Books by Lawrence Ferlinghetti
A Coney Island of the Mind: Poems
The title of this book is taken from Henry Miller's "Into the Night Life" and expresses the way Lawrence Ferlinghetti felt about these poems when he wrote them during a short period in the 1950's—as if they were, taken together, a kind of Coney Island of the mind, a kind of circus of the soul.
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$11.95
Americus, Book I
In less than a year, Lawrence Ferlinghetti won a lifetime achievement award from the Author's Guild, received the Frost Medal from the Poetry Society of America, was elected to the American Academy of Arts and Letters, and celebrated the 50th anniversary of his renowned City Lights Bookstore. Now, instead of resting on these many laurels, the elder statesman of American poetry "lights out for the territories" with Book I of his own born-in-the-USA narrative, Americus. Describing his work as "part documentary, part public pillow-talk, part personal epic....a descant, a canto unsung, a banal history, a true fiction, lyric and political...," Ferlinghetti merges "certain universal texts, snatches of song, words or phrases, murmuring of love or hate, from Lotte Lenya to the latest soul singer, sayings and shibboleths from Yogi Berra to the National Anthem and the Gettysburg Address or the Ginsberg Address, that haunt our nocturnal imagination...." This sit-up-and-take-notice work breaks new ground in the grand tradition of Whitman, Williams, Olson and Pound, as Ferlinghetti stalks our literary and political landscapes, past and present, to articulate the unique voice of America and create an autobiography of our collective American consciousness.
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Americus, Book I
Lawrence Ferlinghetti lights out for the territories with Book I of his own born-in-the-U.S.A. epic, Americus.
Describing Americus as "part documentary, part public pillow-talk, part personal epica descant, a canto unsung, a banal history, a true fiction, lyric and political," Ferlinghetti combines "universal texts, snatches of song, words or phrases, murmuring of love or hate, from Lotte Lenya to the latest soul singer, sayings and shibboleths from Yogi Berra to the National Anthem, the Gettysburg Address or the Ginsberg Address, that haunt our nocturnal imagination." This book is a wake-up call that breaks new ground in the grand tradition of Whitman, W.C. Williams, Charles Olson, and Ezra Pound, as Ferlinghetti cruises our literary and political landscapes, past and present, to create an autobiography of American consciousness.
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San Francisco Poems (San Francisco Poet Laureate Series)
Here are all of Ferlinghetti’s poems set in the city he has lived in for over half a century. He brings alive, with wit and lyricism, scenes of city life: a Giants baseball game, the Green Street Marching Mortuary Band, bohemian North Beach, Golden Gate Park, yachts on the Bay, and more. Also included are historic photographs, scattered prose pieces, and the text of his mischievous inaugural address with his vision of the city’s history as a poetic center and suggestions for keeping it that way.
Lawrence Ferlinghetti is a bookman, painter and author of poetry, fiction, essays and plays. His most recent books are How to Paint Sunlight (poetry) and Love in the Days of Rage (fiction).
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Little Boy: A Novel
From the famed publisher and poet, author of the million-copy-selling collection A Coney Island of the Mind, his literary last will and testament -- part autobiography, part summing up, part Beat-inflected torrent of language and feeling, and all magical.
"A volcanic explosion of personal memories, political rants, social commentary, environmental jeremiads and cultural analysis all tangled together in one breathless sentence that would make James Joyce proud. . ."
—Ron Charles, The Washington Post
In this unapologetically unclassifiable work Lawrence Ferlinghetti lets loose an exhilarating rush of language to craft what might be termed a closing statement about his highly significant and productive 99 years on this planet. The "Little Boy" of the title is Ferlinghetti himself as a child, shuffled from his overburdened mother to his French aunt to foster childhood with a rich Bronxville family. Service in World War Two (including the D-Day landing), graduate work, and a scholar gypsy's vagabond life in Paris followed. These biographical reminiscences are interweaved with Allen Ginsberg-esque high energy bursts of raw emotion, rumination, reflection, reminiscence and prognostication on what we may face as a species on Planet Earth in the future. Little Boy is a magical font of literary lore with allusions galore, a final repository of hard-earned and durable wisdom, a compositional high wire act without a net (or all that much punctuation) and just a gas and an inspiration to read.
