Books by Kimiko Hahn
The Artist's Daughter: Poems
by Kimiko Hahn
"Kimiko Hahn stands as a welcome voice of experimentation and passion."―Bloomsbury Review Kimiko Hahn's poetry explores the interplay―and tensions―among her various identities: mother, lover, wife, poet, and daughter of both the Midwest and Asia. However astonishing her subjects―from sideshow freaks to sadomasochistic fantasy―they ultimately emerge in this startling collection as moving images of the deepest levels of our shared humanity.
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The Narrow Road to the Interior: Poems
by Kimiko Hahn
An expansive work inspired by Japanese prose-poetry from a poet of “rigorous intelligence, fierce anger, and deep vulnerability” (Mark Doty). Kimiko Hahn, "a welcome voice of experimentation and passion" (Bloomsbury Review), takes up the Japanese prose-poetry genre zuihitsu―literally "running brush," which utilizes tactics such as juxtaposition, contradiction, and broad topical variety―in exploring her various identities as mother and lover, wife and poet, daughter of varied traditions.
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No copies available.
The Narrow Road to the Interior: Poems
by Kimiko Hahn
An expansive new work from a poet of "rigorous intelligence, fierce anger, and deep vulnerability" (Mark Doty).
Kimiko Hahn, "a welcome voice of experimentation and passion" (Bloomsbury Review), takes up the Japanese prose-poetry genre zuihitsu literally "running brush," which utilizes tactics such as juxtaposition, contradiction, and broad topical variety in exploring her various identities as mother and lover, wife and poet, daughter of varied traditions.
Copies
No copies available.
Toxic Flora: Poems
by Kimiko Hahn
“Kimiko Hahn stands as a welcome voice of experimentation and passion.”―Bloomsbury Review For Kimiko Hahn, the language and imagery of science open up magical possibilities for the poet. In her haunting eighth collection inspired by articles from the weekly “Science” section of the New York Times, Hahn explores identity, extinction, and survival using exotic tropes drawn from the realms of astrophysics, mycology, paleobotany, and other rarefied fields. With warmth and generosity, Hahn mines the world of science in these elegant, ardent poems.
from “On Deceit as Survival”
Yet another species resembles
a female bumble bee,
ending in frustrated trysts―
or appears to be two fractious males
which also attracts―no surprise―
a third curious enough to join the fray.
What to make of highly evolved Beauty
bent on deception as survival―
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No copies available.
Toxic Flora: Poems
by Kimiko Hahn
“[Kimiko] Hahn’s frankness . . . allows [these poems] to stand out as starkly fresh as the carnivorous plants she describes.”―American Poet For Kimiko Hahn, the language and imagery of science open up magical possibilities for the poet. In her haunting eighth collection inspired by articles from the weekly “Science” section of the New York Times, Hahn explores identity, extinction, and survival using exotic tropes drawn from the realms of astrophysics, mycology, paleobotany, and other rarefied fields. With warmth and generosity, Hahn mines the world of science in these elegant, ardent poems.
from “On Deceit as Survival”
Yet another species resembles
a female bumble bee,
ending in frustrated trysts―
or appears to be two fractious males
which also attracts―no surprise―
a third curious enough to join the fray.
What to make of highly evolved Beauty
bent on deception as survival―
Copies
No copies available.
Mosquito and Ant: Poems
by Kimiko Hahn
This breakthrough volume by award-winning poet Kimiko Hahn is her most rigorously "female" work to date as she reclaims the female body and reinvents an ancient Chinese correspondence. Mosquito and Ant refers to the style in which nu shu--a nearly extinct script used by Chinese women to correspond with one another--is written. Here in this exciting and totally original book of poems the narrator corresponds with L. about her hidden passions, her relationship with her husband and adolescent daughters, lost loves, and erotic fantasies. Kimiko Hahn's collection takes shape as a series of wide-ranging correspondences that are in turn precocious and wise, angry and wistful. Borrowing from both Japanese and Chinese traditions, Hahn offers us an authentic and complex narrator struggling with the sorrows and pleasures of being a woman against the backdrop of her Japanese-American roots.
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Foreign Bodies: Poems
by Kimiko Hahn
A striking, shapeshifting volume from "one of the most fascinating female poets of our time (BOMB)."
Inspired by her encounter with Dr. Chevalier Jackson’s collection of ingested curiosities at Philadelphia’s Mütter Museum, Kimiko Hahn’s tenth collection investigates the grip that seemingly insignificant objects exert on our lives. Itself a cabinet of curiosities, the collection provokes the same surprise, wonder, and pangs of recognition Hahn felt upon opening drawer after drawer of these swallowed, and retrieved, objects―a radiator key, a child’s perfect attendance pin, a mother-of-pearl button. The speaker of these moving poems sees reflections of these items in the heartbreaking detritus of her family home, and in her long-dead mother’s Japanese jewelry.
