Books by Gertrude Stein

Three Lives and Tender Buttons

by Gertrude Stein

Three Lives
Three short stories comprise Gertrude Stein’s first significant work, each a psychological portrait of a different woman. “The Good Anna” is a kindly but domineering German servant. “The Gentle Lena” apathetically endures her miserable life until she dies in childbirth. “Melanctha” is a young Black woman learning about sexuality and love. Different as they may be, all three women are bound by poverty—and all three face the restrictions of class, race, and sex with resignation.
Tender Buttons
Stein spoke of maintaining a “continuous present,” comprised of “moments of consciousness,” independent of time and memory. Nowhere is this more clear than in her prose poems Tender Buttons. Their repetitive sentences, juxtaposition of sounds, and simple language connote this continuous presence. To live in this state is “to begin again and again,” to “use everything.” Each of the three sections, “Objects,” “Food,” and “Rooms,” employs both this repetition and disjointed words to build images. Prose poetry at its most abstract expression, Tender Buttons “is to writing…what cubism is to art.” (W.G. Rogers)

Three Lives (Penguin Twentieth Century Classics)

by Gertrude Stein

Gertrude Stein, as a college student at Radcliffe and a medical student at Johns Hopkins Medical School, was a privileged woman, but she was surrounded by women who were trapped by poverty, class, and race into lives that offered little choice. Her portraits of Anna and Lena are examples of realistic depictions of immigrant women who had no occupational choice but to become domestic workers. This collection of documents from the history of women's suffrage, medical history, modernist art, and literature enables readers to see how radical Stein's subject was.

To Do: A Book of Alphabets and Birthdays

by Gertrude Stein

The first ever illustrated edition of avant-garde writer Gertrude Stein's whimsical children's book

"Alphabets and names make games and everybody has a name and all the same they have in a way to have a birthday," muses Gertrude Stein in To Do: A Book of Alphabets and Birthdays. Written in 1940 and intended as a follow-up to her children's book The World Is Round, published the previous year, To Do is a fanciful journey through the alphabet. Each letter is represented by four names (including Gertrude for "G") and features a short story told in verse. "[This is] a birthday book I would have liked as a child," said Stein of To Do.
Publishers rejected the manuscript as too complex for children, and it remained unpublished during Stein's lifetime. A text-only version issued from Yale University Press in 1957. Now, more than seventy years after Stein penned the story, To Do is appearing with illustrations, realizing the author's original concept for the book. Giselle Potter's witty and stylish illustrations provide a perfect complement to Stein's uniquely whimsical world of words, creating a truly delightful, often hilarious book that adults and children alike can appreciate and love.

Published in association with the Beinecke Rare Book and Manuscript Library

THREE LIVES (VINTAGE BOOKS)

by Gertrude Stein

The unforgettable stories of three women, told with poignancy and compassion by one of the most important writers of our century

3 Lives consists of three character studies of women; "The Good Anna"–a kind but domineering German servingwoman; "Melanctha"–an uneducated but sensitive black girl; "The Gentle Lena"–a young German maid.

The Autobiography of Alice B. Toklas

by Gertrude Stein

Stein's most famous work; one of the richest and most irreverent biographies ever written.

Paris France

by Gertrude Stein

Matched only by Hemingway’s A Moveable Feast, Paris France is a "fresh and sagacious" (The New Yorker) classic of prewar France and its unforgettable literary eminences. Celebrated for her innovative literary bravura, Gertrude Stein (1874–1946) settled into a bustling Paris at the turn of the twentieth century, never again to return to her native America. While in Paris, she not only surrounded herself with―and tirelessly championed the careers of―a remarkable group of young expatriate artists but also solidified herself as "one of the most controversial figures of American letters" (New York Times).
In Paris France (1940)―published here with a new introduction from Adam Gopnik―Stein unites her childhood memories of Paris with her observations about everything from art and war to love and cooking. The result is an unforgettable glimpse into a bygone era, one on the brink of revolutionary change.

Paris France

by Gertrude Stein

"America is my country and Paris is my home town." ―Gertrude Stein The American writer Gertrude Stein (1874-1946), known for her innovative literary style, settled in Paris in 1903, where she supported the work of a number of artists and writers.

