Books by John Updike
The Early Stories: 1953-1975
by John Updike
Winner of the PEN/Faulkner Award for Fiction
A harvest and not a winnowing, this volume collects 103 stories, almost all of the short fiction that John Updike wrote between 1953 and 1975. “How rarely it can be said of any of our great American writers that they have been equally gifted in both long and short forms,” reads the citation composed for John Updike upon his winning the 2006 Rea Award for the Short Story. “Contemplating John Updike’s monumental achievement in the short story, one is moved to think of Nathaniel Hawthorne, Henry James, Ernest Hemingway, and perhaps William Faulkner—writers whose reputations would be as considerable, or nearly, if short stories had been all that they had written. From [his] remarkable early short story collections . . . through his beautifully nuanced stories of family life [and] the bittersweet humors of middle age and beyond . . . John Updike has created a body of work in the notoriously difficult form of the short story to set beside those of these distinguished American predecessors. Congratulations and heartfelt thanks are due to John Updike for having brought such pleasure and such illumination to so many readers for so many years.”
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The Early Stories: 1953-1975
by John Updike
“He is a religious writer; he is a comic realist; he knows what everything feels like, how everything works. He is putting together a body of work which in substantial intelligent creation will eventually be seen as second to none in our time.”
—William H. Pritchard, The Hudson Review, reviewing Museums and Women (1972)
A harvest and not a winnowing, The Early Stories preserves almost all of the short fiction John Updike published between 1954 and 1975.
The stories are arranged in eight sections, of which the first, “Olinger Stories,” already appeared as a paperback in 1964; in its introduction, Updike described Olinger, Pennsylvania, as “a square mile of middle-class homes physically distinguished by a bend in the central avenue that compels some side streets to deviate from the grid pattern.” These eleven tales, whose heroes age from ten to over thirty but remain at heart Olinger boys, are followed by groupings titled “Out in the World,” “Married Life,” and “Family Life,” tracing a common American trajectory. Family life is disrupted by the advent of “The Two Iseults,” a bifurcation originating in another small town, Tarbox, Massachusetts, where the Puritan heritage co-exists with post-Christian morals. “Tarbox Tales” are followed by “Far Out,” a group of more or less experimental fictions on the edge of domestic space, and “The Single Life,” whose protagonists are unmarried and unmoored.
Of these one hundred three stories, eighty first appeared in The New Yorker, and the other twenty-three in journals from the enduring Atlantic Monthly and Harper’s to the defunct Big Table and Transatlantic Review. All show Mr. Updike’s wit and verbal felicity, his reverence for ordinary life, and his love of the transient world.
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Rabbit Novels Vol. 1
by John Updike
The first and second novels in John Updike’s acclaimed quartet of Rabbit books–now in one marvelous volume.
RABBIT, RUN
“Brilliant and poignant . . . By his compassion, clarity of insight, and crystal-bright prose, [Updike] makes Rabbit’s sorrow his and out own.”
–The Washington Post
“Precise, graceful, stunning, he is an athlete of words and images. He is also an impeccable observer of thoughts and feelings.”
–The Village Voice
RABBIT REDUX
“ ‘Great in love, in art, boldness, freedom, wisdom, kindness, exceedingly rich in intelligence, wit, imagination, and feeling–a great and beautiful thing . . .’ these hyperboles (quoted from a letter written long ago by Thomas Mann) come to mind after reading John Updike’s Rabbit Redux.”
–The New York Times Book Review
“Updike owns a rare verbal genius, a gifted intelligence and a sense of tragedy made bearable by wit. . . . A masterpiece.”
–Time
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Villages: A Novel
by John Updike
A delightful, witty, passionate novel that follows its hero from the Depression era to the early twenty-first century—from a master of American letters and the Pulitzer Prize-winning author of the acclaimed Rabbit series.
John Updike’s twenty-first novel, a bildungsroman, follows Owen Mackenzie from his birth in the semi-rural Pennsylvania town of Willow to his retirement in the rather geriatric community of Haskells Crossing, Massachusetts.
In between these two settlements comes Middle Falls, Connecticut, where Owen, an early computer programmer, founds with a partner, Ed Mervine, the successful firm of E-O Data, which is housed in an old gun factory on the Chunkaunkabaug River. Owen’s education (Bildung) is not merely technical but liberal, as the humanity of his three villages, especially that of their female citizens, works to disengage him from his youthful innocence. As a child he early felt an abyss of calamity beneath the sunny surface quotidian, yet also had a dreamlike sense of leading a charmed existence.
The women of his life, including his wives, Phyllis and Julia, shed what light they can. At one juncture he reflects, “How lovely she is, naked in the dark! How little men deserve the beauty and mercy of women!” His life as a sexual being merges with the communal shelter of villages: “A village is woven of secrets, of truths better left unstated, of houses with less window than opaque wall.”
This delightful, witty, passionate novel runs from the Depression era to the early twenty-first century.
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Still Looking: Essays on American Art
by John Updike
From a master of American letters and the author of the acclaimed Rabbit series comes a richly illustrated book of eighteen insightful essays about American art, written while he was the art critic at The New York Review of Books.
“Remarkably elegant little essays, dense in thought and perception but offhandedly casual in style. Their brevity makes more acute the sense of regret one feels to see them end.” —Newsday
When, in 1989, a collection of John Updike’s writings on art appeared under the title Just Looking, a reviewer in the San Francisco Chronicle commented, “He refreshes for us the sense of prose opportunity that makes art a sustaining subject to people who write about it.” In the sixteen years since Just Looking was published, he continued to serve as an art critic, mostly for The New York Review of Books, and from fifty or so articles has selected, for this book, eighteen that deal with American art.
After beginning with early American portraits, landscapes, and the transatlantic career of John Singleton Copley, Still Looking then considers the curious case of Martin Johnson Heade and extols two late-nineteenth-century masters, Winslow Homer and Thomas Eakins. Next, it discusses the eccentric pre-moderns James McNeill Whistler and Albert Pinkham Ryder, the competing American Impressionists and Realists in the early twentieth century, and such now-historic avant-garde figures as Alfred Stieglitz, Marsden Hartley, Arthur Dove, and Elie Nadelman. Two appreciations of Edward Hopper and appraisals of Jackson Pollock and Andy Warhol round out the volume.
America speaks through its artists. As Updike states in his introduction, “The dots can be connected from Copley to Pollock: the same tense engagement with materials, the same demand for a morality of representation, can be discerned in both.”
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Terrorist: A novel
by John Updike
From one of the most gifted American writers of the twentieth century—and the author of the acclaimed Rabbit series: “A chilling tale that is perhaps the most essential novel to emerge from September 11” (People) about an eighteen-year-old devoted to Allah, who’s convinced he’s discovered God’s purpose for him.
“The most satisfactory elements in Terrorist are those that remind us that no amount of special pleading can set us free of history, no matter how oblivious and unresponsive to it we may be.” —The New York Times Book Review
The terrorist of John Updike’s title is eighteen-year-old Ahmad Ashmawy Mulloy, the son of an Irish American mother and an Egyptian father who disappeared when he was three. Devoted to Allah and to the Qur’an as expounded by the imam of his neighborhood mosque, Ahmad feels his faith threatened by the materialistic, hedonistic society he sees around him in the slumping New Jersey factory town of New Prospect. Neither Jack Levy, his life-weary guidance counselor at Central High, nor Joryleen Grant, his seductive black classmate, succeeds in diverting Ahmad from what the Qur’an calls the Straight Path. Now driving a truck for a local Lebanese furniture store—a job arranged through his imam—Ahmad thinks he has discovered God’s purpose for him. But to quote the Qur’an: Of those who plot, God is the best.
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The Widows of Eastwick
by John Updike
A master of American letters and the author of the acclaimed Rabbit series returns with a sequel to The Witches of Eastwick about the three much-loved divorcées—three decades later.
