Books by Heather McHugh
The Best American Poetry 2007: Series Editor David Lehman
by David Lehman, Heather McHugh
The twentieth edition of The Best American poetry series celebrates the rich and fertile landscape of American poetry. Renowned poet Heather McHugh loves words and the unexpected places they take you; her own poetry elevates wordplay to a species of metaphysical wit. For this year's anthology McHugh has culled a spectacular group of poems reflecting her passion for language, her acumen, and her vivacious humor.
From the thousands of poems published or posted in one year, McHugh has chosen seventy-five that fully engage the reader while illustrating the formal and tonal diversity of American poetry. With new work by established poets such as Louise Glück, Robert Hass, and Richard Wilbur, The Best American Poetry 2007 also features such younger talents as Ben Lerner, Meghan O'Rourke, Brian Turner, and Matthea Harvey.
Graced with McHugh's fascinating introduction, the anthology includes the ever-popular notes and comments section in which the contributors write about their work. Series editor David Lehman's engaging foreword limns the necessity of poetry. The Best American Poetry 2007 is an exciting addition to a series committed to covering the American poetry scene and delivering great poems to a broad audience.
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Eyeshot (Wesleyan Poetry Series)
Scintillating new work from a celebrated contemporary poet.
Runner-up for the Pulitzer Prize for Poetry (2004)
Runner-up for the ForeWord magazine's Book of the Year Award (2003)
Heather McHugh's new book, Eyeshot, is a brooding, visionary work that takes aim at the big questions―those of love and death. The poems suggest that such immensities balance on the smallest details, and that a range of human blindness is inescapable.
The power of this new work comes from its delicate yet tenacious fidelity to the ever-unfolding senses of sense. The poems invite the reader to follow careening words and insights through passages both playful and profound. Her "Fido, Jolted by Jove" reveals the tension endemic to both language and living: "the world itself is worried." Yet the same poem remarks the high price of any reductive fix: "a brain this insecure may need another bolt be driven in it." This movement between anxiety and the human compulsion for order informs Eyeshot's darkly comic, 20/20 acuity.
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Upgraded to Serious (Lannan Literary Selections)
"If McHugh is serious, she's anything but grim; with all her punning, bantering, and mock scolding of herself . . . she brightens the shadowy corners of her world with verbal pyrotechnics."The New York Times Book Review
"Her poems are open, resilient, invisibly twisted: part safety net, part trampoline."Village Voice Literary Supplement
This fast-paced, verbally dexterous bookhonored as a "Book of the Year" by Publishers Weekly"boils up and boils over" as it utilizes medical terminology and iconography to work through loss and detachment. Heather McHugh's startling rhymes and rhythms, coupled with her sarcastic self-reflection and infectious laughter, serve as both palliative and prophylactic in the face of human sufferings and ignorance. Being "upgraded to serious" from critical condition is a nod to the healing powers of poetry.
"Not to Be Dwelled On"
Self-interest cropped up even there,
the day I hoisted three instead
of the ceremonially called-for two
spadefuls of loam
onto the coffin of my friend.
Why shovel more than anybody else?
What did I think I'd prove? More love
(mud in her eye)? More will to work?
(her father what, a shirker?) Christ,
what wouldn't anybody give
to get that gesture back?
She cannot die again; and I
do nothing but re-live.
Heather McHugh is the author of a dozen books of poetry and translation. She teaches at the University of Washington and Warren Wilson College and lives in Seattle, Washington.
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Upgraded to Serious (Lannan Literary Selections)
Carol Muske-Dukes calls "McHugh, with her comic-book moxie and her linguistic virtuosity, a kind of Superwoman of poetry. The poems focus on what is within 'eyeshot,' or visible, but their true subject is their author's mortal acuity."—Los Angeles Times
"McHugh's eighth book finds this acclaimed poet as odd and entertaining as ever, with her trademark slippery associative lines and jagged stanzas...but also subtly sobered by growing older while living through the grim political climate of the last eight years. McHugh's short, jerky lines, odd rhymes, bemused gravity and slant perspective on the world at hand bring Emily Dickinson to mind....McHugh remains one of our most important and unusual poets...."—Publishers Weekly (Starred Review)
"Offering an idiosyncratic sense of sacredness, the book makes the earnest and the tongue-in-cheek almost indistinguishable....Writing in her signature relaxed iambic line, McHugh flips and winds the language of American common wisdom. In Upgraded to Serious...we encounter a poet who is listening assiduously. Her attention to language is visible in each poem's marked use of rhyme. The sustained outpouring of alliteration gives the sense that McHugh will never be out of breath."—ForeWord
"McHugh’s poems move as fluent wholes, thanks in part to her artful use of rhyme, rhythm, and portmanteaux. If much ancient poetry has become fragmentary over time, and much modern poetry begins as fragments, Heather McHugh’s poetry blurs the line between fragments and wholes, crafting one from the other. She delights both in dilating linguistic fragments into astonishing new wholes and in exposing and excavating language’s invisible fault-lines."—The Oxonian Review
“If McHugh is serious, she’s anything but grim; with all her punning, bantering, and mock scolding of herself . . . she brightens the shadowy corners of her world with verbal pyrotechnics.”—The New York Times Book Review
“McHugh is known as a challenging wordsmith, but, as this collection reveals, she is also a compassionate eyewitness . . . Her lines are animated but serious, and though they accelerate quickly, meaning and humor can be found in a single word.”—The New Yorker
“Her poems are open, resilient, invisibly twisted: part safety net, part trampoline.”—The Village Voice Literary Supplement
One of Publishers Weekly's Best Books of 2009
National Book Award finalist and 2009 MacArthur Fellow Heather McHugh presents a fast-paced, verbally dexterous, and brilliantly humorous book. Utilizing medical terminology and iconography to work through loss and detachment, McHugh’s startling rhymes and rhythms—along with her sarcastic self-reflection and infectious laughter—serve as antidotes to the sufferings of the world. Being “upgraded to serious” from critical condition is a nod to the healing powers of poetry.
"Not to Be Dwelled On"
Self-interest cropped up even there,
the day I hoisted three instead
of the ceremonially called-for two
spadefuls of loam
onto the coffin of my friend.
Why shovel more than anybody else?
What did I think I’d prove? More love
(mud in her eye)? More will to work?
(Her father what, a shirker?) Christ,
what wouldn’t anybody give
to get that gesture back?
She cannot die again; and I
do nothing but re-live.
Heather McHugh is the author of a dozen books of poetry and translation. She teaches at the University of Washington and Warren Wilson College and lives in Seattle.
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No copies available.
Feeler (Quarternote Chapbook Series)
Since Heather McHugh first began publishing her poems in 1968, poetry readers have marveled at the immensity and range of her gift. There seems to be nothing that McHugh can’t do with words and do with high wit and sonic brilliance. In her chapbook Feeler, McHugh takes on the fraught subject of empathy―how much we feel, and do, for the afflicted. It also addresses the relation between thought and feeling: “Nowadays I cannot tell/ the two apart: can’t feel things thoughtlessly/or think things up without emotion.” As with only the very best poets, McHugh seamlessly combines thought and feeling, in poems that are entertaining and profound.
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Hinge & Sign: Poems, 1968-1993
A renowned poet's artful collection is a striking body of work
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