Paris France (1940) is a witty, anecdotal account of Stein's lifelong love affair with France. Written in the same fresh narrative style that made The Autobiography of Alice B. Toklas a bestseller, it unites Stein's childhood memories of Paris with her observations about French culture―everything from cooking to the character of men, women, and animals. She also discusses the art of painting and relates amusing stories of life among some of her famous friends.

Paris France

by Gertrude Stein

90 classic titles celebrating 90 years of Penguin Books

'All Frenchmen know you have to become civilised between eighteen and twenty-three and that civilisation comes upon you by contact with an older woman, by revolution, by army discipline, by any escape or any subjection, and then you are civilised and life goes on normally in a latin way.'

Gertrude Stein's Paris France, published in 1940 on the day Paris fell to Nazi Germany, is a witty account of Stein's life in France, and the perfect introduction to her work.

The Making of Americans

by Gertrude Stein

The Making of Americans is not really a novel, as Gertrude Stein's narrator says-"not just an ordinary kind of novel with a plot and conversations to amuse you"-but an attempt at a thorough and exacting distillation of the essential properties of peoples' behavior. Through sentences that seem to repeat themselves, we are presented, on the surface, with a portrait of the "simple middle class monotonous tradition" as enacted by generations of the Dehning and Hersland families and their acquaintances. Underneath this is a slow, sieved attempt at something like total knowledge, an excavation of an overwhelming impulse "to understand the complete being in each one and all the details of their coming to have in them their kind of feeling...anything in them that gives to them inside them the feeling of being distinguished to themselves inside them."

The Autobiography of Alice B. Toklas Illustrated

by Gertrude Stein

An illustrated edition of Gertrude Stein's most well-known work, The Autobiography of Alice B. Toklas, bursting with the bright, sophisticated, and fanciful images of artist Maira Kalman

Considered one of the richest and most irreverent biographies in history, The Autobiography of Alice B. Toklas was written by Gertrude Stein in the style and voice of her life partner, Alice B. Toklas. Published in 1933 and narrated by Alice, this autobiography begins with her initial move to France in 1907, the day after which she meets Gertrude, sparking a relationship that lasts for nearly four decades. Recounting the vibrant and literary life the two make for themselves among the Parisian avant-garde, Alice opens the doors to the prominent salons they held in their home at rue de Fleurus, hosting fellow expatriate American writers such as Ernest Hemingway, T. S. Eliot, and Ezra Pound as well as artists Pablo Picasso, Henri Matisse, and Man Ray, and speaks of the twilight of the Paris belle epoque.

In this edition, the wildly talented Maira Kalman brings this glittering Parisian world to life, and celebrates Stein and Toklas in vivid color. Her whimsical and inimitable illustrations complement the wit and humor of Stein’s narrative, and elevate the exciting intrigues of these famous women and their friends. Inviting readers to experience this book in a completely new way, the illustrated edition of The Autobiography of Alice B. Toklas will prompt a contemporary reading of this cherished and singular classic.

The Making of Americans (Dalkey Archive Essentials)

by Gertrude Stein

In The Making of Americans, Gertrude Stein sets out to tell "a history of a family's progress," radically reworking the traditional family saga novel to encompass her vision of personality and psychological relationships. As the history progresses over three generations, Stein also meditates on her own writing, on the making of The Making of Americans, and on America.

Lifting Belly: An Erotic Poem

by Gertrude Stein

Fragmentary, unabashed, erotic―“Lifting Belly” is a singular lesbian love poem from modernist Gertrude Stein (1874–1946) which lays bare desire and easy intimacy―now in a beautifully packaged edition.
What is it when it’s upset. It isn’t in the room. Moonlight and darkness. Sleep and not sleep. We sleep every night.
What was it.
I said lifting belly.
You didn’t say it.
I said I mean lifting belly.
Don’t misunderstand me.
Do you.
Do you lift everybody in that way.
No.
You are to say No.
Lifting belly.
How are you.
Lifting belly how are you lifting belly.
We like a fire and we don’t mind if it smokes.
Do you.
―From “Lifting Belly”
Each palm-size book in the Counterpoints series is meant to stay with you, whether safely in your pocket or long after you turn the last page. From short stories to essays to poems, these little books celebrate our most-beloved writers, whose work encapsulates the spirit of Counterpoint Press: cutting-edge, wide-ranging, and independent.

