Books by Jim Thompson

The Nothing Man (Mulholland Classic)

by Jim Thompson

War changed Clinton Brown. Permanently disfigured by a tragic military accident, he's struggling to find satisfaction from life as a rewrite man for Pacific City's Courier. Shame has led him to isolate himself from closest friends and even his estranged, still faithfully devoted wife, Ellen. Only the bottle keeps him company.

But now Ellen has returned to Pacific City, and she's ready to do whatever it takes to get Brown back. Even if it means exposing his deepest secret ... a painful truth Brown would do anything to stop from coming to light. He'd kill a whole lot of people just to keep this one thing quiet--and soon enough, the bodies just happen to start piling up around him...

THE NOTHING MAN is Thompson at his most psychologically astute, in a deeply suspenseful and tragic portrait of one man's journey through the dark side of the Postwar Boom.

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South of Heaven

by Jim Thompson

In the 1920s the worst place you could be was in that part of Texas that some people call "South of Heaven," and the worst thing you could be doing there was laying a gas pipeline, along with six-hundred other hoboes, juice-heads, and jailbirds. But that's exactly what Tommy Burwell was doing, even though he wasn't smart enough to know better. Even though "South of Heaven" is another term for hell.

Combining a tale of escalating savagery with a dead-eyed group portrait of men at the edge, Jim Thompson has produced a masterpiece of the American dissolute.

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The Getaway

by Jeff Kinney, Lamar Giles, Jim Thompson

Doc McCoy knows everything there is to know about pulling off the perfect bank job. But there are some things he has forgotten--such as a partner who is not only treacherous but insane and a wife who is still an amateur. Worst of all, McCoy has forgotten that when the crime is big and bloody enough, there is no such thing as a clean getaway.

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The Getaway

by Jeff Kinney, Lamar Giles, Jim Thompson

“Timely, thrilling, and gripping from start to finish. An absolute page-turner.” --Karen M. McManus, #1 New York Times bestselling author of One of Us Is Lying

Jay is living his best life at Karloff Country, one of the world’s most famous resorts. He’s got his family, his crew, and an incredible after-school job at the property’s main theme park. Life isn’t so great for the rest of the world, but when people come here to vacation, it’s to get away from all that.

As things outside get worse, trouble starts seeping into Karloff. First, Jay’s friend Connie and her family disappear in the middle of the night and no one will talk about it. Then the richest and most powerful families start arriving, only... they aren’t leaving. Unknown to the employees, the resort has been selling shares in an end-of-the-world oasis. The best of the best at the end of days. And in order to deliver the top-notch customer service the wealthy clientele paid for, the employees will be at their total beck and call.

Whether they like it or not.

Yet Karloff Country didn’t count on Jay and his crew--and just how far they’ll go to find out the truth and save themselves. But what’s more dangerous: the monster you know in your home or the unknown nightmare outside the walls?

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The Getaway

by Jeff Kinney, Lamar Giles, Jim Thompson

This edition of Diary of a Wimpy Kid Getaway can longer be ordered. Please go to https://www.amazon.com/The-Getaway/dp/1419741985/ref=sr_1_1?dchild=1&keywords=9781419741982&qid=1596742875&s=books&sr=1-1 to order this title.

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The Getaway

by Jeff Kinney, Lamar Giles, Jim Thompson

"Timely, thrilling, and gripping from start to finish. An absolute page-turner." -- Karen M. McManus, #1 New York Times bestselling author of One of Us Is Lying

Jay is living his best life at Karloff Country, one of the world's most famous resorts. He's got his family, his crew, and an incredible after-school job at the property's main theme park. Life isn't so great for the rest of the world, but when people come here to vacation, it's to get away from all that.

As things outside get worse, trouble starts seeping into Karloff. First, Jay's friend Connie and her family disappear in the middle of the night and no one will talk about it. Then the richest and most powerful families start arriving, only... they aren't leaving. Unknown to the employees, the resort has been selling shares in an end-of-the-world oasis. The best of the best at the end of days. And in order to deliver the top-notch customer service the wealthy clientele paid for, the employees will be at their total beck and call.

Whether they like it or not.

Yet Karloff Country didn't count on Jay and his crew -- and just how far they'll go to find out the truth and save themselves. But what's more dangerous: the monster you know in your home or the unknown nightmare outside the walls?

