Books by Jane Kamensky

Candida Royalle and the Sexual Revolution: A History from Below

by Jane Kamensky

None

Candida Royalle and the Sexual Revolution: A History from Below

by Jane Kamensky

Acclaimed historian Jane Kamensky chronicles an indelible twentieth-century American life―and offers an entirely new understanding of the so-called sexual revolution.
Whether in front of the camera or behind it, Candice Vadala understood herself as both an artist and an entrepreneur. As Candida Royalle (1950–2015)―underground actress, porn star, producer of adult movies, and staunch feminist―she made a business of pleasure. She helped crystalize the broader hedonistic turn in American life in the second half of the twentieth century: a period when the rules of sex were rewritten; when the white-hot “sex wars” cleaved feminism and realigned American politics; when Big Freud, Big Drugs, and Big Porn all came into looming focus; when the sex industry of the 1970s and ’80s radically upended conventional understandings of law, technology, culture, love, and human desire.
The sexual revolution was Royalle’s war―even when other avowed feminists exited the field or became her opponents―and pornography emerged as the arena in which she would wage it. With the founding of her adult film company, Femme Productions, in 1984, Royalle became an owner of the means of pornographic production, infusing her sets with the ideals of labor feminism. On-screen and off-, she was, by turns, exuberant and thoughtful, self-possessed and gleefully shameless. A trailblazer who lived along the cultural fault lines of her generation, she danced at Woodstock, marched for women’s liberation, survived the AIDS crisis, and became a talk show regular, interviewed by Phil Donahue, Dr. Ruth Westheimer, Morton Downey Jr., Jane Pauley, and many others. As a performer, director, producer, and writer, she moved the needle of her industry. But she never transcended the politics of pleasure.
With full access to Royalle’s remarkable archive, historian Jane Kamensky has spent years examining the intersection of Royalle’s life with the clashes that have defined her era―and ours. Deeply informed by these never-before-studied materials, Kamensky explodes the conventions of biography, with its assumptions about who makes history and how. Written with cinematic verve, Candida Royalle and the Sexual Revolution evokes Royalle’s times in their broadest contours as Kamensky traces the rise of an improbable heroine who broke the mold and was herself broken in turn. 51 illustrations

The Exchange Artist: A Tale of High-Flying Speculation and America's First Banking Collapse

by Jane Kamensky

The riveting story of the country's first banking scandal in the first decades of the American republic

This enthralling historical narrative of the birth of speculative capitalism in America opens in the 1790s when financial pioneer-turned-confidence-man Andrew Dexter, Jr. created a pyramid scheme founded on real estate speculation and the greed of banks, who freely printed the paper money he needed to finance the then tallest building in the United States-the Exchange Coffee House, a 153-room, seven-story colossus in downtown Boston. The story of Dexter's rise and eventual collapse offered an object lesson to the rising young nation, and presents striking parallels to the subprime mortgage meltdown and looming economic collapse of today.

The Exchange Artist: A Tale of High-Flying Speculation and America's First Banking Collapse

by Jane Kamensky

Profiles Andrew Dexter, Jr., as a late-eighteenth-century financial pioneer-turned-confidence man, describing how he took advantage of period suspicions about paper money and banks to promote a skyscraper building scheme that subsequently cost his investors millions of dollars.

Blindspot: A Novel (Random House Reader's Circle)

by Jane Kamensky, Jill Lepore

Stewart Jameson, a Scottish portrait painter fleeing his debtors in Edinburgh, has washed up on the British Empire's far shores—in the city of Boston, lately seized with the spirit of liberty. Eager to begin anew, he advertises for an apprentice, but the lad who comes knocking is no lad at all. Fanny Easton is a fallen woman from Boston's most prominent family who has disguised herself as a boy to become Jameson's defiant and seductive apprentice.
Written with wit and exuberance by accomplished historians, Blindspot is an affectionate send-up of the best of eighteenth-century fiction. It celebrates the art of the Enlightenment and the passion of the American Revolution by telling stories of ordinary people caught up in an extraordinary time.

Blindspot: A Novel

by Jane Kamensky, Jill Lepore

“Tis a small canvas, this Boston,” muses Stewart Jameson, a Scottish portrait painter who, having fled his debtors in Edinburgh, has washed up on America’s far shores. Eager to begin anew in this new world, he advertises for an apprentice, but the lad who comes knocking is no lad at all. Fanny Easton is a lady in disguise, a young, fallen woman from Boston’s most prominent family. “I must make this Jameson see my artist’s touch, but not my woman’s form,” Fanny writes, in a letter to her best friend. “I would turn my talent into capital, and that capital into liberty.”

