Books by Eliot Weinberger
The New Directions Anthology of Classical Chinese Poetry
A groundbreaking anthology of classical Chinese translations by giants of Modern American poetry. A rich compendium of translations, The New Directions Anthology of Classical Chinese Poetry is the first collection to look at Chinese poetry through its enormous influence on American poetry. Weinberger begins with Ezra Pound's Cathay (1915), and includes translations by three other major U.S. poetsWilliam Carlos Williams, Kenneth Rexroth, Gary Snyderand an important poet-translator-scholar, David Hinton, all of whom have long been associated with New Directions. Moreover, it is the first general anthology ever to consider the process of translation by presenting different versions of the same poem by various translators, as well as examples of the translators rewriting themselves. The collection, at once playful and instructive, serves as an excellent introduction to the art and tradition of Chinese poetry, gathering some 250 poems by nearly 40 poets. The anthology also includes previously uncollected translations by Pound; a selection of essays on Chinese poetry by all five translators, some never published before in book form; Lu Chi's famous "Rhymeprose on Literature" translated by Achilles Fang; biographical notes that are a collage of poems and comments by both the American translators and the Chinese poets themselves; and also Weinberger's excellent introduction that historically contextualizes the influence Chinese poetry has had on the work of American poets.
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19 Ways of Looking at Wang Wei: How a Chinese Poem is Translated
by Eliot Weinberger, Octavio Paz
Nineteen different translations of a single poem with comments on each version by Eliot Weinberger and introduction contributed by Octavio Paz.
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What Happened Here: Bush Chronicles
Essayist Eliot Weinberger sets his sights on the Bush team with brilliant, thought-provoking, funny consequences.
Written for publication in magazines abroad, translated into sixteen languages, and collected here for the first time, Eliot Weinberger's chronicles of the Bush era range from first-person journalism to political analysis to a kind of documentary prose poetry. The book begins with the inauguration of George W. Bush in January 200land an eerie prediction of the invasion of Iraqand picks up on September 12, with an account of downtown Manhattan, where Weinberger lives, on the "day after." With wit and anger, and sometimes startling prescience, What Happened Here takes us through the first term of the "Bush junta": the deep history of the neoconservative "sleeper cell," the invention of the War on Terror, the real wars in Afghanistan and Iraq, and the often bizarre behavior of the Republican Party. For twenty-five years, Eliot Weinberger has been taking the essay form into unexplored territory. In What Happened Here, truth proves stranger than poetry.
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Karmic Traces
For the past twenty years, Eliot Weinberger has been taking the essay far beyond the borders of literary criticism or personal journalism and into the realm of poetry and narrative. Full of stories, yet written in a condensed, imagistic language, his essays are works of the imagination where all the facts are verifiable. As entertaining as fiction and as vivid as poems, making unexpected stops in odd corners of the globe or forgotten moments in human history, erudite, politically engaged, and acerbically witty, there is nothing quite like his work in contemporary writing. In Karmic Traces, his third collection with New Directions, twenty-four essays take the reader along on the author’s personal travels from the Atacama Desert to Iceland to Hong Kong on the verge of the hand-over to China, as well as on imagined voyages on a 17th-century Danish ship bound for India and among strange religious cults or even stranger small animals. One never knows what will appear next: Viking dreams, Aztec rituals, Hindu memory, laughing fish, or prophetic dogs. And in “The Falls,” the long tour-de-force that closes the book, Weinberger recapitulates 3,000 years of history in a cascade of telling facts to uncovering the deep roots of contemporary racism and violence.
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World Beat: International Poetry Now From New Directions (New Directions Paperbook)
A celebration of contemporary poetry from around the world, World Beat: International Poetry Now from New Directions is a treasure trove that will satisfy and fascinate poetry lovers.
A mosaic of twenty-eight foreign and American poets, World Beat is an extraordinary compilation, unlike any other anthology, of the poetry being written today. For some seventy years, New Directions Publishing has brought literary America the world, introducing many of the world's most important, and at the time usually unknown, writers. Today, with a diminishing earth and an increasingly isolated United States, dialogue among the nations is desperately needed. On the poetic front, this dialogue assumes a particular potency and urgency. In World Beat, expertly edited by the remarkable writer and translator Eliot Weinberger, a new generation of New Directions poets from across the globe mingles in a euphonic cross-cultural chorus.
