Books by Kim Addonizio
Bukowski in a Sundress: Confessions from a Writing Life
“Somewhere between Jo Ann Beard’s The Boys of My Youth and Amy Schumer’s stand-up exists Kim Addonizio’s style of storytelling . . . at once biting and vulnerable, nostalgic without ever veering off into sentimentality.” —Refinery29
“Always vital, clever, and seductive, Addonizio is a secular Anne Lamott, a spiritual aunt to Lena Dunham.” —Booklist
A dazzling, edgy, laugh-out-loud memoir from the award-winning poet and novelist that reflects on writing, drinking, dating, and more
Kim Addonizio is used to being exposed. As a writer of provocative poems and stories, she has encountered success along with snark: one critic dismissed her as “Charles Bukowski in a sundress.” (“Why not Walt Whitman in a sparkly tutu?” she muses.) Now, in this utterly original memoir in essays, she opens up to chronicle the joys and indignities in the life of a writer wandering through middle age.
Addonizio vividly captures moments of inspiration at the writing desk (or bed) and adventures on the road—from a champagne-and-vodka-fueled one-night stand at a writing conference to sparsely attended readings at remote Midwestern colleges. Her crackling, unfiltered wit brings colorful life to pieces like “What Writers Do All Day,” “How to Fall for a Younger Man,” and “Necrophilia” (that is, sexual attraction to men who are dead inside). And she turns a tender yet still comic eye to her family: her father, who sparked her love of poetry; her mother, a former tennis champion who struggled through Parkinson’s at the end of her life; and her daughter, who at a young age chanced upon some erotica she had written for Penthouse.
At once intimate and outrageous, Addonizio’s memoir radiates all the wit and heartbreak and ever-sexy grittiness that her fans have come to love—and that new readers will not soon forget.
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Lucifer at the Starlite: Poems
"Addonizio doesn't do pretty; beneath her considerable wit is a wickedly sharp edge."―Library Journal, starred review With both passion and precision, Lucifer at the Starlite explores life’s dual nature: good and evil, light and dark, suffering and moments of unexpected joy. Whether looking outward to events on the world stage―the war in Iraq, the 2004 Asian tsunami―or inward at struggles with the self, these poems aim at the heart and against the feeling that Lucifer may have already won the day.
from “Lucifer at the Starlite”
Here’s my bright idea for life on earth:
better management. The CEO
has lost touch with the details. I’m worth
as much, but I care; I come down here, I show
my face, I’m a real regular. A toast:
To our boys and girls in the war, grinding
through sand, to everybody here, our host
who’s mostly mist, like methane rising
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Lucifer at the Starlite: Poems
A lyrically intense fifth collection from “one of the nation’s most provocative and edgy poets” (San Diego Union-Tribune). With both passion and precision, Lucifer at the Starlite explores life’s dual nature: good and evil, light and dark, suffering and moments of unexpected joy. Whether looking outward to events on the world stage―the war in Iraq, the 2004 Asian tsunami―or inward at struggles with the self, these poems aim at the heart and against the feeling that Lucifer may have already won the day.
from “Lucifer at the Starlite”
Here’s my bright idea for life on earth:
better management. The CEO
has lost touch with the details. I’m worth
as much, but I care; I come down here, I show
my face, I’m a real regular. A toast:
To our boys and girls in the war, grinding
through sand, to everybody here, our host
who’s mostly mist, like methane rising
Copies
No copies available.
What Is This Thing Called Love: Poems
Poetry from the author of Tell Me, a finalist for the National Book Award. A chestnut with a white blaze is scorching across the turf towards the finishing post.