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The Getaway

by Jeff Kinney, Lamar Giles, Jim Thompson

Doc McCoy is the most skilled criminal alive. But when for the first time in Doc's long criminal career, his shot doesn't hit the mark, everything begins to fall apart. And Doc begins to realize that the perfect bank robbery isn't complete without the perfect getaway to back it up.

THE GETAWAY is the classic story of a bank robbery gone horribly wrong, where the smallest mistakes have catastrophic consequences, and shifting loyalties lead to betrayals and chaos. The basis for the classic Steve McQueen film of the same name, as well as a 1994 remake with Alec Baldwin, Thompson's novel set the bar for every heist story that followed--but as Thompson's proved time and again, nobody's ever done it better than the master.

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Pop. 1280

by Jim Thompson

As high sheriff of Potts County, Nick Corey spends most of his time eating, sleeping and avoiding trouble. If only people--especially some troublesome pimps, his foul-tempered wife, and his half-witted brother-in-law--would stop pushing him around. Because when Nick is pushed, he begins to kill . . . or to make others do his killing for him!

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The Killer Inside Me

by Jim Thompson

Lou Ford is the deputy sheriff of a small town in Texas. The worst thing most people can say against him is that he's a little slow and a little boring. But, then, most people don't know about the sickness--the sickness that almost got Lou put away when he was younger. The sickness that is about to surface again.

An underground classic since its publication in 1952, The Killer Inside Me is the book that made Jim Thompson's name synonymous with the roman noir.

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Bad Boy (Mulholland Classic)

by Jim Thompson

From the beginning, Jim Thompson knew he was going to catch hell no matter what he did. And during a childhood spent at the mercy of a father whose schemes put him on the wrong side of the law as often as the right, and a grandfather who knew the bad parts of town like the back of his hand, young Jim learned sin better than any writer had before.

From his rabble-rousing adolescencein the American Midwest, to wasted teenage years in the seedy underbelly of the hotel industry, to Thompson's chilling encounter with the real-life inspiration of THE KILLER INSIDE ME, BAD BOY offers a fascinating glimpse at the formative years of the man who would become one of the most famous authors of modern American Noir, in the autobiography-as-novel that follows the birth of the legend himself in the signature style Thompson made famous.

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After Dark, My Sweet (Mulholland Classic)

by Jim Thompson

A classic crime novel about a kidnapping scheme gone wrong from Jim Thompson's, America's "Dimestore Dostoevsky."

William "Kid" Collins was once a respected boxer. Now he's a drifter, on the run after escaping from a mental institution.

One afternoon he meets Fay, a beautiful young widow. She is smart and decent — at least when she's sober. Soon Collins finds himself involved in a kidnapping scheme that goes drastically wrong almost before it even begins. Because the kid they've picked up isn't like other kids: he's diabetic and without insulin, he'll die. Not the safest situation for Collins, a man for whom stress and violence have long gone hand-in-hand.

After Dark, My Sweet once again displays Jim Thompson as the undisputed master of American noir. The basis of James Foley's critically acclaimed film of the same name, with the sweep of an epic tragedy, Thompson's classic limns the dangerous territory of honest people all-too-easily sucked into wickedness, with no way out but down.

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Grifters (Mulholland Classic)

by Jim Thompson

Jim Thompson's classic The Grifters is one of the best novels ever written about the art of the con, an ingeniously crafted story of deception and betrayal that was the basis for the critically acclaimed film by Stephen Frears and Martin Scorcese.

To his friends, to his coworkers, and even to his mistress Moira, Roy Dillon is an honest hardworking salesman. He lives in a cheap hotel just within his pay bracket. He goes to work every day. He has hundreds of friends and associates who could attest to his good character.

Yet, hidden behind three gaudy clown paintings in Roy's pallid hotel room, sits fifty-two thousand dollars — the money Roy makes from his short cons, his "grifting." For years, Roy has effortlessly maintained control over his house-of-cards life — until the simplest con goes wrong, and he finds himself critically injured and at the mercy of the most dangerous woman he ever met: his own mother.

