psycho was not just a sensation in film: it altered the very nature of our desires. Sex, violence, and horror took on new life. Psycho, all of a sudden, represented all America wanted from a film—and, as Thomson brilliantly demonstrates, still does.

Big Screen

by David Thomson

The definitive story of the medium that defines our times

The Big Screen tells the enthralling story of the movies: their rise and spread, their remarkable influence over us, and the technology that made the screen as important as the images it carries.
But The Big Screen is not another history of the movies. Rather, it is a wide-ranging narrative about the movies and their signal role in modern life. The celebrated film authority David Thomson takes us around the globe, through time, and across many media to tell the complex, gripping, paradoxical story of the movies. He tracks the ways we were initially enchanted by movies as imitations of life―the stories, the stars, the look―and how we allowed them to show us how to live. At the same time, movies, offering a seductive escape from everyday reality and its responsibilities, have made it possible for us to evade life altogether. The entranced audience has become a model for powerless and anxiety-ridden citizens trying to pursue happiness and dodge terror by sitting quietly in a dark room.
Does the big screen take us out into the world or merely mesmerize us? That is Thomson's question in this grand adventure of a book, vital to anyone trying to make sense of the age of screens―the age that, more than ever, we are living in.

"Have You Seen . . . ?": A Personal Introduction to 1,000 Films

by David Thomson

More than one thousand pages in the voice of our most provocative contemporary film critic and historian—a generous history of film and an enticing critical appraisal written with as much humor and passion as historical knowledge.

Juxtaposing the fanciful and the fabulous, the old favorites and the forgotten, this sweeping collection presents the films that Thomson offers to answer the question he gets asked most often—“What should I see?” Not content to choose only his own top films, Thomson has created a list that will surprise and delight you—and send you to your DVD player. But he also probes the question: After one hundred years of film, which ones are the best, and why?

“Have You Seen . . . ?” suggests a true canon of cinema and is a must for anyone who loves the silver screen: the perfect confection to dip into for a taste of controversy, little-known facts, and ideas about what to see. You’ll want to return to this volume again and again, like a dear but argumentative friend in the dark at the movies.

The New Biographical Dictionary of Film: Sixth Edition

by David Thomson

With more than 100 new entries, from Amy Adams, Benedict Cumberbatch, and Cary Joji Fukunaga to Joaquin Phoenix, Mia Wasikowska, and Robin Wright, and completely updated, here from David Thomson—“The greatest living writer on the movies” (John Banville, New Statesman);“Our most argumentative and trustworthy historian of the screen” (Michael Ondaatje)—is the latest edition of The New Biographical Dictionary of Film, which topped Sight & Sound’s poll of international critics and writers as THE BEST FILM BOOK EVER WRITTEN.
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Moments That Made the Movies

by David Thomson

Lushly illustrated, compellingly written―David Thomson's choice of the key moments in movie history In his first fully illustrated work, David Thomson breaks new ground by focusing in on a series of moments―which his readers will also experience in beautifully reproduced imagery―from seventy-two films across a 100-year-plus span. An indispensable counterpart to both his classic Biographical Dictionary of Film (called “a miracle” by Sight and Sound) and his lauded recent history, The Big Screen (“a pungently written, brilliant book” according to David Denby), Moments takes readers on an unprecedented visual tour, where the specifics of the imagery the reader is seeing are inextricably tied to the text. Thomson?s moments range from a set of Eadweard Muybridge?s pioneering photographs to sequences in films from the classic―Citizen Kane, Sunset Boulevard, The Red Shoes―to the unexpected―The Piano Teacher, Burn After Reading.