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Mortal Trash: Poems
“Kim Addonizio’s voice lifts from the page, alive and biting―unleashing wit with a ruthless observation.”―San Francisco Book Review
Passionate and irreverent, Mortal Trash transports the readers into a world of wit, lament, and desire. In a section called “Over the Bright and Darkened Lands,” canonical poems are torqued into new shapes. “Except Thou Ravish Me,” reimagines John Donne’s famous “Batter my heart, Three-person’d God” as told from the perspective of a victim of domestic violence. Like Pablo Neruda, Addonizio hears “a swarm of objects that call without being answered”: hospital crash carts, lawn gnomes, Evian bottles, wind-up Christmas creches, edible panties, cracked mirrors. Whether comic, elegiac, or ironic, the poems in Mortal Trash remind us of the beauty and absurdity of our time on earth.
From “Scrapbook”:
We believe in the one-ton rose
and the displaced toilet equally. Our blues
assume you understand
not much, and try to be alive, just as we do,
and that it may be helpful to hold the hand
of someone as lost as you.
Copies
No copies available.
Mortal Trash: Poems
“Kim Addonizio’s voice lifts from the page, alive and biting―unleashing wit with a ruthless observation.”―San Francisco Book Review
Passionate and irreverent, Mortal Trash transports the readers into a world of wit, lament, and desire. In a section called “Over the Bright and Darkened Lands,” canonical poems are torqued into new shapes. “Except Thou Ravish Me,” reimagines John Donne’s famous “Batter my heart, Three-person’d God” as told from the perspective of a victim of domestic violence. Like Pablo Neruda, Addonizio hears “a swarm of objects that call without being answered”: hospital crash carts, lawn gnomes, Evian bottles, wind-up Christmas creches, edible panties, cracked mirrors. Whether comic, elegiac, or ironic, the poems in Mortal Trash remind us of the beauty and absurdity of our time on earth.
From “Scrapbook”:
We believe in the one-ton rose
and the displaced toilet equally. Our blues
assume you understand
not much, and try to be alive, just as we do,
and that it may be helpful to hold the hand
of someone as lost as you.
Copies
No copies available.
Now We're Getting Somewhere: Poems
A dark, no-holds-barred, and often hilarious collection from a prize-winning poet, veering between the poles of self and world.
Kim Addonizio’s sharp and irreverent eighth volume, Now We’re Getting Somewhere, is an essential companion to your practice of the Finnish art of kalsarikännit―drinking at home, alone in your underwear, with no intention of going out. Imbued with the poet’s characteristic precision and passion, the collection charts a hazardous course through heartache, climate change, dental work, Outlander, semiotics, and more.
Combatting existential gloom with a wicked, seductive energy, Addonizio investigates desire, loss, and the madness of contemporary life. She calls out to Walt Whitman and John Keats, echoes Dorothy Parker, and finds sisterhood with Virginia Woolf.
Sometimes confessional, sometimes philosophical, these poems weave from desolation to drollery and clamor with raucous imagery: an insect in high heels, a wolf at an uncomfortable party, a glowing and self-serious guitar.
A poet whose “voice lifts from the page, alive and biting” (Sky Sanchez, San Francisco Book Review), Addonizio reminds her reader, "if you think nothing & / no one can / listen I love you joy is coming."
Copies
No copies available.
Now We're Getting Somewhere: Poems
A dark, no-holds-barred, and often hilarious collection from a prize-winning poet, veering between the poles of self and world.
Kim Addonizio’s sharp and irreverent eighth volume, Now We’re Getting Somewhere, is an essential companion to your practice of the Finnish art of kalsarikännit―drinking at home, alone in your underwear, with no intention of going out. Imbued with the poet’s characteristic precision and passion, the collection charts a hazardous course through heartache, climate change, dental work, Outlander, semiotics, and more.
Combatting existential gloom with a wicked, seductive energy, Addonizio investigates desire, loss, and the madness of contemporary life. She calls out to Walt Whitman and John Keats, echoes Dorothy Parker, and finds sisterhood with Virginia Woolf.
Sometimes confessional, sometimes philosophical, these poems weave from desolation to drollery and clamor with raucous imagery: an insect in high heels, a wolf at an uncomfortable party, a glowing and self-serious guitar.
