Books by Lee Konstantinou
Pop Apocalypse: A Possible Satire
The United States and its Freedom Coalition allies are conducting serial invasions across the globe, including an attack on the anti-capitalist rebels of Northern California. The Middle East—now a single consumerist Caliphate led by Lebanese pop singer Caliph Fred—is in an uproar after an attack on the al-Aqsa Mosque gets televised on the Holy Land Channel.
The world is on the brink of a total radioactive, no-survivors war, and humankind's last hope is Eliot R. Vanderthorpe, Jr., celebrity heir, debauched party animal, and Elvis impersonation scholar. But Eliot's got his own problems. His evangelical dad is breeding red heifers in anticipation of the Rapture. Eliot's dissertation is in the toilet. And he has a doppelgänger. An evil doppelgänger.
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Future Tense Fiction: Stories of Tomorrow
by Nnedi Okorafor, Carmen Maria Machado, Paolo Bacigalupi, Madeline Ashby, Charlie Jane Anders, Mark Oshiro, Emily St. John Mandel, Lee Konstantinou, Annalee Newitz, Hannu Rajaniemi, Meg Elison, Maureen F. McHugh, Deji Bryce Olukotun, Mark Stasenko
Future Tense Fiction is a collection of electrifying original stories from a veritable who’s-who of authors working in speculative literature and science fiction today. Featuring Carmen Maria Machado, Emily St. John Mandel, Charlie Jane Anders, Nnedi Okorafor, Paolo Bacigalupi, Madeline Ashby, Mark Oshiro, Meg Elison, Maureen F. McHugh, Deji Bryce Olukotun, Hannu Rajaniemi, Annalee Newitz, Lee Konstantinou, and Mark Stasenko―Future Tense Fiction points the way forward to the fiction of tomorrow.
A disease surveillance robot whose social programming gets put to the test. A future in which everyone receives universal basic income―but it’s still not enough. A futuristic sport, in which all the athletes have been chemically and physically enhanced. An A.I. company that manufactures a neural bridge allowing ordinary people to share their memories. Brimming with excitement and exploring new ideas, the stories collected by the editors of Slate’s Future Tense are philosophically ambitious and haunting in their creativity. At times terrifying and heart-wrenching, hilarious and optimistic, this is a collection that ushers in a new age for our world and for the short story.
A partnership of Slate, New America, and Arizona State University, Future Tense explores how emerging technologies will change the way we live, in reality and fiction. Future Tense Fiction is a collection of original fiction commissioned by the partnership.
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Cool Characters: Irony and American Fiction
Charting a new course in the criticism of postwar fiction, Cool Characters examines the changing status of irony in American cultural and political life from World War II to the present, showing how irony migrated from the countercultural margins of the 1950s to the cultural mainstream of the 1980s. Along the way, irony was absorbed into postmodern theory and ultimately became a target of recent writers who have sought to create a practice of “postirony” that might move beyond its limitations.
As a concept, irony has been theorized from countless angles, but Cool Characters argues that it is best understood as an ethos: an attitude or orientation toward the world, embodied in different character types, articulated via literary style. Lee Konstantinou traces five such types―the hipster, the punk, the believer, the coolhunter, and the occupier―in new interpretations of works by authors including Ralph Ellison, William S. Burroughs, Thomas Pynchon, Kathy Acker, Dave Eggers, William Gibson, Jennifer Egan, Jonathan Lethem, and Rachel Kushner.
For earlier generations of writers, irony was something vital to be embraced, but beginning most dramatically with David Foster Wallace, dissatisfaction with irony, especially with its alleged tendency to promote cynicism and political passivity, gained force. Postirony―the endpoint in an arc that begins with naive belief, passes through irony, and arrives at a new form of contingent conviction―illuminates the literary environment that has flourished in the United States since the 1990s.
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The Legacy of David Foster Wallace (New American Canon)
by Lee Konstantinou, Samuel Cohen
Considered by many to be the greatest writer of his generation, David Foster Wallace was at the height of his creative powers when he committed suicide in 2008. In a sweeping portrait of Wallace’s writing and thought and as a measure of his importance in literary history, The Legacy of David Foster Wallace gathers cutting-edge, field-defining scholarship by critics alongside remembrances by many of his writer friends, who include some of the world’s most influential authors.
In this elegant volume, literary critics scrutinize the existing Wallace scholarship and at the same time pioneer new ways of understanding Wallace’s fiction and journalism. In critical essays exploring a variety of topics—including Wallace’s relationship to American literary history, his place in literary journalism, his complicated relationship to his postmodernist predecessors, the formal difficulties of his 1996 magnum opus Infinite Jest, his environmental imagination, and the “social life” of his fiction and nonfiction—contributors plumb sources as diverse as Amazon.com reader recommendations, professional book reviews, the 2009 Infinite Summer project, and the David Foster Wallace archive at the University of Texas’s Harry Ransom Center.
The creative writers—including Don DeLillo, Jonathan Franzen, George Saunders, Rick Moody, Dave Eggers, and David Lipsky, and Wallace’s Little, Brown editor, Michael Pietsch—reflect on the person behind the volumes of fiction and nonfiction created during the author’s too-short life.
All of the essays, critical and creative alike, are written in an accessible style that does not presume any background in Wallace criticism. Whether the reader is an expert in all things David Foster Wallace, a casual fan of his fiction and nonfiction, or completely new to Wallace, The Legacy of David Foster Wallace will reveal the power and innovation that defined his contribution to literary life and to self-understanding. This illuminating volume is destined to shape our understanding of Wallace, his writing, and his place in history.
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