Dix Portraits (ekphrasis)

by Gertrude Stein

Originally published in 1930 in an edition of one hundred copies, Gertrude Stein’s Dix Portraits pairs her singular literary style with original lithographs by Pablo Picasso and other artists in Stein’s circle to create an exceptional artist book exploring written and visual portraiture.

Written between 1913 and 1929, revolutionary years in art history, Dix Portraits conveys the deep human engagement between an artist and her subject. The artist book unites Stein’s ten portraits in prose with sketches by five artists: Pablo Picasso, Christian Bérard, Eugene Berman, Pavel Tchelitchew, and Kristians Tonny. Utilizing the interplay between word and image, Stein’s writing and the artists’ images provide nuance and depth, balancing humor and sincerity.

With a new introduction by the writer Lynne Tillman, Dix Portraits is an unforgettable artistic collaboration. The subjects represented include Guillaume Apollinaire, Christian Bérard, Eugene Berman, Bernard Faÿ, Georges Hugnet, Pablo Picasso, Erik Satie, Pavel Tchelitchew, Virgil Thomson, and Kristians Tonny. Originally printed in an edition of one hundred copies with the lithography, and now widely accessible for the first time, Dix Portraits captures Stein’s legacy as a champion of artists and a pioneer of creativity.

Every Day is To-Day: Essential Writings (Essential Stories)

by Gertrude Stein

A gorgeous new collection featuring 26 of Gertrude Stein's most enrapturing and essential short writings--a carefully curated, accessible entry point into her best and most joyful works

Between the French-flapped covers of this elegant paperback collection, readers will rediscover Gertrude Stein as the bearer of a joyfully radical literary vision. A bold experimenter, her writing sparks with vitality, relishing in rhythm, repetition, sound and colour in its central vision: to prise apart language and association and find thrilling new ways to express the true essence of her subject with charming joie de vivre.

Stein considered her shorter writings to be the truest expressions of her enrapturing style. Her fascination with people and personalities can be located in expressive portraits of close friends Pablo Picasso, Henri Matisse, Cezanne, Jean Cocteau, and Juan Gris, whilst her decades-long relationship with Alice B. Toklas is immortalised with shimmering eroticism. There are also playful meditations on her unique writing process, conveying her serious delight in meddling with conventions of grammar and composition.

Confirmed Table of Contents:

Ada Portrait of Mabel Dodge Matisse Picasso Miss Fur and Miss Skeene Flirting at the Bon Marche Susie Asado Preciosilla Sacred Emily One Ladies Voices Accents in Alsace Idem the Same Cezanne A Book Concluding with As A Wife Has a Cow Van or Twenty Years Later If I Told Him Juan Gris Identify a Poem What Does She See When She Shuts Her Eyes Advertisments What Happened Jean Cocteau A Movie A Waterfall and Piano Saint in Seven

Everybody's Autobiography

by Gertrude Stein

Everybody’s Autobiography is Stein at her most accessible and her most serious
In 1937, Gertrude Stein wrote a sequel to The Autobiography of Alice B. Toklas, but this darker and more complex work was long misunderstood and neglected. An account of her experiences in the wake of having authored a bestseller, Everybody’s Autobiography is as funny and engaging as The Autobiography of Alice B. Toklas, but it is also a meditation on the meaning of success and identity in America.

Three Lives (Green Integer)

by Gertrude Stein

First published in 1909, the great American version of Gustave Flaubert’s Trois Contes recounts the lives of three plain and humble women: “The Good Anna,” “Melanctha,” and “The Gentle Lena.” Anna and Lena work as household servants. Melanctha, a Black woman, is involved in an unhappy love affair. But to express these revelatory fictions in this manner is to miss everything, for Stein’s language of the first decade of the 20th century is still as fresh today as if the characters had just created the American tongue.

Renowned poet Lyn Hejinian adds new perceptions about this work in her stunning Introduction.

