Books by Guy de Maupassant
Best Short Stories / Les Meilleurs Contes (A Dual-Language Book) (English and French Edition) Publisher: Dover Publications
New edition features seven of the most popular tales of one of the greatest of all short-story writers. Included are "La Parure," "Mademoiselle Fifi," "La Maison Tellier," "La Ficelle," "Miss Harriet," "Boule de Suif" and "Le Horla," all reflecting Maupassant’s intimate familiarity with Paris and the universality of his creations.
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A Day in the Country and Other Stories (Oxford World's Classics)
In addition to the title story, this selection of twenty-seven stories includes one of Maupassant's most famous tales, "The Necklace," and "Le Horla," a tale with strange parallels to the author's own descent into madness, as well as many other provocative and often chilling works--spanning the whole range of human experiences--from low farce, to high tragedy.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Bel Ami
Bel Ami, written at the height of Guy de Maupassant’s powers, is a classic novel of seduction, intrigue, and ruthless social climbing in belle époque Paris.
Georges Duroy is a down-and-out journalist from a humble background who engineers a stunning rise to the top of Parisian society through his relationships with influential and wealthy women. Making the most of his charm and good looks (his admirers nickname him “Bel Ami”), Duroy exploits the weaknesses of others to his own advantage—in the process betraying the woman who has most selflessly supported him. Published in 1885, Bel Ami is not only a vivid portrait of a glamorously corrupt and long-vanished Paris, but also a strikingly modern exposé of the destructiveness of unconstrained ambition, sex, and power.
Translated from the French by Ernest Boyd
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The Necklace and Other Tales (Modern Library Classics)
Includes The Necklace, Butterball, The Tellier House, On the Water, Mademoiselle Fifi, The Mask, The Inn, A Day in the Country, The Hand, The Jewels, The Model, The Entity (The Horla)
These stories—poignant scrutinies of social pretension, wicked tales of lust and love, and harrowing examinations of terror and madness—display the full genius of Guy de Maupassant in an enthralling new translation by Joachim Neugroschel. They reveal Maupassant’s remarkable range, his technical perfection, his sexual realism, and his ability to create whole worlds and sum up intricate universes of feeling in a few pages
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Selected Stories of Guy de Maupassant: Introduction by Catriona Seth (Everyman's Library Classics Series)
A beautiful hardcover selection of the best works by one of the greatest short story writers in world literature
During his most productive decade, the 1880s, the French writer Guy de Maupassant wrote more than three hundred stories, notably including "The Necklace," "Boule de Suif," "The Horla," and "Mademoiselle Fifi." Marked by the psychological realism that he famously pioneered, the stories selected here take us on a tour of the human experience—lust and love, revenge and ridicule, terror and madness. Many take place in the author's native Normandy, but the settings range farther abroad as well, from Brittany and Paris to Corsica and the Mediterranean coast, and as far as North Africa and India.
Maupassant's remarkable psychological range and ability to evoke an entire world in a few pages have ensured that his stories have entertained generations of readers, and this volume of thirty-two of his most enduring masterpieces makes a perfect gift for any lover of classic fiction.
Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
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The Necklace and Other Tales (Modern Library)
Ranging from poignant scrutiny of social pretension, to wicked tales of lust and love, to harrowing stories of terror and madness, the genius of Guy de Maupassant, France’s greatest short-story writer, is on full display in this enthralling new translation by Joachim Neugroschel. The stories Neugroschel has gathered vividly reveal Maupassant’s remarkable range, his keen eye, his technical perfection, his sexual realism, his ability to create whole worlds and sum up intricate universes of feeling in a few pages.
Adam Gopnik’s Introduction incisively explores the essence of Maupassant’s unique style and his tremendous, if unjustly unacknowledged, influence (on everything from the American short story to contemporary cinema), bearing eloquent testimony to Maupassant’s continuing and vital appeal.