More than three decades have passed since the events described in John Updike’s The Witches of Eastwick. The three divorcées—Alexandra, Jane, and Sukie—have left town, remarried, and become widows. They cope with their grief and solitude as widows do: they travel the world, to such foreign lands as Canada, Egypt, and China, and renew old acquaintance. Why not, Sukie and Jane ask Alexandra, go back to Eastwick for the summer? The old Rhode Island seaside town, where they indulged in wicked mischief under the influence of the diabolical Darryl Van Horne, is still magical for them. Now Darryl is gone, and their lovers of the time have aged or died, but enchantment remains in the familiar streets and scenery of the village, where they enjoyed their lusty primes as free and empowered women. And, among the local citizenry, there are still those who remember them, and wish them ill. How they cope with the lingering traces of their evil deeds, the shocks of a mysterious counterspell, and the advancing inroads of old age, form the burden on Updike’s delightful, ominous sequel.
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Due Considerations: Essays and Criticism
by John Updike
A page-turning collection of essays and literary criticism on topics ranging from books, writers, poker, cars, faith, and the American libido—from one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series.
"[Updike is] one of the best essayists and critics this country has produced in the last century."—The Los Angeles Times
Here Updike considers many books, some in introductions—to such classics as Walden, The Portrait of a Lady, and The Mabinogion—and many more in reviews, usually for The New Yorker. Ralph Waldo Emerson and the five Biblical books of Moses come in for appraisal, along with Uncle Tom’s Cabin and The Wizard of Oz.
Contemporary American and English writers—Colson Whitehead, E. L. Doctorow, Don DeLillo, Norman Rush, William Trevor, A. S. Byatt, Muriel Spark, Ian McEwan—receive attentive and appreciative reviews, as do Rohinton Mistry, Salman Rushdie, Peter Carey, Margaret Atwood, Gabriel García Márquez, Haruki Murakami, Günter Grass, and Orhan Pamuk.
In factual waters, Mr. Updike ponders the sinking of the Lusitania and the “unsinkable career” of Coco Chanel, the adventures of Lord Byron and Iris Murdoch, the sexual revolution and the advent of female Biblical scholars, and biographies of Robert Frost, Sinclair Lewis, Marcel Proust, and Søren Kierkegaard.
Reading Due Considerations is like taking a cruise that calls at many ports with a witty, sensitive, and articulate guide aboard—a voyage not to be missed.
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Due Considerations: Essays and Criticism
by John Updike
A page-turning collection of essays and literary criticism on topics ranging from books, writers, poker, cars, faith, and the American libido—from one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series.
"[Updike is] one of the best essayists and critics this country has produced in the last century."—The Los Angeles Times
Here Updike considers many books, some in introductions—to such classics as Walden, The Portrait of a Lady, and The Mabinogion—and many more in reviews, usually for The New Yorker. Ralph Waldo Emerson and the five Biblical books of Moses come in for appraisal, along with Uncle Tom’s Cabin and The Wizard of Oz.
Contemporary American and English writers—Colson Whitehead, E. L. Doctorow, Don DeLillo, Norman Rush, William Trevor, A. S. Byatt, Muriel Spark, Ian McEwan—receive attentive and appreciative reviews, as do Rohinton Mistry, Salman Rushdie, Peter Carey, Margaret Atwood, Gabriel García Márquez, Haruki Murakami, Günter Grass, and Orhan Pamuk.
In factual waters, Mr. Updike ponders the sinking of the Lusitania and the “unsinkable career” of Coco Chanel, the adventures of Lord Byron and Iris Murdoch, the sexual revolution and the advent of female Biblical scholars, and biographies of Robert Frost, Sinclair Lewis, Marcel Proust, and Søren Kierkegaard.
Reading Due Considerations is like taking a cruise that calls at many ports with a witty, sensitive, and articulate guide aboard—a voyage not to be missed.
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My Father's Tears and Other Stories
by John Updike
A sensational collection of stories of the American experience from the Depression to the aftermath of 9/11, by one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series.
John Updike mingles narratives of Pennsylvania with stories of New England suburbia and of foreign travel:“Personal Archaeology” considers life as a sequence of half-buried layers, and “The Full Glass” distills a lifetime’s happiness into one brimming moment of an old man’s bedtime routine. High-school class reunions, in “The Walk with Elizanne” and “The Road Home,” restore their hero to youth’s commonwealth where, as the narrator of the title story confides, “the self I value is stored, however infrequently I check on its condition.” Exotic locales encountered in the journeys of adulthood include Morocco, Florida, Spain, Italy, and India. The territory of childhood, with its fundamental, formative mysteries, is explored in “The Guardians,” “The Laughter of the Gods,” and “Kinderszenen.” Love’s fumblings among the bourgeoisie yield the tart comedy of “Free,” “Delicate Wives,” “The Apparition,” and “Outage.”
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Higher Gossip: Essays and Criticism
by John Updike
One of the most gifted American writers of the twentieth century—and the author of the acclaimed Rabbit series—delivers the intimate, generous, insightful, and beautifully written collection he was compiling when he died.
This collection of miscellaneous prose opens with a self-portrait of the writer in winter, a Prospero who, though he fears his most dazzling performances are behind him, reveals himself in every sentence to be in deep conversation with the sources of his magic. It concludes with a moving meditation on a modern world robbed of imagination--a world without religion, without art--and on the difficulties of faith in a disbelieving age.
In between are previously uncollected stories and poems, a pageant of scenes from seventeenth-century Massachusetts, five late "golf dreams," and several of Updike's commentaries on his own work. At the heart of the book are his matchless reviews--of John Cheever, Ann Patchett, Toni Morrison, William Maxwell, John le Carré, and essays on Aimee Semple McPherson, Max Factor, and Albert Einstein, among others. Also included are two decades of art criticism--on Chardin, El Greco, Blake, Turner, Van Gogh, Max Ernest, and more.
Updike's criticism is gossip of the highest order, delivered in an intimate and generous voice.
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Higher Gossip: Essays and Criticism
by John Updike
One of the most gifted American writers of the twentieth century—and the author of the acclaimed Rabbit series—delivers the intimate, generous, insightful, and beautifully written collection he was compiling when he died.
This collection of miscellaneous prose opens with a self-portrait of the writer in winter, a Prospero who, though he fears his most dazzling performances are behind him, reveals himself in every sentence to be in deep conversation with the sources of his magic. It concludes with a moving meditation on a modern world robbed of imagination—a world without religion, without art—and on the difficulties of faith in a disbelieving age.
In between are previously uncollected stories and poems, a pageant of scenes from seventeenth-century Massachusetts, five late “golf dreams,” and several of Updike's commentaries on his own work. At the heart of the book are his matchless reviews—of John Cheever, Ann Patchett, Toni Morrison, William Maxwell, John le Carré, and essays on Aimee Semple McPherson, Max Factor, and Albert Einstein, among others. Also included are two decades of art criticism—on Chardin, El Greco, Blake, Turner, Van Gogh, Max Ernest, and more.
Updike’s criticism is gossip of the highest order, delivered in an intimate and generous voice.
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Licks of Love: Short Stories and a Sequel, "Rabbit Remembered"
by John Updike
In this brilliant late-career collection, John Updike revisits many of the locales of his early fiction: the small-town Pennsylvania of Olinger Stories, the sandstone farmhouse of Of the Farm, the exurban New England of Couples and Marry Me, and Henry Bech’s Manhattan of artistic ambition and taunting glamour. To a dozen short stories spanning the American Century, the author has added a novella-length coda to his quartet of novels about Harry “Rabbit” Angstrom. Several strands of the Rabbit saga come together here as, during the fall and winter holidays of 1999, Harry’s survivors fitfully entertain his memory while pursuing their own happiness up to the edge of a new millennium. Love makes Updike’s fictional world go round—married love, filial love, feathery licks of erotic love, and love for the domestic particulars of Middle American life.