Modern Classics Autobiography of Alice B Toklas (Penguin Modern Classics)

by Gertrude Stein

A fascinating insight into the vibrant culture of Modernism, and the rich artistic world of Paris's Left Bank, Gertrude Stein's The Autobiography of Alice B. Toklas includes an introduction by Thomas Fensch in Penguin Modern Classics. For Gertrude Stein and her wife Alice B. Toklas, life in Paris was based upon the rue de Fleurus and the Saturday evenings and 'it was like a kaleidoscope slowly turning'. Picasso was there with 'his high whinnying Spanish giggle', as were Cezanne and Matisse, Hemingway and Fitzgerald. As Toklas put it - 'The geniuses came and talked to Gertrude Stein and the wives sat with me'. A light-hearted entertainment, this is in fact Gertrude Stein's own autobiography and a roll-call of all the extraordinary painters and writers she met between 1903 and 1932. Audacious, sardonic and characteristically self-confident, this is a definitive account by American in Paris. Gertrude Stein (1874-1946), a writer of experimental prose, is one of the original American Modernists. Born in Pennsylvania, she lived most of her life in Paris with her partner, Alice B. Toklas. Experimental books like Three Lives (1909), Tender Buttons (1914), and The Making of Americans (1925) established her reputation as an avant-garde stylist, and The Autobiography of Alice B. Toklas made her an international celebrity. As an experimental writer she has been an inspiration to countless novelists and poets in our century, from Ernest Hemingway and Edith Sitwell in her own time to Jack Kerouac and Robert Duncan in ours. If you enjoyed The Autobiography of Alice B. Toklas, you might like Virginia Woolf's Orlando, also available in Penguin Modern Classics. 'Buttonholes the reader with its informality, its unhurried rhythms, deadpan humour and acerbic remarks' Frances Spalding, Sunday Times

The World Is Round

by Gertrude Stein, Clement Hurd, Thacher Hurd

Published to commemorate its 75th anniversary, The World Is Round brings back into print the classic story created by Gertrude Stein and Clement Hurd.
Written in her unique prose style, Gertrude Stein's The World Is Round chronicles the adventures of a young girl named Rose—a whimsical tale that delights in wordplay and sound while exploring the ideas of personal identity and individuality. This stunning volume replicates the original 1939 edition to a T, including all of Clement Hurd's original blue-and-white art printed on the rose-pink paper that Stein insisted upon. Also featured here are two essays that provide an inside view to the making of the book. The first, a foreword by Clement Hurd's son, author and illustrator Thacher Hurd, includes previously unpublished photographs and sheds light on a creative family life in Vermont, where his father and mother, author Edith Thacher Hurd, often collaborated on children's books. The second essay, an afterword by Edith Thacher Hurd, takes readers behind the scenes of the making of The World Is Round, including the numerous letters exchanged between Hurd and Stein as well as images of Stein with the real-life Rose and her white poodle, Love.

Correspondence: Pablo Picasso and Gertrude Stein (The French List)

by Gertrude Stein, Pablo Picasso

Pablo Picasso and Gertrude Stein. Few can be said to have had as broad an impact on European art in the twentieth century as these two cultural giants. Pablo Picasso, a pioneering visual artist, created a prolific and widely influential body of work. Gertrude Stein, an intellectual tastemaker, hosted the leading salon for artists and writers between the wars in her Paris apartment, welcoming Henri Matisse, Ernest Hemingway, and Ezra Pound to weekly events at her home to discuss art and literature. It comes as no surprise, then, that Picasso and Stein were fast friends and frequent confidantes. Through Picasso and Stein’s casual notes and reflective letters, this volume of correspondence between the two captures Paris both in the golden age of the early twentieth century and in one of its darkest hours, the Nazi occupation through mentions of dinner parties, lovers, work, and the crises of the two world wars. Illustrated with photographs and postcards, as well as drawings and paintings by Picasso, this collection captures an exhilarating period in European culture through the minds of two artistic greats.