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Pop. 1280 (Mulholland Classic)

by Jim Thompson

Nick Corey is a terrible sheriff on purpose. He doesn't solve problems, enforce rules or arrest criminals. He knows that nobody in tiny Potts County actually wants to follow the law and he is perfectly content lazing about, eating five meals a day, and sleeping with all the eligible women.

Still, Nick has some very complex problems to deal with. Two local pimps have been sassing him, ruining his already tattered reputation. His girlfriend Rose is being terrorized by her husband. And then, there's his wife and her brother Lenny who won't stop troubling Nick's already stressed mind. Are they a little too close for a brother and a sister?

With an election coming up, Nick needs to fix his problems and fast. Because the one thing Nick does know is that he will do anything to stay sheriff. Because, as it turns out, Sheriff Nick Corey is not nearly as dumb as he seems.

In Pop. 1280, widely regarded as a classic of mid-20th century crime, Thompson offers up one of his best, in a tale of lust, murder, and betrayal in the Deep South that was the basis for the critically acclaimed French film Coup de Torchon.

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A Hell of a Woman (Mulholland Classic)

by Jim Thompson

Frank "Dolly" Dillon has a job he hates, working sales and collections for Pay-E-Zee Stores, a wife named Joyce he can't stand, and an account balance that barely allows him to pay the bills each month. Working door-to-door one day, trying to eke money out of folk with even less of it than he has, Dolly crosses paths with a beautiful young woman named Mona Farrell. Mona's being forced by her aunt to do things she doesn't like, with men she doesn't know -- she wants out, any way she can get it. And to a man who wants nothing of what he has, Mona sure looks like something he actually does.

Soon Dolly and Mona find themselves involved in a scheme of robbery, murder and mayhem that makes Dolly's blood run cold. As Dolly's plans begin to unravel, his mind soon follows.

In A Hell of a Woman, Jim Thompson offers another arresting portrait of a deviant mind, in an ambitious crime novel that ranks among his best work.

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Savage Night (Mulholland Classic)

by Jim Thompson

Jake Winroy had no looks, no education, and little else before he'd worked his way to the top of a million-dollar-a-month horse-betting ring. But when the state's latched onto his game, the feds take a bite and the lawyer fees eat away at the rest, all Jake's got left is the bottle and a beautiful wife whose every word is ugly.

Jake's to be the top witness in a major case against organized crime -- if he hasn't already kicked the bucket before the trial has its day in court. But an enigmatic mafioso known only as The Man has a plan to make dead certain Jake never gets the chance to testify.

The Man's hired Charlie "Little" Bigger, a hit man barely five feet tall, to infiltrate the Winroy residence as a tenant and murder Winroy in cold blood. To Little, it seems like the easiest job on Earth. Until he lays eyes on the beautiful and dangerous Fay and the Winroy's young housemaid Ruth, a woman as sensual as she is vulnerable. Savage Night is Jim Thompson at his most unpredictable and deeply suspenseful, in a claustrophobic thriller of one man's fractured mind.

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Nothing More than Murder (Mulholland Classic)

by Jim Thompson

Joe Wilmot can't stand his wife Elizabeth. But he sure loves her movie theater. It's a modest establishment in a beat-down town--but Joe has the run of the place, and inside its walls, he's king. Without the theater, he'd be sunk. Without his leadership, the theater would close in a heartbeat. If it isn't the life Joe imagined for himself, at the very least, it's livable.

Everything changes when Joe falls for the housemaid Carol, and the two can't keep it a secret from Elizabeth. Elizabeth won't leave Joe the theater unless he provides for her...but he's put all his money into the show house.

Carol and Joe's only hope is the life insurance policies they've taken out on each other. If one of them were to be presumed dead, they'd have more than enough money to solve all their problems...

No one knows murder better than Jim Thompson and in this incisive foray into the dark dealings of the mid-20th century movie industry, he doesn't disappoint, in the riveting story of a love triangle gone horribly wrong, and just how far one man will go to hold on to a desperate dream.

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Killer Inside Me (Mulholland Classic)

by Jim Thompson

In The Killer Inside Me, America's "Dimestore Dostoevsky" Jim Thompson goes where few novelists have dared to go, giving us a pitch-black glimpse into the mind of the American Serial Killer years before Charles Manson and Brett Easton Ellis's American Psycho, in the novel that will forever be known as the master performance of one of the greatest crime novelists of all time.