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Seek My Face: A Novel
by John Updike
A riveting novel that takes place in one day about an elderly painter and the New Yorker interviewing her—from one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series.
“A brief novel of deep feeling.”—Time
On a day that contains much conversation and some rain, the seventy-eight-year-old painter Hope Chafetz, who in the course of her eventful life has been Hope Ouderkirk, Hope McCoy, and Hope Holloway, answers questions put to her by a New York interviewer named Kathryn, and recapitulates, through the story of her own career, the triumphant, poignant saga of postwar American art. In the evolving relation between the two women, the interviewer and interviewee move in and out of the roles of daughter and mother, therapist and patient, predator and prey, supplicant and idol. The scene is central Vermont; the time is the early spring of 2001.
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My Father's Tears: And Other Stories
by John Updike
A sensational collection of stories of the American experience from the Depression to the aftermath of 9/11, by one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series.
John Updike mingles narratives of Pennsylvania with stories of New England suburbia and of foreign travel: “Personal Archaeology” considers life as a sequence of half-buried layers, and “The Full Glass” distills a lifetime’s happiness into one brimming moment of an old man’s bedtime routine. High-school class reunions, in “The Walk with Elizanne” and “The Road Home,” restore their hero to youth’s commonwealth where, as the narrator of the title story confides, “the self I value is stored, however infrequently I check on its condition.” Exotic locales encountered in the journeys of adulthood include Morocco, Florida, Spain, Italy, and India. The territory of childhood, with its fundamental, formative mysteries, is explored in “The Guardians,” “The Laughter of the Gods,” and “Kinderszenen.” Love’s fumblings among the bourgeoisie yield the tart comedy of “Free,” “Delicate Wives,” “The Apparition,” and “Outage.”
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Of the Farm: A Novel
by John Updike
“A small masterpiece . . . With Of the Farm, John Updike has achieved a sureness of touch, a suppleness of style, and a subtlety of vision that is gained by few writers of fi ction.”—The New York Times
In this short novel, Joey Robinson, a thirty-five-year-old New Yorker, describes a visit he makes, with his second wife and eleven-year-old stepson, to the Pennsylvania farm where he grew up and where his aging mother now lives alone. For three days, a quartet of voices explores the air, making confessions, seeking alignments, quarreling, pleading, and pardoning. They are not entirely alone: ghosts (fathers, lovers, children) press upon them, as do phantoms from the near future (nurses, lawyers, land developers). Of the Farm concerns the places people choose to live their lives, and the strategies they use to stand their ground.
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The Poorhouse Fair: A Novel
by John Updike
“Brilliant . . . Here is the conflict of real ideas; of real personalities; here is a work of intellectual imagination and great charity. The Poorhouse Fair is a work of art.”—The New York Times Book Review
The hero of John Updike’s first novel, published when the author was twenty-six, is ninety-four-year-old John Hook, a dying man who yet refuses to be dominated. His world is a poorhouse—a county home for the aged and infirm—overseen by Stephen Conner, a righteous young man who considers it his duty to know what is best for others. The action of the novel unfolds over a single summer’s day, the day of the poorhouse’s annual fair, a day of escalating tensions between Conner and the rebellious Hook. Its climax is a contest between progress and tradition, benevolence and pride, reason and faith.
Praise for The Poorhouse Fair
“A first novel of rare precision and real merit . . . a rich poorhouse indeed.”—Newsweek
“Turning on a narrow plot of ground, itachieves the rarity of bounded, native truth, and comes forth as microcosm.”—Commonweal
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Rabbit Novels Vol. 2
by John Updike
The third and fourth novel in John Updike’s acclaimed quartet of Rabbit books–now in one marvelous volume.
RABBIT IS RICH
Winner of the American Book Award and
the National Book Critics Circle Award
“Dazzlingly reaffirms Updike’s place as master chronicler of the spiritual maladies and very earthly pleasure of the Middle-American male.”
–Vogue
“A splendid achievement!”
–The New York Times
RABBIT AT REST
Winner of the Pulitzer Prize and
the National Book Critics Circle Award
“Brilliant . . . It must be read. It is the best novel about America to come out of America for a very, very long time.”
–The Washington Post Book World
“Powerful . . . John Updike with his precision’s prose and his intimately attentive yet cold eye is a master.”
–The New York Times Book Review
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Terrorist: A Novel
by John Updike
From one of the most gifted American writers of the twentieth century—and the author of the acclaimed Rabbit series: “A chilling tale that is perhaps the most essential novel to emerge from September 11” (People) about an eighteen-year-old devoted to Allah, who’s convinced he’s discovered God’s purpose for him.
“The most satisfactory elements in Terrorist are those that remind us that no amount of special pleading can set us free of history, no matter how oblivious and unresponsive to it we may be.”—The New York Times Book Review
The terrorist of John Updike’s title is eighteen-year-old Ahmad Ashmawy Mulloy, the son of an Irish American mother and an Egyptian father who disappeared when he was three. Devoted to Allah and to the Qur’an as expounded by the imam of his neighborhood mosque, Ahmad feels his faith threatened by the materialistic, hedonistic society he sees around him in the slumping New Jersey factory town of New Prospect. Neither Jack Levy, his life-weary guidance counselor at Central High, nor Joryleen Grant, his seductive black classmate, succeeds in diverting Ahmad from what the Qur’an calls the Straight Path. Now driving a truck for a local Lebanese furniture store—a job arranged through his imam—Ahmad thinks he has discovered God’s purpose for him. But to quote the Qur’an: Of those who plot, God is the best.
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Olinger Stories (Everyman's Library Pocket Classics Series)
by John Updike
From one of the most gifted American writers of the twentieth century—and the author of the acclaimed Rabbit series—the first one-volume hardcover edition of the eleven autobiographical stories closest to his heart. With full-cloth binding and a silk ribbon marker. EVERYMAN'S POCKET CLASSICS.
In an interview, Updike once said, "If I had to give anybody one book of me, it would be the Olinger Stories." These stories were originally published in The New Yorker and then in various collections before Vintage first put them together in one volume in 1964, as a paperback original. They follow the life of one character from the age of ten through manhood, in the small Pennsylvania town of Olinger (pronounced, according to Updike, with a long O and a hard G), which was loosely based on Updike's own hometown. "All the stories draw from the same autobiographical well," Updike explained, "the only child, the small town, the grandparental home, the move in adolescence to a farm." The selection was made and arranged by Updike himself, and was prefaced by a lovely 1,400-word essay by the author that has never been reprinted in full elsewhere until now.
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The Best American Short Stories of the Century
by John Updike, Katrina Kenison
Selected by the award-winning author of the Rabbit novels, fifty-five of the most important pieces of short fiction of the twentieth century feature masterworks by Ernest Hemingway, William Faulkner, Willa Cather, F. Scott Fitzgerald, Eudora Welty, Philip Roth, Joyce Carol Oates, and other notable writers. 75,000 first printing.
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The Best American Short Stories of the Century
by John Updike, Katrina Kenison
Since the series' inception in 1915, the annual volumes of The Best American Short Stories have launched literary careers, showcased the most compelling stories of each year, and confirmed for all time the significance of the short story in our national literature. Now THE BEST AMERICAN SHORT STORIES OF THE CENTURY brings together the best of the best - fifty-five extraordinary stories that represent a century's worth of unsurpassed accomplishments in this quintessentially American literary genre. Here are the stories that have endured the test of time: masterworks by such writers as Ernest Hemingway, William Faulkner, Willa Cather, F. Scott Fitzgerald, William Saroyan, Flannery O'Connor, John Cheever, Eudora Welty, Philip Roth, Joyce Carol Oates, Raymond Carver, Cynthia Ozick, and scores of others. These are the writers who have shaped and defined the landscape of the American short story, who have unflinchingly explored all aspects of the human condition, and whose works will continue to speak to us as we enter the next century. Their artistry is represented splendidly in these pages. THE BEST AMERICAN SHORT STORIES series has also always been known for making literary discoveries, and discovery proved to be an essential part of selecting the stories for this volume too. Collections from years past yielded a rich harvest of surprises, stories that may have been forgotten but still retain their relevance and luster. The result is a volume that not only gathers some of the most significant stories of our century between two covers but resurrects a handful of lost literary gems as well. Of all the great writers whose work has appeared in the series, only John Updike's contributions have spanned five consecutive decades, from his first appearance, in 1959. Updike worked with coeditor Katrina Kenison to choose stories from each decade that meet his own high standards of literary quality.