The collection opens with the last poem by Octavio Paz, a major work previously unpublished in book form, and then tracks through the writings of foreign and American poets that New Directions has published in recent years. From the haunting erotic lyrics of the young Albanian poet Luljeta Lleshanaku, to the powerful political insights of exiled Iraqi poet Dunya Mikhail, Israeli poet Aharon Shabtai, and Caribbean poet Kamau Brathwaite, to the lapidary beauty of Dutch poet Hans Faverey and the wild experiments of Chinese poet Gu Cheng and Japanese poet Kazuko Shiraishi, to Nobel Prize shortlisters Bei Dao of China, Inger Christensen of Denmark, Gennady Aygi of Chuvashia, and Tomas Transtromer of Swedenhere is a planetary greatest hits that also includes work by Canadian Anne Carson and a range of American poets (Susan Howe, Michael Palmer, Robert Creeley among them), whose works take on new resonances when read alongside their world-peers.
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Oranges & Peanuts for Sale
Presented at the PEN World Voices Festival as a “post-national” writer, Eliot Weinberger is “a sparkling essayist” (Confrontation), and his writings “a boundary-crossing, shape-shifting cabinet of curiosities” (The Bloomsbury Review). Many of the twenty-eight essays in Oranges & Peanuts for Sale have appeared in translation in seventeen countries; some have never been published in English before. They include introductions for books of avant-garde poets; collaborations with visual artists, and articles for publications such as The New York Review of Books, The London Review of Books, and October.
One section focuses on writers and literary works: strange tales from classical and modern China; the Psalms in translation: a skeptical look at E. B. White’s New York. Another section is a continuation of Weinberger’s celebrated political articles collected in What Happened Here: Bush Chronicles (a finalist for the National Books Critics Circle Award), including a sequel to “What I Heard About Iraq,” which the Guardian called the only antiwar “classic” of the Iraq War. A new installment of his magnificent linked “serial essay,” An Elemental Thing, takes us on a journey down the Yangtze River during the Sung Dynasty.
The reader will also find the unlikely convergences between Samuel Beckett and Octavio Paz, photography and anthropology, and, of course, oranges and peanuts, as well as an encomium for Obama, a manifesto on translation, a brief appearance by Shiva, and reflections on the color blue, death, exoticism, Susan Sontag, and the arts and war.
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Written on the Sky: Poems from the Japanese
“Rexroth’s readings from the Japanese master poets are breathtaking in their simplicity and clarity.”―The New York Times I go out of the darkness
Onto a road of darkness
Lit only by the far off
Moon on the edge of the mountains.
―Izumi Shikobu
Over the years, thousands of readers have discovered the beauty of classic Japanese poetry through the superb English versions by the great American poet Kenneth Rexroth. Mostly haiku, these poems range from the classical and medieval to modern poetry, with an emphasis on folk songs and love lyrics. Because women played such an outstanding role in Japanese literature, included here are selections from their work, including the contemporary, deeply sensuous Marichiko. This elegant, beautifully designed gift book of poems spanning many centuries presents the original texts in romanji, the transliteration into the Western alphabet.
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Songs of Love, Moon, & Wind: Poems from the Chinese
“Nothing stands still in this poetry: the wind blows the trees, the lake water ripples and the ever-present road runs in and out of the hills.”―American Poetry Review
Moss covered paths between scarlet peonies,
Pale jade mountains fill your rustic windows.
I envy you, drunk with flowers,
Butterflies swirling in your dreams.
―Ch’ien Ch’i
This exquisite gift book offers a wide sampling of Chinese verse, from the first century to our own time, beginning with the lyric poetry of Tu Fu, moving to the folk songs of the Six Dynasties Period, on to the Sung Dynasty, and to the present. Also represented are some of the best-known women of Chinese poetry, including Li Ching-chao and Chu Shu-chen. These simple, accessible but profound poems come through to us with a breathtaking immediacy in Kenneth Rexroth’s English versions―a wonderful gift for any lover of poetry.
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Poetry Pamphlets 1-4 (New Directions Poetry Pamphlets)
by Lydia Davis, Eliot Weinberger, Susan Howe, Bernadette Mayer, Sylvia Legris
The first four collections in our revitalized Poetry Pamphlet series, established to highlight original work from writers around the world as well as forgotten treasures lost in the cracks of literary history.
Included are: Two American Scenes: Our Village & A Journey on the Colorado River, by Lydia Davis and Eliot Weinberger; Sorting Facts, or Nineteen Ways of Looking at Chris Marker, by Susan Howe; The Helens of Troy, New York, by Bernadette Mayer; and Pneumatic Antiphonal, by Sylvia Legris.
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Two American Scenes (New Directions Poetry Pamphlets)
by Lydia Davis, Eliot Weinberger
Part of our revived "Poetry Pamphlet" series, Two American Scenes features two masters of the essay discussing "found material."
Part of our revived "Poetry Pamphlet" series, Two American Scenes features two masters of the essay discussing "found material."
Excerpts:
It was given to me, in the nineteenth century,
to spend a lifetime on this earth. Along with a few of the sorrows
that are appointed unto men, I have had innumerable enjoyments;
and the world has been to me, even from childhood,a great museum.
