Books by Jim Shepard
Like You'd Understand, Anyway (Vintage Contemporaries)
by Jim Shepard
Following his widely acclaimed Project X and Love and Hydrogen—“Here is the effect of these two books,” wrote the Chicago Tribune: “A reader finishes them buzzing with awe”—Jim Shepard now gives us his first entirely new collection in more than a decade.
Like You’d Understand, Anyway reaches from Chernobyl to Bridgeport, with a host of narrators only Shepard could bring to pitch-perfect life. Among them: a middle-aged Aeschylus taking his place at Marathon, still vying for parental approval. A maddeningly indefatigable Victorian explorer hauling his expedition, whaleboat and all, through the Great Australian Desert in midsummer. The first woman in space and her cosmonaut lover, caught in the star-crossed orbits of their joint mission. Two Texas high school football players at the top of their food chain, soliciting their fathers’ attention by leveling everything before them on the field. And the rational and compassionate chief executioner of Paris, whose occupation, during the height of the Terror, eats away at all he holds dear.
Brimming with irony, compassion, and withering humor, these eleven stories are at once eerily pertinent and dazzlingly exotic, and they showcase the work of a protean, prodigiously gifted writer at the height of his form. Reading Jim Shepard, according to Michael Chabon, “is like encountering our national literature in microcosm.”
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You Think That's Bad: Stories
by Jim Shepard
Following Like You’d Understand, Anyway—awarded the Story Prize and a finalist for the National Book Award—Jim Shepard returns with an even more wildly diverse collection of astonishingly observant stories. Like an expert curator, he populates the vastness of human experience—from its bizarre fringes and lonely, breathtaking pinnacles to the hopelessly mediocre and desperately below average—with brilliant scientists, reluctant soldiers, workaholic artists, female explorers, depraved murderers, and deluded losers, all wholly convincing and utterly fascinating.
A “black world” operative at Los Alamos isn’t allowed to tell his wife anything about his daily activities, but he can’t resist sharing her intimate confidences with his work buddy. A young Alpine researcher falls in love with the girlfriend of his brother, who was killed in an avalanche he believes he caused. An unlucky farm boy becomes the manservant of a French nobleman who’s as proud of his military service with Joan of Arc as he’s aroused by the slaughter of children. A free-spirited autodidact, grieving her lost sister, traces the ancient steps of a ruthless Middle Eastern sect and becomes the first Western woman to travel the Arabian deserts. From the inventor of the Godzilla epics to a miserable G.I. in New Guinea, each comes to realize that knowing better is never enough.
Enthralling and unfailingly compassionate, You Think That’s Bad traverses centuries, continents, and social strata, but the joy and struggle that Shepard depicts with such devastating sensitivity—all the heartbreak, alienation, intimacy, and accomplishment—has a universal resonance.
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You Think That's Bad (Vintage Contemporaries)
by Jim Shepard
Following Like You’d Understand, Anyway—awarded the Story Prize and a finalist for the National Book Award—Jim Shepard returns with an even more wildly diverse collection of astonishingly observant stories. Like an expert curator, he populates the vastness of human experience—from its bizarre fringes and lonely, breathtaking pinnacles to the hopelessly mediocre and desperately below average—with brilliant scientists, reluctant soldiers, workaholic artists, female explorers, depraved murderers, and deluded losers, all wholly convincing and utterly fascinating.
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The World to Come: Stories
by Jim Shepard
Bursting with wicked humor and driven by an incomparable understanding of what it means to be human, The World to Come is the inimitable work of “the most ambitious story writer in America” (The Daily Beast).
Now a major motion picture
Shepard traverses both borders and centuries, seamlessly inhabiting a multitude of disparate men and women, and giving voice to visionaries, pioneers, and secret misfits—from nineteenth-century explorers departing on one of the Arctic’s most nightmarish expeditions to twentieth-century American military wives maintaining hope at home. Shepard’s characters confront everything from the emotional pitfalls of everyday life to colossal catastrophes, battling natural forces, the hazards of new technology, and their own implacable shortcomings.
"[Shepard] has a knack for compressing a novel’s worth of life into 30 or 40 pages.” —The Boston Globe
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The World to Come: Stories
by Jim Shepard
"Without a doubt the most ambitious story writer in America," according to The Daily Beast, Jim Shepard now delivers a new collection that spans borders and centuries with unrivaled mastery.
