Books by Hisham Matar

Anatomy of a Disappearance: A Novel

by Hisham Matar

Nuri is a young boy when his mother dies. It seems that nothing will fill the emptiness that her strange death leaves behind in the Cairo apartment he shares with his father. Until they meet Mona, sitting in her yellow swimsuit by the pool of the Magda Marina hotel. As soon as Nuri sees her, the rest of the world vanishes. But it is Nuri’s father with whom Mona falls in love and whom she eventually marries. And their happiness consumes Nuri to the point where he wishes his father would disappear.

Nuri will, however, soon regret what he wished for. His father, long a dissident in exile from his homeland, is taken under mysterious circumstances. And, as the world that Nuri and his stepmother share is shattered by events beyond their control, they begin to realize how little they knew about the man they both loved.

Anatomy of a Disappearance is written with all the emotional precision and intimacy that have won Hisham Matar tremendous international recognition. In a voice that is delicately wrought and beautifully tender, he asks: When a loved one disappears, how does their absence shape the lives of those who are left?

Anatomy of a Disappearance: A Novel

by Hisham Matar

This mesmerizing literary novel is written with all the emotional precision and intimacy that have won Hisham Matar tremendous international recognition. In a voice that is delicately wrought and beautifully tender, he asks: When a loved one disappears, how does that absence shape the lives of those who are left?

“A haunting novel, exquisitely written and psychologically rich.”—The Washington Post

Nuri is a young boy when his mother dies. It seems that nothing will fill the emptiness her death leaves behind in the Cairo apartment he shares with his father—until they meet Mona, sitting in her yellow swimsuit by the pool of the Magda Marina hotel. As soon as Nuri sees Mona, the rest of the world vanishes. But it is Nuri’s father with whom Mona falls in love and whom she eventually marries. Their happiness consumes Nuri to the point where he wishes his father would disappear. Nuri will, however, soon regret what he’s wished for. When his father, a dissident in exile from his homeland, is abducted under mysterious circumstances, the world that Nuri and his stepmother share is shattered. And soon they begin to realize how little they knew about the man they both loved.

“At once a probing mystery of a father’s disappearance and a vivid coming-of-age story . . . This novel is compulsively readable.”—The Plain Dealer

“Studded with little jewels of perception, deft metaphors and details that illuminate character or set a scene.”—The New York Times

“One of the most moving works based on a boy’s view of the world.”—Newsweek

“Elegiac . . . [Hisham Matar] writes of a son’s longing for a lost father with heartbreaking acuity.”—Newsday

Don’t miss the conversation between Hisham Matar and Hari Kunzru at the back of the book.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE
Chicago Tribune • The Daily Beast • The Independent • The Guardian • The Daily Telegraph • Toronto Sun • The Irish Times

Look for special features inside. Join the Circle for author chats and more.

In the Country of Men

by Hisham Matar

Libya, 1979. Nine-year-old Suleiman’s days are circumscribed by the narrow rituals of childhood: outings to the ruins surrounding Tripoli, games with friends played under the burning sun, exotic gifts from his father’s constant business trips abroad. But his nights have come to revolve around his mother’s increasingly disturbing bedside stories full of old family bitterness. And then one day Suleiman sees his father across the square of a busy marketplace, his face wrapped in a pair of dark sunglasses. Wasn’t he supposed to be away on business yet again? Why is he going into that strange building with the green shutters? Why did he lie?

Suleiman is soon caught up in a world he cannot hope to understand—where the sound of the telephone ringing becomes a portent of grave danger; where his mother frantically burns his father’s cherished books; where a stranger full of sinister questions sits outside in a parked car all day; where his best friend’s father can disappear overnight, next to be seen publicly interrogated on state television.

In the Country of Men is a stunning depiction of a child confronted with the private fallout of a public nightmare. But above all, it is a debut of rare insight and literary grace.