― Lydia Davis
Bad rapids. Bradley is knocked over the side; his foot catches
under the seat and he is dragged, head under water. Camped on
a sand beach, the wind blows a hurricane. Sand piles over us like
a snow-drift.
― Eliot Weinberge
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The Ghosts of Birds
A new collection from “one of the world’s great essayists” (The New York Times) The Ghosts of Birds offers thirty-five essays by Eliot Weinberger: the first section of the book continues his linked serial-essay, An Elemental Thing, which pulls the reader into “a vortex for the entire universe” (Boston Review). Here, Weinberger chronicles a nineteenth-century journey down the Colorado River, records the dreams of people named Chang, and shares other factually verifiable discoveries that seem too fabulous to possibly be true. The second section collects Weinberger’s essays on a wide range of subjects―some of which have been published in Harper’s, New York Review of Books, and London Review of Books―including his notorious review of George W. Bush’s memoir Decision Points and writings about Mongolian art and poetry, different versions of the Buddha, American Indophilia (“There is a line, however jagged, from pseudo-Hinduism to Malcolm X”), Béla Balázs, Herbert Read, and Charles Reznikoff. This collection proves once again that Weinberger is “one of the bravest and sharpest minds in the United States” (Javier Marías).
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Nineteen Ways of Looking at Wang Wei
A new expanded edition of the classic study of translation, finally back in print The difficulty (and necessity) of translation is concisely described in Nineteen Ways of Looking at Wang Wei, a close reading of different translations of a single poem from the Tang Dynasty―from a transliteration to Kenneth Rexroth’s loose interpretation. As Octavio Paz writes in the afterword, “Eliot Weinberger’s commentary on the successive translations of Wang Wei’s little poem illustrates, with succinct clarity, not only the evolution of the art of translation in the modern period but at the same time the changes in poetic sensibility.”
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Elsewhere (Poets in the World)
This book is published as part of the Poets in the World series created by The Poetry Foundation's Harriet Monroe Poetry Institute. Ilya Kaminsky, Series Editor.
"In a century of mass migration and deportation, political exile and casual tourism, being elsewhere was the common condition. For the moderns, elsewhere was not merely physical location or dislocation, but was intrinsic to the work. Victor Segalen, in China at the beginning of the century, writes of the 'manifestation of Diversity,' a 'spectacle of Difference': everything that is 'foreign, strange, unexpected, surprising, mysterious, amorous, superhuman, heroic, and even divine, everything that is Other.' Picasso put it more bluntly: 'Strangeness is what we wanted to make people think about because we were quite aware that our world was becoming very strange.' After Guillaume Apollinaire's 'Zone'perhaps the most influential poem of the centurycollage, the juxtaposition of disparate elements, the manifestation of diversity, the making of the strange, became the primary new form of the new poetry.
"From the countless examples, here are a few instances of the collage of a poet pasted, physically or mentally, onto a specific unfamiliar landscape."
So begins Eliot Weinberger's essayistic travels into the nature of "journey" poetry. From Ko¯taro¯ Takamura's poem about Paris, to Fernando Pessoa's "At the wheel of the Chevrolet on the road to Sintra," to Apollinaire's "Ocean-Letter," Weinberger introduces fourteen poems illustrating the contemporary situation of being "elsewhere."
Eliot Weinberger is an essayist, poet, editor, and translator who won the National Book Critics Circle award for criticism for his edition of Jorge Luis Borges's Selected Non-Fictions. His translations of Octavio Paz are highly regarded, as are his translations of Homero Aridjis, Bei Dao, and others
Here is a complete list of contributors to this collection:
Kotaro Takamura
Vicente Huidobro
Jorge Carrera Andrade
Federico García Lorca
Léopold Sédar Senghor
Xavier Villaurrutia
Bertolt Brecht
Nâzim Hikmet
Fernando Pessoa
Joaquín Pasos
Jacques Roumain
Guillaume Apollinaire
Toriko Takarabe
Ingeborg Bachmann
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Muhammad
by Demi, Eliot Weinberger
Muhammad
is
the messenger of Islam.
Born in Mecca in the year 570, Muhammad grew into a sensitive and thoughtful man who believed deeply in the worship of one true god.
In his fortieth year, Muhammad experienced a revelation from the angel Gabriel that he, Muhammad, was the messenger of God. Over the next twenty-three years, he received many such revelations, all of which were written down by scribes at the time of revelation to become the Koran, the sacred scripture of Islam, a religion that is practiced by nearly one-quarter of the world's population and holds as its most sacred tenet that there is no god but God.
Through a clear text and stunning illustrations based upon those of traditional Islamic expression, the award-winning artist Demi here introduces the remarkable life of the Prophet Muhammad for young readers.
