Books by Larry Warsh

Jean-Michel Basquiat Handbook

by Jean Michel Basquiat, Larry Warsh

An affordable, compact primer on the artist who drastically shifted the course of late 20th-century art

This reader provides a concise introduction to the widely popular yet oft-misunderstood artist Jean-Michel Basquiat. Guided by the steady hand of Basquiat scholar Larry Warsh, it is one of the few books of this kind to be directly approved by the artist's estate and family: a notable distinction amid all of the buzz.
Jean-Michel Basquiat Handbook begins with a portrait of the young Basquiat, from his years as a precocious child in Brooklyn, to his rebellious teenagedom, to his meteoric rise in fame, to his tragic early death. The book then discusses the development of his groundbreaking style through the recurrent themes of his practice: urban life, the human figure, music and sports, to name just a few. The backend of the book provides a sampling of sketches from Basquiat's notebooks, a chronology and incisive essays from scholars Henry Geldzahler and Henry Louis Gates Jr.
One of the first African American artists to reach international stature and wealth in the art world, Jean-Michel Basquiat (1960-88) was celebrated for his fusion of multicultural symbols, social commentary and distinctive graphic style. He has been the subject of numerous exhibitions across the globe, and his work is included in the collections of the Museum of Modern Art, New York, the Whitney Museum of American Art and the Broad Contemporary Art Museum, among many others.

Duchamp-isms

by Larry Warsh

A collection of provocative quotations from one of the most influential artists of the twentieth century

Duchamp-isms is a selection of illuminating quotations from Marcel Duchamp (1887–1968), one of the most important figures in the history of modern art. A painter, sculptor, writer, and chess player, Duchamp changed the very definition of art with his “readymades”—everyday objects such as a bicycle wheel or bottle rack that he titled, signed, and presented as art. He provoked critics and the public with works such as the Cubist-Futurist painting Nude Descending a Staircase, No. 2 (1912) and Fountain (1917), a readymade composed of a men’s urinal signed “R. Mutt.” Prizing the intellectual over the aesthetic, Duchamp inspired later movements like Minimalism, Conceptualism, and Pop Art. Delightful and witty, Duchamp-isms offers rich insights into the mind of a true icon of modern art.

The quotes in Duchamp-isms, drawn primarily from interviews, have been selected and introduced by Francis Naumann, a leading authority on Duchamp, and organized in eight thematic sections: philosophies of art; painting; Dada and Surrealism; the readymades; chess; literary influences; commercialism in art; and philosophies of life and death. The book also features a brief chronology of Duchamp’s life and career.

• “I have always had a horror of being a ‘professional’ painter. The minute you become that, you are lost.”
• “Humor and laughter—not necessarily derogatory derision—are my pet tools. This may come from my general philosophy of never taking the world too seriously—for fear of dying of boredom.”
• “Art can never be adequately defined, because the translation of an aesthetic emotion into a verbal description is as inaccurate as your description of fear when you have been actually scared.”
• “Art never saved the world. It cannot.”