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Ghost Stories: Chilling Tales of the Supernatural (Arcturus Gilded Classics)
by Edith Wharton, Edgar Allan Poe, Guy de Maupassant, Joseph Sheridan Le Fanu, William Hope Hodgson, Montague Rhodes James
This luxurious hardback anthology brings together 15 classic ghost stories by some of the genre's most acclaimed writers, presented in a beautiful gift edition with gilded page edges.
This ghoulish collection is a perfect companion for lovers of the paranormal, featuring classic tales from Golden Age of the ghost story. Inside you will find haunted mansions, dark crypts, vengeful curses, silent specters and other supernatural delights of the genre, artfully conjured by the likes of Edgar Allan Poe, Sheridan Le Fanu and M. R. James.
Stories include:
• 'The Oval Portrait' by Edgar Allan Poe
• 'The Wailing Well' by M. R. James
• 'The Withered Arm' by Thomas Hardy
• 'Afterward' by Edith Wharton
• 'A Ghost' by Guy de Maupassant
• 'An Account of Some Strange Disturbances in Aungier Street' by Sheridan Le Fanu
This beautiful collection is presented with silver gilded page edges, ivory paper and wonderfully gothic endpaper illustrations, making it a wonderful gift for any horror lover.
ABOUT THE SERIES: The Arcturus Gilded Classics series presents luxury gift editions of classics works, printed on opulent ivory paper, featuring hardcover Wibilin binding, foil-embossed cover designs, beautifully designed end-papers and gilded page edges. These make perfect collectibles for lovers of classic literature.
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Afloat (New York Review Books Classics)
Afloat, originally published as Sur l’eau in 1888, is a book of dazzling but treacherously shifting currents, a seemingly simple logbook of a sailing cruise along the French Mediterranean coast that opens up to reveal unexpected depths, as Guy de Maupassant merges fact and fiction, dream and documentation in a wholly original style. Humorous and troubling stories, unreliable confessions, stray reminiscences, and thoughts on life, love, art, nature, and society all find a place in Maupassant’s pages, which are, in conception and in effect, so many reflections of the fluid sea on which he finds himself–happily but forever precariously–afloat. Afloat is thus a book that in both content and form courts risk while setting out to chart the meaning, and limits, of freedom, a book that makes itself up as it goes along and in doing so proves as startling and compellingly vital as the paintings of Maupassant’s contemporaries van Gogh and Gauguin.
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Alien Hearts (New York Review Books Classics)
Alien Hearts was the last book that Guy de Maupassant finished before his death at the early age of forty-three. It is the most original and psychologically penetrating of his several novels, and the one in which he attains a truly tragic perception of the wounded human heart. André Mariolle is a rich, handsome, gifted young man who cannot settle on what to do with himself. Madame de Burne, a glacially dazzling beauty, wants Mariolle to attend her exclusive salon for artists, composers, writers, and other intellectuals. At first Mariolle keeps his distance, but then he hits on the solution to all his problems: caring for nothing in particular, he will devote himself to being in love; Madame de Burne will be his everything. Soon lover and beloved are equally lost within a hall of mirrors of their common devising.
Richard Howard’s new English translation of this complex and brooding novel—the first in more than a hundred years—reveals the final, unexpected flowering of a great French realist’s art.
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A Very French Christmas: The Greatest French Holiday Stories of All Time (Very Christmas, 2)
by Guy de Maupassant, Irene Nemirovsky, Alphonse Daudet, Anatole France, Jean-Philippe Blondel, Dominique Fabre
A continuation of the very popular Very Christmas Series, this collection brings together the best French Christmas stories of all time in an elegant and vibrant volume featuring classics by Guy de Maupassant and Alphonse Daudet, plus stories by the esteemed twentieth century author Irène Némirovsky and contemporary writers Dominique Fabre and Jean-Philippe Blondel. With a holiday spirit conveyed through sparkling Paris streets, opulent feasts, wandering orphans, kindly monks, homesick soldiers, oysters, ham, bonbons, flickering desire, and more than a little wine, this collection encapsulates Noël. This is Christmas à la française—delicious, intense and unexpected—proving that nobody does Christmas like the French.
