Books by Jason Rosenfeld

Pre-Raphaelites: Victorian Art and Design

by Alison Smith, Tim Barringer, Jason Rosenfeld

The Pre-Raphaelite Brotherhood shook the mid-19th-century art world. Effectively Britain’s first modern art movement, the Brotherhood combined rebellion and revivalism, scientific precision, and imaginative grandeur. Today, the works of the Pre-Raphaelites are among the best known of all English paintings, and yet they have often been dismissed or misunderstood as Victoriana or escapism. This fascinating book convincingly corrects that view, examining works in a wide variety of media and demonstrating the broad scope of the movement’s revolutionary ideas about art, design, and society.
Led by Dante Gabriel Rossetti, William Holman Hunt, and John Everett Millais, the Pre-Raphaelites’ unflinchingly radical style, inspired by the purity of early Renaissance painting, defied convention, provoked critics, and entranced audiences. Many of their most famous paintings are featured, including Millais’s Ophelia and Ford Madox Brown’s The Last of England. This book also includes sculpture, photography, and the applied arts, the last of which shows the important role the Brotherhood played in the early development of the Arts and Crafts movement and the socialist ideas of the poet, designer, and theorist William Morris.

Copies

No copies available.

Njideka Akunyili Crosby

by Jason Rosenfeld, Helen Molesworth, Njideka Akunyili Crosby, Jareh Das, Drew Thompson

The first monograph on the internationally celebrated Nigerian American painter who blends her personal history and African diasporic identity in layered compositions

“Critics have often (and rightly) marveled at the care and finesse with which Akunyili Crosby assembles vast multiplicities of time and place into singular sites of visual contestation.” —Frieze

Njideka Akunyili Crosby’s work unites multiple places and temporalities, reflecting both personal and universal dimensions of contemporary life and, in particular, the intricacies of the African diasporic identity. This first monograph on Akunyili Crosby brings together nearly fifty paintings, made from 2010 to 2023, that chart her methodical practice of layering painted representations of people, locales, and aspects of her own experiences with transferred images sourced from her personal collection, Nigerian publications, and other outlets. Akunyili Crosby reveals and revisits distinct realms, from lush gardens to domestic, interior worlds related to motherhood, family, marriage, the body, and personal identity.

New texts from Jareh Das, Helen Molesworth, Jason Rosenfeld, and Drew Thompson focus on a range of themes in Akunyili Crosby’s work, including her visual language and material practice, her mixing of Western and Nigerian imagery and forms, and her use of photography in portraiture and figuration.

Copies

No copies available.