Books by John Irving
A Prayer for Owen Meany
by John Irving
Owen Meany, the only child of a New Hampshire granite quarrier, believes he is God's instrument; he is.
This is John Irving's most comic novel, yet Owen Meany is Mr. Irving's most heartbreaking character.
"Roomy, intelligent, exhilarating and darkly comic...Dickensian in scope....Quite stunning and very ambitious."
LOS ANGELES TIMES BOOK REVIEW
"John Irving is an abundantly and even joyfully talented storyteller."
THE NEW YORK TIMES BOOKR EVIEW
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A Prayer for Owen Meany
by John Irving
“A remarkable novel. . . . A Prayer for Owen Meany is a rare creation in the somehow exhausted world of late twentieth-century fiction—it is an amazingly brave piece of work . . . so extraordinary, so original, and so enriching. . . . Readers will come to the end feeling sorry to leave [this] richly textured and carefully wrought world.”
— STEPHEN KING, Washington Post
A PBS Great American Read Top 100 Pick
I am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God; I am a Christian because of Owen Meany.
In the summer of 1953, two eleven-year-old boys—best friends—are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary.
“Roomy, intelligent, exhilarating, and darkly comic . . . Dickensian in scope . . . Quite stunning and very ambitious.” — Los Angeles Times Book Review
“Brilliantly cinematic . . . Irving shows considerable skill as scene after scene mounts to its moving climax." — ALFRED KAZIN, New York Times
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A Prayer for Owen Meany
by John Irving
Owen Meany hits a foul ball while playing baseball in the summer of 1953 that kills his best friend's mother, an accident that Owen is sure is the result of divine intervention
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A Prayer for Owen Meany
by John Irving
Owen Meany hits a foul ball while playing baseball in the summer of 1953 that kills his best friend's mother, an accident that Owen is sure is the result of divine intervention
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The Fourth Hand
by John Irving
The Fourth Handasks an interesting question: “How can anyone identify a dream of the future?” The answer: “Destiny is not imaginable, except in dreams or to those in love."
While reporting a story from India, a New York television journalist has his left hand eaten by a lion; millions of TV viewers witness the accident. In Boston, a renowned hand surgeon awaits the opportunity to perform the nation’s first hand transplant; meanwhile, in the distracting aftermath of an acrimonious divorce, the surgeon is seduced by his housekeeper. A married woman in Wisconsin wants to give the one-handed reporter her husband’s left hand – that is, after her husband dies. But the husband is alive, relatively young, and healthy.
This is how John Irving’s tenth novel begins; it seems, at first, to be a comedy, perhaps a satire, almost certainly a sexual farce. Yet, in the end, The Fourth Hand is as realistic and emotionally moving as any of Mr. Irving’s previous novels – including The World According to Garp, A Prayer for Owen Meany, and A Widow for One Year – or his Oscar-winning screenplay of The Cider House Rules.
The Fourth Hand is characteristic of John Irving’s seamless storytelling and further explores some of the author’s recurring themes – loss, grief, love as redemption. But this novel also breaks new ground; it offers a penetrating look at the power of second chances and the will to change.
From the Trade Paperback edition.
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The Fourth Hand
by John Irving
#1 NATIONAL BESTSELLER • A NEW YORK TIMES NOTABLE BOOK
While reporting a story from India, New York journalist Patrick Wallingford inadvertently becomes his own headline when his left hand is eaten by a lion. In Boston, a renowned surgeon eagerly awaits the opportunity to perform the nation’s first hand transplant. But what if the donor’s widow demands visitation rights with the hand? In answering this unexpected question, John Irving has written a novel that is by turns brilliantly comic and emotionally moving, offering a penetrating look at the power of second chances and the will to change.
Praise for The Fourth Hand
“A rich and deeply moving tale . . . Vintage Irving: a story of two very disparate people, and the strange and unexpected ways we grow . . . Irving’s novels are perceptive and precise reflections of the world around us.”—The Washington Post Book World
“A blend of sexual farce, journalistic satire, and tender love story . . . From what at first seems bizarre, Irving builds the best kind of love story: an improbable one. Wallingford gets more than a transplanted hand; he begins to find his soul.”—USA Today
“A riveting entertainment and certainly one of the funniest novels of the year. The authoritative control of Irving’s storytelling has never been more impressive. . . . The delighted reader is powerless to look away.”—Chicago Sun-Times
“[A] thoroughly satisfying literary experience . . . Irving’s most compassionate and redemptive [novel] to date . . . [His] mastery of characterization is unequaled in American novelists of the day.”—St. Louis Post-Dispatch
“A beautiful story about the redemptive power of love.”—The Denver Post
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A Widow for One Year
by John Irving
“A Widow For One Year will appeal to readers who like old-fashioned storytelling mixed with modern sensitivities. . . . Irving is among the few novelists who can write a novel about grief and fill it with ribald humor soaked in irony.”—USA Today
In A Widow for One Year, we follow Ruth Cole through three of the most pivotal times in her life: from her girlhood on Long Island (in the summer of 1958) through the fall of 1990 (when she is an unmarried woman whose personal life is not nearly as successful as her literary career), and at last in the autumn of 1995, when Ruth is a forty-one-year-old widow and mother (and she’s about to fall in love for the first time). Both elegiac and sensual, A Widow for One Year is a multilayered love story of astonishing emotional force.