Correspondence: Pablo Picasso and Gertrude Stein (The French List)

by Gertrude Stein, Pablo Picasso

Pablo Picasso and Gertrude Stein. Few can be said to have had as broad an impact on European art in the twentieth century as these two cultural giants. Pablo Picasso, a pioneering visual artist, created a prolific and widely influential body of work. Gertrude Stein, an intellectual tastemaker, hosted the leading salon for artists and writers between the wars in her Paris apartment, welcoming Henri Matisse, Ernest Hemingway, and Ezra Pound to weekly events at her home to discuss art and literature. It comes as no surprise, then, that Picasso and Stein were fast friends and frequent confidantes. Through Picasso and Stein’s casual notes and reflective letters, this volume of correspondence between the two captures Paris both in the golden age of the early twentieth century and in one of its darkest hours, the Nazi occupation through mentions of dinner parties, lovers, work, and the crises of the two world wars. Illustrated with photographs and postcards, as well as drawings and paintings by Picasso, this collection captures an exhilarating period in European culture through the minds of two artistic greats.

Narration: Four Lectures

by Gertrude Stein

Newly famous in the wake of the publication of her groundbreaking Autobiography of Alice B. Toklas, Gertrude Stein delivered her Narration lectures to packed audiences at the University of Chicago in 1935. Stein had not been back to her home country since departing for France in 1903, and her remarks reflect on the changes in American culture after thirty years abroad.
In Stein’s trademark experimental prose, Narration reveals the legendary writer’s thoughts about the energy and mobility of the American people, the effect of modernism on literary form, the nature of history and its recording, and the inventiveness of the English language—in particular, its American variant. Stein also discusses her ambivalence toward her own literary fame as well as the destabilizing effect that notoriety had on her daily life. Restored to print for a new generation of readers to discover, these vital lectures will delight students and scholars of modernism and twentieth-century literature.
“Narration is a treasure waiting to be rediscovered and to be pirated by jolly marauders of sparkling texts.”—Catharine Stimpson, NYU

Ida A Novel

by Gertrude Stein

Gertrude Stein wanted Ida to be known in two ways: as a novel about a woman in the age of celebrity culture and as a text with its own story to tell. With the publication of this workshop edition of Ida, we have the novel exactly as it was published in 1941, and we also have the full record of its creation. Logan Esdale offers informative critical commentary and judiciously selected archival materials to illuminate Stein's experience of authorship from the novel's beginning in early summer 1937, through the various drafts and negotiations with her publisher, to the reviews that greeted the book's publication. Stein's careful and systematic preservation of all Ida-related materials for her archive at the Yale University Library was a conscious decision, and an invitation for us to study the complexity of her creative process.

Ida, a character reportedly inspired by Wallis Simpson, the infamous Duchess of Windsor, is someone who becomes well known for being well known. In the novel, a mature Stein explores the significance of being well known to others and the effect that has on where we live and who we love. She offers an engaging picture of Ida's adventures in the world of identity, as well as a fascinating reflection on her own career as a famous personality.

Stein: Writings 1932-1946

by Gertrude Stein

This Library of America volume, along with its companion, presents a full-scale gathering of the achievement of Gertrude Stein, the most radical innovator in twentieth-century literature.

This second volume includes works written between 1932 and her death in 1946, years in which she gained a wider readership and made a triumphant return to the United States as a lecturer, but chose ultimately to remain in France during World War II. It opens with the poetic sequence Stanzas in Meditation (complete text published posthumously in 1946), perhaps Stein’s most austere and rigorous experiment in linguistic abstraction. In Lectures in America (1935) and The Geographical History of America (1936), she made the most of her newfound status as a public figure, exploring with brilliance and humor the philosophical implications of her writings, the difference between English and American literature, the importance of space in American culture, and much else. Picasso (1938) is a book-length study of the painter who was one of her closest associates, and whose work was a lifelong inspiration for her.

Stein’s playfulness is given full scope in the children’s book The World is Round (1939) and in Ida (1941), an enchanting exercise in pure verbal invention. The plays Doctor Faustus Lights the Lights (written 1938, published 1949) and The Mother of Us All (1947), inspired by the life of women’s rights activist Susan B. Anthony, give new twists to legendary and historical figures, while “Three Sisters Who Are Not Sisters” (1946) pays tribute to the melodramas that delighted Stein in her childhood. In her last major work, Brewsie and Willie (1946), a striking stylistic departure, she pays homage to the American soldiers she came to know after the liberation of France with a remarkable evocation of their speech and aspirations.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Stanzas in Meditation: The Corrected Edition