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No copies available.
Little Boy: A Novel
From the famed publisher and poet, author of the million-copy-selling collection A Coney Island of the Mind, his literary last will and testament -- part autobiography, part summing up, part Beat-inflected torrent of language and feeling, and all magical.
"A volcanic explosion of personal memories, political rants, social commentary, environmental jeremiads and cultural analysis all tangled together in one breathless sentence that would make James Joyce proud. . ."
—Ron Charles, The Washington Post
In this unapologetically unclassifiable work Lawrence Ferlinghetti lets loose an exhilarating rush of language to craft what might be termed a closing statement about his highly significant and productive 99 years on this planet. The "Little Boy" of the title is Ferlinghetti himself as a child, shuffled from his overburdened mother to his French aunt to foster childhood with a rich Bronxville family. Service in World War Two (including the D-Day landing), graduate work, and a scholar gypsy's vagabond life in Paris followed. These biographical reminiscences are interweaved with Allen Ginsberg-esque high energy bursts of raw emotion, rumination, reflection, reminiscence and prognostication on what we may face as a species on Planet Earth in the future. Little Boy is a magical font of literary lore with allusions galore, a final repository of hard-earned and durable wisdom, a compositional high wire act without a net (or all that much punctuation) and just a gas and an inspiration to read.
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No copies available.
Pictures of the Gone World: 60th Anniversary Edition (City Lights Pocket Poets Series, 1)
Lawrence Ferlinghetti has influenced American culture like few other poets. But in 1955, shortly before he would gain fame as the beloved author of A Coney Island of the Mind, he was an unpublished and mostly unknown poet. He launched City Lights Publishers that year with a five-hundred-copy letterpress edition of Pictures of the Gone World, Number One in the Pocket Poets Series. A classic collection of early work, Pictures includes many of Ferlinghetti's most iconic poems. This limited edition sixtieth anniversary hardcover restores the book to its original selection with the addition of eighteen new verses, and is a must for collectors and fans.
Lawrence Ferlinghetti is a poet, painter, and founder of City Lights Booksellers & Publishers.
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City Lights Pocket Poets Anthology: 60th Anniversary Edition (City Lights Pocket Poets Series)
"Printer's ink is the greater explosive."Lawrence Ferlinghetti
Lawrence Ferlinghetti founded the City Lights publishing house sixty years ago in 1955, launching the press with his now legendary Pocket Poets Series. First in the series was Pictures of the Gone Worldand within a year, he had brought out two more volumes, translations by Kenneth Rexroth and then, poems by Kenneth Patchen. But it was the success and scandal of Number Four, Howl & Other Poems by Allen Ginsberg (1956), that put City Lights on the map, positioning the Pocket Poets Series at the forefront of the literary counterculture.
A landmark sixtieth retrospective celebrating 60 years of publishing and cultural history, this edition provides an invaluable distillation of the energetic, iconoclastic and still fresh body of work represented in the ongoing series. Ferlinghetti has selected a handful of poems from each of the sixty volumes, including the work of Ginsberg, Kerouac, Corso, Pasolini, Voznesensky, Prévert, Mayakovsky, Cortázar, O'Hara, Ponsot, Levertov, di Prima, Duncan, Lamantia, Lowry, and more, all of the Pocket Poets Series' innovative, influential, and often ground-breaking American and international poets.
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$21.95
I Greet You at the Beginning of a Great Career: The Selected Correspondence of Lawrence Ferlinghetti and Allen Ginsberg, 1955-1997
by Allen Ginsberg, Lawrence Ferlinghetti
"Allen Ginsberg and Lawrence Ferlinghetti will forever be linked as the respective writer and publisher of Howl, and this irresistible collection of their correspondence shows the depth of their friendship and working relationship
an impressive volume that is a must for every Beat aficionado."Publishers Weekly, starred review
In 1969, Allen Ginsberg wrote to his friend, fellow poet, and publisher Lawrence Ferlinghetti, "Alas, telephone destroys letters!" Fortunately, however, by then the two had already exchanged a treasure trove of personal correspondence, and more than any other documents, their lettersintimate, opinionated, and action-packedreveal the true nature of their lifelong friendship and creative relationship. Collected here for the first time, they offer an intimate view into the range of artistic vision and complementary sensibilities that fueled the genius of their literary collaborations.