Praise for A Widow for One Year
“Compelling . . . By turns antic and moving, lusty and tragic, A Widow for One Year is bursting with memorable moments. . . . A testament to one of life’s most difficult lessons: In the end, you just have to find a way to keep going.”—San Francisco Examiner-Chronicle
“A sprawling 19th-century production, chock full of bizarre coincidences, multiple plot lines, lengthy digressions, and stories within stories. . . . An engaging and often affecting fable, a fairy tale that manages to be old-fashioned and modern all at once.”—The New York Times
“[Irving’s] characters can beguile us onto thin ice and persuade us to dance there. His instinctive mark is the moral choice stripped bare, and his aim is impressive. What’s more, there’s hardly a writer alive who can match his control of the omniscient point of view.”—The Washington Post Book World
“In the sprawling, deeply felt A Widow for One Year, John Irving has delivered his best novel since The World According to Garp. . . . Like a warm bath, it’s a great pleasure to immerse yourself in.”—Entertainment Weekly
“John Irving is arguably the American Balzac, or perhaps our Dickens—a rip-roaring storyteller whose intricate plot machinery is propelled by good old-fashioned greed, foolishness and passion.”—The Nation
“Powerful . . . a masterpiece.”—St. Louis Post-Dispatch
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A Widow for One Year
by John Irving
“A Widow For One Year will appeal to readers who like old-fashioned storytelling mixed with modern sensitivities. . . . Irving is among the few novelists who can write a novel about grief and fill it with ribald humor soaked in irony.”—USA Today
In A Widow for One Year, we follow Ruth Cole through three of the most pivotal times in her life: from her girlhood on Long Island (in the summer of 1958) through the fall of 1990 (when she is an unmarried woman whose personal life is not nearly as successful as her literary career), and at last in the autumn of 1995, when Ruth is a forty-one-year-old widow and mother (and she’s about to fall in love for the first time). Both elegiac and sensual, A Widow for One Year is a multilayered love story of astonishing emotional force.
Praise for A Widow for One Year
“Compelling . . . By turns antic and moving, lusty and tragic, A Widow for One Year is bursting with memorable moments. . . . A testament to one of life’s most difficult lessons: In the end, you just have to find a way to keep going.”—San Francisco Examiner-Chronicle
“A sprawling 19th-century production, chock full of bizarre coincidences, multiple plot lines, lengthy digressions, and stories within stories. . . . An engaging and often affecting fable, a fairy tale that manages to be old-fashioned and modern all at once.”—The New York Times
“[Irving’s] characters can beguile us onto thin ice and persuade us to dance there. His instinctive mark is the moral choice stripped bare, and his aim is impressive. What’s more, there’s hardly a writer alive who can match his control of the omniscient point of view.”—The Washington Post Book World
“In the sprawling, deeply felt A Widow for One Year, John Irving has delivered his best novel since The World According to Garp. . . . Like a warm bath, it’s a great pleasure to immerse yourself in.”—Entertainment Weekly
“John Irving is arguably the American Balzac, or perhaps our Dickens—a rip-roaring storyteller whose intricate plot machinery is propelled by good old-fashioned greed, foolishness and passion.”—The Nation
“Powerful . . . a masterpiece.”—St. Louis Post-Dispatch
Copies
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A Widow for One Year
by John Irving
Ruth Cole is a complex, often self-contradictory character--a "difficult" woman. By no means is she conventionally "nice," but she will never be forgotten.
Ruth's story is told in three parts, each focusing on a crucial time in her life. When we first meet her--on Long Island, in the summer of 1958--Ruth is only four.
The second window into Ruth's life opens in the fall of 1990, when Ruth is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason.
A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She's about to fall in love for the first time.
Richly comic, as well as deeply disturbing A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.
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The World According to Garp: A Novel (Ballantine Reader's Circle)
by John Irving
This is the life and times of T. S. Garp, the bastard son of Jenny Fields, a feminist leader ahead of her time. This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes, even of sexual assassinations. It is a novel rich with lunacy and sorrow, yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries–with more than ten million copies in print–this novel provides almost cheerful, even hilarious evidence of its famous last line: “In the world according to Garp, we are all terminal cases.”
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Until I Find You: A Novel
by John Irving
Until I Find You is the story of the actor Jack Burns – his life, loves, celebrity and astonishing search for the truth about his parents.
When he is four years old, Jack travels with his mother Alice, a tattoo artist, to several North Sea ports in search of his father, William Burns. From Copenhagen to Amsterdam, William, a brilliant church organist and profligate womanizer, is always a step ahead – has always just departed in a wave of scandal, with a new tattoo somewhere on his body from a local master or “scratcher.”
Alice and Jack abandon their quest, and Jack is educated at schools in Canada and New England – including, tellingly, a girls’ school in Toronto. His real education consists of his relationships with older women – from Emma Oastler, who initiates him into erotic life, to the girls of St. Hilda’s, with whom he first appears on stage, to the abusive Mrs. Machado, whom he first meets when sent to learn wrestling at a local gym.