by Gertrude Stein

In the 1950s, Yale University Press published a number of Gertrude Stein's posthumous works, among them her incomparable Stanzas in Meditation. Since that time, scholars have discovered that Stein's poem exists in several versions: a manuscript that Stein wrote and two typescripts that her partner Alice B. Toklas prepared. Toklas’s work on the second typescript changed the poem when, enraged upon detecting in it references to a former lover, she not only adjusted the typescript but insisted that Stein make revisions in the original manuscript.
This edition of Stanzas in Meditation is the first to confront the complicated story of its composition and revision. Through meticulous archival work, the editors present a reliable reading text of Stein's original manuscript, as well as an appendix with the textual variants among the poem's several versions. This record of Stein's multi-layered revisions enables readers to engage more fully with the author's radically experimental poem and also to detect the literary impact of Stein's relationship with Toklas. The editors’ preface and poet Joan Retallack’s introduction offer insight into the complexities of reading Stein's poetry and the innovative modes of reading that her works require and generate. Students and admirers of Stein will welcome this illuminating new contribution to Stein’s oeuvre.

Selected Writings of Gertrude Stein

by Gertrude Stein

"This collection, a retrospective exhibit of the work of a woman who created a unique place for herself in the world of letters, contains a sample of practically every period and every manner in Gertrude Stein's career. It includes The Autobiography of Alice B. Toklas in its entirety; selected passages from The Making of Americans; "Melanctha"from Three Lives; portraits of the painters Cezanne, Matisse, and Picasso; Tender Buttons; the opera Four Saints in Three Acts; and poem, plays, lectures, articles, sketches, and a generous portion of her famous book on the Occupation of France, Wars I Have Seen.

The Letters of Gertrude Stein and Carl Van Vechten, 1913-1946

by Gertrude Stein, Carl Van Vechten

This monumental collection of correspondence between Gertrude Stein and critic, novelist, and photographer Carl Van Vechten provides crucial insight into Stein's life, art, and artistic milieu as well as Van Vechten's support of major cultural projects, such as the Harlem Renaissance. From their first meeting in 1913, Stein and Van Vechten formed a unique and powerful relationship, and Van Vechten worked vigorously to publish and promote Stein's work. Existing biographies of Stein--including her own autobiographical writings--omit a great deal about her experiences and thought. They lack the ordinary detail of what Stein called "daily everyday living": the immediate concerns, objects, people, and places that were the grist for her writing. These letters not only vividly represent those details but also showcase Stein and Van Vechten's private selves as writers. Edward Burns's extensive annotations include detailed cross-referencing of source materials.

Tender Buttons: The Corrected Centennial Edition

by Gertrude Stein

The MLA Committee on Scholarly Editions has awarded Tender Buttons: The Corrected Centennial Edition its seal designating it an MLA Approved Edition.

2014 marks the one hundredth anniversary of the original publication of Gertrude Stein's groundbreaking modernist classic, Tender Buttons. This centennial edition is the first and only version to incorporate Stein's own handwritten corrections—found in a first-edition copy at the University of Colorado—as well as corrections discovered among her papers at the Beinecke Library at Yale University. Editor Seth Perlow has assembled a text with over one hundred emendations, resulting in the first version of Tender Buttons that truly reflects its author's intentions. These changes are detailed in Perlow's "Note on the Text," which describes the editorial process and lists the specific variants for the benefit of future scholars. The book includes facsimile images of some of Stein's handwritten edits and lists of corrections, as well as an afterword by noted contemporary poet and scholar Juliana Spahr. A compact, attractive edition suitable for general readers as well as scholars, Tender Buttons: The Corrected Centennial Edition is unique among the available versions of this classic text and is destined to become the standard.
Gertrude Stein (1874–1946) was one of the most important and innovative American writers of literary modernism, as well as one of the great art collectors and salon hosts of the period. A pioneering lesbian writer, Stein lived most of her life in Paris but became a celebrity in the United States with the publication of The Autobiography of Alice B. Toklas (1933).
Seth Perlow teaches English at Oklahoma State University.
Juliana Spahr teaches writing at Mills College.