The excitement of Momentss? dynamic visuals will be matched only by the discussion it incites in film circles, as readers revisit their own list of memorable moments and then re-experience the films―both those included on Thomson's list and from their own life―as never before. Moments That Made the Movies will undoubtedly reaffirm Thomson's place as―according to John Banville―“the greatest living writer on the movies.” 200 images in color and black and white

Television: A Biography

by David Thomson

“The invention, or the quaint piece of furniture, wandered into our lives in the 1940s, as a primitive plaything, a clever if awkward addition to the household. It was expensive, unreliable and a bit of an invalid.” ―Television, A Biography
In just a few years, what used to be an immobile piece of living room furniture, which one had to sit in front of at appointed times in order to watch sponsored programming on a finite number of channels, morphed into a glowing cloud of screens with access to a near-endless supply of content available when and how viewers want it. With this phenomenon now a common cultural theme, a writer of David Thomson’s stature delivering a critical history, or “biography” of the six-decade television era, will be a significant event which could not be more timely. With Television, the critic and film historian who wrote what Sight and Sound's readers called “the most important film book of the last 50 years” has finally turned his unique powers of observation to the medium that has swallowed film whole.
Over twenty-two thematically organized chapters, Thomson brings his provocatively insightful and unique voice to the life of what was television. David Thomson surveying a Boschian landscape, illuminated by that singular glow―always “on”―and peopled by everyone from Donna Reed to Dennis Potter, will be the first complete history of the defining medium of our time. 60+ illustrations

A Light in the Dark: A History of Movie Directors

by David Thomson

From the celebrated film critic and author of The Biographical Dictionary of Film--an essential work on the preeminent, indispensable movie directors and the ways in which their work has forged, and continues to forge, the landscape of modern film.

Directors operate behind the scenes, managing actors, establishing a cohesive creative vision, at times literally guiding our eyes with the eye of the camera. But we are often so dazzled by the visions on-screen that it is easy to forget the individual who is off-screen orchestrating the entire production--to say nothing of their having marshaled a script, a studio, and other people's money. David Thomson, in his usual brilliantly insightful way, shines a light on the visionary directors who have shaped modern cinema and, through their work, studies the very nature of film direction. With his customary candor about his own delights and disappointments, Thomson analyzes both landmark works and forgotten films from classic directors such as Orson Welles, Alfred Hitchcock, Jean Renoir, and Jean-Luc Godard, as well as contemporary powerhouses such as Jane Campion, Spike Lee, and Quentin Tarantino. He shrewdly interrogates their professional legacies and influence in the industry, while simultaneously assessing the critical impact of an artist's personal life on his or her work. He explores the male directors' dominance of the past, and describes how diversity can change the landscape. Judicious, vivid, and witty, A Light in the Dark is yet another required Thomson text for every movie lover's shelf.

Acting Naturally: The Magic in Great Performances

by David Thomson

From the celebrated film critic and author of The New Biographical Dictionary of Film, a fascinating look at some of the cinema’s finest actors and how they approach their craft

"Open to any page and you’ll become enthralled by the...tales of forgotten film lore, childhood memories, sexy gossip.”—Philip Kaufman, director

Meryl Streep, Marlon Brando, Anthony Hopkins, Carey Mulligan. When we watch these remarkable actors in a performance, we see only Sophie, Stanley Kowalski, Hannibal Lecter, or Cassie from Promising Young Woman. How are they able to transform our world in this way? How and why do they do what they do?

In Acting Naturally, David Thomson sheds light on the actors who have shaped the film industry. He shrewdly analyzes these stars—among them, James Dean, Nicole Kidman, Denzel Washington, Louise Brooks, Riz Ahmed, Sir Laurence Olivier, Viola Davis, and Jean Seberg—revealing how a sly smile, an extra-long pause, even a small gesture of the hand can draw in an audience. And he takes us behind the scenes to examine casting and all the other moments leading up to “Action!”

Through intimate anecdote, humor, and the insight born of a lifetime watching and analyzing film, Thomson explores the real reasons why we go to the movies and looks at how they influence our lives. This book is not only necessary reading for an insider’s view of the industry but also a surprising investigation of the relationship between acting and living.

How to Watch a Movie

by David Thomson

From one of the most admired critics of our time, brilliant insights into the act of watching movies and an enlightening discussion about how to derive more from any film experience.

Since first publishing his landmark Biographical Dictionary of Film in 1975 (recently released in its sixth edition), David Thomson has been one of our most provocative authorities on all things cinema. Now he offers his most inventive exploration of the medium yet: guiding us through each element of the viewing experience, considering the significance of everything from what we see and hear on-screen—actors, shots, cuts, dialogue, music—to the specifics of how, where, and with whom we do the viewing.