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More Matter: Essays and Criticism
by John Updike
In this collection of nonfiction pieces, John Updike gathers his responses to nearly two hundred invitations into print, each “an opportunity to make something beautiful, to find within oneself a treasure that would otherwise remain buried.” Introductions, reviews, and humorous essays, paragraphs on New York, religion, and lust—here is “more matter” commissioned by an age that, as the author remarks in his Preface, calls for “real stuff . . . not for the obliquities and tenuosities of fiction.” Still, the novelist’s shaping hand, his gift for telling detail, can be detected in many of these literary considerations. Books by Edith Wharton, Dawn Powell, John Cheever, and Vladimir Nabokov are incisively treated, as are biographies of Isaac Newton, Abraham Lincoln, Queen Elizabeth II, and Helen Keller. As George Steiner observed, Updike writes with a “solicitous, almost tender intelligence. The critic and the poet in him . . . are at no odds with the novelist; the same sharpness of apprehension bears on the object in each of Updike’s modes.”
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S
by John Updike
S. is Sarah Worth -- doctor's wife, North Shore matron, loving mother, and now (suddenly!) ardent follower of a Hindu religious leader known as the Arhat. As this brilliant and very funny novel opens, Sarah is fleeing the confinement of her suburban life to become a sannyasin (pilgrim) at her guru's Arizona ashram.
In the letters and audiocassettes that Sarah sends to her husband, daughter, mother, brother, best friend -- to her psychiatrist and her hairdresser and her dentist -- master novelist John Updike gives us a witty comedy of manners, a biting satire of life on a religious commune, and the story -- deep and true -- of an American woman in search of herself.
From the Trade Paperback edition.
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Golf Dreams: Writings on Golf
by John Updike
John Updike wrote about the lure of golf for five decades, from the first time he teed off at the age of twenty-five until his final rounds at the age of seventy-six. Golf Dreams collects the most memorable of his golf pieces, high-spirited evidence of his learning, playing, and living for the game. The camaraderie of golf, the perils of its present boom, how to relate to caddies, and how to manage short putts are among the topics he addresses, sometimes in lyrical essays, sometimes in light verse, sometimes in wickedly comic fiction. All thirty pieces have the lilt of a love song, and the crispness of a firm chip stiff to the pin.
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Rabbit, Run
by John Updike
“A lacerating story of loss and of seeking, written in prose that is charged with emotion but is always held under impeccable control.”—Kansas City Star
Rabbit, Run is the book thatestablished John Updike as one of the major American novelists of his—or any other—generation. Its hero is Harry “Rabbit” Angstrom, a onetime high-school basketball star who on an impulse deserts his wife and son. He is twenty-six years old, a man-child caught in a struggle between instinct and thought, self and society, sexual gratification and family duty—even, in a sense, human hard-heartedness and divine Grace. Though his flight from home traces a zigzag of evasion, he holds to the faith that he is on the right path, an invisible line toward his own salvation as straight as a ruler’s edge.
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Rabbit at Rest
by John Updike
PULITZER PRIZE WINNER • One of the most gifted American writers of the twentieth century brings back ex-basketball player Harry “Rabbit” Angstrom, the late middle-aged hero of Rabbit, Run, who has acquired heart trouble, a Florida condo, and a second grandchild, and is looking for reasons to live.
“Brilliant . . . the best novel about America to come out of America for a very, very long time.”—The Washington Post Book World
Rabbit’s son, Nelson, is behaving erratically; his daughter-in-law, Pru, is sending out mixed signals; and his wife, Janice, decides in midlife to become a working girl. As, through the winter, spring, and summer of 1989, Reagan's debt-ridden, AIDS-plagued America yields to that of George Bush, Rabbit explores the bleak terrain of late middle age, looking for reasons to live. The geographical locale is divided between Brewer, in southestern Pennyslvania, and Deleon, in southwestern Florida.
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The Centaur
by John Updike
WINNER OF THE NATIONAL BOOK AWARD AND THE PRIX DU MEILLEUR LIVRE ÉTRANGER
The Centaur is a modern retelling of the legend of Chiron, the noblest and wisest of the centaurs, who, painfully wounded yet unable to die, gave up his immortality on behalf of Prometheus. In the retelling, Olympus becomes small-town Olinger High School; Chiron is George Caldwell, a science teacher there; and Prometheus is Caldwell’s fifteen-year-old son, Peter. Brilliantly conflating the author’s remembered past with tales from Greek mythology, John Updike translates Chiron’s agonized search for relief into the incidents and accidents of three winter days spent in rural Pennsylvania in 1947. The result, said the judges of the National Book Award, is “a courageous and brilliant account of a conflict in gifts between an inarticulate American father and his highly articulate son.”
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Rabbit Is Rich
by John Updike
PULITZER PRIZE WINNER • The middle-aged hero of Rabbit, Run, returns—from one of the most gifted American writers of the twentieth century.
The hero of John Updike’s Rabbit, Run, ten years after the hectic events described in Rabbit Redux, has come to enjoy considerable prosperity as Chief Sales Representative of Springer Motors, a Toyota agency in Brewer, Pennsylvania. The time is 1979: Skylab is falling, gas lines are lengthening, the President collapses while running in a marathon, and double-digit inflation coincides with a deflation of national confidence. Nevertheless, Harry Angstrom feels in good shape, ready to enjoy life at last—until his son, Nelson, returns from the West, and the image of an old love pays a visit to his lot. New characters and old populate these scenes from Rabbit’s middle age, as he continues to pursue, in his erratic fashion, the rainbow of happiness.
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Rabbit Redux
by John Updike
In this sequel to Rabbit, Run, John Updike resumes the spiritual quest of his anxious Everyman, Harry “Rabbit” Angstrom. Ten years have passed; the impulsive former athlete has become a paunchy thirty-six-year-old conservative, and Eisenhower’s becalmed America has become 1969’s lurid turmoil of technology, fantasy, drugs, and violence. Rabbit is abandoned by his family, his home invaded by a runaway and a radical, his past reduced to a ruined inner landscape; still he clings to semblances of decency and responsibility, and yearns to belong and to believe.
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The Witches of Eastwick
by John Updike
“John Updike is the great genial sorcerer of American letters [and] The Witches of Eastwick [is one of his] most ambitious works. . . . [A] comedy of the blackest sort.”—The New York Times Book Review
Toward the end of the Vietnam era, in a snug little Rhode Island seacoast town, wonderful powers have descended upon Alexandra, Jane, and Sukie, bewitching divorcées with sudden access to all that is female, fecund, and mysterious. Alexandra, a sculptor, summons thunderstorms; Jane, a cellist, floats on the air; and Sukie, the local gossip columnist, turns milk into cream. Their happy little coven takes on new, malignant life when a dark and moneyed stranger, Darryl Van Horne, refurbishes the long-derelict Lenox mansion and invites them in to play. Thenceforth scandal flits through the darkening, crooked streets of Eastwick—and through the even darker fantasies of the town’s collective psyche.