These ten stories ring with voices belonging to--among others--English Arctic explorers in one of history's most nightmarish expeditions, a young contemporary American negotiating the shockingly underreported hazards of our crude-oil trains, eighteenth-century French balloonists inventing manned flight, and two mid-nineteenth-century housewives trying to forge a connection despite their isolation on the frontier of settlement. In each case the personal is the political as these characters face everything from the emotional pitfalls of everyday life to historic catastrophes on a global scale. In his fifth collection, Shepard makes each of these wildly various worlds his own, and never before has he delineated anything like them so powerfully.
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Phase Six: A novel (Vintage Contemporaries)
by Jim Shepard
This "novel of contagion and collapse is also the story of love’s unlikely survival in the most hostile conditions” (Karen Russell, bestselling author of Swamplandia!)—from the National Book Award-nominated author of The Book of Aron.
In a tiny settlement on the west coast of Greenland, 11-year-old Aleq and his best friend, frequent trespassers at a mining site exposed to mountains of long-buried and thawing permafrost, carry what they pick up back into their village, and from there Shepard's harrowing and deeply moving story follows Aleq, one of the few survivors of the initial outbreak, through his identification and radical isolation as the likely index patient.
While he shoulders both a crushing guilt for what he may have done and the hopes of a world looking for answers, we also meet two Epidemic Intelligence Service investigators dispatched from the CDC--Jeannine, an epidemiologist and daughter of Algerian immigrants, and Danice, an M.D. and lab wonk. As they attempt to head off the cataclysm, Jeannine--moving from the Greeland hospital overwhelmed with the first patients to a Level 4 high-security facility in the Rocky Mountains--does what she can to sustain Aleq.
Both a chamber piece of multiple intimate perspectives and a more omniscient glimpse into the megastructures (political, cultural, and biological) that inform such a disaster, the novel reminds us of the crucial bonds that form in the midst of catastrophe, as a child and several hypereducated adults learn what it means to provide adequate support for those they love. In the process, they celebrate the precious worlds they might lose, and help to shape others that may survive.
Copies
No copies available.
Phase Six: A novel
by Jim Shepard
This "novel of contagion and collapse is also the story of love’s unlikely survival in the most hostile conditions” (Karen Russell, bestselling author of Swamplandia!)—from the National Book Award-nominated author of The Book of Aron.
In a tiny settlement on the west coast of Greenland, 11-year-old Aleq and his best friend, frequent trespassers at a mining site exposed to mountains of long-buried and thawing permafrost, carry what they pick up back into their village, and from there Shepard's harrowing and deeply moving story follows Aleq, one of the few survivors of the initial outbreak, through his identification and radical isolation as the likely index patient.
While he shoulders both a crushing guilt for what he may have done and the hopes of a world looking for answers, we also meet two Epidemic Intelligence Service investigators dispatched from the CDC--Jeannine, an epidemiologist and daughter of Algerian immigrants, and Danice, an M.D. and lab wonk. As they attempt to head off the cataclysm, Jeannine--moving from the Greeland hospital overwhelmed with the first patients to a Level 4 high-security facility in the Rocky Mountains--does what she can to sustain Aleq.
Both a chamber piece of multiple intimate perspectives and a more omniscient glimpse into the megastructures (political, cultural, and biological) that inform such a disaster, the novel reminds us of the crucial bonds that form in the midst of catastrophe, as a child and several hypereducated adults learn what it means to provide adequate support for those they love. In the process, they celebrate the precious worlds they might lose, and help to shape others that may survive.
Copies
No copies available.
Tin House: Winter Reading
by Stephen Elliott, Ron Carlson, Anthony Swofford, Kate Christensen, Stuart Dybek, Jim Shepard, Christopher Sorrentino, Antony Doerr, Tara Ison, Shawn Vestal
Tin House: Winter Reading is a beautifully designed periodical featuring the best writers of our time alongside a new generation of talent who are poised to become the most important voices of the future. Content includes short stories, profiles, author interviews, poetry, essays; and unique departments such as "Lost & Found," reviews of overlooked or underated books; and "Blithe Spirits" and "Readable Feast," which present tales and recipes for drinks and food in a literary way.
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Tin House: Winter Reading
by Stephen Elliott, Ron Carlson, Anthony Swofford, Kate Christensen, Stuart Dybek, Jim Shepard, Christopher Sorrentino, Antony Doerr, Tara Ison, Shawn Vestal
Equally acclaimed for its beautiful design and its cutting-edge content, each issue of Tin House features a memorable mix of work by renowned contemporary writers alongside a new generation of talent poised to become important voices of the future. This issue features a wide variety of content: short stories, profiles, author interviews, poetry, essays, along with unique departments such as "Lost & Found," reviews of overlooked or underrated books; and "Blithe Spirits" and "Readable Feast," which present tales and recipes for drinks and food in a literary way. Readers are encouraged to snuggle up with a warm blanket and a bright light, as this winter reading issue takes them down the dark, abandoned corridors of the human condition. Authors Christopher Sorrentino and Benjamin Nugent present fiction both comic and dramatic, while Kate Christensen and Katie Crouch put on readable feasts in the celebrated Tin House tradition.