In the Country of Men: A Novel

by Hisham Matar

Libya, 1979. Nine-year-old Suleiman’s days are circumscribed by the narrow rituals of childhood: outings to the ruins surrounding Tripoli, games with friends played under the burning sun, exotic gifts from his father’s constant business trips abroad. But his nights have come to revolve around his mother’s increasingly disturbing bedside stories full of old family bitterness. And then one day Suleiman sees his father across the square of a busy marketplace, his face wrapped in a pair of dark sunglasses. Wasn’t he supposed to be away on business yet again? Why is he going into that strange building with the green shutters? Why did he lie?

Suleiman is soon caught up in a world he cannot hope to understand—where the sound of the telephone ringing becomes a portent of grave danger; where his mother frantically burns his father’s cherished books; where a stranger full of sinister questions sits outside in a parked car all day; where his best friend’s father can disappear overnight, next to be seen publicly interrogated on state television.

In the Country of Men is a stunning depiction of a child confronted with the private fallout of a public nightmare. But above all, it is a debut of rare insight and literary grace.

A Month in Siena

by Hisham Matar

From the Pulitzer Prize–winning author of The Return comes a profoundly moving contemplation of the relationship between art and life.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND EVENING STANDARD

After finishing his powerful memoir The Return, Hisham Matar, seeking solace and pleasure, traveled to Siena, Italy. Always finding comfort and clarity in great art, Matar immersed himself in eight significant works from the Sienese School of painting, which flourished from the thirteenth to the fifteenth centuries. Artists he had admired throughout his life, including Duccio and Ambrogio Lorenzetti, evoke earlier engagements he’d had with works by Caravaggio and Poussin, and the personal experiences that surrounded those moments.

Including beautiful full-color reproductions of the artworks, A Month in Siena is about what occurred between Matar, those paintings, and the city. That month would be an extraordinary period in the writer’s life: an exploration of how art can console and disturb in equal measure, as well as an intimate encounter with a city and its inhabitants. This is a gorgeous meditation on how centuries-old art can illuminate our own inner landscape—current relationships, long-lasting love, grief, intimacy, and solitude—and shed further light on the present world around us.

Praise for A Month in Siena

“As exquisitely structured as The Return, driven by desire, yearning, loss, illuminated by the kindness of strangers. A Month in Siena is a triumph.”—Peter Carey

My Friends: A Novel

by Fredrik Backman, Hisham Matar

NATIONAL BOOK AWARD FINALIST • LONGLISTED FOR THE BOOKER PRIZE • A “masterly” (The New York Times, Editors’ Choice), “riveting” (The Atlantic) novel of friendship, family, and the unthinkable realities of exile, from the Pulitzer Prize–winning author of The Return

“A profound celebration of the sustaining power of friendship, of the ways we mold ourselves against the indentations of those few people whom fate presses against us.”—The Washington Post

ONE OF THE WASHINGTON POST AND PUBLISHER WEEKLY’S TEN BEST BOOKS OF THE YEAR • A BEST BOOK OF THE YEAR: The New Yorker, The Boston Globe, Time, NPR, BookPage

WINNER OF THE ORWELL PRIZE FOR POLITICAL FICTION • LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN FICTION AND THE NATIONAL BOOK CRITICS CIRCLE AWARD

One evening, as a young boy growing up in Benghazi, Khaled hears a bizarre short story read aloud on the radio, about a man being eaten alive by a cat, and has the sense that his life has been changed forever. Obsessed by the power of those words—and by their enigmatic author, Hosam Zowa—Khaled eventually embarks on a journey that will take him far from home, to pursue a life of the mind at the University of Edinburgh.

There, thrust into an open society that is miles away from the world he knew in Libya, Khaled begins to change. He attends a protest against the Qaddafi regime in London, only to watch it explode into tragedy. In a flash, Khaled finds himself injured, clinging to life, unable to leave Britain, much less return to the country of his birth. To even tell his mother and father back home what he has done, on tapped phone lines, would expose them to danger.

When a chance encounter in a hotel brings Khaled face-to-face with Hosam Zowa, the author of the fateful short story, he is subsumed into the deepest friendship of his life. It is a friendship that not only sustains him but eventually forces him, as the Arab Spring erupts, to confront agonizing tensions between revolution and safety, family and exile, and how to define his own sense of self against those closest to him.