Too much happens in this expansive, eventful novel to possibly summarize it all. Emma and Jack move to Los Angeles, where Emma becomes a successful novelist and Jack a promising actor. A host of eccentric minor characters memorably come and go, including Jack’s hilariously confused teacher the Wurtz; Michelle Maher, the girlfriend he will never forget; and a precocious child Jack finds in the back of an Audi in a restaurant parking lot. We learn about tattoo addiction and movie cross-dressing, “sleeping in the needles” and the cure for cauliflower ears. And John Irving renders his protagonist’s unusual rise through Hollywood with the same vivid detail and range of emotions he gives to the organ music Jack hears as a child in European churches. This is an absorbing and moving book about obsession and loss, truth and storytelling, the signs we carry on us and inside us, the traces we can’t get rid of.
Jack has always lived in the shadow of his absent father. But as he grows older – and when his mother dies – he starts to doubt the portrait of his father’s character she painted for him when he was a child. This is the cue for a second journey around Europe in search of his father, from Edinburgh to Switzerland, towards a conclusion of great emotional force.
A melancholy tale of deception, Until I Find Youis also a swaggering comic novel, a giant tapestry of life’s hopes. It is a masterpiece to compare with John Irving’s great novels, and restates the author’s claim to be considered the most glorious, comic, moving novelist at work today.
From the Hardcover edition.
Copies
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Until I Find You: A Novel
by John Irving
Until I Find You is the story of the actor Jack Burns – his life, loves, celebrity and astonishing search for the truth about his parents.
When he is four years old, Jack travels with his mother Alice, a tattoo artist, to several North Sea ports in search of his father, William Burns. From Copenhagen to Amsterdam, William, a brilliant church organist and profligate womanizer, is always a step ahead – has always just departed in a wave of scandal, with a new tattoo somewhere on his body from a local master or “scratcher.”
Alice and Jack abandon their quest, and Jack is educated at schools in Canada and New England – including, tellingly, a girls’ school in Toronto. His real education consists of his relationships with older women – from Emma Oastler, who initiates him into erotic life, to the girls of St. Hilda’s, with whom he first appears on stage, to the abusive Mrs. Machado, whom he first meets when sent to learn wrestling at a local gym.
Too much happens in this expansive, eventful novel to possibly summarize it all. Emma and Jack move to Los Angeles, where Emma becomes a successful novelist and Jack a promising actor. A host of eccentric minor characters memorably come and go, including Jack’s hilariously confused teacher the Wurtz; Michelle Maher, the girlfriend he will never forget; and a precocious child Jack finds in the back of an Audi in a restaurant parking lot. We learn about tattoo addiction and movie cross-dressing, “sleeping in the needles” and the cure for cauliflower ears. And John Irving renders his protagonist’s unusual rise through Hollywood with the same vivid detail and range of emotions he gives to the organ music Jack hears as a child in European churches. This is an absorbing and moving book about obsession and loss, truth and storytelling, the signs we carry on us and inside us, the traces we can’t get rid of.
Jack has always lived in the shadow of his absent father. But as he grows older – and when his mother dies – he starts to doubt the portrait of his father’s character she painted for him when he was a child. This is the cue for a second journey around Europe in search of his father, from Edinburgh to Switzerland, towards a conclusion of great emotional force.
A melancholy tale of deception, Until I Find Youis also a swaggering comic novel, a giant tapestry of life’s hopes. It is a masterpiece to compare with John Irving’s great novels, and restates the author’s claim to be considered the most glorious, comic, moving novelist at work today.
Copies
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A Prayer for Owen Meany: A Novel
by John Irving
“A remarkable novel. . . . A Prayer for Owen Meany is a rare creation. ... An amazingly brave piece of work ... so extraordinary, so original, and so enriching. . . . Readers will come to the end feeling sorry to leave [this] richly textured and carefully wrought world.” —STEPHEN KING, Washington Post
I am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God; I am a Christian because of Owen Meany.
In the summer of 1953, two eleven-year-old boys—best friends—are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary.
A PBS Great American Read Top 100 Pick
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$19.99
Last Night in Twisted River: A Novel
by John Irving
In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, an anxious twelve-year-old boy mistakes the local constable’s girlfriend for a bear. Both the twelve-year-old and his father become fugitives, forced to run from Coos County—to Boston, to southern Vermont, to Toronto—pursued by the implacable constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them. In a story spanning five decades, Last Night in Twisted River depicts the recent half-century in the United States as “a living replica of Coos County, where lethal hatreds were generally permitted to run their course.” What further distinguishes Last Night in Twisted River is the author’s unmistakable voice—the inimitable voice of an accomplished storyteller.
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Until I Find You
by John Irving, Rea Frey
Until I Find You is the story of the actor Jack Burns – his life, loves, celebrity and astonishing search for the truth about his parents.
