Books by John Ashbery
Where Shall I Wander: New Poems
by John Ashbery
A masterful collection from “the grand old man of American poetry” (New York Times)
You meant more than life to me. I lived through
you not knowing, not knowing I was living.
I learned that you called for me. I came to where
you were living, up a stair. There was no one there.
No one to appreciate me. The legality of it
upset a chair. Many times to celebrate
we were called together and where
we had been there was nothing there,
nothing that is anywhere. We passed obliquely,
leaving no stare. When the sun was done muttering,
in an optimistic way, it was time to leave that there.
--from “The New Higher”
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Where Shall I Wander: New Poems
by John Ashbery
A masterful collection from “the grand old man of American poetry” (New York Times)
You meant more than life to me. I lived through
you not knowing, not knowing I was living.
I learned that you called for me. I came to where
you were living, up a stair. There was no one there.
No one to appreciate me. The legality of it
upset a chair. Many times to celebrate
we were called together and where
we had been there was nothing there,
nothing that is anywhere. We passed obliquely,
leaving no stare. When the sun was done muttering,
in an optimistic way, it was time to leave that there.
--from “The New Higher”
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No copies available.
Chinese Whispers: Poems
by John Ashbery
Chinese Whispers is the British name of a game called Telephone in America. According to a certain "Professor Hoffmann" in his book Drawing Room Amusements (1879), "the participants are arranged in a circle, and the first player whispers a story or message to the next player, and so on round the circle. The original story is then compared with the final version, which has often changed beyond recognition."
"Chinese Whispers" is also the superb title poem in this new collection of sixty-three poems by John Ashbery. In these works, as perhaps in much poetry, the verbal nucleus that is the original incitement toward a poem undergoes twists and modulations before arriving at its final form. The changes are caused not by careless listening to the speech of others, but by endlessly proliferating trains of ideas that a single word or phrase ignites in the poet's mind. These alter the face of the poem even as they contribute to it and become part of its fabric. As in a sea change the poem has been transformed, often into "something rich and strange," but the strangeness is that of thought being opened up, like a geode, to reveal unexpected facets of meaning.
John Ashbery has been called "America's greatest living poet" by Harold Bloom. Now in his seventy-fifth year, he continues to write poetry that is dazzlingly inventive and original.
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Louisa Matthiasdottir
by John Ashbery, Jed Perl, Martica Sawin, Lance Esplund, Vigdis Finnbagottir
The artist's dazzling landscapes, still lifes, and self-portraits are a defining achievement of postwar American art, uniting bold colour, spare geometric composition, and naturalistic observation. Matthiasdottir returned regularly to her native Iceland, the subject of much of her work.
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Planisphere: New Poems
by John Ashbery
“Ashbery is a national treasure.”
—New York Times Book Review
The poetry of John Ashbery has been awarded virtually every conceivable literary prize including the National Book Award, the Pulitzer Prize, the Griffin, and the National Book Critics Circle Award. Planisphere is a new collection by one of America’s most innovative and influential poets—an exceptional artist whose work stands alongside the finest of Whitman, Dickinson, Stevens, and Hart Crane. For more than half a century Ashbery has been producing timeless works such as Chinese Whispers, Hotel Lautréamont, A Wave, Self-Portrait in a Convex Mirror, and Where Shall I Wander. Planisphere is proof that the master only improves with age.
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Planisphere: New Poems
by John Ashbery
“Ashbery is a national treasure.”
—New York Times Book Review
The poetry of John Ashbery has been awarded virtually every conceivable literary prize including the National Book Award, the Pulitzer Prize, the Griffin, and the National Book Critics Circle Award. Planisphere is a new collection by one of America’s most innovative and influential poets—an exceptional artist whose work stands alongside the finest of Whitman, Dickinson, Stevens, and Hart Crane. For more than half a century Ashbery has been producing timeless works such as Chinese Whispers, Hotel Lautréamont, A Wave, Self-Portrait in a Convex Mirror, and Where Shall I Wander. Planisphere is proof that the master only improves with age.
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Commotion of the Birds: New Poems
by John Ashbery
A crackling, moving new collection from one of America’s greatest living poets.