"Tender Buttons was recently reissued by City Lights Books, to mark the centennial of a volume that broke language barriers, acknowledging hungers to see more. It challenged with inspired daring."--Barbara Berman, The Rumpus

"For the centennial of this masterpiece, Seth Perlow has given us much the best edition of the poem, based on Stein’s manuscript and corrections she made to the first edition. Punctuation, spelling, format, and a few phrases are affected and most especially the change in the capitalization of the section titles. 'The difference is spreading.'"--Charles Bernstein, University of Pennsylvania, author of Attack of the Difficult Poems: Essays and Inventions

"Happy 100th birthday, TENDER BUTTONS. You are as explosive, tantalizing, and delicious as you were on the day you were born. Your birthday gift from Seth Perlow and Juliana Spahr is a beautiful new edition that will carry you into your next century, the best edition ever. Your birthday gift from all of us who love literature and culture is to buy this edition for ourselves and all our friends. Congratulations to all."--Catharine R. Stimpson, Professor, New York University, and co-editor of the two-volume Gertrude Stein: Writings published by the Library of America

“The publication of an authoritative edition of Tender Buttons, with Stein’s hitherto unpublished corrections and editions, is a splendid way to celebrate the centennial of this influential modernist work. Scholars will benefit from the full documentation, and readers will appreciate its convenient format, which resembles the original publication.”--Jonathan Culler, Cornell University

"This radical multi-dimensional generative cubist text with the simplest words imaginable continues to alter and shape poetics into the post post modernist future. We have Gertrude Stein's 'mind grammar' operating at full tilt, with unpredictability, wit and sensory prevarication. Look to the 'minutes particulars,' Blake admonished, and here she does just that: 'it is a winning cake.' Salvos to the editor and salient 'afterword' that give belletristic notes and political perspective as well. A unique edition."--Anne Waldman, The Jack Kerouac School of Disembodied Poetics

Matisse Picasso and Gertrude Stein: With Two Shorter Stories

by Gertrude Stein

Three experimental pieces, written between 1909 and 1912, involved such stylistic devices as repeated variations on a limited set of sentences and phrases, and "word portraits." Includes, in addition to title piece, "A Long Gay Book" and "Many, Many Women." Will be of special interest to students of modernism, since the problem of representation versus experience that Stein was wrestling with in these works mirrors the ways in which modernism can be viewed as a response to turn-of-the-century literary realism.

Gertrude Stein: Selections (Volume 6) (Poets for the Millennium)

by Gertrude Stein

This selection of Gertrude Stein's work is taken from the period between 1905 and 1936, when the iconic modernist poet was engaged in an astounding number of still-surprising literary experiments, whose innovations continue to influence all the arts. Editor Joan Retallack has chosen complete texts or selections that lend themselves to a clarified vision of Stein's oeuvre. In her brilliant introduction, Retallack provides the historical and biographical context for Stein's lifelong project of composing a "continuous present," an effort which parallels many of the most important technological and scientific developments of her era―from moving pictures to Einstein's revision of our understanding of space and time. Retallack also addresses persistent questions about Stein's work and the best way to read it in our contemporary moment. In suggesting a performative "reading poesis" for these works, Retallack follows Stein's dictum by arguing that to actively experience the work is to enjoy it, and to enjoy it is to understand it.

Last Operas and Plays (PAJ Books)

by Gertrude Stein

"When I see a thing it is not a play for me, but when I write something that somebody else can see then it is a play for me." ―Gertrude Stein
In the more than seventy-five plats Gertrude Stein wrote between 1913 and 1946, she envisioned a new dramaturgy, beginning with her pictorial conception of a play as a landscape. She drew into her plays the daily flow of life around her―including the natural world―and turned cities, villages, parts of the dramatic structure, and even her own friends into characters. She made punctuation and typography part of her compositional style and chose words for their joyful impact as sound andwordplay. For Strin, the writing process itself was always important in delevoping the "continuous present" at the heart of her work.
Long out of print, Last Opera and Plays again makes available many of Stein's most important and most-produced works. As a special feature, it also included her thought-provoking essay "Plays," in which she reflects on the experience in the theater of seeing and hearing, and on emotion and time. "Now nearly a half century after her deathe," writes Bonnie Marranca in her introduction, "it is indisputable that Gertrude Stein is the great American modernist mind. No American author has been more influential for more generations of artists in the worlds of theater, dance, music, poetry, painting, and fiction."