With customary candor and wit, Thomson delivers keen analyses of a range of films from classics such as Psycho and Citizen Kane to contemporary fare such as 12 Years a Slave and All Is Lost, revealing how to more deeply appreciate both the artistry and (yes) manipulation of film, and how watching movies approaches something like watching life itself.

Discerning, funny, and utterly unique, How to Watch a Movie is a welcome twist on a classic proverb: Give a movie fan a film, she’ll be entertained for an hour or two; teach a movie fan to watch, his experience will be enriched forever.

How to Watch a Movie

by David Thomson

In his most inventive exploration of the medium yet, David Thomson—one of our most provocative authorities on all things cinema—shows us how to get more out of watching any movie. Guiding us through each element of the viewing experience, considering the significance of everything from what we see and hear on-screen—actors, shots, cuts, dialogue, music—to the specifics of how, where, and with whom we do the viewing, Thomson explicates the movie watching experience with his customary candor and wit. Delivering keen analyses of films ranging from Citizen Kane to 12 Years a Slave, in How to Watch a Movie, Thomson shows moviegoers how to more deeply appreciate both the artistry and the manipulation of film—and in so doing enriches our viewing experience immensely.

Sleeping with Strangers: How the Movies Shaped Desire

by David Thomson

In this wholly original work of film criticism, David Thomson, celebrated author of The Biographical Dictionary of Film, probes the many ways in which sexuality has shaped the movies—and the ways in which the movies have shaped sexuality. Exploring the tangled notions of masculinity, femininity, beauty, and sex that characterize our cinematic imagination—and drawing on examples that range from advertising to pornography, Bonnie and Clyde to Call Me by Your Name—Thomson illuminates how film as art, entertainment, and business has historically been a polite cover for a kind of erotic séance. In so doing, he casts the art and the artists we love in a new light, and reveals how film can both expose the fault lines in conventional masculinity and point the way past it, toward a more nuanced understanding of what it means to be a person with desires.

Sleeping with Strangers: How the Movies Shaped Desire

by David Thomson

In this wholly original work of film criticism, David Thomson, celebrated author of The Biographical Dictionary of Film, probes the many ways in which sexuality has shaped the movies—and the ways in which the movies have shaped sexuality. Exploring the tangled notions of masculinity, femininity, beauty, and sex that characterize our cinematic imagination—and drawing on examples that range from advertising to pornography, Bonnie and Clyde to Call Me by Your Name—Thomson illuminates how film as art, entertainment, and business has historically been a polite cover for a kind of erotic séance. In so doing, he casts the art and the artists we love in a new light, and reveals how film can both expose the fault lines in conventional masculinity and point the way past it, toward a more nuanced understanding of what it means to be a person with desires.

Nicole Kidman

by David Thomson, James L. Dickerson

Traces the Oscar-winning actress's childhood as the daughter of Australian activist parents, her marriage to and divorce from Tom Cruise, her decidedly private lifestyle, the controversies surrounding her films, and her complex personality.

Nicole Kidman

by David Thomson, James L. Dickerson

From the brilliant film historian and critic David Thomson, a book that reinvents the star biography in a singularly illuminating portrait of Nicole Kidman—and what it means to be a top actress today. At once life story, love letter, and critical analysis, this is not merely a book about who Kidman is but about what she is—in our culture and in our minds, on- and offscreen.

Tall, Australian, one of the striking beauties of the world, Nicole Kidman is that rare modern phenomenon—an authentic movie star who is as happy and as creative throwing a seductive gaze from some magazine cover as she is being Virginia Woolf in The Hours. Here is the story of how this actress began her career, has grown through her roles, taken risks, made good choices and bad, and worried about money, aging, and image.

Here are the details of an actress’s life: her performances in To Die For, The Portrait of a Lady, Eyes Wide Shut, Moulin Rouge!, The Hours, and Birth, among other films; her high-visibility marriage to Tom Cruise; her intense working relationship with Stanley Kubrick and her collaborations with Anthony Minghella and Baz Luhrmann; her work with Jude Law, Anthony Hopkins, Renée Zellweger, and John Malkovich; her decisions concerning nudity, endorsements, and publicity.

