Books by Honore de Balzac
Selected Short Stories (Penguin Classics)
One of the greatest French novelists, Balzac was also an accomplished writer of shorter fiction. This volume includes twelve of his finest short stories - many of which feature characters from his epic series of novels the Comédie Humaine. Compelling tales of acute social and psychological insight, they fully demonstrate the mastery of suspense and revelation that were the hallmarks of Balzac's genius. In "The Atheist's Mass," we learn the true reason for a distinguished atheist surgeon's attendance at religious services; "La Grande Breteche" describes the horrific truth behind the locked doors of a decaying country mansion, while "The Red Inn" relates a brutal tale of murder and betrayal. A fascinating counterpoint to the renowned novels, all the stories collected here stand by themselves as mesmerizing works by one of the finest writers of nineteenth-century France.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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Cousin Bette (movie tie-in)
Written in 1846 at the height of Balzac's literary powers, this novel portrays the stunningly malevolent Cousin Bette and her intricate plans for revenge against the wealthy relatives on whom she depends and whose condescension she bitterly resents. This is the official hardcover tie-in to the upcoming major motion picture from Fox Searchlight, starring Jessica Lange.
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Cousin Bette: Part One of Poor Relations
Vividly bringing to life the rift between the old world and the new, Cousin Bette is an incisive study of vengeance, and the culmination of The Human Comedy.
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Old Goriot
Honoré de Balzac’s great theme was money, and in his best-loved novel, Old Goriot, he explored its uses and abuses with the particularity of a poet. A shabby Parisian boarding house in 1819 is the setting where his colorful characters collide. These include an elderly retired merchant called Old Goriot, who has bankrupted himself for the sake of his two rapacious, social-climbing daughters, Delphine and Anastasie; a mysterious and sinister conspirator named Vautrin; Victorine, a disinherited heiress; and a naive and impoverished law student from the country, Eugène de Rastignac.
Rastignac is appalled at first by the greed and corruption he finds in Paris, but he soon sets his sights on conquering high society. He joins forces with the array of schemers who surround him, while the suffering, self-sacrificing Goriot yearns in vain for his daughters’ love. The sprawling, vibrant, and turbulent Paris of the post-Napoleonic era is itself a major character in the novel, an emblem of the social upheaval that Balzac portrays so brilliantly. Old Goriot was the first of Balzac’s novels to employ his famous technique of recurring characters, and it has come to be seen as the keystone in his grand project, The Human Comedy.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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Eugenie Grandet
Depicting the fatal clash between material desires and the liberating power of human passions, Honoré de Balzac's Eugénie Grandet is translated with an introduction by M.A. Crawford in Penguin Classics. In a gloomy house in provincial Saumur, the miser Grandet lives with his wife and daughter, Eugénie, whose lives are stifled and overshadowed by his obsession with gold. Guarding his piles of glittering treasures and his only child equally closely, he will let no one near them. But when the arrival of her handsome cousin, Charles, awakens Eugénie's own desires, her passion brings her into a violent collision with her father that results in tragedy for all. Eugénie Grandet is one of the earliest and finest works in Balzac's Comédie humaine cycle, which portrays a society consumed by the struggle to amass wealth and achieve power. Here Grandet embodies both the passionate pursuit of money, and the human cost of avarice. M. A. Crawford's lucid translation is accompanied by an introduction discussing the irony and psychological insight of Balzac's characterization, the role of fate in the novel, its setting and historical background.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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The Wild Ass's Skin (The Human Comedy)
Balzac is concerned with the choice between ruthless self-gratification and asceticism, dissipation and restraint, in a novel that is powerful in its symbolism and realistic depiction of decadence.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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The Wild Ass's Skin (Oxford World's Classics)
by Honore de Balzac, Helen Constantine, Patrick Coleman
The first new English translation for more than 35 years of Balzac's extraordinary The Wild Ass's Skin, it is also the first edition in English to include Balzac's original Preface of 1831. This novel has been freshly translated by Helen Constantine, who captures Balzac's stylistic energy and exuberance. Patrick Coleman's wide-ranging introduction considers the multiple perspectives of the novel, its conceptualization of historical change, and its satirical commentary on contemporary society. His extensive notes clarify Balzac's many allusions to the culture and society of his time. The book also includes an up-to-date bibliography and helpful map of Paris in 1830.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Cousin Bette (Modern Library Classics)
“Bette is a wronged soul; and when her passion does break, it is, as Balzac says, sublime and terrifying,” wrote V. S. Pritchett. A late masterpiece in Balzac’s La Comédie Humaine, Cousin Bette is the story of a Vosges peasant who rebels against her scornful upper-class relatives, skillfully turning their selfish obsessions against them. The novel exemplifies what Henry James described as Balzac’s “huge, all-compassing, all-desiring, all-devouring love of reality.”
