Books by Dino Buzzati

The Bears' Famous Invasion of Sicily

by Lemony Snicket, Dino Buzzati

One terrible winter, King Leander leads his troop of bears down the mountains of Sicily in search of food. Along their treacherous and sometimes heartbreaking journey, the bears encounter an army of wild boars, a wily professor who may or may not be a magician, ghosts, snarling Marmoset the Cat, and, worst of all, treachery within their own ranks.
If the bears' famous invasion of sicily sounds too distressing to read alone, that's because it is. Lemony Snicket's introduction to this extraordinary tale is unlikely to make you feel any better, and a careful study of Snicket's Reader's Companion, cleverly hidden at the back, may actually make you feel worse. For that reason, among many others, it is recommended that you either abandon this book, abandon plans to read it, or abandon all hope.

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The Bears' Famous Invasion of Sicily (New York Review Children's Collection)

by Dino Buzzati

Dino Buzzati's classic tale chronicles the terrible winter that sent the starving bears down into the valley in search of food, as well as their struggles with an army of wild boars, a wily professor who may or may not be a magician, snarling Marmoset the Cat, and, worse still, treachery within their own ranks. Over all this, the bears triumph with bravery, ingenuity, humility, and high spirits.

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The Bewitched Bourgeois: Fifty Stories

by Dino Buzzati

Poe and Kafka meet The Twilight Zone in this anthology of fifty fantastical tales, many of them reflecting the political and social energies of the time, by an Italian master of the short story.

The modern Italian writer Dino Buzzati wrote a huge body of short fiction, several hundred pieces, spanning a forty-year period. They offer a remarkable inventory of fantastic premises and tropes, international in the reach of their geographical settings, at times commenting on Italian issues but usually reflecting the worldwide horrors, catastrophes, and fanaticisms that characterized the twentieth century.

A journalist for much of his life, Buzzati was adept at turning current events into fantasies that depicted social and political nightmares. He challenged the ideological complacencies of his era in accessible stories that solicit the reader’s vicarious response, mixing sentiment, humor, and tragedy. Here Poe and Kafka meet Rod Serling’s The Twilight Zone.

Lawrence Venuti presents a retrospective anthology that ranges from Buzzati’s first publications to texts written as he was dying of cancer. Buzzati’s own book-length selections are sampled, so that previously untranslated stories join new versions of classics like “Seven Floors,” an absurdist tale of a patient fatally caught in hospital bureaucracy; “Panic at La Scala,” where, fearful of a left-wing revolution, the Milanese bourgeoisie are imprisoned at the opera house; and “Appointment with Einstein,” in which the scientist encounters a gas station attendant who is the Angel of Death.

Venuti’s crisp translations re-create Buzzati’s technique of making the fantastic seem frighteningly plausible, establishing unreal worlds that disrupt dominant notions of what is real. The Bewitched Bourgeois is a definitive gathering of Buzzati’s work in short fiction.

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The Stronghold (New York Review Books Classics)

by Dino Buzzati

A glory-starved soldier spends his life awaiting an absent, long-expected enemy in this influential Italian classic of existentialism, now newly translated and with its originally intended title restored.

At the start of Dino Buzzati’s The Stronghold, newly commissioned officer Giovanni Drogo has just received his first posting: the remote Fortezza Bastiani. North of this stronghold are impassable mountains; to the south, a great desert; and somewhere out there is the enemy, whose attack is imminent.

This is the enemy that Lieutenant Drogo has been sent to draw out of his lair, to defeat once and for all, returning home in triumph. And yet time passes, and where is the enemy?

As the soldiers in the fortress await the foretold day of reckoning, they succumb to inertia, and though death occurs, it is not from bravery. Decades pass. A lifetime passes. Drogo, however, still has his lonely vigil to keep.

Buzzati is one of the great Italian writers of the twentieth century, renowned for his fantastical imagination and for a touch that is as lyrical as it is light. The Stronghold, previously translated as The Tartar Steppe, is his most celebrated work, a book that has been read as a veiled attack on Mussolini’s fascist militarism, a prophetic allegory of the Cold War, and an existentialist fable.