Liberty is what everyone’s seeking in boisterous, rebellious Boston on the eve of the American Revolution. But everyone suffers from a kind of blind spot, too. Jameson, distracted by his haunted past, can’t see that Fanny is a woman; Fanny, consumed with her own masquerade, can’t tell that Jameson is falling in love with her. The city’s Sons of Liberty can’t quite see their way clear, either. “Ably do they see the shackles Parliament fastens about them,” Jameson writes, “but to the fetters they clasp upon their own slaves, they are strangely blind.”

Written with wit and exuberance by longtime friends and accomplished historians Jane Kamensky and Jill Lepore, Blindspot weaves together invention with actual historical documents in an affectionate send-up of the best of eighteenth-century fiction, from epistolary novels like Richardson’s Clarissa to Sterne’s picaresque Tristram Shandy. Prodigiously learned, beautifully crafted, and lush with the bawdy, romping sensibility of the age, Blindspot celebrates the art of the Enlightenment and the passion of the American Revolution by telling stories we know and those we don’t, stories of the everyday lives of ordinary people caught up in an extraordinary time.

A Revolution in Color: The World of John Singleton Copley

by Jane Kamensky

This bold new history recovers an unknown American Revolution as seen through the eyes of Boston-born painter John Singleton Copley.
Boston in the 1740s: a bustling port at the edge of the British empire. A boy comes of age in a small wooden house along the Long Wharf, which juts into the harbor, as though reaching for London thousands of miles across the ocean. Sometime in his childhood, he learns to draw.
That boy was John Singleton Copley, who became, by the 1760s, colonial America’s premier painter. His brush captured the faces of his neighbors―ordinary men like Paul Revere, John Hancock, and Samuel Adams―who would become the revolutionary heroes of a new United States. Today, in museums across America, Copley’s brilliant portraits evoke patriotic fervor and rebellious optimism.
The artist, however, did not share his subjects’ politics. Copley’s nation was Britain; his capital, London. When rebellion sundered Britain’s empire, both kin and calling determined the painter’s allegiances. He sought the largest canvas for his talents and the safest home for his family. So, by the time the United States declared its independence, Copley and his kin were in London. He painted America’s revolution from a far shore, as Britain’s American War.
An intimate portrait of the artist and his extraordinary times, Jane Kamensky’s A Revolution in Color masterfully reveals the world of the American Revolution, a place in time riven by divided loyalties and tangled sympathies. Much like the world in which he lived, Copley’s life and career were marked by spectacular rises and devastating falls. But though his ambivalence cost him dearly, the painter’s achievements in both Britain and America made him a towering figure of both nations’ artistic legacies. 8 pages of color; 50 illustrations

The Oxford Handbook of the American Revolution (Oxford Handbooks)

by Jane Kamensky, Edward G. Gray

The Oxford Handbook of the American Revolution draws on a wealth of new scholarship to create a vibrant dialogue among varied approaches to the revolution that made the United States.

In thirty-three essays written by authorities on the period, the Handbook brings to life the diverse multitudes of colonial North America and their extraordinary struggles before, during, and after the eight-year-long civil war that secured the independence of thirteen rebel colonies from their erstwhile colonial parent. The chapters explore battles and diplomacy, economics and finance, law and culture, politics and society, gender, race, and religion. Its diverse cast of characters includes ordinary farmers and artisans, free and enslaved African Americans, Indians, and British and American statesmen and military leaders. In addition to expanding the Revolution's who, the Handbook broadens its where, portraying an event that far transcended the boundaries of what was to become the United States.

It offers readers an American Revolution whose impact ranged far beyond the thirteen colonies. The Handbook's range of interpretive and methodological approaches captures the full scope of current revolutionary-era scholarship. Its authors, British and American scholars spanning several generations, include social, cultural, military, and imperial historians, as well as those who study politics, diplomacy, literature, gender, and sexuality. Together and separately, these essays demonstrate that the American Revolution remains a vibrant and inviting a subject of inquiry. Nothing comparable has been published in decades.

A Revolution in Color The World of John Singleton Copley

by Jane Kamensky

"A stunning biography…[A] truly singular account of the American Revolution." —Amanda Foreman, author of A World on Fire

Through an intimate narrative of the life of painter John Singleton Copley, award-winning historian Jane Kamensky reveals the world of the American Revolution, rife with divided loyalties and tangled sympathies.

Famed today for his portraits of patriot leaders like Samuel Adams and Paul Revere, Copley is celebrated as one of America’s founding artists. But, married to the daughter of a tea merchant and seeking artistic approval from abroad, he could not sever his own ties with Great Britain. Rather, ambition took him to London just as the war began. His view from abroad as rich and fascinating as his harrowing experiences of patriotism in Boston, Copley’s refusal to choose sides cost him dearly. Yet to this day, his towering artistic legacy remains shared by America and Britain alike.