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Lost Illusions (Modern Library Classics)
"Balzac [was] the master unequalled in the art of painting humanity as it exists in modern society," wrote George Sand. "He searched and dared everything."
Written between 1837 and 1843, Lost Illusions reveals, perhaps better than any other of Balzac's ninety-two novels, the nature and scope of his genius. The story of Lucien Chardon, a young poet from Angoulême who tries desperately to make a name for himself in Paris, is a brilliantly realistic and boldly satirical portrait of provincial manners and aristocratic life. Handsome and ambitious but naïve, Lucien is patronized by the beau monde as represented by Madame de Bargeton and her cousin, the formidable Marquise d'Espard, only to be duped by them. Denied the social rank he thought would be his, Lucien discards his poetic aspirations and turns to hack journalism; his descent into Parisian low life ultimately leads to his own death.
"Balzac was both a greedy child and an indefatigable observer of a greedy age, at once a fantastic and a genius, yet possessing a simple core of common sense," noted V. S. Pritchett, one of his several biographers. Another, André Maurois, concluded: "Balzac was by turns a saint, a criminal, an honest judge, a corrupt judge, a minister, a fob, a harlot, a duchess, and always a genius."
This Modern Library edition presents the translation by Kathleen Raine.
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Pere Goriot
“Père Goriot can rightly be regarded as one of the greatest of Balzac’s novels,” writes Henry Reed of this masterful study of a father who sacrifices everything for his daughters. This novel marked the true beginning of Balzac’s towering project La Comédie Humaine, his series of novels and short stories depicting “the whole pell-mell of civilization.” In Père Goriot, the great novelist probes the “bourgeois tragedy” of money and power from two different directions. While Goriot is willingly reduced to poverty to support his ambitious daughters, an impoverished young man of integrity becomes money hungry. Attracted to one of Goriot’s daughters, Rastignac succumbs to the fever of social climbing. The resulting tale is a commentary on wealth and human desire that still rings true in the twenty-first century.
Translated and with an Afterword by Henry Reed
and with an Introduction by Peter Brooks
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The Wrong Side of Paris (Modern Library Classics)
The Wrong Side of Paris, the final novel in Balzac’s The Human Comedy, is the compelling story of Godefroid, an abject failure at thirty, who seeks refuge from materialism by moving into a monastery-like lodging house in the shadows of Notre-Dame. Presided over by Madame de La Chanterie, a noblewoman with a tragic past, the house is inhabited by a remarkable band of men—all scarred by the tumultuous aftermath of the French Revolution—who have devoted their lives to performing anonymous acts of charity. Intrigued by the Order of the Brotherhood of Consolation and their uplifting dedication to virtuous living, Godefroid strives to follow their example. He agrees to travel—incognito—to a Parisian slum to save a noble family from ruin. There he meets a beautiful, ailing Polish woman who lives in great luxury, unaware that just outside her bedroom door her own father and son are suffering in dire poverty. By proving himself worthy of the Brotherhood, Godefroid finds his own spiritual redemption.
This vivid portrait of the underbelly of nineteenth-century Paris, exuberantly rendered by Jordan Stump, is the first major translation in more than a century of Balzac’s forgotten masterpiece L’Envers de l’histoire contemporaine. Featuring an illuminating Introduction by Adam Gopnik, this original Modern Library edition also includes explanatory notes.
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Lost Souls
by Honore de Balzac, Lisa Jackson, Michael Collins
Discovering the dead body of a young child, a victim of an apparent hit-and-run accident, a police officer conducts a covert investigation when the case is thwarted by both the mayor and the police chief, who want attention diverted from the primary suspect, a promising high-school football hero. 20,000 first printing.