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The Writer's Notebook: Craft Essays from Tin House
by Aimee Bender, Kate Bernheimer, Jim Shepard, Dorothy Allison
The Writer's Notebook offers aspiring authors the most enlightening and engaging seminars and essays from some of Tin House's favorite writers. Jim Shepard, Aimee Bender, Steve Almond, Antonya Nelson and others break down specific elements of craft and share insights into the joys and pains of their own writing. The Writer's Notebook: Craft Essays from Tin House combines the best craft seminars in the history of the Tin House Summer Writers Workshop with a variety of essays written by some of Tin House's favorite authors, offering aspiring writers insight into the craft of writing. Dorothy Allison, Jim Shepard, Aimee Bender, Steve Almond, D. A. Powell, and others break down elements of craft and share insights into the joys and pains of their own writing. This cast of deeply respected poets and prose writers explore topics that vary from writing dialogue to the dos and don'ts of writing about sex. With how-tos, close readings, and personal anecdotes,The Writer's Notebook offers future scribes advice and inspiration.
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The Book of Aron (Vintage Contemporaries)
by Jim Shepard
Small and sullen, Aron is eight years old when his family moves from a rural Polish village to hectic Warsaw. At first gradually and then ever more quickly, his family’s opportunities for a better life vanish as the occupying German government imposes harsh restrictions. Officially confined to the Jewish quarter, with hunger, vermin, disease and death all around him, Aron makes his way from apprentice to master smuggler until finally, with everyone for whom he cared stripped away from him, his only option is Janusz Korczak, the renowned doctor, children’s rights advocate, and radio host who runs a Jewish orphanage. And Korczak in turn awakens the humanity inside the boy.
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The Book of Aron: A novel
by Jim Shepard
The acclaimed National Book Award finalist—“one of the United States’ finest writers,” according to Joshua Ferris, “full of wit, humanity, and fearless curiosity”—now gives us a novel that will join the short list of classics about children caught up in the Holocaust.
Aron, the narrator, is an engaging if peculiar and unhappy young boy whose family is driven by the German onslaught from the Polish countryside into Warsaw and slowly battered by deprivation, disease, and persecution. He and a handful of boys and girls risk their lives by scuttling around the ghetto to smuggle and trade contraband through the quarantine walls in hopes of keeping their fathers, mothers, brothers, and sisters alive, hunted all the while by blackmailers and by Jewish, Polish, and German police, not to mention the Gestapo.
When his family is finally stripped away from him, Aron is rescued by Janusz Korczak, a doctor renowned throughout prewar Europe as an advocate of children’s rights who, once the Nazis swept in, was put in charge of the Warsaw orphanage. Treblinka awaits them all, but does Aron manage to escape—as his mentor suspected he could—to spread word about the atrocities?
Jim Shepard has masterfully made this child’s-eye view of the darkest history mesmerizing, sometimes comic despite all odds, truly heartbreaking, and even inspiring. Anyone who hears Aron’s voice will remember it forever.
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Love and Hydrogen: New and Selected Stories
by Jim Shepard
I’ve been a problem baby, a lousy son, a distant brother, an off-putting neighbor, a piss-poor student, a worrisome seatmate, an unreliable employee, a bewildering lover, a frustrating confidante and a crappy husband. Among the things I do pretty well at this point I’d have to list darts, re-closing Stay-Fresh boxes, and staying out of the way.
This is the self-eulogy offered early on by the unwilling hero of the opening story in this collection, a dazzling array of work in short fiction from a master of the form. The stories in Love and Hydrogen—familiar to readers from publications ranging from McSweeney’s to The New Yorker to Harper’s to Tin House—encompass in theme and compassion what an ordinary writer would seem to need several lifetimes to imagine.
A frustrated wife makes use of an enterprising illegal-gun salesman to hold her husband hostage; two hapless adult-education students botch their attempts at rudimentary piano but succeed in a halting, awkward romance; a fascinated and murderous Creature welcomes the first human visitors to his Black Lagoon; and in the title story, the stupefyingly huge airship Hindenburg flies to its doom, representing in 1937 mankind's greatest yearning as well as its titanic failure.
