Books by Kevin Huizenga
Kramers Ergot 9
by Kim Deitch, Renee French, Kevin Huizenga, Michael DeForge
Powerful and impulsive cartooning of the highest caliber still exists in the short form; you just have to look. For all these lonely lovers, Kramers Ergot fights the good fight and gathers many of the best and brightest together in one giant, oversized collection. For a few moments, you can fool yourself into believing in a reality where “comics†is vital and powerful, and can still make you lose it with laughter. Kramers Ergot 9 will feature the work of Michael Deforge, Noel Freibert, Steve Weissman, Anya Davidson, Stefan Marx, Abraham Diaz, Leon Sadler, Julia Gfrörer, Adam Buttrick, Kim Deitch, Ben Jones, Andy Burkholder, Antony Huchette, Trevor Alixopulos, Antoine Cossé, Archer Prewitt, Kevin Huizenga, Renee French, and many other greats tba.
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Curses
The River at Night cartoonist revisits his early-aughts breakthrough
In the two decades since Curses first hit the shelves, River at Night cartoonist Kevin Huizenga has taken his rightful place on a short A-list of comics experimentalists. Deep research and loopy cartooning serve up philosophical musings while maintaining a classic comic-strip devotion to “the gag.” Huizenga remains one of the funniest and smartest cartoonists working today, and now, the very book that heralded his arrival as a talent to watch is available once more in deluxe paperback as the early work of a now true genius.
The short stories collected herewith confront the textures of mortality in unique and peculiar ways. Central character Glenn Ganges is a seemingly middle-class, suburbanite whose blank-eyed wonderment at the everyday brings together diverse aspects of our world―like golf, theology, late-night diners, parenthood, politics, Sudanese refugees, and hallucinatory vision―into a complete experience as multifaceted as each of our own lives.
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$22.95
Curses
"One of the brightest, most interesting new comix authors to appear in the last five years." -Time.com
Delving into mythology, belief, and spirituality,Kevin Huizenga's short stories are based on the lives of familiar characters confronting the textures of mortality in unique and sometimes peculiar ways. Huizenga fuses the most banal aspects of modern culture with its most looming questions in a consistently genial style. Lighthearted, but with a healthy dose of nineteenth-century spine tingling, the narratives presented in Curses are insightful portrayals of reality. Huizenga's central character in his comics is Glenn Ganges, a seemingly middle-class man living in the suburbs whose blank-eyed wonderment at everyday experiences brings together such diverse aspects of our world as golf, theology, late-night diners, parenthood, politics, Sudanese refugees, and hallucinatory vision, into a complete experience as multifaceted as our own lives.
Huizenga is regarded by many as one of the most promising young cartoonists of his generation, whose artistic talent, singular writing, and studied substance prove the versatility of his skill. Curses collects his work from Kramer's Ergot and The Drawn & Quarterly Showcase, his award-winning and nominated comic-book series Or Else, and Time magazine; it is the most extensive selection of his comics to date in a single volume.
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The River at Night
Appeared on best of the year lists from The Guardian, The Globe & Mail, WIRED, and more! Nominated for the Cartoonist Studio Prize!
In The River at Night, Kevin Huizenga delves deep into consciousness. What begins as a simple, distracted conversation between husband and wife, Glenn and Wendy Ganges―him reading a library book and her working on her computer―becomes an exploration of being and the passage of time. As they head to bed, Wendy exhausted by a fussy editor and Glenn energized by his reading and no small amount of caffeine, the story begins to fracture.
The River at Night flashes back, first to satirize the dot-com boom of the late 1990s and then to examine the camaraderie of playing first-person shooter video games with work colleagues. Huizenga shifts focus to suggest ways to fall asleep as Glenn ponders what the passage of time feels like to geologists or productivity gurus. The story explores the simple pleasures of a marriage, like lying awake in bed next to a slumbering lover, along with the less cherished moments of disappointment or inadvertent betrayal of trust. Huizenga uses the cartoon medium like a symphony, establishing rhythms and introducing themes that he returns to, adding and subtracting events and thoughts, stretching and compressing time. A walk to the library becomes a meditation on how we understand time, as Huizenga shows the breadth of the comics medium in surprising ways. The River at Night is a modern formalist masterpiece as empathetic, inventive, and funny as anything ever written.
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