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Lost Souls
by Honore de Balzac, Lisa Jackson, Michael Collins
True crime writer Kristi Bentz, searching for the one case that will take her to the top, gets her wish when she enrolls at All Saints College to investigate the brutal murders of three troubled girls, all of whom were found with the blood drained from their bodies.
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Lost Souls
by Honore de Balzac, Lisa Jackson, Michael Collins
The first new translation of Balzac’s 1847 novel Splendeurs et misères des courtisanes in half a century, fully annotated and with an extensive introduction
In Lost Souls, Honoré de Balzac’s brilliant evocation of nineteenth-century Paris, we enter a world of glittering wealth and grinding poverty, teeming with strivers, poseurs, and pleasure seekers along with those who struggle merely to survive. Between the heights of Parisian society and the criminal world lurking underneath, fate is about to catch up with Lucien de Rubempré, last seen in Lost Illusions, as his literary aspirations, his love for the courtesan Esther van Gobseck, and his scheme to marry the wealthy Clotilde become entangled in the cunning and ultimately disastrous ambitions of the Abbé Herrera, a villain for the ages.
An extraordinary volume in Balzac’s vast Human Comedy (in which he endeavored to capture all of society), Lost Souls appears here in its first new English translation in half a century. Keenly attuned to the acerbic charm and subtleties of Balzac’s prose, this edition also includes an introduction presenting thorough biographical, literary, and historical context, as well as extensive notes throughout the text—an invaluable resource for today’s readers as they navigate Balzac’s copious allusions to classical and contemporaneous politics and literature.
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Lost Illusions
A new annotated translation of the keystone of Balzac’s Comédie Humaine—a sweeping narrative of corrupted idealism in a cynical urban milieu
Lost Illusions is an essential text within Balzac’s Comédie Humaine, his sprawling, interconnected fictional portrait of French society in the 1820s and 1830s comprising nearly one hundred novels and short stories. This novel, published in three parts between 1837 and 1843, tells the story of Lucien de Rubempré, a talented young poet who leaves behind a scandalous provincial life for the shallow, corrupt, and cynical vortex of modernity that was nineteenth-century Paris—where his artistic idealism slowly dissipates until he eventually decides to return home.
Balzac poured many of his thematic preoccupations and narrative elaborations into Lost Illusions, from the contrast between life in the provinces and the all-consuming world of Paris to the idealism of poets, the commodification of art, the crushing burden of poverty and debt, and the triumphant cynicism of hack journalists and social climbers. The novel teems with characters, incidents, and settings, though perhaps none so vivid as its panoramic and despairing view of Paris as the nexus of modernity’s cultural, social, and moral infection. For Balzac, no institution better illustrates the new reality than Parisian journalism: “amoral, hypocritical, brazen, dishonest, and murderous,” he writes.
In this new translation, Raymond N. MacKenzie brilliantly captures the tone of Balzac’s incomparable prose—a style that is alternatingly impassioned, overheated, angry, moving, tender, wistful, digressive, chatty, intrusive, and hectoring. His informative annotations guide the modern reader through the labyrinth of Balzac’s allusions.
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The Lily in the Valley
A new translation of one of Balzac’s finest novels, this tale of misguided passion centers on a young aristocrat who falls into a cloaked, coded entanglement with an older countess—a relationship that is upended when he becomes involved with a new lover.
A story of impossible and unsatisfied desire, Balzac’s The Lily in the Valley opens with a scene of desire unleashed. Félix de Vandenesse, the shy teenage scion of an aristocratic family, is at a ball, when his eyes are drawn to a beautiful woman in fashionable undress: before he knows what he is doing, he throws himself upon her, covering her bare back with kisses. In shock, she pushes him away. He leaves the party in shame.
The woman at the party is Henriette de Montsauf, married to a much older count. Time passes, and Félix is reintroduced to her. Nothing is said of what transpired, though nothing is forgotten, and a courtship begins whose premise is that Félix will worship Henriette without displaying the least sign of desire. He waits on her. He plays endless board games with her impossible husband. He develops a language of flowers and presents her with elaborately coded bouquets. Félix and Henriette are in a swoon, until he departs for Paris to pursue a career in politics and takes up with the uninhibited Arabella Dudley. Meanwhile Henriette is on her deathbed. She writes him, “Do you remember your kisses? They have dominated my life and furrowed my soul. . . . They are my death!”