When he is four years old, Jack travels with his mother Alice, a tattoo artist, to several North Sea ports in search of his father, William Burns. From Copenhagen to Amsterdam, William, a brilliant church organist and profligate womanizer, is always a step ahead – has always just departed in a wave of scandal, with a new tattoo somewhere on his body from a local master or “scratcher.”
Alice and Jack abandon their quest, and Jack is educated at schools in Canada and New England – including, tellingly, a girls’ school in Toronto. His real education consists of his relationships with older women – from Emma Oastler, who initiates him into erotic life, to the girls of St. Hilda’s, with whom he first appears on stage, to the abusive Mrs. Machado, whom he first meets when sent to learn wrestling at a local gym.
Too much happens in this expansive, eventful novel to possibly summarize it all. Emma and Jack move to Los Angeles, where Emma becomes a successful novelist and Jack a promising actor. A host of eccentric minor characters memorably come and go, including Jack’s hilariously confused teacher the Wurtz; Michelle Maher, the girlfriend he will never forget; and a precocious child Jack finds in the back of an Audi in a restaurant parking lot. We learn about tattoo addiction and movie cross-dressing, “sleeping in the needles” and the cure for cauliflower ears. And John Irving renders his protagonist’s unusual rise through Hollywood with the same vivid detail and range of emotions he gives to the organ music Jack hears as a child in European churches. This is an absorbing and moving book about obsession and loss, truth and storytelling, the signs we carry on us and inside us, the traces we can’t get rid of.
Jack has always lived in the shadow of his absent father. But as he grows older – and when his mother dies – he starts to doubt the portrait of his father’s character she painted for him when he was a child. This is the cue for a second journey around Europe in search of his father, from Edinburgh to Switzerland, towards a conclusion of great emotional force.
A melancholy tale of deception, Until I Find Youis also a swaggering comic novel, a giant tapestry of life’s hopes. It is a masterpiece to compare with John Irving’s great novels, and restates the author’s claim to be considered the most glorious, comic, moving novelist at work today.
Copies
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Until I Find You
by John Irving, Rea Frey
In Until I Find You, celebrated author Rea Frey brings you her most explosive, emotional, taut domestic drama yet about the powerful bond between mothers and children…and how far one woman will go to bring her son home.
"Frey is a rising star in the suspense scene" - Booklist
2 floors. 55 steps to go up. 40 more to the crib.
Since Rebecca Gray was diagnosed with a degenerative eye disease, everything in her life consists of numbers. Each day her world grows a little darker and each step becomes a little more dangerous.
Following days of feeling like someone’s watching her, Rebecca awakes at home to the cries of her son in his nursery. When it’s clear he’s not going to settle, Rebecca goes to check on him.
She reaches in. Picks him up.
But he’s not her son.
And no one believes her.
One woman’s desperate search for her son . . .
In a world where seeing is believing, Rebecca must rely on her own conviction and a mother’s instinct to uncover the truth about what happened to her baby and bring him home for good.
"Completely captivating, utterly compelling...a must read!" - Liz Fenton & Lisa Steinke, authors of The Two Lila Bennetts
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The Water-Method Man
by John Irving
“John Irving, it is abundantly clear, is a true artist.”—Los Angeles Times
Fred "Bogus" Trumper has troubles. A divorced, broke graduate student of Old Norse in 1970s New York, Trumper is a wayward knight-errant in the battle of the sexes and the pursuit of happiness: His ex-wife has moved in with his childhood best friend, his life is the subject of a tell-all movie, and his chronic urinary tract infection requires surgery.
Trumper is determined to change. There's only one problem: it seems the harder he tries to alter his adolescent ways, the more he is drawn to repeating the mistakes of the past. . . .
Written when Irving was twenty-nine, Trumper's tale of woe is told with all the wit and humor that would become Irving's trademark.
“Three or four times as funny as most novels.”—The New Yorker
Praise for The Water-Method Man
“Friendship, marriage, and family are his primary themes, but at that blundering level of life where mishap and folly—something close to joyful malice—perpetually intrude and distrupt, often fatally. Life, in [John] Irving's fiction, is always under siege. Harm and disarray are daily fare, as if the course of love could not run true. . . . Irving's multiple manner . . . his will to come at the world from different directions, is one of the outstandint traits of The World According to Garp, but this remarkable flair for . . . stories inside stories . . . isalready handled with mastery . . . and with a freedom almost wanton in The Water-Method Man [which is Garp's predecessor by six years].”—Terrence Des Pres
“Brutal reality and hallucination, comedy and pathos. A rich, unified tapestry.”—Time
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The Cider House Rules
by John Irving
"AN OLD-FASHIONED, BIG-HEARTED NOVEL . . . with its epic yearning caught in the 19th century, somewhere between Trollope and Twain . . . The rich detail makes for vintage Irving."
--The Boston Sunday Globe
"The Cider House Rules is filled with people to love and to feel for. . . . The characters in John Irving's novel break all the rules, and yet they remain noble and free-spirited. Victims of tragedy, violence, and injustice, their lives seem more interesting and full of thought-provoking dilemmas than the lives of many real people."
--The Houston Post
"John Irving's sixth and best novel . . . He is among the very best storytellers at work today. At the base of Irving's own moral concerns is a rare and lasting regard for human kindness."