“A great deal of fun to read . . . fresh, constantly entertaining . . . John Updike [is] a wizard of language and observation.”—The Philadelphia Inquirer
“Vintage Updike, which is to say among the best fiction we have.”—Newsday
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Selected Letters of John Updike
by John Updike
The arc of literary giant John Updike's life emerges in these luminous daily letters to family, friends, editors and lovers—a remarkable outpouring over six decades, from his earliest consciousness as a writer to his final days
As James Schiff writes in the introduction to this volume, of the writer who would eventually express himself in written form as copiously and as elegantly as any American writer before him, "Updike needed to write the way the rest of us need to breathe or eat." With his stunning rhetorical gifts—allowing him to thrive in both fiction and nonfiction, in criticism as well as poetry—he was also a consummate letter writer. From his early writing attempts (he began submitting work to magazines as a teenager) to the 150 eye-opening letters home when he left the farm and family to go to Harvard, to the young adult correspondence with The New Yorker and other publications where his work began to appear, and on into the fullness of a long literary life, his correspondence, Schiff notes,"figures not as an adjunct to but rather an integral part of his astonishing literary output."
The intimacy and lucidity of these letters brings to the fore all matter of subjects and situations, notably the ardent feelings for his first love and wife, Mary, and later the heartbreaking but honestly accounted breakup of their marriage; the uncensored passion for other women, including the neighbor and friend of the Updikes who became his second wife; the concern for his children's path to adulthood; and the ongoing conversations with many literary peers, from Joyce Carol Oates to Philip Roth, as well as Knopf and New Yorker editors, publicists, and others in the lit business.
Filled with comic observations, opinions, and personal news, told in the exquisitely fluid first-person voice of the writer himself, these missives, taken together, make a page-turning "life in letters" like no other.
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Rabbit Angstrom: A Tetralogy (Everyman's Library, No. 214)
by John Updike
The four novels in the acclaimed Rabbit series—including the Pulitzer Prize winners Rabbit is Rich and Rabbit at Rest—brought together in a single volume, from one of the most gifted American writers of the twentieth century.
When we first met him in Rabbit, Run (1960), the book that established John Updike as a major novelist, Harry (Rabbit) Angstrom is playing basketball with some boys in an alley in Pennsylvania during the tail end of the Eisenhower era, reliving for a moment his past as a star high school athlete. Athleticism of a different sort is on display throughout these four magnificent novels—the athleticism of an imagination possessed of the ability to lay bare, with a seemingly effortless animal grace, the enchantments and disenchantments of life. Updike revisited his hero toward the end of each of the following decades in the second half of this American century; and in each of the subsequent novels, as Rabbit, his wife, Janice, his son, Nelson, and the people around them grow, these characters take on the lineaments of our common existence. In prose that is one of the glories of contemporary literature, Updike has chronicled the frustrations and ambiguous triumphs, the longuers, the loves and frenzies, the betrayals and reconciliations of our era. He has given us our representative American story. This Rabbit Angstrom volume is composed of the following novels: Rabbit, Run; Rabbit Redux; Rabbit is Rich; and Rabbit at Rest.
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The Adventures of Mao on the Long March
by John Updike, Frederic Tuten
A revolutionary comic masterpiece, an icon of literature as American pop art, and a book unlike any other, The Adventures of Mao on the Long March breaks all frames. An icon of literature as American Pop Art, Frederic Tuten’s Adventures of Mao on the Long March is a triumphantly witty and subversive novel. The New York Times called it “almost too good to be true.” Tuten’s deadpan textbook narrative of Mao’s Long March is peppered with loving parodies of Hemingway, Kerouac, Dos Passos, and Malamud. As John Updike comments, the book includes “twenty-seven pages of straight history of the Long March (October 1934-October 1935), done in a neutral, factual tone, as by a fellow-traveling Readers Digest…thirty-six and a half pages of quotations in quotation marks…and twenty-six pages of what might be considered normal novelistic substance―imaginary encounters and conversation. For an example: ‘a tank, covered with peonies and laurels, advances towards him. Mao thinks the tank will crush him, but it clanks to a halt. The turret rises, hesitantly. Greta Garbo, dressed in red sealskin boots, red railway-man’s cap, and red satin coveralls, emerges. She speaks: “Mao, I have been bad in Moscow and wicked in Paris, I have been loved in every capital, but I have never seen a MAN whom I could love. That Man is you, Mao, Mao mine.” Mao considers this dialectically. The woman is clearly mad. Yet she is beautiful and the tank seems to work.‘”
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Selected Poems of John Updike
by John Updike
The best from Updike’s lifework in poetry: 129 witty and intimate poems that, when read together take on the quality of an autobiography in verse. • By a master of American letters and the author of the acclaimed Rabbit series.
“Updike’s gift for close observation, in these poems as elsewhere, is near to supernatural.” —The New York Times
Five decades of witty, intimate, and moving poems—written between 1953 and 2008—with the cumulative force of an unfolding verse-diary.
Though John Updike is widely known as one of America’s greatest writers of prose, both his first book and his last were poetry collections, and in the fifty years between he published six other volumes of verse. Now, six years after his death, Christopher Carduff has selected the best from Updike’s lifework in poetry: 129 witty and intimate poems that, when read together in the order of their composition, take on the quality of an unfolding verse-diary.
Among these poems are precocious undergraduate efforts (including the previously unpublished “Coming into New York”), frequently anthologized midcareer classics (“Seagulls,” “Seven Stanzas at Easter,” “Dog’s Death”), and dozens of later works in a form that Updike made his own, the blank-verse sonnet. The poems range from metaphysical epigrams and devotional poems to lyrical odes to rot, growth, and healing; from meditations on Roman portrait busts and the fleshy canvases of Lucian Freud to observations on sash cords, postage stamps, and hand tools; from several brief episodes in family history to a pair of long autobiographical poems, the antic and eclectic “Midpoint,” written at age thirty-five, and the elegiac masterpiece “Endpoint,” completed just before his death at seventy-six. The variety of the work is astonishing, the craftsmanship always of the highest caliber.
Art, science, popular culture, foreign travel, erotic love, the beauty of the man-made and the God-given worlds—these recurring topics provided Updike ever-surprising occasions for wonder and matchless verbal invention. His Selected Poems is, as Brad Leithauser writes in his introduction, a celebration of American life in the second half of the twentieth century: “No other writer of his time captured so much of this passing pageant. And that he did so with brio and delight and nimbleness is another reason to celebrate our noble celebrant.”
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Selected Poems of John Updike
by John Updike
The best from Updike’s lifework in poetry: 129 witty and intimate poems that, when read together take on the quality of an autobiography in verse. • By a master of American letters and the author of the acclaimed Rabbit series.
“Updike’s gift for close observation, in these poems as elsewhere, is near to supernatural.” —The New York Times
Five decades of witty, intimate, and moving poems—written between 1953 and 2008—with the cumulative force of an unfolding verse-diary.
Though John Updike is widely known as one of America’s greatest writers of prose, both his first book and his last were poetry collections, and in the fifty years between he published six other volumes of verse. Now, six years after his death, Christopher Carduff has selected the best from Updike’s lifework in poetry: 129 witty and intimate poems that, when read together in the order of their composition, take on the quality of an unfolding verse-diary.
Among these poems are precocious undergraduate efforts (including the previously unpublished “Coming into New York”), frequently anthologized midcareer classics (“Seagulls,” “Seven Stanzas at Easter,” “Dog’s Death”), and dozens of later works in a form that Updike made his own, the blank-verse sonnet. The poems range from metaphysical epigrams and devotional poems to lyrical odes to rot, growth, and healing; from meditations on Roman portrait busts and the fleshy canvases of Lucian Freud to observations on sash cords, postage stamps, and hand tools; from several brief episodes in family history to a pair of long autobiographical poems, the antic and eclectic “Midpoint,” written at age thirty-five, and the elegiac masterpiece “Endpoint,” completed just before his death at seventy-six. The variety of the work is astonishing, the craftsmanship always of the highest caliber.
