Books by Lily Hoang
30 Under 30: An Anthology of Innovative Fiction by Younger Writers
30 Under 30 is an anthology of thirty top young writers publishing fiction today. Editors Blake Butler and Lily Hoang have compiled a collection of thirty stories from these thirty writersall creating work on the more innovative side of things; a great opportunity for a reader to dip into their various styles and see which authors to look for more from.
Includes work from authors such as Shane Jones (Light Boxes), Matt Bell (How They Were Found), Joshua Cohen (Witz), and Kathleen Rooney (Live Nude Girl) and twenty-six others breaking ground, many publishing with smaller publishers.
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Underneath
by Lily Hoang
Over a five-year period, Martha Johnson murders her four children, one by one, in order to punish her husband when they argue, but Martha is no ordinary serial killer. She murders her children by using the bulk of her 250-pound body to suffocate them. Unlike other fictionalized true-crime novels, Underneath neither valorizes nor focuses on the specific acts of violence. Instead, it attempts to understand how feelings of powerlessness, the residue of trauma, and the need to find justice in a world that refuses to give a fat body justice finds its only respite through murder.
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A Bestiary
by Lily Hoang
Literary Nonfiction. Essays. Winner of the 2015 Essay Collection Competition, Selected by Wayne Koestenbaum.
"Rarely have I come across tenderness, venom, and fire held so intimately, so exquisitely, as in Lily Hoang's A BESTIARY. This book would be impressive enough as a collection of finely-forged fragments, but as it weaves itself into an even more impressive whole, my hat came off. Lily Hoang writes like she has nothing to lose and everything at stake."—Maggie Nelson
"A BESTIARY is a work of great subtlety, precision, intelligence, daring, and emotive keenness. It seems completely contemporary (by which I mean that it is unlike anything I've read and that it makes me want to change my own writerly procedures). With head-long, reckless, improvisatory gestures, Lily Hoang prompts us to rethink what literature today can dare to aspire to. Her intellectually magnanimous book's position on the threshold between recognizable 'literature' and some other vanguard form of performance/utterance made me feel happy and stimulated and dizzy (in a rapturous way) while I was reading it."—Wayne Koestenbaum
"The most perfect use of fragmentation, myth, language, fairytale, and terrible beauty that I have ever seen in my life. I'm swooning. My faith in what writing can be has been restored."—Lidia Yuknavitch
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