In over twenty-six original books, the poems of John Ashbery have long served as signposts guiding us through the delights, woes, hypocrisies, and uncertainties of living in the modern world. With language harvested from everyday speech, fragments of pop culture, objects and figures borrowed from art and literature, his work makes light out of darkness, playing with tone and style to show how even the seemingly frivolous stuff of existence can be employed to express the deepest levels of feeling.
Commotion of the Birds showcases once again Ashbery’s mastery of a staggering range of voices and his singular lyric agility: wry, frank, contemplative, resigned, bemused, and ecstatic. The poet in this new collection is at once removed from and immersed in the terrain of his examination. Disarmingly conversational, he invites the reader to join him in looking out onto the future with humor, curiosity, and insight. The lines of these poems achieve a low-humming, thrilling point of vibration, a jostling of feathers before flight.
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Commotion of the Birds: New Poems
by John Ashbery
A moving new collection from one of America’s greatest poets, now in paperback.
For more than sixty years, the poems of John Ashbery have served as signposts guiding us through the delights, woes, hypocrisies, and uncertainties of living in the modern world. With language harvested from everyday speech, fragments of pop culture, and objects and figures borrowed from art and literature, his work makes light out of darkness, playing with tone and style to show how even the seemingly frivolous stuff of existence can be employed to express the deepest levels of feeling.
Commotion of the Birds, his twenty-seventh collection, once again showcases Ashbery’s mastery of a staggering range of voices and his singular lyric agility: wry, frank, contemplative, resigned, bemused, and ecstatic. The poet in this new collection is at once removed from and immersed in the terrain of his examination. Disarmingly conversational, he invites the reader to join him in looking out onto the future with humor, curiosity, and insight. The lines of these poems achieve a low-humming, thrilling point of vibration, a jostling of feathers before flight.
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Notes from the Air: Selected Later Poems
by John Ashbery
Winner of the 2008 Griffin International Poetry Prize
His long-awaited volume, a new selection of his later poems, spans ten major collections by one of America's most visionary and influential poets. Chosen by the author himself, the poems in Notes from the Air represent John Ashbery's best work from the past two decades, from the critically acclaimed April Galleons and Flow Chart to the 2005 National Book Award finalist Where Shall I Wander.
While Ashbery has long been considered a powerful force in twentieth-century culture, Notes from the Air demonstrates clearly how important and relevant his writing continues to be, well into the twenty-first century. Many of the books from which these poems are drawn are regularly taught in university classrooms across the country, and critics and scholars vigorously debate his newest works as well as his classics. He has already published four major books since the turn of the new millennium, and, although 2007 marks his eightieth birthday, this legendary literary figure continues to write fresh, new, and vibrant poetry that remains as stimulating, provocative, and controversial as ever.
Notes from the Air reveals, for the first time in one volume, the remarkable evolution of Ashbery's poetry from the mid-1980s into the new century, and offers an irresistible sampling of some of the finest work by this "national treasure."
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Breezeway: New Poems
by John Ashbery
A bold, striking new collection of poems from one of America’s most influential and inventive poets.
With more than twenty poetry collections to his name, John Ashbery is one of our most agile, philosophically complex, and visionary poets. In Breezeway, Ashbery’s powers of observation are at their most astute; his insight at its most penetrating. Demonstrating his extraordinary command of language and his ability to move fluidly and elegantly between wide-ranging thoughts and ideas—from the irreverent and slyly humorous to the tender, the sad, and the heartbreaking—Ashbery shows that he is a virtuoso fluent in diverse styles and tones of language, from the chatty and whimsical to the lyrical and urbane. Filled with allusions to literature and art, as well as to the absurdities and delights of the everyday world around us, Ashbery’s poems are haunting, surprising, hilarious, and knowing all at once, the work of a master craftsman with a keen understanding of the age in which he lives and writes, an age whose fears and fragmentation he conjures and critiques with humor, pathos, and a provocative wit.
Vital and imaginative, Ashbery’s poems not only touch on the “big questions” and crises of life in the twenty-first century, but also delicately capture the small moments between and among people. Imaginative, linguistically dazzling, and artistically ambitious, Breezeway is John Ashbery’s sharpest and most arresting collection yet.
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Quick Question: New Poems
by John Ashbery
Hailed by Harold Bloom as "America’s greatest living poet," John Ashbery has won every major American literary award for his poetry, including the Pulitzer Prize, the National Book Award, the Griffin Poetry Prize, and the National Book Critics Circle Award. A beloved and gifted artist, Ashbery takes his place beside Whitman, Dickinson, Stevens, and Hart Crane in the canon of great American poets. With Quick Question, a new collection of poems published in time for his 85th birthday, John Ashbery proves that his creative power has only grown stronger with age.