--The Philadelphia Inquirer
"Entertaining and affecting . . . John Irving is the most relentlessly inventive writer around. He proliferates colorful incidents and crotchets of character. . . . A truly astounding amount of artistry and ingenuity."
--The San Diego Union
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The Cider House Rules
by John Irving
“The Cider House Rules is filled with people to love and to feel for. . . . The characters in John Irving’s novel break all the rules, and yet they remain noble and free-spirited.”—The Houston Post
First published in 1985, The Cider House Rules is set in rural Maine in the first half of the twentieth century. The novel tells the story of Dr. Wilbur Larch—saint and obstetrician, founder and director of the orphanage in the town of St. Cloud’s, ether addict and abortionist. This is also the story of Dr. Larch’s favorite orphan, Homer Wells, who is never adopted.
Praise for The Cider House Rules
“ [Irving] is among the very best storytellers at work today. At the base of Irving’s own moral concerns is a rare and lasting regard for human kindness.”—The Philadelphia Inquirer
“ Superb in scope and originality, a novel as good as one could hope to find from any author, anywhere, anytime. Engrossing, moving, thoroughly satisfying.”—Joseph Heller
“ An old-fashioned, big-hearted novel . . . with its epic yearning caught in the nineteenth century, somewhere between Trollope and Twain.”—Boston Sunday Globe
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$20.00
The Hotel New Hampshire
by John Irving
"The first of my father's illusions was that bears could survive the life lived by human beings, and the second was that human beings could survive a life led in hotels."
So says John Berry, son of a hapless dreamer, brother to a cadre of eccentric siblings, and chronicler of the lives lived, the loves experienced, the deaths met, and the myriad strange and wonderful times encountered by the family Berry. Hoteliers, pet-bear owners, friends of Freud (the animal trainer and vaudevillian, that is), and playthings of mad fate, they "dream on" in a funny, sad, outrageous, and moving novel by the remarkable author of A Son of the Circus and A Prayer for Owen Meany.
"Like Garp, [THE HOTEL NEW HAMPSHIRE] is a startlingly original family saga that combines macabre humor with Dickensian sentiment and outrage at cruelty, dogmatism and injustice."
--Time
"Rejoice! John Irving has written another book according to your world....You must read this book."
--Los Angeles Times
"Spellbinding...Intensely human...A high-wire act of dazzling virtuosity."
--Cosmopolitan
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The Hotel New Hampshire
by John Irving
The New York Times bestselling saga of a most unusual family from the award-winning author of The World According to Garp.
“The first of my father’s illusions was that bears could survive the life lived by human beings, and the second was that human beings could survive a life led in hotels.” So says John Berry, son of a hapless dreamer, brother to a cadre of eccentric siblings, and chronicler of the lives lived, the loves experienced, the deaths met, and the myriad strange and wonderful times encountered by the family Berry. Hoteliers, pet-bear owners, friends of Freud (the animal trainer and vaudevillian, that is), and playthings of mad fate, they “dream on” in a funny, sad, outrageous, and moving novel by the remarkable author of A Prayer for Owen Meany and Last Night in Twisted River.
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$17.00
The Hotel New Hampshire
by John Irving
John, the middle son in an eccentric family with five children, one bear, and a dog named Sorrow, describes growing up in a hotel
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The Hotel New Hampshire
by John Irving
John, the middle son in an eccentric family with five children, one bear, and a dog named Sorrow, describes growing up in a hotel
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Setting Free the Bears: A Novel (Ballantine Reader's Circle)
by John Irving
“Truly remarkable . . . encompasses the longings and agonies of youth . . . a complex and moving novel.”—Time
“Astonishing . . . a writer of uncommon imaginative power. Whatever [John Irving] writes, it will be worth reading.”—Saturday Review
It is 1967. Two Viennese university students, Siggy and Hannes, roam the Austrian countryside on their motorcycles—on a quest: to liberate the bears of the Vienna Zoo. But their good intentions have both comic and gruesome consequences in this first novel from John Irving, already a master storyteller at twenty-five years old.
“Imagine a mixture of Till Eulenspiegel and Ken Kesey . . . and you've got the range of the merry pranksters who hot rod through Mr. Irving's book . . . tossing flowers, stealing salt shakers, and planning the biggest caper of their young lives.”—The New York Times
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Trying to Save Piggy Sneed
by John Irving
Here is a treat for John Irving addicts and a perfect introduction to his work for the uninitiated. To open this spirited collection, Irving explains how he became a writer. There follow six scintillating stories written over the last twenty years ending with a homage to Charles Dickens. This irresistible collection cannot fail to delight and charm.
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Trying to Save Piggy Sneed
by John Irving
Now available again, "A rich, wonderful, and diverse look at the creative mind of one of America's most imaginative and passionate novelists" (Denver Post).
Here is a treat for John Irving fans and new readers alike. Trying to Save Piggy Sneed contains a dozen short works by the author, beginning with three memoirs. The longest of the memoirs is "The Imaginary Girlfriend," his candid account of his twin careers in writing and wrestling, which, as the Denver Post observed, is filled "with anecdotes that are every bit as hilarious as the antics in his novels . . . [and] combines the lessons of both obsessions."
