Books by Klaus Ottmann
Michelangelo (Essentials)
A spectacular new novel, complete with high stakes, hot nights, murder and graft―not to mention car chases, car races, car explosions, and car―well, you get the idea
Alexandra Barnaby got the brains in her family. The little gray cells certainly bypassed Barney’s younger brother, Wild Bill. Now Bill’s missing, so Barney is dispatched to Florida in the middle of summer with the bugs and the heat and the bad-hair-day humidity. Barney’s thinking things can’t get too much worse as she makes the rounds of South Beach, unemployed and sunburned, following her brother’s trail of broken-hearted bimbos.
Too bad for Barney―she’s wrong about the getting worse part. Enter Sam Hooker. Somebody’s stolen his boat and the trail leads to―you guessed it―Wild Bill. Hooker decides to follow Barney and see if she can lead him to his boat.
In the world of Evanovich, Sam Hooker and Alexandra Barnaby, in their quest to reclaim what’s theirs, blast through Florida from Daytona straight on to Key West, exposing a plot to grab Cuban land and to lay waste the people involved. Cussing and tasteless sexual innuendo included.
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Michelangelo (Essentials)
Describes the artistic career and major works of Michelangelo.
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The Essential Mark Rothko
Mark Rothko (1903-1970) is generally considered, along with Jackson Pollock, the preeminent artist of the group of painters who, during the 1940s and '50s, re-invented American art and became known as the Abstract Expressionists. Yet despite his success--people cried when they stood in front of his sublimely spiritual canvases--he suffered from intense anxiety and depression, and eventually took his own life.
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Agnes Denes: Absolutes and Intermediates
by Klaus Ottmann, Dan Mills, Lynn Gamwell, Timothy Morton, Hans Ulrich Obrist, Emma Enderby, Agnes Denes, Giampaolo Bianconi, Renee Gladman, Caroline Jones, Lucy R. Lippard
"Agnes Denes, the queen of land art, made one of New York’s greatest public art projects ever in 1982. Now, the world might be catching up with her." –Karrie Jacobs, New York Times
Agnes Denes: Absolutes and Intermediates accompanies the largest exhibition of the artist’s work in New York to date, held at The Shed in fall 2019 as part of the arts space’s opening season. Presenting more than 130 works, this comprehensive publication, presented in an embossed slipcase, spans the 50-year career of the path-breaking artist dubbed “the queen of land art” by the New York Times, famed for her iconic Wheatfield―A Confrontation (1982), for which she planted a two-acre wheatfield in Lower Manhattan on the Battery Park Landfill, in the shadow of the then recently erected Twin Towers.
A major undertaking, this superb catalog includes a comprehensive text by the exhibition’s curator, Emma Enderby, an interview with Denes by Hans Ulrich Obrist, essays by prominent scholars and curators including Caroline A. Jones, Lucy R. Lippard and Timothy Morton that examine Denes’ multifaceted practice in new ways, writings by the artist and reflections by curators who have worked with Denes over the course of her career. New works by Denes commissioned by The Shed for the exhibition are presented in a special insert.
Budapest-born, New York–based artist Agnes Denes (born 1931) rose to international attention in the 1960s and 1970s as a leading figure in conceptual, environmental and ecological art. A pioneer of several art genres, she has created work in many mediums, utilizing various disciplines―such as science, philosophy, linguistics, ecology and psychology―to analyze, document and ultimately aid humanity.
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Jennifer Bartlett: History of the Universe: Works 1970–2011
by Klaus Ottmann, Terrie Sultan, Jennifer Bartlett
A critical and commercial success since the 1970s, Jennifer Bartlett (b. 1941) has become one of the most visionary and influential artists of our time. In the words of New York Times critic John Russell, Bartlett’s art “enlarges our notion of time, and of memory, and of change, and of painting itself.” Her abundant intelligence and inventiveness allow her to synthesize diverse sources and styles, and imbue her paintings with expressive life and moral imagination. Included in this handsome volume are an intimate interview with the artist and an excerpt from History of the Universe, Bartlett’s first novel, giving further insight into the thought processes of this uniquely creative artist.
Distributed for the Parrish Art Museum
Exhibition Schedule:
Pennsylvania Academy of the Fine Arts
(06/27/13–10/13/13)
Parrish Art Museum
(04/27/14–07/13/14)
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Angels, Demons, and Savages: Pollock, Ossorio, Dubuffet
by Klaus Ottmann, Dorothy Kosinski
The artistic relationships among Jackson Pollock (1912–1956), Alfonso Ossorio (1916–1990), and Jean Dubuffet (1901–1985) strongly influenced the development of postwar art. Ossorio, the central figure in the trio, was an early champion of Pollock and the close friend of Dubuffet, whose radically anticultural Art Brut collection was prominently displayed at Ossorio’s Hamptons estate. Dubuffet’s admiration for Ossorio is evident in his 1951 essay on the artist, published here for the first time in English. Angels, Demons, and Savages reveals previously unrecognized technical and thematic affinities in the artists’ work, from Dubuffet’s “raw,” unconventional style to Ossorio’s use of Christian iconography and grotesque elements to Pollock’s emphasis on medium and gestural force. Complete with two original essays and a conservation study, this groundbreaking catalogue shows how the three artists shaped the aesthetic on both sides of the Atlantic through their exchange of ideas and techniques.
Published in association with the Phillips Collection and the Parrish Art Museum
Exhibition Schedule:
The Phillips Collection(02/09/13–05/12/13)
Parrish Art Museum(07/28/13–10/31/13)
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