Books by Lionel Trilling
Life in Culture: Selected Letters of Lionel Trilling
A great critic’s quarrels with himself and others, as revealed in his correspondence
In the mid-twentieth century, Lionel Trilling was America’s most respected literary critic. His powerful and subtle essays inspired readers to think about how literature shapes our politics, our culture, and our selves. His 1950 collection, The Liberal Imagination, sold more than 100,000 copies, epitomizing a time that has been called the age of criticism.
To his New York intellectual peers, Trilling could seem reserved and circumspect. But in his selected letters, Trilling is revealed in all his variousness and complexity. We witness his ardent courtship of Diana Trilling, who would become an eminent intellectual in her own right; his alternately affectionate and contentious rapport with former students such as Allen Ginsberg and Norman Podhoretz; the complicated politics of Partisan Review and other fabled magazines of the period; and Trilling’s relationships with other leading writers of the period, including Saul Bellow, Edmund Wilson, and Norman Mailer.
In Life in Culture, edited by Adam Kirsch, Trilling’s letters add up to an intimate portrait of a great critic, and of America’s intellectual journey from the political passions of the 1930s to the cultural conflicts of the 1960s and beyond.
Copies
No copies available.
Life in Culture: Selected Letters of Lionel Trilling
A great critic’s quarrels with himself and others, as revealed in his correspondence
In the mid-twentieth century, Lionel Trilling was America’s most respected literary critic. His powerful and subtle essays inspired readers to think about how literature shapes our politics, our culture, and our selves. His 1950 collection, The Liberal Imagination, sold more than 100,000 copies, epitomizing a time that has been called the age of criticism.
To his New York intellectual peers, Trilling could seem reserved and circumspect. But in his selected letters, Trilling is revealed in all his variousness and complexity. We witness his ardent courtship of Diana Trilling, who would become an eminent intellectual in her own right; his alternately affectionate and contentious rapport with former students such as Allen Ginsberg and Norman Podhoretz; the complicated politics of Partisan Review and other fabled magazines of the period; and Trilling’s relationships with other leading writers of the period, including Saul Bellow, Edmund Wilson, and Norman Mailer.
In Life in Culture, edited by Adam Kirsch, Trilling’s letters add up to an intimate portrait of a great critic, and of America’s intellectual journey from the political passions of the 1930s to the cultural conflicts of the 1960s and beyond.
Copies
No copies available.
The Middle of the Journey (New York Review Books Classics)
Published in 1947, as the cold war was heating up, Lionel Trilling’s only novel was a prophetic reckoning with the bitter ideological disputes that were to come to a head in the McCarthy era. The Middle of the Journey revolves around a political turncoat and the anger his action awakens among a group of intellectuals summering in Connecticut. The story, however, is less concerned with the rights and wrongs of left and right than with an absence of integrity at the very heart of the debate. Certainly the hero, John Laskell, staging a slow recovery from the death of his lover and a near-fatal illness of his own, comes to suspect that the conflicts and commitments involved are little more than a distraction from the real responsibilities, and terrors, of the common world.
A detailed, sometimes slyly humorous, picture of the manners and mores of the intelligentsia, as well as a work of surprising tenderness and ultimately tragic import, The Middle of the Journey is a novel of ideas whose quiet resonance has only grown with time. This is a deeply troubling examination of America by one of its greatest critics.
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The Liberal Imagination (New York Review Books Classics)
The Liberal Imagination is one of the most admired and influential works of criticism of the last century, a work that is not only a masterpiece of literary criticism but an important statement about politics and society. Published in 1950, one of the chillier moments of the Cold War, Trilling’s essays examine the promise —and limits—of liberalism, challenging the complacency of a naïve liberal belief in rationality, progress, and the panaceas of economics and other social sciences, and asserting in their stead the irreducible complexity of human motivation and the tragic inevitability of tragedy. Only the imagination, Trilling argues, can give us access and insight into these realms and only the imagination can ground a reflective and considered, rather than programmatic and dogmatic, liberalism.
Writing with acute intelligence about classics like Huckleberry Finn and the novels of Henry James and F. Scott Fitzgerald, but also on such varied matters as the Kinsey Report and money in the American imagination, Trilling presents a model of the critic as both part of and apart from his society, a defender of the reflective life that, in our ever more rationalized world, seems ever more necessary—and ever more remote.
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The Oxford Anthology of English Literature: Volume IV: Romantic Poetry and Prose
by Harold Bloom, Lionel Trilling
This volume devotes over 100 pages to William Blake, including The Book of Thel and the entire "Night the Ninth" from The Four Zoas, as well as excerpts from Milton and Jerusalem. It also includes poems and prose by Wordsworth, Coleridge, Keats, Shelley, and Byron.
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Sincerity and Authenticity (The Charles Eliot Norton Lectures)
“Now and then,” writes Lionel Trilling, “it is possible to observe the moral life in process of revising itself.” In this new book he is concerned with such a mutation: the process by which the arduous enterprise of sincerity, of being true to one’s self, came to occupy a place of supreme importance in the moral life―and the further shift which finds that place now usurped by the darker and still more strenuous modern ideal of authenticity. Instances range over the whole of Western literature and thought, from Shakespeare to Hegel to Sartre, from Robespierre to R. D. Laing, suggesting the contradictions and ironies to which the ideals of sincerity and authenticity give rise, most especially in contemporary life.
Lucid, and brilliantly framed, its view of cultural history will give Sincerity and Authenticity an important place among the works of this distinguished critic.
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The Moral Obligation to Be Intelligent: Selected Essays
Bringing together the thoughts of one of American literature’s sharpest cultural critics, this compendium will open the eyes of a whole new audience to the work of Lionel Trilling. Trilling was a strenuous thinker who was proud to think “too much.” As an intellectual he did not spare his own kind, and though he did not consider himself a rationalist, he was grounded in the world.
This collection features 32 of Trilling’s essays on a range of topics, from Jane Austen to George Orwell and from the Kinsey Report to Lolita. Also included are Trilling’s seminal essays “Art and Neurosis” and “Manners, Morals, and the Novel.” Many of the pieces made their initial appearances in periodicals such as The Partisan Review and Commentary; most were later reprinted in essay collections. This new gathering of his writings demonstrates again Trilling’s patient, thorough style. Considering “the problems of life”—in art, literature, culture, and intellectual life—was, to him, a vital occupation, even if he did not expect to get anything as simple or encouraging as “answers.” The intellectual journey was the true goal.
No matter the subject, Trilling’s arguments come together easily, as if constructing complicated defenses and attacks were singularly simple for his well-honed mind. The more he wrote on a subject and the more intricate his reasoning, the more clear that subject became; his elaboration is all function and no filler. Wrestling with Trilling’s challenging work still yields rewards today, his ideas speaking to issues that transcend decades and even centuries.
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