Books by Jamie M. Allen
Nathan Lyons: In Pursuit of Magic
by Jamie M. Allen, Lisa Hostetler, Jessica S. McDonald
Launching his curatorial career at the George Eastman House in 1957, Nathan Lyons (1930–2016) soon made a mark in the museum world and in his workshops for photographers and curators alike. Yet his supporting role in the careers of rising stars such as Lee Friedlander and Garry Winogrand sometimes eclipsed the public’s awareness of Lyons’s own pioneering photography. Coinciding with a major exhibition at the George Eastman Museum in 2019, Nathan Lyons: In Pursuit of Magic is a long-overdue celebration of Lyons’s astonishing body of work.
Featuring more than two hundred and fifty compelling images, accompanied by critical essays, the book charts the distinct phases of Lyons’s career. His early work, exemplified by his exuberant initiatives of the 1960s—the Visual Studies Workshop and the Society for Photographic Education—demonstrated that street photography and formalism are not mutually exclusive, as university photography courses began migrating from journalism to art departments. His final years, which included a shift to color at age eighty, are also explored in depth. A companion to Nathan Lyons: Selected Essays, Lectures, and Interviews, this is the definitive visual sourcebook on a highly influential innovator.
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$55.00
The Photographer in the Garden
by Jamie M. Allen, Sarah Anne McNear
This book explores our unique relationship with nature through the garden. From famous locations, such as Versailles, to the simplest home vegetable gardens, from worlds imagined by artists to vintage family snapshots, The Photographer in the Garden traces the garden’s rich history in photography and delights readers with spectacular photographs. The book explores gardens from many angles: the symbolism of plants and flowers, how humans cultivate the landscapes that surround them, the change of the seasons, and the gardener at work. An informative essay from curator Jamie M. Allen and picture-commentaries by Sarah Anne McNear broaden our understanding of photography and how it has been used to record the glory of the garden. The book features photographers from all eras, including Anna Atkins, Karl Blossfeldt, Eugène Atget, Edward Steichen, Imogen Cunningham, Edward Weston, Lee Friedlander, Stephen Shore, Robert Mapplethorpe, Nobuyoshi Araki, and Collier Schorr, to name a few. This sublime book brings together some of the most stunning photography in the history of the medium.
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Picturing America's National Parks
To celebrate the centennial of America's National Park Service, Picturing America's National Parks brings together some of the finest landscape photography in the history of the medium, from America's most magnificent and sacred environments. Photography has played an integral role in both the formation of the National Parks and in the depiction of America itself, through this natural resource. From Yosemite to the most recent 2013 addition of Pinnacles National Park in California, America's National Parks have been enjoyed through photographs for over 100 years. This book traces that history and delights readers with stunning photographs of the best American landscapes. An informative essay and commentary from curator Jamie M. Allen unfold the role of photography in promoting America's national heritage, land conservation and wildlife preservation. Featuring the historic work of masters such as Ansel Adams, Imogen Cunningham, William Henry Jackson, Edward Weston and Minor White, as well as contemporary greats such as Lee Friedlander, Stephen Shore and Joel Sternfeld, this volume offers a powerful look at America's National Parks and pays homage to a practice that has defined the way we see America, particularly the American West.
The parks included are Acadia National Park (ME), Arches National Park (UT), Badlands National Park (SD), Big Bend National Park (TX), Bryce Canyon National Park (UT), Capital Reef National Park (UT), Canyonlands National Park (UT), Crater Lake National Park (OR), Death Valley National Park (CA and NV), Denali National Park (AK), Glacier National Park (MT), Glacier Bay National Monument (AK), Grand Canyon National Park (AZ), Grand Teton National Park (WY), Great Basin National Park (NV), Great Sand Dunes National Park (CO), Great Smoky Mountains National Park (NC and TN), Joshua Tree National Park (CA), Kenai Fjords National Park (AK), Mount Rainer National Park (WA), Olympic National Park (WA), Redwood National Park (CA), Rocky Mountain National Park (CO), Yellowstone National Park (WY), Yosemite National Park (CA) and Zion National Park (UT).
Copies
No copies available.
Picturing America's National Parks
Picturing America's National Parks brings together some of the finest landscape photography in the history of the medium, from America's most magnificent and sacred environments. Photography has played an integral role in both the formation of the National Parks and in the depiction of America itself, through this natural resource. From Yosemite to the most recent 2013 addition of Pinnacles National Park in California, America's National Parks have been enjoyed through photographs for over 150 years. This book traces that history and delights readers with stunning photographs of the best American landscapes. An informative essay from curator Jamie M. Allen unfolds the role of photography in promoting America's national heritage, land conservation, and wildlife preservation. Featuring the historic work of masters such as Ansel Adams, Imogen Cunningham, William Henry Jackson, Edward Weston, and Minor White, as well as contemporary greats such as Lee Friedlander, Stephen Shore, and Joel Sternfeld, this volume offers a powerful look at America's National Parks and pays homage to a practice that has defined the way we see America, particularly the American West.
Copies
No copies available.
Imogen Cunningham
by Jamie M. Allen, Celina Lunsford, Marisa Sánchez
Throughout her long life, Imogen Cunningham was tireless and exemplary in her pursuit of new developments in photography and in the expansion of her own practice. An inspiration to several successive generations, she reinvented the genres of botanical photography, street photography, nudes and portraiture, and expanded the possibilities of the double exposure. This publication celebrates the rich diversity of this modernist pioneer, covering Cunningham’s entire seven-decade career--from her abstract shots of plants and nudes and optical illusions created using techniques such as inverted positive/negative images and double exposure, to her iconic portraits for Vanity Fair of artists, dancers, actors, musicians and writers such as Man Ray, Alfred Stieglitz, Martha Graham, Frida Kahlo, Gertrude Stein, Morris Graves and Merce Cunningham. The selection also includes many rarely reproduced works, plus essays by Celina Lunsford, curator of the exhibition, Jamie M. Allen and Marisa C. Sánchez, an illustrated chronology and selected bibliography.
Born in Portland, Oregon, Imogen Cunningham (1883–1976) chose at an early age to become a photographer and a working woman outside the home--choices that were profoundly bold for a woman of her generation. Around 1905-06, she purchased a 4 x 5 inch camera. After completing studies at the University of Washington, and the Technische Hochschule in Germany, she married, living first in Seattle and later in San Francisco, where--with Ansel Adams, John Paul Edwards, Sonya Noskowiak, Henry Swift, Willard Van Dyke and Edward Weston--she cofounded Group f/64, which practiced the conceptual constraint of unmanipulated photography. In 1945, Adams Cunningham joined the faculty of the California School of Fine Arts. She continued to take photographs until shortly before her death at 93.
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