The middle portion of the book is fiction. Over a career that spans fourteen novels, these are the six stories that Mr. Irving considers finished. Among them is "Interior Space," for which he won the O. Henry Award. In the third and final section are three homages: one to Günter Grass and two to Charles Dickens. To each of the twelve pieces, he has contributed author's notes, which provide some perspective on the circumstances surrounding the writing of each piece. For readers who prefer a hardcover, this commemorative edition is a book to treasure. For readers new to the author of works as moving and mischievous as The World According to Garp, A Prayer for Owen Meany, and In One Person, Trying to Save Piggy Sneed is the perfect introduction.
The edition has a foreword by Susan Cheever that was first published in the twentieth anniversary edition of the hardcover.
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A Widow for One Year: A Novel
by John Irving
Ruth Cole is a complex, often self-contradictory character--a "difficult" woman. By no means is she conventionally "nice," but she will never be forgotten.
Ruth's story is told in three parts, each focusing on a crucial time in her life. When we first meet her--on Long Island, in the summer of 1958--Ruth is only four.
The second window into Ruth's life opens in the fall of 1990, when Ruth is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason.
A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She's about to fall in love for the first time.
Richly comic, as well as deeply disturbing A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.
Copies
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A Sound Like Someone Trying Not to Make a Sound
by John Irving
WHEN A YOUNG BOY wakes up in the middle of the night, an unfamiliar sound conjures frightening images in his mind.
Children everywhere can now enjoy John Irving’s story about nighttime uncertainties, A Sound Like Someone Trying Not to Make a Sound. Originally found within Irving’s ninth novel, A Widow for One Year, this atmospheric tale has been brought to life by Tatjana Hauptmann’s beautifully muted illustrations.
Includes an introduction by the author.
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The World According to Garp: A Novel
by John Irving
Winner of the National Book Award
“Nothing in contemporary fiction matches it.” —The New Republic
“Wonderful . . . full of energy and art, at once funny and horrifying and heartbreaking.” —Washington Post
Powerful and political, with unforgettable characters and timeless themes, The World According to Garp is John Irving’s breakout novel. The precursor of Irving’s later protest novels, it is the story of Jenny, an unmarried nurse who becomes a single mom and a feminist leader, beloved but polarizing—and of her son, Garp, less beloved but no less polarizing.
From the tragicomic tone of its first sentence to its mordantly funny last line—“we are all terminal cases”—The World According to Garp maintains a breakneck pace. The subject of sexual hatred and violence—of intolerance of sexual minorities, and sexual differences—runs through the book, as relevant now as ever. Available in more than forty countries—with more than ten million copies in print—Garp is a comedy with forebodings of doom.
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The World According to Garp: A Novel
by John Irving
The bestselling coming-of-age classic novel by John Irving--now in a limited 40th anniversary edition with a new introduction by the author.
"He is more than popular. He is a Populist, determined to keep alive the Dickensian tradition that revels in colorful set pieces...and teaches moral lessons."--The New York Times
The opening sentence of John Irving's breakout novel, The World According to Garp, signals the start of sexual violence, which becomes increasingly political. "Garp's mother, Jenny Fields, was arrested in Boston in 1942 for wounding a man in a movie theater." Jenny is an unmarried nurse; she becomes a single mom and a feminist leader, beloved but polarizing. Her son, Garp, is less beloved, but no less polarizing.
From the tragicomic tone of its first sentence to its mordantly funny last line--"we are all terminal cases"--The World According to Garp maintains a breakneck pace. The subject of sexual hatred--of intolerance of sexual minorities and differences--runs the gamut of "lunacy and sorrow." Winner of the National Book Award, Garp is a comedy with forebodings of doom. In more than thirty languages, in more than forty countries--with more than ten million copies in print--Garp is the precursor of John Irving's later protest novels.
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Avenue of Mysteries
by John Irving
John Irving returns to the themes that established him as one of our most admired and beloved authors in this absorbing novel of fate and memory.
In Avenue of Mysteries, Juan Diego—a fourteen-year-old boy, who was born and grew up in Mexico—has a thirteen-year-old sister. Her name is Lupe, and she thinks she sees what’s coming—specifically, her own future and her brother’s. Lupe is a mind reader; she doesn’t know what everyone is thinking, but she knows what most people are thinking. Regarding what has happened, as opposed to what will, Lupe is usually right about the past; without your telling her, she knows all the worst things that have happened to you.
Lupe doesn’t know the future as accurately. But consider what a terrible burden it is, if you believe you know the future—especially your own future, or, even worse, the future of someone you love. What might a thirteen-year-old girl be driven to do, if she thought she could change the future?
As an older man, Juan Diego will take a trip to the Philippines, but what travels with him are his dreams and memories; he is most alive in his childhood and early adolescence in Mexico. As we grow older—most of all, in what we remember and what we dream—we live in the past. Sometimes, we live more vividly in the past than in the present.
Avenue of Mysteries is the story of what happens to Juan Diego in the Philippines, where what happened to him in the past—in Mexico—collides with his future.