Tender Buttons: Objects (Lisa Congdon x Chronicle Books)

by Gertrude Stein

First published in 1914, Gertrude Stein's revolutionary poetic work Tender Buttons is a must-read for every serious lover of literature. Delighting in the rhythm of words, its first section, "Objects," runs playful linguistic circles around teacups, ribbons, umbrellas, and other quotidian artifacts. Presented here in an exquisite small package, this new edition of "Objects" pairs Stein's avant-garde verse with colorful contemporary illustrations by indie art star Lisa Congdon, who illuminates and interrogates the classic Cubist text with visuals as capricious as Stein's own prose. A celebration of independent thinking old and new, this captivating marriage of image and text is a treasure of arts and letters.

Three Lives And, Q.E.D. : Authoritative Texts, Contexts, Criticism

by Gertrude Stein

This Norton Critical Edition includes both "Three Lives" and "Q.E.D.," first published in 1909 and 1950, respectively. "Three Lives" is comprised of the stories "The Good Anna," "Melanchtha," and "The Gentle Lena." "Melanchtha" is an adaptation of "Q.E.D.," Stein's first completed novel, which remained unpublished until four years after her death. "Contexts" is divided into two sections-- "Biography" and "Intellectual Backgrounds"-- that highlight the inspirations for and evolutions of "Three Lives" and discuss the difficult reception Stein's experimental writing met with in the publishing world. "Criticism" collects 19 chronologically arranged essays on Stein's life and work, from pieces written during the decades in which her work was regarded as important primarily for its influence on writers such as Ernest Hemingway and Sherwood Anderson to the more laudatory scholarship of recent years. Feminism and form, queer studies, interrelations of race and sexuality, African American studies, and primitivism and eugenics are all represented. Among the critical pieces are William Carlos Williams's commentary on Stein's complexity and originality, Richard Bridgman's study of Stein's work as a possible compensation and camouflage for her lesbianism, and Lisa Ruddick's essay connecting feminist analysis to theories of consciousness. A Chronology and Selected Bibliography are also included. About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-ratetranslation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

Women Who Wrote Stories and Poems from Audacious Literary Mavens

by Jane Austen, Charlotte Bronte, Emily Bronte, Louisa May Alcott, Gertrude Stein, Phillis Wheatley

This beautiful, giftable collection celebrates both the wisdom and tenacity of courageous women who defied society's expectations and gifted the world with literary treasures through unparalleled fiction and poetry.

We know many of their names--Austen and Alcott, Brontë and Browning, Wheatley, and Woolf--though some may be less familiar. They are here, waiting to introduce themselves.

They wrote against all odds. Some wrote defiantly; some wrote desperately. Some wrote while trapped within the confines of status and wealth. Some wrote hand-to-mouth in abject poverty. Some wrote trapped in a room of their father's house, and some went in search of a room of their own. They had lovers and families. They were sometimes lonely. Many wrote anonymously or under a pseudonym for a world not yet ready for their genius and talent.

The Women Who Wrote softcover edition offers:

• Stories from Jane Austen, Katherine Mansfield, Willa Cather, Louisa May Alcott, Edith Wharton, Zora Neale Hurston, and Virginia Woolf.
• Poems from Emily Dickinson, Gertrude Stein, Charlotte Brontë, Emily Brontë, Frances Ellen Watkins Harper, Edna St. Vincent Millay, Elizabeth Barrett Browning, Dorothy Parker, and Phillis Wheatley.

These women wrote to change the world. They marched through the world one by one or in small sisterhoods, speaking to one another and to us over distances of place and time. Pushing back against the boundaries meant to keep us in our place, they carved enough space for themselves to write. They made space for us to follow. Here they are gathered together, an army of women who wrote an arsenal of words to inspire us. They walk with us as we forge our own paths forward.

Picasso

by Gertrude Stein

One of the classic texts on Picasso, republished with full illustration as originally conceived. Gertrude Stein was not only one of Picasso's earliest patrons, she was also one of the seminal writers of the 20th century, attempting to make a revolution in prose to rival Picasso's in painting.