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Quick Question: New Poems
by John Ashbery
Hailed by Harold Bloom as "America’s greatest living poet," John Ashbery has won every major American literary award for his poetry, including the Pulitzer Prize, the National Book Award, the Griffin Poetry Prize, and the National Book Critics Circle Award. A beloved and gifted artist, Ashbery takes his place beside Whitman, Dickinson, Stevens, and Hart Crane in the canon of great American poets. With Quick Question, a new collection of poems published in time for his 85th birthday, John Ashbery proves that his creative power has only grown stronger with age.
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Parallel Movement of the Hands: Five Unfinished Longer Works
by John Ashbery
A stunning collection of work from beloved poet John Ashbery, his first posthumous book
Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, from children’s literature, cliffhanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny to the history of early photography. Ashbery even provides a fresh and humorous take on a well-worn parable from the Gospel of Matthew. These works demonstrate that while producing and publishing the shorter, discrete poems often associated with his late career, Ashbery continued to practice the long-form, project-based writing that has long been an important element of his oeuvre.
Edited and introduced by Ashbery’s former assistant poet Emily Skillings and including a preface by acclaimed poet and novelist Ben Lerner, this compelling and varied collection offers new insights into the process and creative interests of a poet whose work continues to influence generations of artists and poets with its signature intertextuality, openness, and simultaneity. A landmark publication of never-before-seen works, this book will enlighten scholars as well as new readers of one of America’s most prominent and celebrated poets.
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No copies available.
Parallel Movement of the Hands: Five Unfinished Longer Works
by John Ashbery
A stunning collection of work from beloved poet John Ashbery, his first posthumous book
Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, from children’s literature, cliffhanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny to the history of early photography. Ashbery even provides a fresh and humorous take on a well-worn parable from the Gospel of Matthew. These works demonstrate that while producing and publishing the shorter, discrete poems often associated with his late career, Ashbery continued to practice the long-form, project-based writing that has long been an important element of his oeuvre.
Edited and introduced by Ashbery’s former assistant poet Emily Skillings and including a preface by acclaimed poet and novelist Ben Lerner, this compelling and varied collection offers new insights into the process and creative interests of a poet whose work continues to influence generations of artists and poets with its signature intertextuality, openness, and simultaneity. A landmark publication of never-before-seen works, this book will enlighten scholars as well as new readers of one of America’s most prominent and celebrated poets.
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Collected French Translations: Poetry
by John Ashbery
An essential, vibrant collection of masterful translations by one of the finest poets at work today
Collected French Translations: Poetry,half of a long-awaited two-volume collection of translations by America's foremost living poet, surveys John Ashbery's lifelong love of French poetry. Beginning in 1955, Ashbery spent nearly a decade in France, working as an art critic in Paris and forming a relationship with the poet Pierre Martory. His translations of Martory's poems, featured here, were collected in The Landscapist, a Poetry Book Society Recommended Translation in 2008 and a finalist for the National Book Critics Circle Award in poetry.
In this volume, Ashbery presents a wide selection of France's finest poets: Charles Baudelaire, Stéphane Mallarmé, Arthur Rimbaud, Max Jacob, Pierre Reverdy, Paul Éluard, and its greatest living poet, Yves Bonnefoy. A rich array of 171 poems by twenty-four poets, this bilingual volume also features a selection from Ashbery's masterly translation of Rimbaud's Illuminations. The development of modern French poetry emerges through Ashbery's chronology, as does the depth of French influences on his iconoclastic career and the poets of the New York School. Collected together for the first time, Ashbery's translations represent decades of remarkable work from the writer hailed by Harold Bloom as a part of the "American sequence that includes Whitman, Dickinson, Stevens, and Hart Crane."
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Selected Prose (Poets On Poetry)
by John Ashbery
"By the end of the book, Ashbery has laid out not only a course in contemporary poetics but a portrait of the artist teaching himself to become a thoroughly Modernist poet---in small bites, easy to savor, easy to digest."
---Los Angeles Times Book Review
"This is a marvelous book by one of our greatest poets. Reading John Ashbery's Selected Prose is like listening to a brilliant talker who not only keeps us entertained and laughing, but who also has wise things to say about all sorts of interesting subjects."
