Books by Greg Foster-Rice
The City Lost and Found: Capturing New York, Chicago, and Los Angeles, 1960–1980 (Princeton University Art Museum)
by Katherine A. Bussard, Alison Fisher, Greg Foster-Rice
An unprecedented exploration of the relationship between art, architecture, social history, and public policy in New York, Chicago, and Los Angeles in the 1960s and ’70s
American cities underwent seismic transformations in the 1960s and ’70s, from shifting demographics and political protests to reshaping through highways and urban renewal. Amid this climate of upheaval, photographers, architects, activists, performance artists, and filmmakers turned conditions of crisis into sites for civic discourse and artistic expression. The City Lost and Found explores photographic and cinematic responses to the changing fabric of New York, Chicago, and Los Angeles that contributed to a reconsideration of cities in popular media and urban policy during this period. This book raises timely questions about the role of art within the social, political, and physical landscape of cities.
Featuring contributions from more than 20 noted scholars in fields including art history, urban planning, architecture, and cultural studies, this is the first publication to address an important shift in photographic, cinematic, and planning practices based on close observations of streets, neighborhoods, and seminal events in the country’s three largest cities. Over 200 illustrations bring together works by major artists and newly rediscovered projects to complete this outstanding resource on the art and architectural production during these turbulent decades.
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Black is, Black Ain't
by Darby English, Professor Kenneth W. Warren, Greg Foster-Rice, Huey Copeland, Amy M. Mooney, Kimberly N. Pinder, Krista Thompson, Hamza Walker
Taking its title from Ralph Ellison's Invisible Man, exhibition Black Is, Black Ain't (April 20 – June 8, 2008) explored a shift in the rhetoric of race from an earlier emphasis on inclusion to a present moment where racial identity is being simultaneously rejected and retained. Curated by the Renaissance Society's Associate Curator and Education Director Hamza Walker, the exhibition brought together works by twenty-seven black and non-black artists whose work collectively examines a moment where the cultural production of so-called "blackness" is concurrent with efforts to make race socially and politically irrelevant. The publication features essays by Huey Copeland, Darby English, Greg Foster-Rice, Amy M. Mooney, Kymberly N. Pinder, Krista Thompson, Hamza Walker, and Kenneth Warrren.
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