A poet whose “voice lifts from the page, alive and biting” (Sky Sanchez, San Francisco Book Review), Addonizio reminds her reader, "if you think nothing & / no one can / listen I love you joy is coming."
Copies
No copies available.
Ordinary Genius: A Guide for the Poet Within
In this fresh approach to writing poetry, the coauthor of the perennially popular The Poet's Companion offers sharp insights into the craft of writing. "The creative process is just that," maintains Kim Addonizio. "Not a means to an end, but an ongoing participation." A widely acclaimed poet and finalist for the National Book Award, Addonizio meditates on her own process as she encourages writers to explore both their personal and political worlds, to seek inspiration from poets new and old, and to discover the rich poetic resources of the Internet. Lively, accessible, and informative, Ordinary Genius?provides wisdom gleaned through personal experience and offers a heady variety of writing exercises. Chapters on gender, addiction, race and class, metaphor and line invite each individual writer to find and to hone his or her unique voice. This is the perfect book for both experienced writers and beginners eager to glimpse the angel of poetry.
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The Poet's Companion: A Guide to the Pleasures of Writing Poetry
by Kim Addonizio, Dorianne Laux
From the nuts and bolts of craft to the sources of inspiration, this book is for anyone who wants to write poetry-and do it well.
The Poet's Companion presents brief essays on the elements of poetry, technique, and suggested subjects for writing, each followed by distinctive writing exercises. The ups and downs of writing life―including self-doubt and writer's block―are here, along with tips about getting published and writing in the electronic age. On your own, this book can be your "teacher," while groups, in or out of the classroom, can profit from sharing weekly assignments.
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Little Beauties: A Novel
Struggling with her divorce and an alcoholic mother while working at a Long Beach baby store, former child pageant contender Diana McBride works to overcome her OCD symptoms and becomes involved with a pregnant teen who wants to give her baby up for adoption. By the Pushcart Prize-winning author of Tell Me. A first novel. 40,000 first printing.
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Little Beauties: A Novel
The lives of three characters -- an obsessive-compulsive, a pregnant teenager, and the teen's unborn child -- come together in National Book Award finalist and Pushcart Prize winner Kim Addonizio's unsparingly funny and transcendent debut novel.
Diana McBride, a thirty-four-year-old former child pageant contender, now works in a baby store in Long Beach. Between dealing with a catastrophic haircut, the failure of her marriage, and phone calls from her alcoholic mother, Diana has gone off her OCD medication and is trying to cope via washing and cleaning rituals. When pregnant teenager Jamie Ramirez enters the store, Diana's already chaotic world is sent spinning.
Jamie can't stand being pregnant. She can't wait to get on with her normal life and give the baby up for adoption. But her yet-to-be-born daughter, Stella, has a fierce will and a destiny to fulfill. And as the magical plot of Little Beauties unfolds, these three characters' lives become linked in ever more surprising ways.
With a poet's ear for fresh, evocative language and a deft humor that exposes her characters' foibles, Addonizio perfectly captures the messiness and unexpected beauty of life.
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My Dreams Out in the Street: A Novel
A second novel by the National Book Award finalist author of the poetry collection Tell Me explores the themes of serendipity and synchronicity in a tale that celebrates the triumphs of the human heart in the face of tests of faith. By the author of Little Beauties. 35,000 first printing.
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Best New Poets 2009: 50 Poems from Emerging Writers
Entering its fourth year, Best New Poets has established itself as a crucial venue for rising poets and a valuable resource for poetry lovers. The only publication of its kind, this annual anthology is made up exclusively of work by writers who have not yet published a full-length book. The poems included in this eclectic sampling represent the best from the many that have been nominated by the country’s top literary magazines and writing programs, as well as some two thousand additional poems submitted through an open online competition. The work of the fifty writers represented here provides the best perspective available on the continuing vitality of poetry as it’s being practiced today.
Distributed for the Samovar Press in cooperation with Meridian: The Semi-Annual from the University of Virginia
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Exit Opera: Poems
A new volume by acclaimed poet Kim Addonizio, whose work is known for its streetwise, unflinching explorations of love, lust, and mortality.