---Charles Simic
"At last! Many of the fugitive pieces collected in this volume---on Gertude Stein, on Frank O'Hara, on Marianne Moore or Adrienne Rich---published as many of them were in out-of-the way places, have already become collectors' items, providing fascinating---and often startling--- assessments of their subjects as well as new insight into Ashbery himself. Now here they are between two covers, along with many hitherto unknown pieces on subjects ranging from Michel Butor to Mary Butts, Jane Freilicher to Mark Ford. For anyone who cares about the contemporary poetry/art scene, this is an indispensable collection."
---Marjorie Perloff, Stanford University
Selected Prose contains a broad selection of texts by internationally acclaimed poet and critic John Ashbery. This third collection of Ashbery's critical writings dramatically expands the terrain covered by the first two, Reported Sightings: Art Chronicles 1957-1987 and Other Traditions (first presented as the Norton Lectures at Harvard). These essays on writers, artists, filmmakers and the life of a poet provide insight into Ashbery's evolution as one of the major poets in English. Ashbery's criticism is as essential to the cultural history of the twentieth century as was that of T.S. Eliot and W.H. Auden. His unique sensibility has had a profound impact on the literature and arts of our time, and his influence is certain to be felt for decades to come. Editor Eugene Richie's introduction provides a meaningful context for fifty years' worth of critical and creative prose by one of America's finest poets.
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No copies available.
Selected Prose (Poets On Poetry)
by John Ashbery
"By the end of the book, Ashbery has laid out not only a course in contemporary poetics but a portrait of the artist teaching himself to become a thoroughly Modernist poet---in small bites, easy to savor, easy to digest."
---Los Angeles Times Book Review
"This is a marvelous book by one of our greatest poets. Reading John Ashbery's Selected Prose is like listening to a brilliant talker who not only keeps us entertained and laughing, but who also has wise things to say about all sorts of interesting subjects."
---Charles Simic
"At last! Many of the fugitive pieces collected in this volume---on Gertude Stein, on Frank O'Hara, on Marianne Moore or Adrienne Rich---published as many of them were in out-of-the way places, have already become collectors' items, providing fascinating---and often startling--- assessments of their subjects as well as new insight into Ashbery himself. Now here they are between two covers, along with many hitherto unknown pieces on subjects ranging from Michel Butor to Mary Butts, Jane Freilicher to Mark Ford. For anyone who cares about the contemporary poetry/art scene, this is an indispensable collection."
---Marjorie Perloff, Stanford University
Selected Prose contains a broad selection of texts by internationally acclaimed poet and critic John Ashbery. This third collection of Ashbery's critical writings dramatically expands the terrain covered by the first two, Reported Sightings: Art Chronicles 1957-1987 and Other Traditions (first presented as the Norton Lectures at Harvard). These essays on writers, artists, filmmakers and the life of a poet provide insight into Ashbery's evolution as one of the major poets in English. Ashbery's criticism is as essential to the cultural history of the twentieth century as was that of T.S. Eliot and W.H. Auden. His unique sensibility has had a profound impact on the literature and arts of our time, and his influence is certain to be felt for decades to come. Editor Eugene Richie's introduction provides a meaningful context for fifty years' worth of critical and creative prose by one of America's finest poets.
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Other Traditions (The Charles Eliot Norton Lectures)
by John Ashbery
John Ashbery Appraises The Lesser-known Poets Who Shaped His Own Confounding, Infinitely Inventive Work. In Lectures On John Clare, Thomas Lovell Beddoes, Raymond Roussel, John Wheelwright, Laura Riding, And David Schubert, Ashbery Shows How These Writers Shaped Both His Own Poetics And The Broader Trajectory Of Twentieth-century Literature-- Provided By Publisher.
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$22.95
The Tennis Court Oath: A Book of Poems (Wesleyan Poetry Program)
by John Ashbery
Still a touchstone of contemporary avant-garde poetry today, this 35th anniversary edition of John Ashbery's second book celebrates an American poet who has won a Pulitzer Prize, a National Book Award, and a National Book Critics Circle Award.