Ferlinghetti and Ginsberg were two of the twentieth century's most influential literary rebels, and their correspondence documents a time when both were rising to the peak of their notoriety and international fame, traveling, writing, publishing, and performing their poetry during times of unprecedented social and cultural experimentation and upheaval. Ferlinghetti was Ginsberg's publisher and editor, and the correspondence begins with a telegram from Lawrence after hearing Allen's legendary reading of "Howl" at the Six Gallery: "I greet you at the beginning of a great career. When do I get the manuscript?"
The majority of the letters collected here have never before been published, and they span the period from 1955 until Ginsberg's death in 1997. Facsimiles and photographs enhance the collection, an evocative portrait of an inspiring and enduring relationship.
Lawrence Ferlinghetti is an internationally renowned poet, painter, publisher, and founder of City Lights Books.
Allen Ginsberg was a leading member of the Beat Generation and an award-winning poet best known as the author of Howl & Other Poems, among many other works.
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What is Poetry?
Described a as sublime distillation of an author’s lifework,” What Is Poetry? is a brilliant, soulful, and life-affirming collection of aphorisms in free verse by one of our most important contemporary poets, Lawrence Ferlinghetti. In this latest collection, Ferlinghetti (who began writing the aphorisms in 1950 and has read them in public on a number of occasions) shares brief observations that capture the nature of poetic expression. The collection, which first took its definitive shape when it was published as Poetry as an Insurgent Art in 2007, will now be released by Anansi in a spectacular hardcover limited edition, with stunning full-colour artwork by acclaimed visual artist and filmmaker, Frederic Amat. A masterwork of both poetry and visual art, What Is Poetry? is a unique collector’s edition that Ferlinghetti fans and readers of all stripes will surely want to have on their shelves.
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Poetry as Insurgent Art
A manifesto, essay, and discourse on the value of poetic thought in the modern age. In 1953 Lawrence Ferlinghetti founded the first paperback bookstore in the United States. In over five decades City Lights, the bookstore and publisher, has become a Mecca for millions. Ferlinghetti’s A Coney Island of the Mind (ND, 1958) is a number one best-selling volume of poetry by any living American poet.
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Time of Useful Consciousness (Americus, 2)
Lawrence Ferlinghetti's first book since Poetry as Insurgent Art, a new call to action and a vivid picture of civilization moving towards its brink. New Directions is proud to announce a riveting and galvanizing new book by Lawrence Ferlinghetti. At ninety-three, he shows more power than most any other poet at work today. Ferlinghetti describes his new book, Time of Useful Consciousness, as “a fragmented recording of the American stream-of-consciousness, always westward streaming; a people’s poetic history in the tradition of William Carlos Williams’ Paterson, Charles Olson’s Maximus, Allen Ginsberg’s Fall of America, and Ed Sanders’ America: a History in Verse. ‘Time of Useful Consciousness, is an aeronautical term denoting the time between when one loses oxygen and when one passes out, the brief time in which some life-saving action is possible.”Ferlinghetti’s first book since Poetry as Insurgent Art, the fierce and immediate Time of Useful Consciousness presents poetry written “in ways that those who see poetry as the province of the few and educated had never imagined” (The New York Times Book Review).
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Blasts Cries Laughter (New Directions Poetry Pamphlets)
A new, shorter collection by America's preeminent living poet and social activist, who is just as fiery and provocative as ever at 94 years old. Lawrence Ferlinghetti’s Blasts contains blasts, blessings, and curses in the vortex of today, taking its cues from the original little magazine, Blast, published by Wyndham Lewis with Ezra Pound in 1914–15 that helped create the modernist movement in literature and the visual arts. In these fearless new poems, Ferlinghetti, America’s everyman bard, speaks for the poor, the forgotten, the beaten, and the bombed.