Everyone in the small town of Central City, Texas loves Lou Ford. A deputy sheriff, Lou's known to the small-time criminals, the real-estate entrepreneurs, and all of his coworkers — the low-lifes, the big-timers, and everyone in-between — as the nicest guy around. He may not be the brightest or the most interesting man in town, but nevertheless, he's the kind of officer you're happy to have keeping your streets safe. The sort of man you might even wish your daughter would end up with someday.

But behind the platitudes and glad-handing lurks a monster the likes of which few have seen. An urge that has already claimed multiple lives, and cost Lou his brother Mike, a self-sacrificing construction worker fell to his death on the job in what was anything but an accident. A murder that Lou is determined to avenge — and if innocent people have to die in the process, well, that's perfectly all right with him.

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Jim Thompson's The Killer Inside Me

by Jim Thompson

Celebrated crime novelist Jim Thompson's sinewy, brutal, and beloved novel comes to life in this graphic noir novel!

In THE KILLER INSIDE ME, Thompson went where few have dared, giving us a pitch-black glimpse into the evil mind of the American serial killer years before Charles Manson, John Wayne Gacy, and Brett Easton Ellis's American Psycho. Thompson’s novel will forever be known as the masterwork of the greatest crime novelist of all time.

Lou Ford is the deputy sheriff of a small unsuspecting Texas town. The worst thing most people can say against him is that he's a little slow and a little boring. But most people don't know about the sickness—the sickness that almost got Lou put away when he was younger—the psychosis that is about to surface again.

Introduction by Stephen King.

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Crime Novels: American Noir of the 1950s: The Killer Inside Me / The Talented Mr. Ripley / Pick-up / Down There / The Real Cool Killers (Library of America)

by Jim Thompson, Patricia Highsmith, Charles Willeford, David Goodis, Robert Polito, Chester Himes

This adventurous two-volume collection presents a rich vein of modern American writing too often neglected in mainstream literary histories. Evolving out of the terse and violent hardboiled style of the pulp magazines, noir fiction expanded over the decades into a varied and innovative body of writing. Tapping deep roots in the American literary imagination, the novels in this volume explore themes of crime, guilt, deception, obsessive passion, murder, and the disintegrating psyche. With visionary and often subversive force they create a dark and violent mythology out of the most commonplace elements of modern life. The raw power of their vernacular style has profoundly influenced contemporary American culture and writing.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Jim Thompson: Five Noir Novels of the 1950s & 60s (#399) A Hell of a Woman / After Dark, My Sweet / The Getaway / The Grifters / Pop. 1280

by Jim Thompson

A straight flush of 5 noir masterworks by America’s “Dimestore Dostoevsky”—the crime fiction legend who revolutionized the genre with his experimental style.

"My favorite crime novelist—often imitated but never duplicated." —Stephen King


Here in one deluxe clothbound volume are five chilling crime classics from the writer who blew the top off the conformity of postwar American life in novels of shocking violence and stunning psychological depth. His experimental style was as shattering as his dark stories, infusing the pulp crime novel with the energies of underground writers like William Burroughs and Hubert Selby. Already represented in the Library of America’s American Noir collection with The Killer Inside Me, Thompson now joins the masters of American crime fiction featured in the series with this volume collecting five of his best novels:

  • A Hell of a Woman (1954), a haunting, mesmerizing portrait of a mind unraveling under the weight of abuse endured and inflicted
  • After Dark, My Sweet (1955), a sucker punch of a story about an ex-fighter who gets involved in a kidnapping scheme that goes catastrophically awry
  • The Getaway (1959), about a bank heist that leads to a descent into a hell worthy of Dante or Bosch
  • The Grifters (1963) a taut drama that sets a master of the short-con on a collision course with the one person he can’t fool: his mother
  • Pop. 1280 (1964), which unleashes a dangerously messianic sheriff on a small southern town.

Vividly cinematic, all five novels in this collection have been adapted for film, one of them twice. Rounding out this deluxe edition is a selection of Thompson’s early shorter works, including experimental nonfiction for the Federal Writers’ Project. At last, “the best suspense writer going, bar none,” (The New York Times) gets his due.

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