The Lily in the Valley is a terrible fairy tale of two people lost in a game of love—or is it? Peter Bush’s new translation brings out the psychological dynamics of one of Balzac’s masterpieces.
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The Girl with the Golden Eyes
In this influential novella, regarded as one of Balzac’s greatest works, a dissolute aristocrat competes with a shadowy rival for the love of an enigmatic golden-eyed woman–a crazed and annihilating conflict that plays out in the most darkly decadent corners of Parisian high society.
Beautiful and amoral, Henri de Marsay believes in neither man nor woman, neither God nor the devil. He believes in Paris, a city of decadence and sin, a city where every passion is resolved into gold or pleasure.
From the first moment Henri de Marsay catches sight of the girl with the golden eyes he is completely and utterly infatuated. Desperate for another glimpse of her dark and enigmatic beauty, every day he returns to where he last saw her. Over time, he learns of her name, Paquita Valdes, and of her address, a forbidding and heavily guarded mansion on the Rue Saint-Lazare.
Vowing to make her his, Henri de Marsay plots his elaborate seduction of the mysterious girl with the golden eyes, but with his triumph comes the bitter revelation that he has a powerful rival for her love—the Marquise de San-Real, his own half-sister.
A cry of vengeance and the call for blood bring Balzac’s taut exploration of the dark side of Parisian society to its unexpected if inevitable conclusion.
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Treatise on Modern Stimulants
"A marvel of brash opinion, contemporary society, politics, and memoir.” –Bookforum
Honoré de Balzac's Treatise on Modern Stimulants is a meditation on five stimulants―tea, sugar, coffee, alcohol and tobacco―by an author very conscious of the fact that his gargantuan output of work was driven by an excessive intake (his bouts of writing typically required 10 to 15 cups of coffee a day) that would ultimately shorten his life. First published in French in 1839 as an appendix to Jean Anthelme Brillat-Savarin's Physiology of Taste, this Treatise was at once Balzac's effort at addressing what he perceived to be an oversight in that cornerstone of gastronomic literature; a chapter toward his never-completed body of analytic studies (alongside such essays as Treatise on Elegant Living) that were to form an overarching "pathology of social life"; and a meditation on the impact of pleasure and excess on the body and the role they play in shaping society.
Balzac here describes his "terrible and cruel method" for brewing a coffee that can help the artist and author find inspiration; explains why tobacco can be credited with having brought peace to Germany; and describes his first experience of alcoholic intoxication (which required seventeen bottles of wine and two cigars). Beyond its braggadocio and whimsy, though, this treatise ultimately speaks to Balzac's obsession with death and decline, and attempts to confront in capsule form the broader implications of dissipating one's vital forces. This edition includes illustrations to an earlier French edition by Pierre Alechinsky.