As Hahn remakes the lyric sequence in chains reminiscent of the Japanese tanka, the foreign bodies of the title expand to include the immigrant woman’s trafficked body, fossilized remains, a grandmother’s Japanese body. She explores the relationship between our innermost selves and the relics of our vanished past, making room for meditation on grief and the ephemeral nature of the material world, for the account of a nineteenth-century female fossil hunter, and for a celebration of the nautilus. Foreign Bodies investigates the power of possession, replete with Hahn’s electric originality and thrilling mastery of ever-changing forms.
Copies
No copies available.
Foreign Bodies: Poems
by Kimiko Hahn
A striking, shapeshifting volume from "one of the most fascinating female poets of our time (BOMB)."
Inspired by her encounter with Dr. Chevalier Jackson’s collection of ingested curiosities at Philadelphia’s Mütter Museum, Kimiko Hahn’s tenth collection investigates the grip that seemingly insignificant objects exert on our lives. Itself a cabinet of curiosities, the collection provokes the same surprise, wonder, and pangs of recognition Hahn felt upon opening drawer after drawer of these swallowed, and retrieved, objects―a radiator key, a child’s perfect attendance pin, a mother-of-pearl button. The speaker of these moving poems sees reflections of these items in the heartbreaking detritus of her family home, and in her long-dead mother’s Japanese jewelry.
As Hahn remakes the lyric sequence in chains reminiscent of the Japanese tanka, the foreign bodies of the title expand to include the immigrant woman’s trafficked body, fossilized remains, a grandmother’s Japanese body. She explores the relationship between our innermost selves and the relics of our vanished past, making room for meditation on grief and the ephemeral nature of the material world, for the account of a nineteenth-century female fossil hunter, and for a celebration of the nautilus. Foreign Bodies investigates the power of possession, replete with Hahn’s electric originality and thrilling mastery of ever-changing forms.
Copies
No copies available.
Spellbound: Poems of Magic and Enchantment
by Harold Schechter, Kimiko Hahn
A unique anthology of poems from around the world and through the ages that celebrate magic and magicians
No matter how modern or scientifically advanced our societies become, human beings remain perpetually enthralled by the idea of magic, from our daily superstitions to our choices of entertainment. Magic has long been a central subject of poetry, and the poems in this collection are evocative evidence that the poet’s art depends on a form of wizardry—the ability to conjure enchantment from a particular combination of words.
Venerable literary wizards such as Shakespeare's Prospero, Tennyson's Merlin, and T. S. Eliot's Mr. Mistoffelees make appearances here alongside illusionists and prestidigitators in Kay Ryan's "Houdini," Ted Kooser's "Card Trick," Charles Simic's "My Magician," and Richard Wilbur's "The Mind-Reader." Here is a treasury of poetic spells, charms, and incantations, from Elise Paschen's "Love Spell," Robert Graves's "Love and Black Magic," and Lu Yu's "The Pedlar of Spells," to a Cherokee "Spell to Destroy Life." And here, too, are all sorts of sorcerers, conjurers, enchantresses, and witches, as captured in Emily Dickinson's "Best Witchcraft is Geometry," Michael Schmidt's "Nine Witches," and H. D.'s "Circe," keeping company with magical poems from cultures around the world.
Everyman's Library's Pocket Poets are pocket-sized hardcovers that feature acid-free cream-colored paper bound in a full-cloth case with two-color foil stamping, decorative endpapers, a silk ribbon marker, a European-style half-round spine, and a full-color illustrated jacket.
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$20.00
Buzz Words: Poems About Insects (Everyman's Library Pocket Poets Series)
by Harold Schechter, Kimiko Hahn
A unique anthology of poems--from around the world and through the ages--that celebrates the gloriously diverse insect world.
Given that insects vastly outnumber us, it is no surprise that many cultures have long and rich traditions of verse about our tiny fellow creatures. Tang Dynasty poets in China and the haiku masters of Japan composed thousands of works in praise of crickets, grasshoppers, cicadas, moths, and butterflies, as well as such humbler bugs as houseflies, fleas, and mosquitoes. In the West, poems about insects date back to the ancient Greeks and appear frequently in Europe from the Elizabethan period onward. The brilliant poets collected here range far and wide in time and place, including Tu Fu, John Donne, Kobayashi Issa, William Wordsworth, Victor Hugo, Ivan Turgenev, Emily Dickinson, Christina Rossetti, Robert Frost, E. E. Cummings, Elizabeth Bishop, Ted Hughes, Pablo Neruda, Mary Oliver, Xi Chuan, and Kevin Young. Bees, butterflies, and beetles, cockroaches and caterpillars, fireflies and dragonflies, ladybugs and glowworms—the miniature beings that adorn these pages are as varied as the poetic talents that celebrate them.
Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
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$18.00
The Ghost Forest: New and Selected Poems
by Kimiko Hahn
“An evocative braided autobiography in poetry that welcomes miscellany and disorder ... and reveals a mind as vast as the terrains it traverses.”―Nicole Sealey, Poetry Foundation
Opening with forty-three new formally inventive poems and leading the reader back in time through selections from her ten previous volumes, The Ghost Forest offers a contemplative and haunting narrative of a writer’s artistic journey through craft and form while illuminating personal themes influenced by her Japanese American heritage. Exploring the mysteries of science, nature, and the experiences of contemporary womanhood, Hahn both reinvents classic Japanese forms such as the zuihitsu and tanka and experiments with traditional Western ones, among them the villanelle, sestina, and glosa. Braided into the poems and narrative thread, a series of photos transforms the new-and-selected into a hybrid autobiography. Like the titular forest, this arresting collection derives new beauty from long-gone remnants.
From “The Ashes”:
Mother crafted Christmas ornaments:
glue and glitter and red balls.
No tinsel, no angels.
Her death started in the living room.
26 illustrations
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$27.99
Brood (Quarternote Chapbook Series)
by Kimiko Hahn
In Brood, Kimiko Hahn trains her eye on the commonplace—clothespins, bees, papaya, perfume, poached eggs, a sponge, fire, sand dollars—and reveals their very essence in concise evocative language. Underlying these little gems is a sense of loss, a mother's death or a longing for childhood. "Brood" connotes the bundling of family or beasts, but also dark thinking, and both are at play here where the less said, the better.
Kimiko Hahn is the author of ten books of poetry, including most recently, Brain Fever (Norton, 2014). She has received numerous honors, including the PSA's Shelley Memorial Prize, the PEN/Voelcker Award, and fellowships from the National Endowment for the Arts, Guggenheim Foundation, and New York Foundation for the Arts. She is a distinguished professor in creative writing at Queens College (CUNY) and lives in Forest Hills, New York.
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No copies available.
Brain Fever: Poems
by Kimiko Hahn
Rooted in traditional Japanese aesthetics and meditations on contemporary neuroscience, a stunning new volume from an essential American poet. Acclaimed as "one of the most fascinating female poets of our time" (BOMB), Kimiko Hahn is a shape-shifter, a poet who seeks novel forms for her utterly original subject matter and "stands as a welcome voice of experimentation and passion" (Bloomsbury Review). In Brain Fever, Hahn integrates the recent findings of science, ancient Japanese aesthetics, and observations from her life as a woman, wife, mother, daughter, and artist.
Rooted in meditations on contemporary neuroscience, Brain Fever takes as its subject the mysteries of the human mind―the nature of dreams and memories, the possibly illusory nature of linear time, the complexity of conveying love to a child. In one poem, "A Bowl of Spaghetti," she cites a comparison that researchers draw between unraveling "the millions of miles of wires in the [human] brain" and "untangling a bowl of spaghetti," and thus she untangles a memory of her own: "I have an old photo: Rei in her high chair intently / picking out each strand to mash in her mouth. // Was she two? Was that sailor dress from mother? / Did I cook that sauce from scratch? If so, there was a carrot in the pot."
Equally inspired by Sei Shonagon's tenth-century Pillow Book and the latest findings of cognitive research, Brain Fever is a thrilling blend of the timely and the timeless.
Copies
No copies available.
Brain Fever: Poems
by Kimiko Hahn
Rooted in traditional Japanese aesthetics and meditations on contemporary neuroscience, a stunning new volume from an essential American poet. Acclaimed as "one of the most fascinating female poets of our time" (BOMB), Kimiko Hahn is a shape-shifter, a poet who seeks novel forms for her utterly original subject matter and "stands as a welcome voice of experimentation and passion" (Bloomsbury Review). In Brain Fever, Hahn integrates the recent findings of science, ancient Japanese aesthetics, and observations from her life as a woman, wife, mother, daughter, and artist.
Rooted in meditations on contemporary neuroscience, Brain Fever takes as its subject the mysteries of the human mind―the nature of dreams and memories, the possibly illusory nature of linear time, the complexity of conveying love to a child. In one poem, "A Bowl of Spaghetti," she cites a comparison that researchers draw between unraveling "the millions of miles of wires in the [human] brain" and "untangling a bowl of spaghetti," and thus she untangles a memory of her own: "I have an old photo: Rei in her high chair intently / picking out each strand to mash in her mouth. // Was she two? Was that sailor dress from mother? / Did I cook that sauce from scratch? If so, there was a carrot in the pot."
Equally inspired by Sei Shonagon's tenth-century Pillow Book and the latest findings of cognitive research, Brain Fever is a thrilling blend of the timely and the timeless.
Copies
No copies available.