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Ferlinghetti's Greatest Poems
At last, a compact, powerful overview of one of America’s most beloved and radical poets―spanning more than six decades of work At last, just in time for his 99th birthday, a powerful overview of one of America's most beloved poets: New Directions is proud to present a swift, terrific chronological selection of Ferlinghetti's poems, spanning more than six decades of work and presenting one of modern poetry's greatest achievements.
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Pictures of the Gone World (The Pocket Poet Series, Number One)
Lawrence Ferlinghetti has influenced American culture like few other poets. But in 1955, shortly before he would gain fame as the beloved author of A Coney Island of the Mind, he was an unpublished and mostly unknown poet. He launched City Lights Publishers that year with a five-hundred-copy letterpress edition of Pictures of the Gone World, Number One in the Pocket Poets Series. A classic collection of early work, Pictures includes many of Ferlinghetti's most iconic poems. This limited edition sixtieth anniversary hardcover restores the book to its original selection with the addition of eighteen new verses, and is a must for collectors and fans.
Lawrence Ferlinghetti is a poet, painter, and founder of City Lights Booksellers & Publishers.
Copies
No copies available.
City Lights Pocket Poets Anthology
"This comprehensive selection from the influential City Lights Pocket Poets Series is a landmark retrospective, celebrating forty years of publishing and cultural history.
From the introduction by Lawrence Ferlinghetti:
“Even though some say that an avant-garde in literature no longer exists, the smaller independent publisher is itself still a true avant-garde, its place still out there, scouting the unknown . . . From the beginning, the aim was to publish across the board, avoiding the provincial and the academic . . . I had in mind rather an international, dissident, insurgent ferment . . .”
Includes poetry by:
Lawrence Ferlinghetti, Kenneth Rexroth, Kenneth Patchen, Allen Ginsberg, Marie Ponsot, Denise Levertov, Gregory Corso, Jacques Prévert, Robert Duncan, Jerome Rothenberg, Nicanor Parra, Robert Nichols, Anselm Hollo, Malcolm Lowry, Frank O’Hara, Philip Lamantia, Bob Kaufman, Janine Pommy-Vega, Charles Upton, Pablo Picasso, Robert Bly, Diane di Prima, Jack Kerouac, Andrei Voznesensky, Pete Winslow, Harold Norse, Anne Waldman, Jack Hirschman, Stefan Brect, Peter Orlovsky, Antler, Pier Paolo Pasolini, Ernesto Cardenal, Antonio Porta, Adam Cornford, La Loca, Vladimir Mayakovsky, Daisy Zamora, Rosario Murillo, and Alberto Blanco.
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Writing Across the Landscape: Travel Journals 1960–2013
This long-awaited volume provides a panoramic portrait of art and life across the twentieth century, from Mexico to Morocco, Paris to Rome, and beyond.
Over the course of an adventured-filled life, now in its tenth decade, Lawrence Ferlinghetti has been many things: a poet, painter, pacifist, publisher, courageous defender of free speech, and owner of San Francisco’s legendary City Lights bookstore. Now the man whose A Coney Island of the Mind became a generational classic reveals yet another facet of his manifold talents, presenting here his travel journals, spanning over sixty years. Selected from a vast trove of mostly unpublished, handwritten notebooks, and edited by Giada Diano and Matthew Gleeson, Writing Across the Landscape becomes a transformative work of social, cultural, and literary history.
Beginning with Ferlinghetti's account of serving as a commanding officer on a Navy sub-chaser during D-Day, Writing Across the Landscape dramatically traverses the latter half of the twentieth century. For those only familiar with his poetry, these pages present a Lawrence Ferlinghetti never before encountered, an elegant prose stylist and tireless political activist who was warning against the pernicious sins of our ever-expansive corporate culture long before such thoughts ever seeped into mainstream consciousness.