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Treatise on Elegant Living
Honoré de Balzac's keystone text on dandyism
Honoré de Balzac's 1830 Treatise on Elegant Living was a keystone text on dandyism, preceding Jules Barbey d'Aurevilly's Anatomy of Dandyism (1845) and Charles Baudelaire's "The Dandy" (in The Painter of Modern Life, 1863), and marking an important shift from the early dandyism of the British Regency to the intellectual and artistic dandyism of nineteenth-century France. The Treatise is the first true philosophical expression of dandyism, and is full of well-crafted aphorisms: "Elegant living is, in the broad acceptance of the term, the art of animating repose," runs one classic definition of dandyism, and "One must have studied at least as far as rhetoric to lead an elegant life" asserts the importance of verbal pirouette and dexterous quipping to the dandy. Further embellished with anecdotes and historical and personal illustrations, Balzac's Treatise even features a fictitious encounter with the original dandy himself, Beau Brummell. Never before translated into English, this witty tract makes for an illuminating cornerstone to Balzac's Human Comedy (which was originally to have included a never-completed four-part philosophical "Pathology of Social Life"). Above all, it represents a decisive moment in the history of dandyism, and an entertaining exposition on the profundities of what lies deepest within all of us: our appearance.Copies
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The Physiology of the Employee (Wakefield Handbooks)
If Honoré de Balzac's Treatise on Elegant Living addressed one crucial pillar of modernity--the "mode" itself, fashion--his Physiology of the Employee examines another equally potent cornerstone to the modern era: bureaucracy, and all of the cogs and wheels of which it is composed. Long before Franz Kafka described the nightmarish metaphysics of office bureaucracy, Balzac had undertaken his own exploration of the dust-laden, stifling environment of the paper-pusher in all of his roles and guises. "Bureaucracy," as he defined it: "a gigantic power set in motion by dwarfs." In this guidebook, published for mass consumption in 1841, Balzac's classic theme of melodramatic ambition plays itself out within the confined, unbreathable space of the proto-cubicle, filtered through the restricted scale of the pocket handbook. The template for such later novels such as The Bureaucrats, and one of the first significant texts to grapple with the growing role of the bureaucrat, this physiology reads like a birding field guide in its presentation of the various classifications of the office employee, from the Intern to the Clerk (all ten species, from Dapper to Bootlicker to Drudger) to Office Manager, Department Head, Office Boy and Pensioner. The job titles may change over the years, and paper-pushing has perhaps evolved into email-forwarding, but the taxonomy remains the same. In our twenty-first-century crisis of employment, jobs continue to be themselves a form of currency, and the question continues to loom: when will it be quitting time?
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Le Pere Goriot (French Edition) (Pocket Classiques)
Product Description Collection : Classiques Sujet : Roman, essai, document Édition présentée et commentée par Gérard Gengembre, professeur de littérature française à l'université de Caen Tous les chemins de la Comédie humaine partent du Père Goriot et de la sinistre pension Vauquer. La grande saga de l'Occident dont rêve Balzac commence par le martyre d'un père éperdu d'amour pour ses deux filles qui le bafouent, le torturent et le ruinent. Témoins de cette tragédie, le jeune Rastignac, qui va défier Paris, et le fabuleux Vautrin, ancien forçat, que l'on recroisera ultérieurement dans d'autres uvres. Un galérien des Lettres criblé de dettes imagine et crée sous nos yeux une fresque éternelle avec une puissance de visionnaire. Mystère du génie car personne, depuis, n'a réussi à démoder Balzac. Lire avec le texte intégral et la préface présentant l' uvre et son auteur. Comprendre avec " Les clés de l' uvre " : 19 pages pour aller à l'essentiel ; 66 pages pour approfondir. About the Author Translated by A. J. Krailsheimer, Emeritus Student and former Tutor in French at Christ Church, Oxford
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The Human Comedy: Selected Stories (New York Review Books Classics)
An NYRB Classics Original
Characters from every corner of society and all walks of life—lords and ladies, businessmen and military men, poor clerks, unforgiving moneylenders, aspiring politicians, artists, actresses, swindlers, misers, parasites, sexual adventurers, crackpots, and more—move through the pages of The Human Comedy, Balzac’s multivolume magnum opus, an interlinked chronicle of modernity in all its splendor and squalor. The Human Comedy includes the great roomy novels that have exercised such a sway over Balzac’s many literary inheritors, from Dostoyevsky and Henry James to Marcel Proust; it also contains an array of short fictions in which Balzac is at his most concentrated and forceful. Nine of these, all newly translated, appear in this volume, and together they provide an unequaled overview of a great writer’s obsessions and art. Here are “The Duchesse de Langeais,” “A Passion in the Desert,” and “Sarrasine”; tales of madness, illicit passion, ill-gotten gains, and crime. What unifies them, Peter Brooks points out in his introduction, is an incomparable storyteller’s fascination with the power of storytelling, while throughout we also detect what Proust so admired: the “mysterious circulation of blood and desire.”
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The Unknown Masterpiece (New York Review Books Classics)
A New York Review Books Original
One of Honoré de Balzac's most celebrated tales, "The Unknown Masterpiece" is the story of a painter who, depending on one's perspective, is either an abject failure or a transcendental genius—or both. The story, which has served as an inspiration to artists as various as Cézanne, Henry James, Picasso, and New Wave director Jacques Rivette, is, in critic Dore Ashton's words, a "fable of modern art."
