Books by Lori Baker
The Glass Ocean: A Novel
by Karen White, Beatriz Williams, Lauren Willig, Lori Baker
From the New York Times bestselling authors of The Forgotten Room comes a captivating historical mystery, infused with romance, that links the lives of three women across a century—two deep in the past, one in the present—to the doomed passenger liner, RMS Lusitania.
May 2013
Her finances are in dire straits and bestselling author Sarah Blake is struggling to find a big idea for her next book. Desperate, she breaks the one promise she made to her Alzheimer’s-stricken mother and opens an old chest that belonged to her great-grandfather, who died when the RMS Lusitania was sunk by a German U-Boat in 1915. What she discovers there could change history. Sarah embarks on an ambitious journey to England to enlist the help of John Langford, a recently disgraced Member of Parliament whose family archives might contain the only key to the long-ago catastrophe. . . .
April 1915
Southern belle Caroline Telfair Hochstetter’s marriage is in crisis. Her formerly attentive industrialist husband, Gilbert, has become remote, pre-occupied with business . . . and something else that she can’t quite put a finger on. She’s hoping a trip to London in Lusitania’s lavish first-class accommodations will help them reconnect—but she can’t ignore the spark she feels for her old friend, Robert Langford, who turns out to be on the same voyage. Feeling restless and longing for a different existence, Caroline is determined to stop being a bystander, and take charge of her own life. . . .
Tessa Fairweather is traveling second-class on the Lusitania, returning home to Devon. Or at least, that’s her story. Tessa has never left the United States and her English accent is a hasty fake. She’s really Tennessee Schaff, the daughter of a roving con man, and she can steal and forge just about anything. But she’s had enough. Her partner has promised that if they can pull off this one last heist aboard the Lusitania, they’ll finally leave the game behind. Tess desperately wants to believe that, but Tess has the uneasy feeling there’s something about this job that isn’t as it seems. . . .
As the Lusitania steams toward its fate, three women work against time to unravel a plot that will change the course of their own lives . . . and history itself.
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The Glass Ocean: A Novel
by Karen White, Beatriz Williams, Lauren Willig, Lori Baker
I write in retrospect, from the vantage of a distant shore.
Flame-haired, six-foot-two in stocking feet, eighteen-year-old Carlotta Dell’oro recounts the lives of her parents—solitary glassmaker Leopoldo Dell’oro and beautiful, unreachable Clotilde Girard—and discovers in their loves and losses, their omissions and obsessions, thecircumstances of her abandonment and the weight of her inheritance. Thomas Pynchon calls debut novelist Lori Baker “a storyteller with uncanny access to the Victorians, not only to the closely woven texture of their days but also to the dangerous nocturnal fires being attended to in their hearts.”
Carlotta’s story begins in 1841, when Leo and Clotilde meet aboard the Narcissus, on an expedition led by Clotilde’s magnanimous, adventuring father. Leo is commissioned to draw the creatures of the deep sea, but is bewitched instead by golden Clotilde, beginning a devotion that will prove inescapable. Clotilde meanwhile sees only her dear papa, but when he goes missing she is pushed to Leo, returning with him to the craggy English shores of Whitby, the place to which Leo vowed he would never return.
There they form an uneasy coexistence, lost to one another. The events of the Narcissus haunt them, leaving Clotilde grieving for her father, while Leo becomes possessed by the work of transforming his sea sketches into glass. But in finding his art he surrenders Clotilde, and the distance between the two is only magnified by the birth of baby Carlotta.
Years have passed, and Carlotta is now grown. A friend from the past comes to Whitby, and with his arrival sets into motion the Dell’oros’ inevitable disintegration. In hypnotic, inimitable prose Lori Baker’s The Glass Ocean transforms a story of family into something as otherworldly and mesmerizing as life beneath the sea itself.
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Crash and Tell: Stories (Yellow Shoe Fiction)
by Lori Baker
Sometimes wildly funny, yet often serious, jarringly uncanny yet realistic, the stories in Lori Baker's Crash & Tell seem to come from a different time and place. In her darkly whimsical world, Baker plays with a variety of narrative voices and styles, skillfully treading the line between traditional storytelling and the literary avant-garde. The interconnected stories provide a revealing account of women's lives, exploring the dark side of romance and the workplace. Laced with the surreal, the familiar neighborhoods of our lives grow strange through the lens of memory and murder.
From the comical re-imagining of Jane Goodall's life among the apes -- told from the eyes of Jane as a debutante escapee -- to a professional research subject who outwits a cunning psychiatrist; a photographer who must come to grips with a peculiar family obsession; a bored wife on vacation experiencing an unexpected seaside interlude with an oddly menacing dentist; and a car crash that leads to the most unromantic of romances -- the alienated suburbanites of these tales value memories (and ghosts) over people.
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The Glass Ocean
by Lori Baker
THOMAS PYNCHON:
"An adventure of dreamlike momentum and romantic intensity, brought alive by a storyteller with uncanny access to the Victorians, not only to the closely-woven texture of their days but also to the dangerous nocturnal fires being attended to in their hearts."
JOHN BANVILLE:
"The Glass Ocean is that rarest of things, a historical novel, or at least a novel set in history, that is also a work of art. Lori Baker is a captivating story-teller, and her prose has the flash and fire of molten glass."
"I write in retrospect, from the vantage of a distant shore." Flame-haired, six-foot-two in stocking feet, eighteen-year-old Carlotta Dell’oro recounts the lives of her parents—solitary glassmaker Leopoldo Dell’oro and beautiful, unreachable Clotilde Girard—and discovers in their loves and losses, their omissions and obsessions, thecircumstances of her abandonment and the weight of her inheritance. Thomas Pynchon calls debut novelist Lori Baker “a storyteller with uncanny access to the Victorians, not only to the closely woven texture of their days but also to the dangerous nocturnal fires being attended to in their hearts.”
Carlotta’s story begins in 1841, when Leo and Clotilde meet aboard the Narcissus, on an expedition led by Clotilde’s magnanimous, adventuring father. Leo is commissioned to draw the creatures of the deep sea, but is bewitched instead by golden Clotilde, beginning a devotion that will prove inescapable. Clotilde meanwhile sees only her dear papa, but when he goes missing she is pushed to Leo, returning with him to the craggy English shores of Whitby, the place to which Leo vowed he would never return.
There they form an uneasy coexistence, lost to one another. The events of the Narcissus haunt them, leaving Clotilde grieving for her father, while Leo becomes possessed by the work of transforming his sea sketches into glass. But in finding his art he surrenders Clotilde, and the distance between the two is only magnified by the birth of baby Carlotta.
Years have passed, and Carlotta is now grown. A friend from the past comes to Whitby, and with his arrival sets into motion the Dell’oros’ inevitable disintegration. In hypnotic, inimitable prose Lori Baker’s The Glass Ocean transforms a story of family into something as otherworldly and mesmerizing as life beneath the sea itself.
Chicago Tribune
"Baker is gifted with a surreal, descriptive imagination, and her Victorian world is densely populated with the kind of objects you want to pick up and examine: kaleidoscopes, mechanical birds, glass eyes, hanging orchids. The novel is a cabinet of curiosities stuffed to the gills with fascinating things."
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