And here are Thomson’s scintillating considerations of what celebrity means in the life of an actress like Kidman; of how the screen becomes both barrier and open sesame for her and for her audience; of what is required today of an actress of Kidman’s stature if she is to remain vital to the industry and to the audiences who made her a prime celebrity.

Impassioned, opinionated, dazzlingly original in its approach and ideas, Nicole Kidman is as alluring and as much fun as Nicole Kidman herself, and David Thomson’s most remarkable book yet.

Scott, Shackleton, and Amundsen: Ambition and Tragedy in the Antarctic (Adrenaline Classics)

by David Thomson

Between the middle of January and the end of March 1912 five men died in the attempt to return from the South Pole to their base on the edge of Antarctica. Their leader, the last to die and the man whose diary described their agonies was Robert Falcon Scott. The expedition had been beaten to the Pole by a band of racing Norwegians, led by Roald Amundsen. The bodies of the last three to die were found seven months later and, ever since, Scott's men have been British heroes. It is that legend, as much as their ordeal that is the subject of this book. Scott's men and the supporting characters, Amundsen and Shackleton, his rivals; Clement Markham, his discoverer; his wife Kathleen -- give a fascinating picture of English society before the First World War. The story of the drama becomes also an illustration of human and social character. And, to the extent that Scott is legendary in England, the book tells something about the English and their attitude to duty.

The People of the Sea: A Journey in Search of the Seal Legend

by David Thomson

The author, a Scotsman raised in a fishing village, chases after the enduring myth that seals were once human and occasionally resume human form. 10,000 first printing.

Try to Tell the Story

by David Thomson

David Thomson, one of our most celebrated film writers, gives us a haunting, fascinating memoir about growing up as an only child in wartime England. He was born in London in the aftermath of the war, where he was raised by his mother, grandmother, and upstairs tenant, Miss Davis. He remembers how his grandmother brought him to a street corner to see Churchill and how the bombed-out houses that still smelled of smoke became his playground. We see Thomson attempt to overcome his profound sadness at being abandonded by his cold and distant father by finding solace in the cinema houses. Movies became his great escape, and the worlds revealed in Red River, The Third Man, and Citizen Kane helped to alleviate his loneliness and bolster his rich imaginative life.

Gary Cooper (Great Stars)

by David Thomson

"Cooper was heroic, of course, in his own mind as much as in his scripts. He was manly, tall, ruggedly handsome. He was a man for a fight."
On screen he was the ultimate all-American hero: lean, laconic, and masculine, a lone sheriff battling his enemies in High Noon, or a tough individualist in The Fountainhead. Off-screen he bedded a host of leading ladies and carefully honed his image, making hundreds of movies and winning two Oscars in the process. The acclaimed film writer David Thomson explores the career and the contradictions of "Coop," the star who lived the dream in the golden age of Hollywood.

Ingrid Bergman

by David Thomson

"Ingrid Bergman was far more than just a sweet, virtuous, 'natural' Swedish girl--she was a dark sensualist over whom many men might go mad. Her very gaze delivered a climate of adult romantic expectation."

Adored by millions for her luminous beauty and elegance, at the height of her career Bergman commanded a love that has hardly ever been matched, until her marriage fell apart and created an international scandal. Here the renowned film writer David Thomson gives his own unique take on a woman who was constantly driven by her passions and by her need to act, even if it meant sacrificing everything.

Bette Davis (Great Stars)

by David Thomson

"She could look demure while behaving like an empress. Blonde, with eyes like pearls too big for her head, she was very striking, but marginally pretty and certainly not beautiful . . . But it was her edge that made her memorable--her upstart superiority, her reluctance to pretend deference to others."

Bette Davis was the commanding figure of the great era of Hollywood stardom, with a drive and energy that put her contemporaries in the shade. She played queens, jezebels, and bitches; she could out-talk any male costar; she warred with her studio, Warner Bros., worked like a demon, got through four husbands, was nominated for seven Oscars, and--no matter what--never gave up fighting. This is her story.