Art, science, popular culture, foreign travel, erotic love, the beauty of the man-made and the God-given worlds—these recurring topics provided Updike ever-surprising occasions for wonder and matchless verbal invention. His Selected Poems is, as Brad Leithauser writes in his introduction, a celebration of American life in the second half of the twentieth century: “No other writer of his time captured so much of this passing pageant. And that he did so with brio and delight and nimbleness is another reason to celebrate our noble celebrant.”
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Hub Fans Bid Kid Adieu: John Updike on Ted Williams: A Library of America Special Publication
by John Updike
On September 28, 1960—a day that will live forever in the hearts of fans—Red Sox slugger Ted Williams stepped up to the plate for his last at-bat in Fenway Park. Seizing the occasion, he belted a solo home run—a storybook ending to a storied career.
In the stands that afternoon was twenty-eight-year-old John Updike, inspired by the moment to make his lone venture into the field of sports reporting. More than just a matchless account of that fabled final game, Hub Fans Bid Kid Adieu is a brilliant evocation of Williams’ entire tumultuous life in baseball.
Now, on the fiftieth anniversary of the dramatic exit of baseball’s greatest hitter, The Library of America presents a commemorative edition of Hub Fans, prepared by the author just months before his death. To the classic final version of the essay, long out-of-print, Updike added an autobiographical preface and a substantial new afterword.
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The Afterlife: And Other Stories
by John Updike
“Marvelously moving . . . These tales evoke a certain peace and a definite wonder at what an astonishingly graceful writer Updike is.”—USA Today
To the hero of the title story of this collection, all of England has the glow of an afterlife: “A miraculous lacquer lay upon everything, beading each roadside twig . . . each reed of thatch, each tiny daisy trembling in the grass.” All of these stories, each in its own way, partake of this glow, as life beyond middle age is explored and found to have its own exquisite dearness. As death approaches, existence takes on, for some of Updike’s aging characters, a translucence, a magical fragility; vivid memory and casual misperception lend the mundane an antic texture, and the backward view, lengthening, acquires a certain grandeur. Here is a world where wonder stubbornly persists, and fresh beginnings almost outnumber losses.
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Toward the End of Time: A Novel
by John Updike
Set in the near future of 2020, this disconcerting philosophical fantasydepicts an America devastated by a war with China that has left its populace decimated, its government a shambles, and its natural resources tainted. The hero is Ben Turnbull, a sixty-six-year-old retired investment counselor, who, like Thoreau, sticks close to home and traces the course of one Massachusetts year in his journal. Something of a science buff, he finds that his disrupted personal history has been warped by the disjunctions and vagaries of the “many-worlds” hypothesis derived from the indeterminacy of quantum theory. His identity branches into variants extending back through the past and forward into the evolution of the universe, as both it and his own mortal, nature-haunted existence move toward the end of time.
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A Child's Calendar (20th Anniversary Edition)
by John Updike
Newly available in hardcover, this 20th anniversary edition of a Caldecott Honor classic combines the star power of John Updike and Trina Schart Hyman.
Celebrate the little moments that make each month special in this beautiful picture book featuring twelve poems about a family and the turn of the seasons. From the short, frozen days of January, through the light of summer, to the first snowflakes of December, Updike's poems rejoices in the familiar, wondrous qualities that make each part of the year unique.
Hyman's award-winning paintings--modeled after her own daughter, son-in-law and grandchildren--depict an interracial family going about the business of their lives throughout the year: sledding in January, watching fireworks in July, and playing in the autumn leaves. Bold and colorful, they're filled with the intricate detail for which her art is famous-- including cameo appearances by the artist and her partner, Jean Aull.
Featuring a redesigned cover, the 20th Anniversary Edition of this inclusive Caldecott Honor book is a beautiful read-aloud to treasure throughout the year, with family and friends.
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Hugging the Shore: Essays and Criticism
by John Updike
WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD
“Writing criticism is to writing fiction and poetry as hugging the shore is to sailing in the open sea,” writes John Updike in his Foreword to this collection of literary considerations. But the sailor doth protest too much: This collection begins somewhere near deep water, with a flotilla of short fiction, humor pieces, and personal essays, and even the least of the reviews here—those that “come about and draw even closer to the land with another nine-point quotation”—are distinguished by a novelist’s style, insight, and accuracy, not just surface sparkle. Indeed, as James Atlas commented, the most substantial critical articles, on Melville, Hawthorne, and Whitman, go out as far as Updike’s fiction: They are “the sort of ambitious scholarly reappraisal not seen in this country since the death of Edmund Wilson.” With Hugging the Shore, Michiko Kakutani wrote, Updike established himself “as a major and enduring critical voice; indeed, as the pre-eminent critic of his generation.”
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Picked-Up Pieces: Essays
by John Updike
In John Updike’s second collection of assorted prose he comes into his own as a book reviewer; most of the pieces picked up here were first published in The New Yorker in the 1960s and early ’70s. If one word could sum up the young critic’s approach to books and their authors it would be “generosity”: “Better to praise and share,” he says in his Foreword, “than to blame and ban.” And so he follows his enthusiasms, which prove both deserving and infectious: Kierkegaard, Proust, Joyce, Dostoevsky, and Hamsun among the classics; Borges, Nabokov, Grass, Bellow, Cheever, and Jong among the contemporaries. Here too are meditations on Satan and cemeteries, travel essays on London and Anguilla, three very early “golf dreams,” and one big interview. Picked-Up Pieces is a glittering treasury for every reader who likes life, books, wit—and John Updike.
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Odd Jobs: Essays and Criticism
by John Updike
To complement his work as a fiction writer, John Updike accepted any number of odd jobs—book reviews and introductions, speeches and tributes, a “few paragraphs” on baseball or beauty or Borges—and saw each as “an opportunity to learn something, or to extract from within some unsuspected wisdom.” In this, his largest collection of assorted prose, he brings generosity and insight to the works and lives of William Dean Howells, George Bernard Shaw, Philip Roth, Muriel Spark, and dozens more. Novels from outposts of postmodernism like Turkey, Albania, Israel, and Nigeria are reviewed, as are biographies of Cleopatra and Dorothy Parker. The more than a hundred considerations of books are flanked, on one side, by short stories, a playlet, and personal essays, and, on the other, by essays on his own oeuvre. Updike’s odd jobs would be any other writer’s chief work.
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John Updike: The Collected Stories: A Library of America Boxed Set
by John Updike
From his first collection, The Same Door, released in 1959, to his last, My Father’s Tears, published fifty years later, John Updike was America’s reigning master of the short story, “our second Hawthorne,” as Philip Roth described him. His evocations of small-town Pennsylvania life, and of his own religious, artistic, and sexual awakening, transfixed readers of The New Yorker and of the early collections Pigeon Feathers (1962) and The Music School (1966). In these and the works that followed—the formal experiments and wickedly tart tales of suburban adultery in Museums and Women (1972) and Problems (1979), the portraits of middle-aged couples in love and at war with aging parents and rebellious children in Trust Me (1987) and The Afterlife (1994), and the fugue-like stories of memory, desire, travel, and unquenched thirst for life in Licks of Love (2000) and My Father’s Tears (2009)—Updike displayed the virtuosic command of character, dialogue, and sensual description that was his signature.
Here, in two career-spanning volumes, are 186 unforgettable stories, from “Ace in the Hole” (1953), a sketch of a Rabbit-like ex-basketball player written when Updike was a Harvard senior, to “The Full Glass” (2008), the author’s “toast to the visible world, his own impending disappearance from it be damned.” Based on new archival research, each story is presented in its final definitive form and in order of composition, established here for the first time. This unprecedented collection of American masterpieces is not just the publishing event of the season, it is a national literary treasure.
LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
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John Updike: Collected Early Stories (LOA #242) (Library of America John Updike Edition)
by John Updike
The Library of America presents the first of two volumes in its definitive Updike collection. Here are 102 classic stories that chart Updike’s emergence as America’s foremost practitioner of the short story, “our second Hawthorne,” as Philip Roth described him. Based on new archival research, each story is presented in its final definitive form and in order of composition, established here for the first time.
LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
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John Updike: Novels 1968-1975 (LOA #326): Couples / Rabbit Redux / A Month of Sundays (Library of America John Updike Edition)
by John Updike
Library of America's definitive Updike edition continues with three masterful novels on the joys and the discontents of the sexual revolution
Here for the first time in one volume are three of John Updike's most essential novels--the scandalous Couples, the brilliant Rabbit Redux, and the uproarious A Month of Sundays--which together form an unforgettable triptych of the social turbulence that roiled America from the Kennedy to the Nixon years. Written with the grace, verve, and style of one of literature's most sophisticated entertainers, these books not only reveal Updike's genius in characterization and his formal versatility as a novelist but also delve into the complexities of sex and marriage, social class and personal morality, and the difficult quandaries of the flesh and the spirit. As a special feature the volume also presents two short pieces that shed light on the novels and the tale "Couples: A Short Story," the origin of the novel of the same name, written in 1963 but deemed unsuitable for publication by The New Yorker.
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John Updike: Novels 1959-1965 (LOA #311): The Poorhouse Fair / Rabbit, Run / The Centaur / Of the Farm (Library of America John Updike Edition)
by John Updike
Library of America launches its definitive multi-volume edition of John Updike's novels with the four early works that signaled the arrival of one of the most gifted young novelists of the 1960s.
John Updike had already made a name as a contributor of stories and poems to The New Yorker when, in January 1959, at the age of twenty-six, he published his first novel, The Poorhouse Fair, launching one of the most extraordinary literary careers in American letters. Now, Library of America inaugurates a multi-volume edition of Updike's novels with this volume gathering his first four novels, including the landmark Rabbit, Run, chosen in 2010 by TIME Magazine one of the best 100 novels published in English since 1923. Set in the near future of 1978, The Poorhouse Fair stages a conflict between John Hook, a rebellious ninety-four-year-old former schoolteacher now a resident of a rural poorhouse, and young Mr. Conner, the utilitarian humanist who runs the facility, as an allegory of resistance in a world of systems and efficiencies. Updike's legendary rejoinder to Jack Kerouac's On the Road, Rabbit, Run (1960) introduces us to the author's most enduring protagonist, Harry "Rabbit" Angstrom, a onetime high-school basketball star who, on an impulse, deserts his wife and son, with tragic consequences. The Centaur, a comic-tragic father-son novel that mixes memory and myth, won the National Book Award for Fiction in 1964. The novella Of the Farm (1965) is one of Updike's loveliest performances, a kind of chamber music for four voices set during a single memorable weekend.
LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
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John Updike: Collected Later Stories (LOA #243)
by John Updike
The Library of America presents the second of two volumes in its definitive Updike collection. Here are 84 classic stories that display the virtuosic command of character, dialogue, and sensual description that was Updike’s signature.. Based on new archival research, each story is presented in its final definitive form and in order of composition, established here for the first time.
LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
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Memories of the Ford Administration: A Novel
by John Updike
When historian Alfred “Alf” Clayton is invited by an academic journal to record his impressions of the Gerald R. Ford Administration (1974–77), he recalls not the political events of the time but rather a turbulent period of his own sexual past. Alf’s highly idiosyncratic contribution to Retrospect consists not only of reams of unbuttoned personal history but also of pages from an unpublished project of the time, a chronicle of the presidency of James Buchanan (1857–61). The alternating texts mirror each other and tell a story in counterpoint, a frequently hilarious comedy of manners contrasting the erotic etiquette and social dictions of antebellum Washington with those of late-twentieth-century southern New Hampshire. Alf’s style is Nabokovian. His obsessions are vintage Updike.
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S. A Novel
by John Updike
S. is the story of Sarah P. Worth, a thoroughly modern spiritual seeker who has become enamored of a Hindu mystic called the Arhat. A native New Englander, she goes west to join his ashram in Arizona, and there struggles alongside fellow sannyasins (pilgrims) in the difficult attempt to subdue ego and achieve moksha (salvation, release from illusion). “S.” details her adventures in letters and tapes dispatched to her husband, her daughter, her brother, her dentist, her hairdresser, and her psychiatrist—messages cleverly designed to keep her old world in order while she is creating for herself a new one. This is Hester Prynne’s side of the triangle described by Hawthorne’s Scarlet Letter; it is also a burlesque of the quest for enlightenment, and an affectionate meditation on American womanhood.
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The Coup
by John Updike
The Coup describes violent events in the imaginary African nation of Kush, a large, landlocked, drought-ridden, sub-Saharan country led by Colonel Hakim Félix Ellelloû. (“A leader,” writes Colonel Ellelloû, “is one who, out of madness or goodness, takes upon himself the woe of a people. There are few men so foolish.”) Colonel Ellelloû has four wives, a silver Mercedes, and a fanatic aversion—cultural, ideological, and personal—to the United States. But the U.S. keeps creeping into Kush, and the repercussions of this incursion constitute the events of the novel. Colonel Ellelloû tells his own story—always elegantly, and often in the third person—from an undisclosed location in the South of France.
From the Trade Paperback edition.
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Trust Me: Short Stories
by John Updike
The theme of trust, betrayed or fulfilled, runs through this collection of short stories: Parents lead children into peril, husbands abandon wives, wives manipulate husbands, and time undermines all. Love pangs, a favorite subject of the author, take on a new urgency as earthquakes, illnesses, lost wallets, and deaths of distant friends besiege his aging heroes and heroines. One man loves his wife’s twin, and several men love the imagined bliss of their pasts; one woman takes an impotent lover, and another must administer her father’s death. Bourgeois comforts and youthful convictions are tenderly seen as certain to erode: “Man,” as one of these stories concludes, “was not meant to abide in paradise.”
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A Month of Sundays: A Novel
by John Updike
An antic riff on Hawthorne’s Scarlet Letter, in which a latter-day Arthur Dimmesdale is sent west from his Midwestern parish in sexual disgrace—from one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series.
“Updike may be America’s finest novelist and [this] is quintessential Updike.”—The Washington Post
At a desert retreat dedicated to rest, recreation, and spiritual renewal, this fortyish serial fornicator is required to keep a journal whose thirty-one weekly entries constitute the book you now hold in your hand. In his wonderfully overwrought style he lays bare his soul and his past—his marriage to the daughter of his ethics professor, his affair with his organist, his antipathetic conversations with his senile father and his bisexual curate, his golf scores, his poker hands, his Biblical exegeses, and his smoldering desire for the directress of the retreat, the impregnable Ms. Prynne. A testament for our times.
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Gertrude and Claudius: A Novel
by John Updike
Gertrude and Claudius are the “villains” of Hamlet: he the killer of Hamlet’s father and usurper of the Danish throne; she his lusty consort, who marries Claudius before her late husband’s body is cold. But in this imaginative “prequel” to the play, John Updike makes a case for the royal couple that Shakespeare only hinted at. Gertrude and Claudius are seen afresh against a background of fond intentions and family dysfunction, on a stage darkened by the ominous shadow of a sullen, erratic, disaffected prince. “I hoped to keep the texture light,” Updike said of this novel, “to move from the mists of Scandinavian legend into the daylight atmosphere of the Globe. I sought to narrate the romance that preceded the tragedy.”
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Roger's Version: A Novel
by John Updike
As Roger Lambert tells it, he, a middle-aged professor of divinity, is buttonholed in his office by Dale Kohler, an earnest young computer scientist who believes that quantifiable evidence of God’s existence is irresistibly accumulating. The theological-scientific debate that ensues, and the wicked strategies that Roger employs to disembarrass Dale of his faith, form the substance of this novel—these and the current of erotic attraction that pulls Esther, Roger’s much younger wife, away from him and into Dale’s bed. The novel, a majestic allegory of faith and reason, ends also as a black comedy of revenge, for this is Roger’s version—Roger Chillingworth’s side of the triangle described by Hawthorne’s Scarlet Letter—made new for a disbelieving age.
