Books by Grant Geissman

Foul Play!: The Art and Artists of the Notorious 1950s E.C. Comics!

by Grant Geissman

Legendary publisher Bill Gaines is perhaps best remembered as the founder of MAD Magazine, but in the opinion of many dedicated comic book fans, his greatest achievement was E.C. Comics, a line of adventure, horror, and science-fiction comics whose influence on American graphic novels is undeniable, even today. Foul Play! is the perfect book for anyone wanting to understand the special place E.C. holds in the comic fan's heart -- or who just wants to read some real good comics!
Foul Play! celebrates the fan-favorite creators of E.C. Comics, profiling their artists -- a veritable who's who of mid-20th century popular illustration -- and describing how they came to work with Bill Gaines and how their careers evolved after E.C.. Among the comics art legends profiled are Al Feldstein; Harvey Kurtzman; Johnny Craig; Jack Davis; Graham Ingels; Jack Kamen; Wallace Wood; Joe Orlando; Will Elder; John Severin; George Evans; Al Williamson; Reed Crandall; Bernie Krigstein; and more! Plus, the book includes a special bonus: a lost E.C. Comics story "Wanted for Murder!" originally intended to be published in 1956 but forgotten and unseen until now.
When originally published, E.C. Comics titles like Tales from the Crypt, The Vault of Horror, and Weird Science became best-selling titles, embraced by readers for their macabre wit and stunning illustration. Eventually, E.C. Comics ran afoul of a full Senate Subcommittee investigating (but never proving!) the link between comic books and juvenile delinquency, but not before winning a legion of fans that still treasure E.C.'s output. Foul Play! demonstrates -- in glorious, gory detail -- exactly why these are among the most beloved comics stories ever published.

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The Life and Legend of Wallace Wood Volume 1

by Grant Geissman, Trina Robbins, Bhob Stewart, Bill Gaines, Al Williamson, John Severin

This biography is an incisive look at the life and career of one of the greatest and most mythic comic book creators―the maddest artist of Mad magazine, the man behind Marvel’s Daredevil, and self-publishing pioneer of Witzend―Wallace Wood. Who was Wallace Wood? The maddest artist of Mad magazine? The man behind Marvel’s Daredevil? His World is an incisive look back at the life and career of one of the greatest and most mythic figures of cartooning. Edited over the course of thirty years by former Wood assistant Bhob Stewart, His World is a biographical portrait, generously illustrated with Wood’s gorgeous art as well as little-seen personal photos and childhood ephemera. Also: remembrances by Wood’s friends, colleagues, assistants, and loved ones. This collective biographical and critical portrait explores the humorous spirit, dark detours, and psychological twists of a gifted maverick in American pop culture. Color and black & white illustrations.

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EC Comics Library. Weird Science. Vol. 1

by Grant Geissman

When Bill Gaines inherited EC Comics from his father, the legendary publisher M. C. Gaines, at just 25 years old, no one could predict the impact he would have-not only on comics, but on global pop culture at large.

Inspired by the pulp sci-fi stories and weird fiction of their youth, Bill Gaines and artist Al Feldstein drafted the initial issues of what would become the first true serialized science fiction magazine, delivering stories, creatures, and worlds unlike anything readers had ever seen.
Far from the simplistic space adventures of Flash Gordon and Buck Rogers, the high-concept, morally ambiguous, and often-chilling tales of Weird Science resonated deeply with readers growing up in the Atomic Age under the shadow of the mushroom cloud. Nuclear threats, the ravages of science unshackled from ethics, and the creeping authority of world governments locked in a Cold War had begun seeping into the fabric of American life.

The first issue of Weird Science appeared on newsstands in the spring of 1950, its cover boldly daring readers to pick it up. Subsequent bimonthly releases pulled audiences into an ever-changing kaleidoscope of "Scientific SuspenStories," featuring Martian invasions, murderous androids, time travel gone awry, planets inhabited entirely by women, and more.

Bolstered by a growing stable of soon-to-be comic art legends like Harvey Kurtzman, Wally Wood, and Joe Orlando, Weird Science shaped the collective imagination of a generation. Gaines and Feldstein boldly tackled themes that were rarely addressed in serialized comics, while visionary artists like Wood went on to define the aesthetic and societal impact of the genre, depicting futuristic vistas and impossible technology with a level of detail as if not merely imagining them, but glimpsing into the very future itself.

In Volume 1, TASCHEN presents the first eleven issues of Weird Science, meticulously recreating the comics in their original glory. Rather than recolor the artwork, this edition works with super-high-resolution photographs of each page as it was printed more than half a century ago, using modern retouching techniques to correct problems with the era's inexpensive, imperfect printing. The result is a pristine product, keeping the character and feel of the classic pulp comic magazines, but freshly printed by a world-class press, produced without the economic or time constraints of the past.

Complete with an introductory essay by EC authority Grant Geissman, which illustrates the historical, cultural, and artistic context of the stories and their creators, this collection is a must-have for fans of the weird, the strange, and the fantastical.

Also available in a Collector's Edition of 1,000 numbered copies

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