The People Of The Sea: Celtic Tales of the Seal-Folk (Canons)

by David Thomson

When David Thomson took a journey to the sea coasts of Scotland and Ireland to seek out the legend of the selchies - mythological creatures who transform from seals into humans - a magical world emerged. Men were rescued by seals in stormy seas, took seal-women for their wives and had their children suckled by seal-mothers.
Timeless and haunting, The People of the Sea retains its spellbinding charm and brings to life the enchanting stories of these mysterious creatures of Celtic folklore.

Birds, Strangers and Psychos New stories inspired by Alfred Hitchcock

by Lee Child, Nadine Matheson, Sophie Hannah, David Thomson, Peter Lovesey, Guy Adams, Jerome Charyn, James Grady, Ragnar Jónasson, Kim Newman, A.K. Benedict, Vaseem Khan, M.W. Craven, Anne Billson

A suspenseful, thrilling anthology of 24 original short stories inspired by the iconic works of legendary filmmaker Alfred Hitchcock, curated by acclaimed editor Maxim Jakubowski.

Featuring some of the biggest names in mystery and crime fiction, including Lee Child, Sophie Hannah, Peter Swanson, and many more!

Birds, Strangers and Psychos is a thrilling anthology that brings together the biggest names in mystery and crime fiction to pay homage to Alfred Hitchcock, the legendary filmmaker whose name is synonymous with suspense. Acclaimed editor Maxim Jakubowski curates 24 original short stories, each inspired by the mood, tension, and style that defined Hitchcock’s groundbreaking work. This anthology invites both emerging and established voices to reimagine the chilling atmospheres, twisted plots, and unforgettable characters of Hitchcock's films, from Psycho and Vertigo to North by Northwest and The Birds.

Just as Hitchcock adapted stories from literary giants like Daphne du Maurier, Patricia Highsmith, and Roald Dahl, Birds, Strangers and Psychos unites today's literary stars to craft new suspenseful tales that are destined to thrill, haunt, and unsettle. These stories celebrate Hitchcock’s enduring influence, creating an anthology that serves both as a tribute and as a reminder of why Hitchcock’s legacy continues to loom so large in popular culture. This volume is not just a collection of stories – it’s an invitation to rediscover the artistry of suspense.

Each author takes on the challenge of evoking the quintessentially 'Hitchcockian' elements that have captivated audiences for decades: ordinary lives interrupted by peril, psychological duels, and unexpected encounters that spiral into nightmares. The volume showcases an extraordinary blend of talent, featuring stories from:
Lee Child
Joe R. Lansdale & Keith Lansdale
Donna Moore
James Grady
Peter Lovesey
Kim Newman
A. K. Benedict
Vaseem Khan
M. W. Craven
S. A. Cosby
Sophie Hannah
Guy Adams
Ana Teresa Pereira
Nadine Matheson
David Thomson
Jerome Charyn
Anne Billson
William Boyle
Jeff Noon
Xan Brooks
Ragnar Jonasson
Denise Mina
Lily Samson
Peter Swanson

A Sudden Flicker of Light - A Revisionist History of Movies

by David Thomson

From one of cinema’s wisest and most penetrating observers, an arresting new perspective on the sweep of film history.

David Thomson has been called “the greatest living writer on the movies.” Here is a career capstone of sorts—a one-volume history of film and screens as illuminating and provocative as his classic Biographical Dictionary of Film. In tracing the progress, from the Lumiere Brothers to the Coens, Thomson glories in the great movies, but admits to increasing unease over what the medium has done to us—promoting fantasy, misleading models of sexual identity, the cult of authority, power, and happy endings.

This revisionist history is as alert to technology and business as it is to art and fun in tracing our pursuit of the lifelike instead of life. By turns trenchant, lyrical, and comic, Thomson uncovers our addiction to voyeurism and villainy, and a habit of passivity that has betrayed our political and cultural identity. In a survey that reaches from Metropolis to Rear Window to Anora, this will redirect ideas about film everywhere. As The New York Times has put it, “Thomson proves anew that he is irreplaceable.”