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Muhammad
by Demi, Eliot Weinberger
Muhammad is a shimmering, lyrical biography of the Prophet, composed from the words of Muslims throughout the centuries. Drawing on a variety of Islamic sources, from the hadith, or sayings of Muhammad and his companions, to Abbasid and Persian texts, Weinberger weaves a subtle, mystical prose poem, spanning Muhammad’s birth and childhood; his adolescence, miracles and marriages; to the isra and miraj, his journey from Mecca to Jerusalem and ascent into heaven, with the angel Jibril (Gabriel) as his guide. The result is a vivid triptych that presents the final prophet of Islam with extraordinary clarity.
At a time when the Muslim world is being demonized in much of the media Muhammad provides a sense of the awe surrounding this historical and sacred figure.
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An Elemental Thing
Internationally acclaimed as one of the most innovative writers today, Eliot Weinberger has taken the essay into unexplored territories on the borders of poetry and narrative where the only rule, according to the author, is that all the information must be verifiable. With An Elemental Thing, Weinberger turns from his celebrated political chronicles to the timelessness of the subjects of his literary essays. With the wisdom of a literary archaeologist-astronomer-anthropologist-zookeeper, he leads us through histories, fables, and meditations about the ten thousand things in the universe: the wind and the rhinoceros, Catholic saints and people named Chang, the Mandaeans on the Iran-Iraq border and the Kaluli in the mountains of New Guinea. Among the thirty-five essays included are a poetic biography of the prophet Muhammad, which was praised by the London Times for its "great beauty and grace," and "The Stars," a reverie on what's up there that has already been translated into Arabic, Chinese, Hindi, and Maori.
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9/12: New York After
In a series of snapshots after the attack on the World Trade Center—from a day, to a week, up to a year and beyond—Eliot Weinberger offers thoughtful and provocative reflections on his city, the country, and the state of the world. Originally published only outside the United States, these essays are now available together, and for the first time in English. Taken as a whole, they constitute a remarkable "archive of the moment," way-markers for a story that is still unfolding.
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Outside Stories: Essays
Unpredictable and uncanonical, Eliot Weinberger’s essays are the “outside stories” of cultural migrations. The fifteen pieces collected here range from the history of the Salman Rushdie affair to the dream of Atlantis, from the turf wars among ethnographic filmmakers to the unlikely romance between poetry and espionage, from the pilgrims in Plymouth to the students in Tiananmen Square. Above all, Weinberger’s concern is poetry––whether written in medieval Baghdad or by Mexicans in Japan––and the perennially underground yet global network through which it travels. With his modernist sensibility and internationalist perspective, Weinberger’s inventive prose transports old myths and texts to the strange realities of contemporary life.
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Works on Paper: 1980-1986 (New Directions Book Probability and Statistics)
During the past several years, Eliot Weinberger’s inventive prose has earned him a reputation as a candid social observer and penetrating essayist. Works on Paper is the first collection of his writings, twenty-one pieces that juxtapose the world as it is and the world as it is imagined-by artists, poets, historical figures, and ordinary people. “Inventions of Asia,” the first section, deals primarily with how the West reinvents the East (and how the East invents itself): images of India circa 1492 (where Columbus thought he was going); Christian missionaries in sixteenth-century China; Bombay prostitutes as seen by a New York photojournalist; Tibetan theocracy transplanted to the Rockies; a Confucian bureaucrat’s address to crocodiles; the shifting iconography of the “tyger”; looking for an answer to an ancient Chinese poem of questions; how the children of Mao have reinvented Imagism; Kampuchea Under Pol Pot. “Extensions of Poetry” explores the ways in which the world affects the imaginations of individual poets (George Oppen, Langston Hughes, Charles Reznikoff, Octavio Paz, Clayton Eshleman) and indeed entire movements, leading at times to unexpected incarnations and transformations. Weinberger ponders such strange conjunctions as Whittaker Chambers and Objectivism, anti-Semitism among American Modernists, bourgeois poets––present-day wards of the academy and the state––confronting the issues of peace, American foreign policy, and The Bomb.
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The Life of Tu Fu
For over fifty years Eliot Weinberger has been celebrated for his innovative literary and political essays--translated into over thirty languages--as well as his trailblazing translations from the Spanish. In his exquisite new book The Life of Tu Fu, Weinberger has composed a montage of fifty-eight poems that capture the life and times of the great Tang Dynasty poet Tu Fu (712-770 AD). As he writes in a note to the edition, "This is not a translation of individual poems, but a fictional autobiography of Tu Fu derived and adapted from the thoughts, images, and allusions in the poetry." Through lines as penetrating as a classical tanka and as fluid as a mountain stream, themes of endless war and ongoing pandemic surround the wandering life of the ancient Chinese master.
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