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Avenue of Mysteries
by John Irving
John Irving returns to the themes that established him as one of our most admired and beloved authors in this absorbing novel of fate and memory.
In Avenue of Mysteries, Juan Diego—a fourteen-year-old boy, who was born and grew up in Mexico—has a thirteen-year-old sister. Her name is Lupe, and she thinks she sees what's coming—specifically, her own future and her brother's. Lupe is a mind reader; she doesn't know what everyone is thinking, but she knows what most people are thinking. Regarding what has happened, as opposed to what will, Lupe is usually right about the past; without your telling her, she knows all the worst things that have happened to you.
Lupe doesn't know the future as accurately. But consider what a terrible burden it is, if you believe you know the future—especially your own future, or, even worse, the future of someone you love. What might a thirteen-year-old girl be driven to do, if she thought she could change the future?
As an older man, Juan Diego will take a trip to the Philippines, but what travels with him are his dreams and memories; he is most alive in his childhood and early adolescence in Mexico. As we grow older—most of all, in what we remember and what we dream—we live in the past. Sometimes, we live more vividly in the past than in the present.
Avenue of Mysteries is the story of what happens to Juan Diego in the Philippines, where what happened to him in the past—in Mexico—collides with his future.
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In One Person: A Novel
by John Irving
From the author of A Prayer for Owen Meany and The World According to Garp comes "his most daringly political, sexually transgressive, and moving novel in well over a decade" (Vanity Fair).
A New York Times bestselling novel of desire, secrecy, and sexual identity, In One Person is a story of unfulfilled love—tormented, funny, and affecting—and an impassioned embrace of our sexual differences. Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.
In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile."
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In One Person: A Novel
by John Irving
"His most daringly political, sexually transgressive, and moving novel in well over a decade" (Vanity Fair).
Winner of a 2013 Lambda Literary Award
A New York Times bestselling novel of desire, secrecy, and sexual identity, In One Person is a story of unfulfilled love—tormented, funny, and affecting—and an impassioned embrace of our sexual differences. Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.
In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile."
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The Last Chairlift
by John Irving
John Irving’s fifteenth novel is “powerfully cinematic” (The Washington Post) and “eminently readable” (The Boston Globe). The Last Chairlift is part ghost story, part love story, spanning eight decades of sexual politics.
In Aspen, Colorado, in 1941, Rachel Brewster is a slalom skier at the National Downhill and Slalom Championships. Little Ray, as she is called, finishes nowhere near the podium, but she manages to get pregnant. Back home, in New England, Little Ray becomes a ski instructor.
Her son, Adam, grows up in a family that defies conventions and evades questions concerning the eventful past. Years later, looking for answers, he will go to Aspen. In the Hotel Jerome, where he was conceived, Adam will meet some ghosts; in The Last Chairlift, they aren’t the first or last ghosts he sees.
John Irving has written some of the most acclaimed books of our time—among them, The World According to Garp and The Cider House Rules. A visionary voice on the subject of sexual tolerance, Irving is a bard of alternative families. In the “generously intertextual” (The New York Times) The Last Chairlift, readers will once more be in his thrall.
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The Last Chairlift
by John Irving
John Irving, one of the world’s greatest novelists, returns with his first novel in seven years—a ghost story, a love story, and a lifetime of sexual politics.
In Aspen, Colorado, in 1941, Rachel Brewster is a slalom skier at the National Downhill and Slalom Championships. Little Ray, as she is called, finishes nowhere near the podium, but she manages to get pregnant. Back home, in New England, Little Ray becomes a ski instructor.
Her son, Adam, grows up in a family that defies conventions and evades questions concerning the eventful past. Years later, looking for answers, Adam will go to Aspen. In the Hotel Jerome, where he was conceived, Adam will meet some ghosts; in The Last Chairlift, they aren’t the first or the last ghosts he sees.
John Irving has written some of the most acclaimed books of our time—among them, The World According to Garp and The Cider House Rules. A visionary voice on the subject of sexual tolerance, Irving is a bard of alternative families. In The Last Chairlift, readers will once more be in his thrall.
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$38.00
Trying to Save Piggy Sneed: 20th Anniversary Edition
by John Irving
Here is a treat for devoted fans of John Irving. First published twenty years ago, Trying to Save Piggy Sneed contains a dozen short works by the author, beginning with three memoirs. The longest of the memoirs is "The Imaginary Girlfriend," his candid account of his twin careers in writing and wrestling, which, as the Denver Post observed, is filled "with anecdotes that are every bit as hilarious as the antics in his novels . . . [and] combines the lessons of both obsessions."
The middle portion of the book is fiction. Over a career that spans thirteen novels, these are the six stories that Mr. Irving considers finished. Among them is "Interior Space," for which he won the O. Henry Award. In the third and final section are three homages: one to Günter Grass and two to Charles Dickens. To each of the twelve pieces, he has contributed author's notes, which provide some perspective on the circumstances surrounding the writing of each piece. For readers who prefer a hardcover, this commemorative edition is a book to treasure. For new readers, it is a perfect introduction to the author of works as moving and mischievous as The World According to Garp,A Prayer for Owen Meany, and In One Person.