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The Necklace & Other Stories
“The Necklace”, a Maupassant masterpiece renowned for its pathos and shocking ending, tells of Mathilde, who aspires to high society despite being married to a low-paid clerk. When her husband manages to cadge an invitation to a grand ball at the Ministry of Education, Mathilde refuses to attend unless she can look the part. She obtains a splendid gown, but then demands a necklace to go with it. Thus she borrows a diamond necklace from a friend – and so their troubles begin.
This volume also includes two more Maupassant classics: “The Piece of String”, in which an indignant villager is wrongly accused of stealing a pocketbook, and “Mouche”, a poignant portrait of five merry bargemen and the woman who joins them on their journeys up and down the Seine, loving each of them freely.
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The Necklace and Other Stories: Maupassant for Modern Times
From the best-selling translator of Némirovsky’s Suite Française comes this bold new translation that reinterprets Guy de Maupassant’s best works for a new generation.
A Parisian civil servant turned protégé of Flaubert, Guy de Maupassant is considered not only one of the greatest short story writers in all of French literature but also a pioneer of psychological realism and modernism who helped define the form. Credited with influencing the likes of Chekhov, Maugham, Babel, and O. Henry, Maupassant had, at the time of his death at the age of forty-two, written six novels and some three hundred short stories. Yet in English, Maupassant has, curiously, remained unappreciated by modern readers due to outdated translations that render his prose in an archaic, literal style.
In this bold new translation, Sandra Smith―the celebrated translator of Irene Nemirovsky's Suite Francaise―brings us twenty-eight of Maupassant's essential stories and two novellas in lyrical yet accessible language that brings Maupassant into vibrant English. In addition to her sparkling translation, Smith also imposes a structure that captures the full range of Maupassant's work. Dividing the collection into three sections that reflect his predominant themes―nineteenth-century French society, the Franco-Prussian War of 1870–71, and the supernatural―Smith creates "an arrangement suggesting a culture of relation, of structure, of completion" (Richard Howard).
In "Tales of French Life," we see Maupassant explore the broad swath of French society, not just examining the lives of the affluent as was customary for writers in his day. In the title story of the collection, "The Necklace," Maupassant crafts a devastating portrait of misplaced ambition and ruin in the emerging middle class.
The stories in "Tales of War" emerge from Maupassant’s own experiences in the devastating Franco-Prussian War and create a portrait of that disastrous conflict that few modern readers have ever encountered. This section features Maupassant's most famous novella, "Boule de Suif."
The last section, "Tales of the Supernatural," delves into the occult and the bizarre. While certain critics may attribute some of these stories and morbid fascination as the product of the author's fevered mind and possible hallucinations induced by late-stage syphilis, they echo the gothic horror of Poe as well as anticipate the eerie fiction of H. P. Lovecraft.
The result takes readers from marriage, family, and the quotidian details of life to the disasters of war and nationalism, then to the gothic and beyond, allowing us to appreciate Maupassant in an idiom that matches our own times. The Necklace and Other Stories enables us to appreciate Maupassant as the progenitor of the modern short story and as a writer vastly ahead of his time.
Copies
No copies available.
The Necklace and Other Stories: Maupassant for Modern Times
In a “lively, sparkling, and sharp-edged” (Arthur Goldhammer) new translation, Guy de Maupassant’s most beloved works are reintroduced to twenty-first-century readers.
A Parisian civil servant turned protégé of Flaubert, Guy de Maupassant is considered not only one of the greatest short story writers in all of French literature but also a pioneer of psychological realism and modernism who helped define the form. Credited with influencing the likes of Chekhov, Maugham, Babel, and O. Henry, Maupassant had, at the time of his death at the age of forty-two, written six novels and some three hundred short stories. Yet in English, Maupassant has, curiously, remained unappreciated by modern readers due to outdated translations that render his prose in an archaic, literal style.