A devastating meditation on friendship and family, and the ways in which time tests—and frays—those bonds, My Friends is an achingly beautiful work of literature by an author working at the peak of his powers.

My Friends: A Novel

by Fredrik Backman, Hisham Matar

A “masterly” (The New York Times, Editors’ Choice), “riveting” (The Atlantic) novel of friendship, family, and the unthinkable realities of exile, from the Booker Prize–nominated and Pulitzer Prize–winning author of The Return

“A profound celebration of the sustaining power of friendship, of the ways we mold ourselves against the indentations of those few people whom fate presses against us.”—The Washington Post

One evening, as a young boy growing up in Benghazi, Khaled hears a bizarre short story read aloud on the radio, about a man being eaten alive by a cat, and has the sense that his life has been changed forever. Obsessed by the power of those words—and by their enigmatic author, Hosam Zowa—Khaled eventually embarks on a journey that will take him far from home, to pursue a life of the mind at the University of Edinburgh.

There, thrust into an open society that is miles away from the world he knew in Libya, Khaled begins to change. He attends a protest against the Qaddafi regime in London, only to watch it explode into tragedy. In a flash, Khaled finds himself injured, clinging to life, unable to leave Britain, much less return to the country of his birth. To even tell his mother and father back home what he has done, on tapped phone lines, would expose them to danger.

When a chance encounter in a hotel brings Khaled face-to-face with Hosam Zowa, the author of the fateful short story, he is subsumed into the deepest friendship of his life. It is a friendship that not only sustains him but eventually forces him, as the Arab Spring erupts, to confront agonizing tensions between revolution and safety, family and exile, and how to define his own sense of self against those closest to him.

A devastating meditation on friendship and family, and the ways in which time tests—and frays—those bonds, My Friends is an achingly beautiful work of literature by an author working at the peak of his powers.

My Friends: A Novel

by Fredrik Backman, Hisham Matar

None

The Return (Pulitzer Prize Winner): Fathers, Sons and the Land in Between

by Hisham Matar

WINNER OF THE PULITZER PRIZE • The acclaimed memoir about fathers and sons, a legacy of loss, and, ultimately, healing—one of The New York Times Book Review’s ten best books of the year, winner of the PEN/Jean Stein Book Award, and a finalist for the National Book Critics Circle Award and the Los Angeles Times Book Prize

When Hisham Matar was a nineteen-year-old university student in England, his father went missing under mysterious circumstances. Hisham would never see him again, but he never gave up hope that his father might still be alive. Twenty-two years later, he returned to his native Libya in search of the truth behind his father’s disappearance. The Return is the story of what he found there.

The Pulitzer Prize citation hailed The Return as “a first-person elegy for home and father.” Transforming his personal quest for answers into a brilliantly told universal tale of hope and resilience, Matar has given us an unforgettable work with a powerful human question at its core: How does one go on living in the face of unthinkable loss?

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
Michiko Kakutani, The New York Times • The Washington Post • The Guardian • Financial Times

“A tale of mighty love, loyalty and courage. It simply must be read.”—The Spectator (U.K.)

“Wise and agonizing and thrilling to read.”—Zadie Smith

“[An] eloquent memoir . . . at once a suspenseful detective story about a writer investigating his father’s fate . . . and a son’s efforts to come to terms with his father’s ghost, who has haunted more than half his life by his absence.”—Michiko Kakutani, The New York Times

“This outstanding book . . . roves back and forth in time with a freedom that conceals the intricate precision of its art.”—The Wall Street Journal

“Truly remarkable . . . a book with a profound faith in the consolations of storytelling . . . a testament to [Matar’s] father, his family and his country.”—The Daily Telegraph (U.K.)