Set in locations from dive bars to Montparnasse Cemetery, from an ancient Greek temple to a tourist shop in Assisi, Exit Opera explores the ever-vexing issues of time, mortality, love, and loss, and considers the roles of art and human connection. Whatever their nominal subject―jazz, zombies, Buddhism, Siberian tigers―these poems make for a compelling mix of humor and pain, difficulty and solace. In a nod to Keats, one of the many fellow travelers in these poems, Addonizio invites us to “[inscribe] a few verses on whatever water / you can find” and assures readers that they are not alone in navigating the challenges and changes of mortal life. As she writes in “My Opera”: The staging is difficult. Exploding stars
are involved, high-redshift galaxies, interior chambers,
a little country blues, a little jazz guitar, a jam jar containing
a tiny ocean & a tinier rowboat rocking gently in the swells
that I am steering toward you in the dark.
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$26.99
The Palace of Illusions: Stories
In this collection, gifted poet and novelist Kim Addonizio uses her literary powers to bring to life a variety of settings, all connected through the suggestion that things in the known world are not what they seem.
In "Beautiful Lady of the Snow," young Annabelle turns to a host of family pets to combat the alienation she feels caught between her distracted mother and ailing grandfather; in "Night Owls," a young college student's crush on her acting partner is complicated by the bloodlust of being half-vampire; in "Cancer Poems," a dying woman turns to a poetry workshop to make sense of her terminal diagnosis and final days; in "Intuition," a young girl's sexual forays bring her closer to her best friend's father; and in the collection's title story, a photographer looks back to his youth spent as a young illusionist under the big tent and his obsessive affair with the carnival owner's wife.
Distracted parents, first love, the twin forces of alienation and isolation: the characters in The Palace of Illusions all must contend with these challenges, trafficking in the fault lines between the real and the imaginary, often in a world not of their making.
The stories in this collection have appeared in journals ranging from Narrative Magazine to The Fairy Tale Review, and include the much loved "Ever After," which was featured on NPR's "Selected Shorts."
Copies
No copies available.
The Palace of Illusions: Stories
In this collection, gifted poet and novelist Kim Addonizio uses her literary powers to bring to life a variety of settings, all connected through the suggestion that things in the known world are not what they seem.
In "Beautiful Lady of the Snow," young Annabelle turns to a host of family pets to combat the alienation she feels caught between her distracted mother and ailing grandfather; in "Night Owls," a young college student's crush on her acting partner is complicated by the bloodlust of being half-vampire; in "Cancer Poems," a dying woman turns to a poetry workshop to make sense of her terminal diagnosis and final days; in "Intuition," a young girl's sexual forays bring her closer to her best friend's father; and in the collection's title story, a photographer looks back to his youth spent as a young illusionist under the big tent and his obsessive affair with the carnival owner's wife.
Distracted parents, first love, the twin forces of alienation and isolation: the characters in The Palace of Illusions all must contend with these challenges, trafficking in the fault lines between the real and the imaginary, often in a world not of their making.
The stories in this collection have appeared in journals ranging from Narrative Magazine to The Fairy Tale Review, and include the much loved "Ever After," which was featured on NPR's "Selected Shorts."
Copies
No copies available.
Tell Me (American Poets Continuum)
Poems of loneliness and late nights, liquor and loss.
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Global Poetry Anthology: 2017
by Kim Addonizio, David Dabydeen, Vona Groarke, Global Poetry Anthology Staff
Global Poetry Anthology 2017 is a one-of-a-kind collection of contemporary poems, previously unpublished, gathered from all corners of the English-speaking world. The international editorial board ensures the present volume's cosmopolitan palette and the blind selection process guarantees that selections have been made according to poetic caliber alone. Véhicule Press's Signal Editions is proud to offer the third volume in the Global Poetry Anthology series—a rich and exciting mix of established and emerging voices.
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