Published here in a new translation by poet Richard Howard, "The Unknown Masterpiece" appears, as Balzac intended, with "Gambara," a grotesque and tragic novella about a musician undone by his dreams.
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Lost Illusions (The Human Comedy)
Handsome would-be poet Lucien Chardon is poor and naïve, but highly ambitious. Failing to make his name in his dull provincial hometown, he is taken up by a patroness, the captivating married woman Madame de Bargeton, and prepares to forge his way in the glamorous beau monde of Paris. But Lucien has entered a world far more dangerous than he realized, as Madame de Bargeton's reputation becomes compromised and the fickle, venomous denizens of the courts and salons conspire to keep him out of their ranks. Lucien eventually learns that, wherever he goes, talent counts for nothing in comparison to money, intrigue and unscrupulousness. Lost Illusions is one of the greatest novels in the rich procession of the Comédie humaine, Balzac's panoramic social and moral history of his times.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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Old Man Goriot (The Human Comedy)
Monsieur Goriot is one of a disparate group of lodgers at Mademe Vauquer's dingy Parisian boarding house. At first his wealth inspires respect, but as his circumstances are mysteriously reduced he becomes shunned by those around him, and soon his only remaining visitors are his two beautifully dressed daughters. Goriot's fate is intertwined with two other fellow boarders: the young social climber Eugene Rastignac, who sees a way to gain the acceptance and wealth he craves, and the enigmatic figure of Vautrin, who is hiding darker secrets than anyone. Weaving a compelling and panoramic story of love, money, self-sacrifice, corruption, greed and ambition, Old Man Goriot is Balzac's acknowledged masterpiece. A key novel in his Comédie Humaine series, it is a vividly realized portrait of bourgeois Parisian society in the years following the French Revolution.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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Cousin Bette (Oxford World's Classics)
by Honore de Balzac, David Bellos, Sylvia Raphael
Cousin Bette (1846) is considered to be Balzac's last great novel, and a key work in his Human Comedy. Set in the Paris of the 1830s and 1840s, it is a complex tale of the devastating effect of violent jealousy and sexual passion.
Against a meticulously detailed backdrop of a post-Napoleonic France struggling with massive industrial and economic change, Balzac's characters span many classes of society, from impoverished workers and wealthy courtesans to successful businessmen and official dignitaries.
The tragic outcome of the novel is relieved by occasional flashes of ironic comedy and the emergence of a younger generation which has come to terms with the new political and econimic climate.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
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The Girl with the Golden Eyes and Other Stories (Oxford World's Classics)
by Honore de Balzac, Peter Collier, Patrick Coleman
Sexual attraction, artistic insight, and the often ironic relationship between them are the dominant themes in the three short works by Balzac collected in this volume.
In Sarrasine, an impetuous young sculptor falls in love with a diva of the Roman stage, but rapture turns to rage when he discovers the reality behind the seductiveness of the singer's voice. The ageing artist in The Unknown Masterpiece, obsessed with his creation of the perfect image of an ideal woman, tries to hide it from the jealous young student who is desperate for a glimpse of it. And in The Girl with the Golden Eyes, the hero is a dandy whose attractiveness for the mysterious Paquita has an unexpected origin. These enigmatic and disturbing forays into the margins of madness, sexuality, and creativity show Balzac spinning fantastic tales as profound as any of his longer fictions.
This volume is the only edition to bring these three great Balzac novellas together in one book, and it is the first paperback collection to include Sarrasine. Patrick Coleman's Introduction builds on the latest scholarship to help the reader appreciate the connections between notions of gender and the aesthetic explorations of nineteenth-century French romanticism and realism. The edition also includes thorough notes which explain all important cultural and political references.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Eugénie Grandet (Oxford World's Classics)
'Who is going to marry Eugénie Grandet?'
This is the question that fills the minds of the inhabitants of Saumur, the setting for Eugénie Grandet (1833), one of the earliest and most famous novels in Balzac's Comédie humaine. The Grandet household, oppressed by the exacting miserliness of Grandet himself, is jerked violently out of routine by the sudden arrival of Eugénie's cousin Charles, recently orphaned and penniless. Eugénie's emotional awakening, stimulated by her love for her cousin, brings her into direct conflict with her father, whose cunning and financial success are matched against her determination to rebel.