In this bold new translation, Sandra Smith―the celebrated translator of Irene Nemirovsky's Suite Francaise―brings us twenty-eight of Maupassant's essential stories and two novellas in lyrical yet accessible language that brings Maupassant into vibrant English. In addition to her sparkling translation, Smith also imposes a structure that captures the full range of Maupassant's work. Dividing the collection into three sections that reflect his predominant themes―nineteenth-century French society, the Franco-Prussian War of 1870–71, and the supernatural―Smith creates "an arrangement suggesting a culture of relation, of structure, of completion" (Richard Howard).
In "Tales of French Life," we see Maupassant explore the broad swath of French society, not just examining the lives of the affluent as was customary for writers in his day. In the title story of the collection, "The Necklace," Maupassant crafts a devastating portrait of misplaced ambition and ruin in the emerging middle class.
The stories in "Tales of War" emerge from Maupassant’s own experiences in the devastating Franco-Prussian War and create a portrait of that disastrous conflict that few modern readers have ever encountered. This section features Maupassant's most famous novella, "Boule de Suif."
The last section, "Tales of the Supernatural," delves into the occult and the bizarre. While certain critics may attribute some of these stories and morbid fascination as the product of the author's fevered mind and possible hallucinations induced by late-stage syphilis, they echo the gothic horror of Poe as well as anticipate the eerie fiction of H. P. Lovecraft.
The result takes readers from marriage, family, and the quotidian details of life to the disasters of war and nationalism, then to the gothic and beyond, allowing us to appreciate Maupassant in an idiom that matches our own times. The Necklace and Other Stories enables us to appreciate Maupassant as the progenitor of the modern short story and as a writer vastly ahead of his time.
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Like Death (New York Review Books Classics)
A devastating novel about the treachery of love by Maupassant, now in a new translation by National Book Award and Pulitzer Prize winning poet and translator Richard Howard
Olivier Bertin is at the height of his career as a painter. After making his name as a young man with his Cleopatra, he has gone on to establish himself as “the chosen painter of Parisiennes, the most adroit and ingenious artist to reveal their grace, their figures, and their souls.” And though his hair may be white, he remains a handsome, vigorous, and engaging bachelor, a prized guest at every table and salon.
Olivier’s lover is Anne, the Countess de Guilleroy, the wife of a busy politician. Their relationship is long-standing, close, almost conjugal. The countess’s daughter is Annette, and she is the spitting image of her mother in her lovely youth. Having finished her schooling, Annette is returning to Paris. Her parents have put together an excellent match. Everything is as it should be—until the painter and countess are each seized by an agonizing suspicion, like death. . . . In its devastating depiction of the treacherous nature of love, Like Death is more than the equal of Swann’s Way. Richard Howard’s new translation brings out all the penetration and poetry of this masterpiece of nineteenth-century fiction.
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Mademoiselle Fifi and Other Stories
b'It was raining as it only rains in Normandy, as though great gouts of water were being sprayed by some angry, giant hand.'/b
Maupassant believed that we delude ourselves into believing that we are not animals acting upon instinct but rational creatures capable of idealistic beliefs and actions and survive only on the drug of self-deception. Maupassant's disgust with creation was only equalled by his contempt for human hypocrisy, and in these tales he takes a scalpel to our illusions and cuts to the bone. But his clinical pessimism is redeemed by a sense of the absurd and a warmer compassion for 'humanity bleeding'. Unsentimental but always honest, he persuades us that life is an incomprehensible, cosmic farce.
This translation of twenty tales shows Maupassant at his bitter, bawdy, chilling best. It features some of his grimmest and most famous stories such as A Vendetta and The Grove of Olives, and it also reflects both his moods and his mastery of the short story. The Little Keg is rich in comic invention, while the disturbing Who Can Tell? draws its power from the strange forces which drove its author into madness.
ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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No copies available.