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The Imaginary Girlfriend: A Memoir
by John Irving
“The nearest thing to an autobiography Irving has written . . . worth saving and savoring."—Seattle Times
Dedicated to the memory of two wrestling coaches and two writer friends, The Imaginary Girlfriend is John Irving's candid memoir of his twin careers in writing and wrestling. The award‑winning author of bestselling novels from The World According to Garp to In One Person and Avenue of Mysteries, Irving began writing when he was fourteen, the same age at which he began to wrestle at Exeter. He competed as a wrestler for twenty years, was certified as a referee at twenty‑four, and coached the sport until he was forty‑seven. Irving coached his sons Colin and Brendan to New England championship titles, a championship that he himself was denied.
In an autobiography filled with the humor and compassion one finds in his fiction, Irving explores the interrelationship between the two disciplines of writing and wrestling, from the days when he was a beginner at both until his fourth wresting-related surgery at the age of fifty‑three. Writing as a father and mentor, he offers a lucid portrait of those—writers and wrestlers from Kurt Vonnegut to Ted Seabrooke—who played a mentor role in his development as a novelist, wrestler, and wrestling coach.
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The Imaginary Girlfriend: A Memoir
by John Irving
“The Imaginary Girlfriend is a miniature autobiography detailing Irving’s parallel careers of writing and wrestling. . . . Tales of encounters with writers (John Cheever, Nelson Algren, Kurt Vonnegut) are intertwined with those about his wrestling teammates and coaches. With humor and compassion, [Irving] details the few truly important lessons he learned about writing. . . . And in beefing up his narrative with anecdotes that are every bit as hilarious as the antics in his novels, Irving combines the lessons of both obsessions (wrestling and writing) . . . into a somber reflection on the importance of living well.”
–The Denver Post
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Mozart's Piano Sonatas: Contexts, Sources, Style
by John Irving
Mozart's piano sonatas form a richly diverse and significant part of his instrumental output and span much of his mature composing career, thereby representing a microcosm of the composer's changing style. Part I examines the contexts in which the sonatas were composed and performed, and reviews likely sources of influence. Part II concentrates on the genesis of the sonatas and the sources, which reveals important information about Mozart's compositional process. In Part III the musical style is studied from the standpoint of rhetoric--a discipline featured in numerous contemporary aesthetic and theoretical textbooks on music.
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The World According to Garp: A Novel (Modern Library)
by John Irving
The World According to Garp is a comic and compassionate coming-of-age novel that established John Irving as one of the most imaginative writers of his generation. A worldwide bestseller since its publication in 1978, Irving's classic is filled with stories inside stories about the life and times of T. S. Garp, novelist and bastard son of Jenny Fields--a feminist leader ahead of her time. Beyond that, The World According to Garp virtually defies synopsis.
----"Nothing in contemporary fiction matches it," said critic Terrence Des Pres. "Irving's blend of gravity and play is unique, audacious, almost blasphemous. . . . Friendship, marriage and family are his primary themes, but at that blundering level of life where mishap and folly--something close to joyful malice--perpetually intrude and disrupt, often fatally. Life, in Irving's fiction, is always under siege." Time magazine commented: "Irving's popularity is not hard to understand. His world is really the world according to nearly everyone."
----This Modern Library edition includes a new Introduction by the author.
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editons of impor-tant works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoringas its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.
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A Prayer for Owen Meany: Deluxe Modern Classic
by John Irving
“A remarkable novel. . . . A Prayer for Owen Meany is a rare creation. ... An amazingly brave piece of work ... so extraordinary, so original, and so enriching. . . . Readers will come to the end feeling sorry to leave [this] richly textured and carefully wrought world.” —STEPHEN KING, Washington Post
I am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God; I am a Christian because of Owen Meany.
In the summer of 1953, two eleven-year-old boys—best friends—are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary.
A PBS Great American Read Top 100 Pick
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Last Night in Twisted River A Novel
by John Irving
In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, an anxious twelve-year-old boy mistakes the local constable's girlfriend for a bear. Both the twelve-year-old and his father become fugitives, forced to run from Coos County-to Boston, to southern Vermont, to Toronto-pursued by the implacable constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.
In a story spanning five decades, Last Night in Twisted River-John Irving's twelfth novel-depicts the recent half-century in the United States as "a living replica of Coos County, where lethal hatreds were generally permitted to run their course." From the novel's taut opening sentence-"The young Canadian, who could not have been more than fifteen, had hesitated too long"-to its elegiac final chapter, Last Night in Twisted River is written with the historical authenticity and emotional authority of The Cider House Rules and A Prayer for Owen Meany. It is also as violent and disturbing a story as John Irving's breakthrough bestseller, The World According to Garp.
What further distinguishes Last Night in Twisted River is the author's unmistakable voice-the inimitable voice of an accomplished storyteller. Near the end of this moving novel, John Irving writes: "We don't always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly-as if out of the sky, or as if there were a direct flight from Heaven to Earth-the same sudden way we lose people, who once seemed they would always be part of our lives."
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