Yet first and foremost we see an inquisitive wanderer whose firsthand accounts of people and places are filled with pungent descriptions that animate the landscapes and cultures he encounters. Evoking each journey with a mixture of travelogue and poetry as well as his own hand-drawn sketches, Ferlinghetti adopts the role of an American bard, providing panoramic views of the Cuban Revolution in Havana, 1960, and a trip through Haiti, where voodoo and Catholicism clash in cathedrals "filled with ulcerous children's feet running from Baron Hunger." Reminding us that poverty is not only to be found abroad, Ferlinghetti narrates a Steinbeck-like trip through California's Salton Sea, a sad yet exquisitely melodic odyssey from motel to motel, experiencing the life "between cocktails, between filling stations, between buses, trains, towns, restaurants, movies, highways leading over horizons to another Rest Stop…Sad hope of all their journeys to Nowhere and back in dark Eternity."
Particularly memorable is his journey across the Trans-Siberian Railway in 1957, which turns into a Kafkaesque nightmare in which he, lacking a proper visa, is removed from a Japan-bound freighter and forced back across the Russian steppe to Moscow, encountering a countryside more Tolstoy than Khrushchev, while nearly dying in the process. Readers are also treated to glimpses of Ezra Pound, "looking like an old Chinese sage," whom Ferlinghetti espies in Italy, as well as fellow Beat legends Allen Ginsberg and a dyspeptic William S. Burroughs, immured with his cats in a grotto-like apartment in London.
Embedded with facsimile manuscript pages and an array of poems, many never before published, Writing Across the Landscape revives an era when political activism coursed through the land and refashions Lawrence Ferlinghetti, not only as a seminal poet but as an historic and singular American voice. 50 drawings, 30 facsimile pages
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Writing Across the Landscape: Travel Journals 1950-2013
In celebration of Ferlinghetti’s 100th birthday comes this “stunning portrait” of the intrepid life of “one of America’s best poets” (Huffington Post).
Over the course of an adventured-filled life, now in its tenth decade, Lawrence Ferlinghetti has been many things: a poet, painter, pacifist, publisher, courageous defender of free speech, and owner of San Francisco’s legendary City Lights bookstore. Now the man whose A Coney Island of the Mind became a generational classic reveals yet another facet of his manifold talents, presenting here his travel journals, spanning over sixty years. Selected from a vast trove of mostly unpublished, handwritten notebooks, and edited by Giada Diano and Matthew Gleeson, Writing Across the Landscape becomes a transformative work of social, cultural, and literary history.
Beginning with Ferlinghetti's account of serving as a commanding officer on a Navy sub-chaser during D-Day, Writing Across the Landscape dramatically traverses the latter half of the twentieth century. For those only familiar with his poetry, these pages present a Lawrence Ferlinghetti never before encountered, an elegant prose stylist and tireless political activist who was warning against the pernicious sins of our ever-expansive corporate culture long before such thoughts ever seeped into mainstream consciousness.
Yet first and foremost we see an inquisitive wanderer whose firsthand accounts of people and places are filled with pungent descriptions that animate the landscapes and cultures he encounters. Evoking each journey with a mixture of travelogue and poetry as well as his own hand-drawn sketches, Ferlinghetti adopts the role of an American bard, providing panoramic views of the Cuban Revolution in Havana, 1960, and a trip through Haiti, where voodoo and Catholicism clash in cathedrals "filled with ulcerous children's feet running from Baron Hunger." Reminding us that poverty is not only to be found abroad, Ferlinghetti narrates a Steinbeck-like trip through California's Salton Sea, a sad yet exquisitely melodic odyssey from motel to motel, experiencing the life "between cocktails, between filling stations, between buses, trains, towns, restaurants, movies, highways leading over horizons to another Rest Stop…Sad hope of all their journeys to Nowhere and back in dark Eternity."