Generous in scope and astonishing in ambition, Shepard’s voice never falters; the virtuosity of Love and Hydrogen cements his reputation as, in the words of Rick Bass, “a passionate writer with a razor-sharp wit and an elephantine heart”—in short, one of the most powerful talents at work today.
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Project X: A Novel
by Jim Shepard
In the wilderness of junior high, Edwin Hanratty is at the bottom of the food chain. His teachers find him a nuisance. His fellow students consider him prey. And although his parents are not oblivious to his troubles, they can't quite bring themselves to fathom the ruthless forces that demoralize him daily.
Sharing in these schoolyard indignities is his only friend, Flake. Branded together as misfits, their fury simmers quietly in the hallways, classrooms, and at home, until an unthinkable idea offers them a spectacular and terrifying release.
From Jim Shepard, one of the most enduring and influential novelists writing today, comes an unflinching look into the heart and soul of adolescence. Tender and horrifying, prescient and moving, Project X will not easily be forgotten.
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Invaders: 22 Tales from the Outer Limits of Literature
by W. P. Kinsella, Steven Millhauser, Jim Shepard
The invasion of the future has begun.
Literary legends including Steven Millhauser, Junot Diáz, Amiri Baraka, and Katharine Dunn have attacked the borders of the every day. Like time traveling mad-scientists, they have concocted outrageous creations from the future. They have seized upon tales of technology gone wrong and mandated that pulp fiction must finally grow up.
In these wildly-speculative stories you will discover the company that controls the world from an alley in Greenwich Village. You’ll find nanotechnology that returns memories to the residents of a nursing home. You’ll rally an avian-like alien to become a mascot for a Major League Baseball team.
The Invaders are here. But did science fiction colonize them first?
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The Tunnel at the End of the Light: Essays on Movies and Politics
by Jim Shepard
"Shepard may be the best lesser-known film critic." ―The New York Times Book Review
The first book of nonfiction from one of our great fiction writers.
Given that most Americans proudly consider themselves non-political, where do our notions of collective responsibility come from? Which self-deceptions, when considering ourselves as actors on the world stage, do we cling to most tenaciously? Why do we so stubbornly believe, for example, that our country always means well when intervening abroad?
The Tunnel at the End of the Light argues that some of our most persistent and destructive assumptions, in that regard, might come from the movies. In these ten essays Jim Shepard weaves close readings of film with cultural criticism to explore the ways in which movies work so ubiquitously to reflect how Americans think and act. Whether assessing the “high-spirited glee of American ruthlessness” captured in GoodFellas, or finding in Lawrence of Arabia a “portrait of the lunatic serenity of our leaders’ conviction in the face of all evidence and their own lack of knowledge,” he explores how we enter into conversations with specific genres and films―Chinatown, The Third Man, and Badlands among others―in order to construct and refine our most cherished illusions about ourselves.
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The Queen of Bad Influences: Stories
by Jim Shepard
Twelve compressed masterworks from this great American writer of catastrophe fiction, in which lives are upended as much by broken hearts as by collapsing dams, hideously mismanaged wars, gargantuan wildfires, and apocalyptic storms
“Jim Shepard is a fantastic writer—compassionate, funny, and fearless—[whose work] does what great writing always does: inspires us to look more closely at life, and be more caring.” —George Saunders
"A deft, audacious artist." —Norman Rush, National Book Award-winning author of Mating
In Richard Ford’s view, Jim Shepard’s “talent is so various and canny he can write about seemingly anything and make it thrilling to us,” and in these stories spanning six centuries we find viscerally evoked worlds as wildly diverse as a mercenary’s corner of 16th century Madrid, a young apprentice’s pre-Revolutionary Boston, and Edward Hyde’s London. With civil engineers and destitute veterans we encounter the devastating 1935 Labor Day hurricane in Florida, and we read the 1864 letters between Lucy in Boon, North Carolina (“Three privates are currently sleeping soundly on our porch in their muddy blankets”) and her great love, William, on the march in Tennessee (“I can’t write much for it seems we are looking for a fight every minute”), while the title story introduces us to the stubborn Constance, who had “no gift for flirtation” with men, preferring Minna, her best friend and “queen of bad influences,” as their vexed devotion unfolds in part on the liner Lusitania.
With irony, compassion, and withering humor, these stories evoke the terrible ease with which cataclysm, human-engineered or otherwise, can sweep away all we find most precious, and expose those limitations we’ve refused to address. At the same time, Shepard celebrates what is best in us: the love and friendships we sustain, and the passions and grace we grant one another.
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$30.00