“The Return is a riveting book about love and hope, but it is also a moving meditation on grief and loss. . . . Likely to become a classic.”—Colm Tóibín

“Matar’s evocative writing and his early traumas call to mind Vladimir Nabokov.”—The Washington Post

“Utterly riveting.”—The Boston Globe

“A moving, unflinching memoir of a family torn apart.”—Kazuo Ishiguro, The Guardian

“Beautiful . . . The Return, for all the questions it cannot answer, leaves a deep emotional imprint.”—Newsday

“A masterful memoir, a searing meditation on loss, exile, grief, guilt, belonging, and above all, family. It is, as well, a study of the shaping—and breaking—of the bonds between fathers and sons. . . . This is writing of the highest quality.”—The Sunday Times (U.K.)

The Return (Pulitzer Prize Winner): Fathers, Sons and the Land in Between

by Hisham Matar

WINNER OF THE PULITZER PRIZE • The acclaimed memoir about fathers and sons, a legacy of loss, and, ultimately, healing—one of The New York Times Book Review’s ten best books of the year, winner of the PEN/Jean Stein Book Award, and a finalist for the National Book Critics Circle Award and the Los Angeles Times Book Prize

When Hisham Matar was a nineteen-year-old university student in England, his father went missing under mysterious circumstances. Hisham would never see him again, but he never gave up hope that his father might still be alive. Twenty-two years later, he returned to his native Libya in search of the truth behind his father’s disappearance. The Return is the story of what he found there.

The Pulitzer Prize citation hailed The Return as “a first-person elegy for home and father.” Transforming his personal quest for answers into a brilliantly told universal tale of hope and resilience, Matar has given us an unforgettable work with a powerful human question at its core: How does one go on living in the face of unthinkable loss?

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
Michiko Kakutani, The New York Times • The Washington Post • The Guardian • Financial Times

“A tale of mighty love, loyalty and courage. It simply must be read.”—The Spectator (U.K.)

“Wise and agonizing and thrilling to read.”—Zadie Smith

“[An] eloquent memoir . . . at once a suspenseful detective story about a writer investigating his father’s fate . . . and a son’s efforts to come to terms with his father’s ghost, who has haunted more than half his life by his absence.”—Michiko Kakutani, The New York Times

“This outstanding book . . . roves back and forth in time with a freedom that conceals the intricate precision of its art.”—The Wall Street Journal

“Truly remarkable . . . a book with a profound faith in the consolations of storytelling . . . a testament to [Matar’s] father, his family and his country.”—The Daily Telegraph (U.K.)

“The Return is a riveting book about love and hope, but it is also a moving meditation on grief and loss. . . . Likely to become a classic.”—Colm Tóibín

“Matar’s evocative writing and his early traumas call to mind Vladimir Nabokov.”—The Washington Post

“Utterly riveting.”—The Boston Globe

“A moving, unflinching memoir of a family torn apart.”—Kazuo Ishiguro, The Guardian

“Beautiful . . . The Return, for all the questions it cannot answer, leaves a deep emotional imprint.”—Newsday

“A masterful memoir, a searing meditation on loss, exile, grief, guilt, belonging, and above all, family. It is, as well, a study of the shaping—and breaking—of the bonds between fathers and sons. . . . This is writing of the highest quality.”—The Sunday Times (U.K.)

Goya's Forge

by Hisham Matar, Xavier F. Salomon

New volume in the Frick Diptych series features an illuminating essay by Frick deputy director and Peter Jay Sharp Chief Curator Xavier F. Salomon paired with a text by award-winning author Hisham Matar.

Francisco de Goya y Lucientes (1746-1828) is among the most important Spanish artists of the late 18th and early 19th centuries. A late masterpiece, his Forge derives from the mythological theme of the forge of Vulcan, the metalworker of the Olympian gods. The figures in Goya's monumental, haunting painting are instead muscular laborers at work around a blacksmith's anvil. Salomon's deeply researched text is complemented by a poetic piece by Matar.

Designed to foster critical engagement and interest specialist and non-specialist alike, each book in the Frick Diptych series illuminates a single work in the Frick's rich collection with an essay by a Frick curator paired with a contribution from a contemporary artist or writer.