Lawrence Venuti’s new translation reverts to the title that Buzzati originally intended to give his book, and seeks to bring out both the human and the historical dimensions of a story of proven power and poignancy.

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Poem Strip including an Explanation of the Afterlife (New York Review Books Classics)

by Dino Buzzati

A New York Review Books Original

There’s a certain street—via Saterna—in the middle of Milan that just doesn’t show up on maps of the city. Orfi, a wildly successful young singer, lives there, and it’s there that one night he sees his gorgeous girlfriend Eura disappear, “like a spirit,” through a little door in the high wall that surrounds a mysterious mansion across the way. Where has Eura gone? Orfi will have to venture with his guitar across the borders of life and death to find out.

Featuring the Ashen Princess, the Line Inspector, trainloads of Devils, Trudy, Valentina, and the Talking Jacket, Poem Strip—a pathbreaking graphic novel from the 1960s—is a dark and alluring investigation into mysteries of love, lust, sex, and death by Dino Buzzati, a master of the Italian avant-garde.

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The Tartar Steppe

by Dino Buzzati

Often likened to Kafka's The Castle, The Tartar Steppe is both a scathing critique of military life and a meditation on the human thirst for glory. It tells of young Giovanni Drogo, who is posted to a distant fort overlooking the vast Tartar steppe. Although not intending to stay, Giovanni suddenly finds that years have passed, as, almost without his noticing, he has come to share the others' wait for a foreign invasion that never happens. Over time the fort is downgraded and Giovanni's ambitions fade―until the day the enemy begins massing on the desolate steppe...

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A Love Affair

by Dino Buzzati

Accomplished in his career but unaccomplished in love, a middle-aged architect is torn apart by his obsession with an enigmatic young woman in this delicately told story of desire and abjection by a titan of Italian literature.

Antonio Dorigo is a successful architect in Milan, nearing fifty, who has always been afraid of women. A regular at an upscale brothel for years, he mourns the lack of close female companionship in his life. One afternoon, the madam at the brothel introduces Tonio to “a new girl,” Laide. Tonio sees nothing especially remarkable about her, though it intrigues him that she dances at La Scala and also at a strip club, and yet in a very short time he becomes completely obsessed with her.

Laide leads Antonio on, confounds him, uses and humiliates him, treats him tenderly from time to time, lies to him, makes no apologies to him, and he loves her ever more. This helpless and hopeless love, he feels, is what he is, even as it prevents him from ever seeing Laide for who she is. Because Who is she? is the question at the heart of Buzzati’s clear-eyed and darkly comic tale of infatuation.

Is A Love Affair a love story or is it a story of anything but love? Buzzati’s novel, with its psychological subtleties, vivid cityscapes, unsettling comedy, and compassion, keeps the reader guessing till the end.

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The Singularity

by Dino Buzzati

In this prophetic allegory about artificial intelligence by a renowned figure of twentieth-century Italian literature, a modest university professor becomes involved in a remote and enigmatic project in the middle of the Cold War.

At the beginning of Dino Buzzati’s The Singularity, Ermanno Ismani, an unassuming university professor, is summoned by the minister of defense to accept a two-year, top-secret mission at a mysterious research center, isolated from the world among forests, plunging cliffs, and high mountains. What’s he supposed to do there? Not clear. How long will he be there? No saying.

Still, Ismani takes the mystifying job and, accompanied by his no-nonsense wife, Elisa, heads to the so-called Experimental Camp of Military Zone 36, wondering whether, in the midst of the Cold War, it’s some sort of nuclear project he’s been assigned to. But no, the colleagues the couple meets on arrival assure them, it’s nothing like that. It’s much, much more powerful.

At the center of the research complex is strange, shining, at times murmurous, white wall. Behind it, a deep gorge drops away, full of wires and radio towers and mobile sensors and a host of eccentric structures. A question begins to dawn: Could this be the shape of consciousness itself? And if so, whose?

Buzzati's novella of 1960, a pioneering work of Italian science fiction, is published here in a brisk new translation by Anne Milano Appel. In it, Buzzati explores his favorite themes of love and longing while offering a startlingly prescient parable of artificial intelligence.

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