Particularly memorable is his journey across the Trans-Siberian Railway in 1957, which turns into a Kafkaesque nightmare in which he, lacking a proper visa, is removed from a Japan-bound freighter and forced back across the Russian steppe to Moscow, encountering a countryside more Tolstoy than Khrushchev, while nearly dying in the process. Readers are also treated to glimpses of Ezra Pound, "looking like an old Chinese sage," whom Ferlinghetti espies in Italy, as well as fellow Beat legends Allen Ginsberg and a dyspeptic William S. Burroughs, immured with his cats in a grotto-like apartment in London.
Embedded with facsimile manuscript pages and an array of poems, many never before published, Writing Across the Landscape revives an era when political activism coursed through the land and refashions Lawrence Ferlinghetti, not only as a seminal poet but as an historic and singular American voice. 50 drawings, 30 facsimile pages
Copies
No copies available.
How to Paint Sunlight: Lyric Poems & Others (1997-2000)
This collection of recent poems is graced with a short introduction by the poet in which he says, "All I ever wanted to do was to paint light on the walls of life." For more than fifty years Ferlinghetti has been doing just thatilluminating both the everyday and the unusual, all the while keeping true to his original dictum of speaking in a way accessible to everyone. He has been, and remains, "One of our ageless radicals and true bards" (Booklist) and his voice is well-known in many places around the world. He was one of the two American poets (the other being John Ashbery) chosen to participate in the 2001 Celebration of UNESCO's World Poetry Day in Delphi, Greece, where he along with his international confreres each poetically addressed the Oracle.
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A Far Rockaway of the Heart: Poems (New Directions Paperbook)
A Far Rockaway of the Heart is Ferlinghetti's sequel to A Coney Island of the Mind, written forty years later, in what the author has called "a poetry seizure" that lasted more than a year. A sequence of one hundred and one poems with recurrent themes, it includes various sections on love, art, music, history, and literature, as well as confrontations with major figures in the avant-garde before the arrival of the Beat generation. This edition now includes eighteen new poems from Ferlinghetti's "Pictures of the Gone World" which he publishes under his City Lights imprint. A self-styled "stand-up tragedian," Ferlinghetti has been called "the foremost chronicler of our times." If A Coney Island of the Mind was a generations vibrant eye-opener, A Far Rockaway of the Heart is a wake-up call for a new age.
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The Secret Meaning of Things: Poetry
The Secret Meaning of Things has all the elements of his earlier poetry: lyrical intensity, wit, social concern, satirical bite, and above all a classical claritas. But it goes much further: there is a deepening of vision and a darker understanding of "our clay condition." The six long poems in The Secret Meaning of Things show a progressive continuity and clarity of perception that apprehends both the hard reality and luminous irreality in everyday phenomena. In "Assassination Raga"––on the death of Robert Kennedy––the glass through which the poet sees darkly is the television screen; the poem was first read on the night of RFK’s funeral at a mass memorial in San Francisco. "Bickford’s Buddha" is a meditation on "Observation Fever" in Harvard Square, while "All Too Clearly" finds a "touch of old surrealism/at a stoplight in La Jolla." "Through the Looking Glass" begins with an actual flight aboard a commercial airliner and moves through a psychedelic vision to a final flash of the Dance of Shiva, which in turn opens out into the worldview of "After the Cries of Birds." "Moscow in the Wilderness, Segovia in the Snow" comes out of Ferlinghetti’s travels to Moscow and across the steppes in the winter of 1967.
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European Poems & Transitions Over All the Obscene Boundaries
These poems on European themes by the author of Her (his Paris novel) and the enduring A Coney Island of the Mind were mostly written during the last seven years and, in the poet's words, are "transformations and transitions looking westward to America and beyond." Flowing from France to Italy to the Netherlands, on to Germany, back to France, and finally toward America, they follow Ferlinghetti's own recent journeying. The poems progress geographically and chronologically with a cohesive development of ideas and themes. In part he plays off T. S. Eliot's "summarizing the past by theft and allusion" but captures the present as well in fleeting incidents of daily experience, and, in his powerful concluding poem "History of the World: A TV Docu-drama," envisions a possible nuclear future. It is a view of our time and of where we are in it, seen by an eagle eye, told in Ferlinghetti's inimitable everyman's voice.
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