John Ashbery writes like no one else among contemporary American poets. In the construction of his intricate patterns, he uses words much as the contemporary painter uses form and color- words painstakingly chosen as conveyors of precise meaning, not as representations of sound. These linked in unexpected juxtapositions, at first glance unrelated and even anarchic, in the end create by their clashing interplay a structure of dazzling brilliance and strong emotional impact. From this preoccupation arises a poetry that passes beyond conventional limits into a highly individual realm of effectiveness, one that may be roughly likened to the visual world of Surrealist painting. Some will find Mr. Ashbery's work difficult, even forbidding; but those who are sensitive to new directions in ideas and the arts will discover here much to quicken and delight them.
A 35th anniversary edition of classic work from a celebrated American poet who has received the Pulitzer Prize, the national Book Award, and the national Book Critics Circle Award. John Ashbery's second book, The Tennis Court Oaths, first published by Wesleyan in 1962, remains a touchstone of contemporary avant-garde poetry.
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John Ashbery: They Knew What They Wanted: Collages and Poems
by John Ashbery
Widely considered the most important poet in America today, John Ashbery creates collage both in his poetry and as visual art. This beautiful volume features Ashbery’s collage work in both media.
John Ashbery is known foremost as a poet, but he has been creating collages for nearly as long as he’s been writing poetry. He began working in the medium when he was an undergraduate at Harvard, more than seventy years ago. Now, for the first time ever, this volume compiles a comprehensive selection of Ashbery’s collage work, accompanied by a selection of collage-related poems. Like his poetry, Ashbery’s collage work combines art historical and pop culture references, creating often humorous juxtapositions.
Ashbery’s approach to poetry and collage is quite similar and here, in an extensive interview with poet, critic, and longtime friend John Yau, Ashbery delves into his creative process and the parallels between creating in the two media.
The subtitle They Knew What They Wanted is taken from one of Ashbery’s collage-poems, which is featured in this volume along with many others. With about seventy-five collages, exploring how Ashbery’s visual art has evolved over the years, this book is a must-have for the many lovers of Ashbery’s poetry, and for all those wishing to learn more about his creative output.
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A Nest of Ninnies
by John Ashbery, James Schuyler
The Tosti sisters of Paris, France, have come to the small, upstate New York village of Kelton for a change of pace. But when the pair enters the lives of Alice, an unfulfilled cellist, her brother Marshall, and Fabia and Victor, another sister and brother who are as bumbling as they are overindulged, it is certain that Kelton will never again be the same unassuming place.
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John Ashbery: Collected Poems, 1956-1987 (Library of America, No. 187)
by John Ashbery
With this volume, published in 2008, John Ashbery became the first living poet to have his work collected in the Library of America series. Beginning with Some Trees in 1956, John Ashbery charted a profoundly original and individual course that has opened up pathways for subsequent generations of poets. At once hermetic and exuberantly curious, meditative and unnervingly funny, dreamlike and steeped in everyday realities, and alive to every nuance of American speech, these are poems that constantly discover new worlds within language. This first volume of the collected Ashbery includes the complete texts of his first twelve books, including such groundbreaking collections as Rivers and Mountains, Three Poems, Self-Portrait in a Convex Mirror (which won the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award in 1975), and Houseboat Days. It also features an unprecedented gathering of more than sixty previously uncollected poems written over a period of four decades, a rare treasure trove for poetry lovers. This volume is a landmark portrait of a modern master.
LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
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Something Close to Music: Late Art Writings, Poems, and Playlists (ekphrasis)
by John Ashbery
An intimate and unique collection of the work of John Ashbery—a prolific poet and art critic—pairing poetry and art writings with playlists of music from his personal library.
This book places poetry by Ashbery (1927–2017), gathered from his later collections, in conversation with a selection of contemporaneous art writing. In addition, as Ashbery loved music and listened to it while writing, the “playlists” here present samplings of music from these same years, culled from his own library of recordings.
Ashbery’s poetry is frequently described as ekphrastic, though, rather than writing a poem “based on” or “inspired” by the content of an artwork or piece of music, he engages with how the experience of seeing it and the artistic strategies employed offer ways of thinking about it and through it. Many observations from Ashbery’s art writing also provide keys to how we might read his poetry. Many recordings he listened to feature contemporary classical works that emphasize complex textures, disparate sounds, and disjunct phrases. Ashbery’s poetry similarly plays with a diversity of poetic textures and sudden turns such that a reader might construct multiple narratives or pathways of meaning. He rarely offers linear stories or focuses on evocative descriptions of a scene or object.