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Couples: A Novel
by John Updike
“Trapped in their cozy catacombs, the couples have made sex by turns their toy, their glue, their trauma, their therapy, their hope, their frustration, their revenge, their narcotic, their main line of communication and their sole and pitiable shield against the awareness of death.”—Time
One of The Atlantic’s Great American Novels of the Past 100 Years
One of the signature novels of the American 1960s, Couples is a book that, when it debuted, scandalized the public with prose pictures of the way people live, and that today provides an engrossing epitaph to the short, happy life of the “post-Pill paradise.” It chronicles the interactions of ten young married couples in a seaside New England community who make a cult of sex and of themselves. The group of acquaintances form a magical circle, complete with ritualistic games, religious substitutions, a priest (Freddy Thorne), and a scapegoat (Piet Hanema). As with most American utopias, this one’s existence is brief and unsustainable, but the “imaginative quest” that inspires its creation is eternal.
Praise for Couples
“Couples [is] John Updike’s tour de force of extramarital wanderlust.”—The New York Times Book Review
“Ingenious . . . If this is a dirty book, I don’t see how sex can be written about at all.”—Wilfrid Sheed, The New York Times Book Review
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Always Looking Essays on Art
by John Updike
A dazzling collection of “remarkably elegant essays” (Newsday) on art—and the companion volume to the celebrated Just Looking and Still Looking—from one of the most gifted American writers of the twentieth century.
In this book, readers are treated to a collection in which “the psychological concerns of the novelist drive the eye from work to work until a deep understanding of the art emerges” (The New York Times Book Review).
Always Looking opens with “The Clarity of Things,” the Jefferson Lecture in the Humanities for 2008. Here, in looking closely at individual works by Copley, Homer, Eakins, Norman Rockwell, and others, the author teases out what is characteristically “American” in American art. This talk is followed by fourteen essays, most of them written for The New York Review of Books, on certain highlights in Western art of the last two hundred years: the iconic portraits of Gilbert Stuart and the sublime landscapes of Frederic Edwin Church, the series paintings of Monet and the monotypes of Degas, the richly patterned canvases of Vuillard and the golden extravagances of Klimt, the cryptic triptychs of Beckmann, the personal graffiti of Miró, the verbal-visual puzzles of Magritte, and the monumental Pop of Oldenburg and Lichtenstein. The book ends with a consideration of recent works by a living American master, the steely sculptural environments of Richard Serra.
John Updike was a gallery-goer of genius. Always Looking is, like everything else he wrote, an invitation to look, to see, to apprehend the visual world through the eyes of a connoisseur.
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The Complete Henry Bech (Everyman's Library)
by John Updike
From a master of American letters and the author of the acclaimed Rabbit series comes his charming Henry Bech stories—collected in one volume for the first time, and featuring a final, series-capping story.
Since tales of his exploits began appearing in The New Yorker more than thirty years ago, Henry Bech, John Updike's playfully irreverent alter-ego, has charmed readers with his aesthetic dithering and his seemingly inexhaustible libido.
From his birth in 1923 to his belated paternity and public apotheosis as a spry septuagenarian in 1999, Bech plugs away, globetrotting in the company of foreign dignitaries one day and schlepping in tattered tweeds on the college lecture circuit the next. By turns cynical and naïve, wry and avuncular, and always amorous, he is Updike’s most endearing confection—a Lothario, a curmudgeon, and a winsome literary icon all in one. A perfect forum for Updike's limber prose, The Complete Henry Bech is an arch portrait of the literary life in America from an incomparable American writer.
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The Maples Stories (Everyman's Library Pocket Classics)
by John Updike
Eighteen classic short stories that form a luminous chronicle of the life and times of one marriage in all its rich emotional complexity—from one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series.
In 1956, Updike published a story, “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement. Seventeen Maples stories were collected in 1979 in a paperback edition titled Too Far to Go, prompted by a television adaptation. Now those stories appear in hardcover for the first time, with the addition of a later story, “Grandparenting,” which returns us to the Maples’s lives long after their wrenching divorce.
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Marry Me: A Romance
by John Updike
From one of the most gifted American writers of the twentieth century—and the author of the acclaimed Rabbit series: a novel set in 1962 in Greenwood, Connecticut, where Jerry Conant and Sally Mathias are in love and want to get married, though they already are married to others.
A diadem of five symmetrical chapters describes the course of their affair as it flickers off and on, and as their spouses react, in a tentative late-summer atmosphere of almost-last chances. For this is, as Jerry observes, “the twilight of the old morality, and there’s just enough to torment us, and not enough to hold us in.”
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In the Beauty of the Lilies: A Novel
by John Updike
In the Beauty of the Lilies begins in 1910 and traces God’s relation to four generations of American seekers, beginning with Clarence Wilmot, a clergyman in Paterson, New Jersey. He loses his faith but finds solace at the movies, respite from “the bleak facts of life, his life, gutted by God’s withdrawal.” His son, Teddy, becomes a mailman who retreats from American exceptionalism, religious and otherwise, into a life of studied ordinariness. Teddy has a daughter, Esther, who becomes a movie star, an object of worship, an All-American goddess. Her neglected son, Clark, is possessed of a native Christian fervor that brings the story full circle: in the late 1980s he joins a Colorado sect called the Temple, a handful of “God’s elect” hastening the day of reckoning. In following the Wilmots’ collective search for transcendence, John Updike pulls one wandering thread from the tapestry of the American Century and writes perhaps the greatest of his later novels.
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Brazil: A Novel
by John Updike
A page-turning novel about a Black teen from the Rio slums and an upper-class white girl who are brought together by fate and betrayed by families who threaten to tear them apart—from one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series.
“Steamy...breathtaking.”—The New Yorker
They meet by chance on Copacabana Beach: Tristao Raposo, a poor black teen surviving day to day on street smarts and the hustle, and Isabel Leme, an upper-class white girl, treated like a pampered slave by her absent though very powerful father.
Convinced that fate brought them together, betrayed by their families, Tristao and Isabel flee to the farthest reaches of Brazil's wild west—unaware of the astonishing destiny that awaits them….
Spanning twenty-two years, from the mid-sixties to the late eighties, BRAZIL surprises and embraces the reader with its celebration of passion, loyalty, and New World innocence.
"A tour de force … Spectacular." —Time
"Updike's novel, as tender as it is erotic, becomes a magnificently wrought love story…. Beautifully written." —Detroit Free Press
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Buchanan Dying: A Play
by John Updike
To the list of John Updike’s well-intentioned protagonists—Rabbit Angstrom, Richard Maple, Henry Bech—add James Buchanan, the harried fifteenth president of the United States (1857–1861). In what the author calls “a kind of novel, conceived in the form of a play,” Buchanan’s political and private lives are represented as aspects of his spiritual life, whose crowning, condensing act is the act of dying. This definitive edition includes a Foreword by Updike, discussing early productions of the work, the historical context in which it was written, and its kinship to his later novel Memories of the Ford Administration. A wide-ranging Afterword fleshes out this dramatic portrait of one of America’s lesser known, and least appreciated, leaders.
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The Coup: A Novel
by John Updike
A novel that charts the violent events in an imaginary African nation, as told by the colonel and leader of the country—from one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series.
"What a rich, surprising, and often funny novel.”—The New York Times Book Review
“A leader,” writes Colonel Hakim Félix Ellelloû, “is one who, out of madness or goodness, takes upon himself the woe of a people. There are few men so foolish.” Colonel Ellelloû has four wives, a silver Mercedes, and a fanatic aversion—cultural, ideological, and personal—to the United States. But the U.S. keeps creeping into the nation of Kush, and the repercussions of this incursion constitute the events of the novel. Colonel Ellelloû tells his own story—always elegantly, and often in the third person—from an undisclosed location in the South of France.
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