Eugénie's moving story is set against the backdrop of provincial oppression, the vicissitudes of the wine trade, and the workings of the financial system in the aftermath of the French Revolution. It is both a poignant portrayal of private life and a vigorous fictional document of its age.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
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The Memoirs of Two Young Wives
Two very intelligent, very idealistic young women leave the convent school where they became the fastest of friends to return to their families and embark on their new lives. For Renée de Maucombe, this means an arranged marriage with a country gentleman of Provence, a fine if slightly dull man for whom she feels admiration but nothing more. Meanwhile, Louise de Chaulieu makes for her family’s house in Paris, intent on enjoying her freedom to the fullest: glittering balls, the opera, and above all, she devoutly hopes, the torments and ecstasies of true love and passion. What will come of these very different lives?
Despite Honoré de Balzac’s title, these aren’t memoirs; rather, this is an epistolary novel. For some ten years, these two will—enthusiastically if not always faithfully—keep up their correspondence, obeying their vow to tell each other every tiny detail of their strange new lives, comparing their destinies, defending and sometimes bemoaning their choices, detailing the many changes, personal and social, that they undergo. As Balzac writes, “Renée is reason...Louise is wildness...and both will lose.” Balzac being Balzac, he seems to argue for the virtues of one of these lives over the other; but Balzac being Balzac, that argument remains profoundly ambiguous. “I would,” he once wrote, “rather be killed by Louise than live a long life with Renée.”
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Pere Goriot (Oxford World's Classics)
This fine example of the French realist novel contrasts the social progress of an impoverished but ambitious aristocrat with the tale of a father, whose obsessive love for his daughters leads to his personal and financial ruin.
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Colonel Chabert
Balzac once referred to art as "nature concentrated". And nowhere did his own art achieve such a rarefied state as in Colonel Chabert - one of the celebrated "Scenes from Private Life" from La Comedie Humaine. Chabert is among Balzac's most tragic heroes: a decorated Napoleonic War veteran believed to have been killed in battle. Severely disfigured, the Colonel, returns to Paris as if risen from the grave. There he finds his wife remarried, his pension gone, and his name linked nostalgically to the faded days of Empire. Employing a young lawyer named Derville, Chabert finds an ally to negotiate the labyrinthine system of Restoration justice; but as Derville plays the game of law and intrigue, we discover why Balzac himself thought that most post-Revolutionary politics were plagued with corruption. Chabert, despite his dignity, his history, his status as a fallen warrior, is no match for a society driven by the wiles of lawyers.
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The Alkahest: The Quest of the Absolute
Philosophical Study' from La Comédie Humaine (The Human Comedy). By the French novelist who is regarded as a founding-father of realism in European fiction. His large output of novels and stories, collectively entitled La Comédie Humaine (The Human Comedy), is a broad panorama of French society in the period of the Restoration (1815-1830) and the July Monarchy (1830-1848). His stories are an attempt to comprehend and depict the realities of life in contemporary bourgeois France. They are placed in a variety of settings, with characters reappearing in multiple stories.
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Droll Stories
From the great French novelist comes this long-unavailable collection of tales in the tradition of Boccaccio’s Decameron.
Balzac’s Contes Drolatiques, or Droll Stories, were originally published in three volumes in the 1830s. Set in medieval Europe, these stories were Balzac’s attempt to write in the great tradition of Rabelais and Boccaccio, to render the Middle Ages with a touch of raunchy humor, and to provide a delightful portrait of medieval France. Balzac took the old themes that had delighted his ancestors—the tales of faithless wives and confiding husbands, of monks incredibly endowed for amorous athleticism, of lusty wenches and adventurous lads, and of great bouts of eating and drinking.
Droll Stories has always been an essential part of Balzac’s work when published in French, but it has been excluded from the definitive English editions. This book presents all three volumes of this classic and enduring work.
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A Harlot High and Low
Finance, fashionable society, and the intrigues of the underworld and the police system form the heart of this powerful novel, which introduces the satanic genius Vautrin, one of the greatest villains in world literature.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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