In exploring this ekphrastic book project, the reader is invited to discover how, for Ashbery, these three forms might illuminate and inform one another. In Mónica de la Torre’s introduction, she explores the connection between the three muses of music, art, and poetry, and the ekphrastic experience of reading Ashbery.
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Tin House Magazine: Summer Reading 2016: Vol. 17, No. 4 (Tin House Magazine, 68)
by John Ashbery, Josh Weil, Dorthe Nors
Whether on a picnic blanket or a porch swing, the fiction, nonfiction, and poetry in Tin House will help you while away the hours.
Tin House is your literary companion for the dog days of Summer. Whether on a picnic blanket or a porch swing, the fiction, nonfiction, and poetry in Tin House will help you while away the hours.
Featuring new work from Miller Oberman, Michael Dickman, and Malerie Willens.
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The Best American Poetry 1988: 30th Anniversary of the Debut Collection
A celebration of the first edition of Best American Poetry and a tribute to the late John Ashbery—the guest editor and one of the best American poets of all time—this thirtieth anniversary edition is a look back at the beginning of a renowned anthology series and an outstanding collection of poems.
In 1988, series editor David Lehman began an institution with the inaugural installment of Best American Poetry. Thirty years later, this anniversary edition celebrates its guest editor, the brilliant John Ashbery. Ashbery was a vastly-admired, highly decorated, and generative artist; The New Yorker noted that, however one interprets Ashbery, “An alternative view says that every Ashbery poem is about poetry.” How fitting that he worked with Lehman on the first Best American Poetry, which would go on to become nearly as admired and generative as Ashbery himself—and always a book of poetry about poetry.
The Best American Poetry 1988 includes poems by Derek Walcott, Amy Gerstler, Donald Hall, Robert Pinsky, Ruth Stone, Ann Lauterbach, Seamus Heaney, and many more. With a Foreword by Lehman, in which he calls Ashbery “a poet’s poet’s poet,” and an Introduction by Ashbery, where he reflects that “life is what present American poetry gets to seem more like, and the more angles we choose to view it from, the more its amazing accidental abundance imposes itself,” this edition, with a new Preface from Lehman about how Best American Poetry has developed over the years, is a rewarding look back at the beginnings of the series.
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Some Trees
by John Ashbery
A capsule of the imaginative life of the individual, Some Trees is the 52nd volume of the Yale Series of Younger Poets
Comparing him to T. S. Eliot, Stephanie Burt writes that Ashbery is "the last figure whom half of the English-language poets alive thought a great model, and the other half thought incomprehensible." After the publication of Some Trees, selecting judge W. H. Auden famously confessed that he didn't understand a word of it. Most reviews were negative. But in this first book of poems from one of the century's most important poets, one finds the seeds of Ashbery's oeuvre, including the influence of French surrealists--many of whom he translated--and abstract expressionism.
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Self-Portrait in a Convex Mirror: Poems (Penguin Poets)
by John Ashbery
John Ashbery’s most renowned collection of poetry -- Winner of The Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award
First released in 1975, Self-Portrait in a Convex Mirror is today regarded as one of the most important collections of poetry published in the last fifty years. Not only in the title poem, which the critic John Russell called “one of the finest long poems of our period,” but throughout the entire volume, Ashbery reaffirms the poetic power that made him an outstanding figure in contemporary literature. These are poems “of breathtaking freshness and adventure in which dazzling orchestrations of language open up whole areas of consciousness no other American poet as ever begun to explore” (The New York Times).
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Collected French Translations: Prose
by John Ashbery
An essential, vibrant collection of masterful translations by one of the finest poets at work today
Collected French Translations: Prose, the second volume in a landmark two-volume selection of John Ashbery's translations, focuses on prose writing. Ashbery's own prose writings and engagement with prose writers―through translations, essays, and criticism―have had a profound impact on the cultural landscape of the past half century. This book presents his versions of, among others, the classic French fairy tale "The White Cat" by Marie-Catherine d'Aulnoy, as well as works by such innovative masters as Raymond Roussel and Giorgio de Chirico. Here are all of Roussel's Documents to Serve as an Outline and extracts from his Impressions of Africa; selections from Georges Bataille's darkly erotic first novella, L'abbé C; Antonin Artaud's correspondence with the writer Jacques Rivière; Salvador Dalí on Willem de Kooning's art; Jacques Dupin on Giacometti; and key theoretical and conceptual texts by Odilon Redon, Jean Hélion, Iannis Xenakis, and Marcelin Pleynet. Several of these twenty-nine prose pieces, by seventeen fiction writers, playwrights, artists, musicians, and critics, are previously unpublished or have been long unavailable. Many are modern classics, such as Pierre Reverdy's Haunted House. This book provides fresh insight into the range of French cultural influence on Ashbery's life and work in literature and the arts.
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John Ashbery: Collected Poems 1991-2000 (LOA #301) (Library of America John Ashbery Edition)
by John Ashbery
The second volume of Library of America's definitive edition, including the modern classic Flow Chart in a newly corrected text.
Published for his ninetieth birthday, Library of America presents the second volume of John Ashbery’s collected poems, spanning a crucial and prolific decade in the poet’s work. The volume opens with the indispensable Flow Chart (1991), in a complete text for the first time. The other collections gathered here—Hotel Lautréamont (1992), And the Stars Were Shining (1994), Can You Hear, Bird (1995), Wakefulness (1998), and Your Name Here (2000)—show Ashbery perfecting the playful, cerebral style that has made his poetry a genre unto itself, highly influential and often imitated. Long an art critic and one of the shrewdest observers of the American art scene, Ashbery engages with the renowned outsider artist Henry Darger in the fascinating book-length poem Girls on the Run (1999), inspired by the exuberant, unsettling fictional universe Darger created. The volume concludes with a selection of twenty-six previously uncollected poems.
LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
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BREEZEWAY
by John Ashbery
A bold, striking new collection of poems from one of America’s most influential and inventive poets.
With more than twenty poetry collections to his name, John Ashbery is one of our most agile, philosophically complex, and visionary poets. In Breezeway, Ashbery’s powers of observation are at their most astute; his insight at its most penetrating. Demonstrating his extraordinary command of language and his ability to move fluidly and elegantly between wide-ranging thoughts and ideas—from the irreverent and slyly humorous to the tender, the sad, and the heartbreaking—Ashbery shows that he is a virtuoso fluent in diverse styles and tones of language, from the chatty and whimsical to the lyrical and urbane. Filled with allusions to literature and art, as well as to the absurdities and delights of the everyday world around us, Ashbery’s poems are haunting, surprising, hilarious, and knowing all at once, the work of a master craftsman with a keen understanding of the age in which he lives and writes, an age whose fears and fragmentation he conjures and critiques with humor, pathos, and a provocative wit.
Vital and imaginative, Ashbery’s poems not only touch on the “big questions” and crises of life in the twenty-first century, but also delicately capture the small moments between and among people. Imaginative, linguistically dazzling, and artistically ambitious, Breezeway is John Ashbery’s sharpest and most arresting collection yet.
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Selected Poems (Penguin Poets)
by John Ashbery
Selections from the first three decades of the poetry of John Ashbery, author of Self-Portrait in a Convex Mirror, winner of the Pulitzer Prize and the National Book Award
The late John Ashbery was a poet whose “teasing, delicate, soulful lines made him one of the most influential figures of late-20th and early 21st century American literature.” (The New York Times) This important volume gathers work from his first ten collections of poetry, from Some Trees, which was chosen by W.H. Auden for the Yale Younger Poets Series (1956), to A Wave (1984). The 138 poems in this volume include short lyrics, haikus, prose poems, and many of Ashbery’s major long poems, including “Self-Portrait in a Convex Mirror,” offering a beautiful distillation of the first thirty years of his remarkable, groundbreaking work.
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Self-Portrait in a Convex Mirror
by John Ashbery
'Self-Portrait in a Convex Mirror'was the first of John Ashbery's books to be published in Britain by Carcanet, and this is its third printing. Since it originally appeared here in 1977, three further collections have followed: 'As We Know', 'Shadow Train'and 'A Wave'.
'Self-Portrait in a Convex Mirror' was awarded the Pulitzer Prize, a National Book Award and the National Book Critics'Circle Award. The long title poem, a meditation on Parmigianino's famous self-portrait, has become Ashbery's best-known poem. It is accompanied here by a number of shorter pieces - playful, witty, elusive. The collection remains one of the most significant poetic achievements of our time.
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