Books by Mary Ann Caws
Surrealism
Surrealism looks beyond the post-1945 period to survey all of the twentieth century's major art movements. Mary Ann Caws is an internationally respected scholar of Surrealism who has translated many of its major texts and published extensively on the Surrealists' art and writings.
Aside from academic studies and museum catalogues, this is the most comprehensive, art book format survey on Surrealism to date, as it provides an essential overview of the links between the Surrealists' famous artworks. Mary Ann Caws is uniquely qualified to do this; reviewing one of her previous books, Rosalind Krauss, Columbia University's Meyer Schapiro Professor of Art, writes:
‘The specialization of critical labour has meant that gifted readers of surrealist texts are rarely in contact with canny viewers of surrealist objects … Mary Ann Caws brings her readerly skills on both sides of the divide, producing an analysis that, in its generosity, erudition and originality, greatly enriches our experience of the movement.’
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The Milk Bowl of Feathers: Essential Surrealist Writings
An exciting new collection of the essential writings of surrealism, the European avant-garde movement of the mind’s deepest powers Originating in 1916 with the avant-garde Dada movement at the famous Café Voltaire in Zurich, surrealism aimed to unleash the powers of the creative act without thinking. Max Ernst, André Breton, Tristan Tzara, Paul Éluard, Philippe Soupault, and Louis Aragon created a movement that spread wildly to all corners of the globe, inspiring not only poetry but also artists like Joan Miro and René Magritte and cinematic works by Antonin Artaud, Luis Bunuel, and Salvador Dalí. As the editor, Mary Ann Caws, says, “Essential to surrealist behavior is a constant state of openness, of readiness for whatever occurs, whatever marvelous object we might come across, manifesting itself against the already thought, the already lived.”
Here are the gems of this major, mind-bending aesthetic, political, and humane movement: writers as diverse as Aragon, Breton, Dalí, René Char, Robert Desnos, Mina Loy, Paul Magritte, Alice Paalen, Gisele Prassinos, Man Ray, Kay Sage, and Elsa von Freytag-Loringhoven are included here, providing a grand picture of this revolutionary movement that shocked the world.
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Marcel Proust: OVERLOOK ILLUSTRATED LIVES
Traces the life and accomplishments of the twentieth century novelist, noting his never-ending observation of the world that influenced his fictional characterizations, artistic works, and daily routines within his elite social circle. Reprint.
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Virginia Woolf
by The Overlook Press, Hermione Lee, Mary Ann Caws
"A biography wholly worthy of the brilliant woman it chronicles. . . . It rediscovers Virginia Woolf afresh." --The Philadelphia Inquirer
While Virginia Woolf--one of our century's most brilliant and mercurial writers--has had no shortage of biographers, none has seemed as naturally suited to the task as Hermione Lee. Subscribing to Virginia Woolf's own belief in the fluidity and elusiveness of identity, Lee comes at her subject from a multitude of perspectives, producing a richly layered portrait of the writer and the woman that leaves all of her complexities and contradictions intact. Such issues as sexual abuse, mental illness, and suicide are brought into balance with the immensity of her literary achievement, her heroic commitment to her work, her generosity and wit, and her sanity and strength.
It is not often that biography offers the satisfactions of great fiction--but this is clearly what Hermione Lee has achieved. Accessible, intelligent, and deeply pleasurable to read, her Virginia Woolf will undoubtedly take its place as the standard biography for years to come.
"One of the most impressive biographies of the decade: moving, eloquent, powerful as both literary and social history."
--Financial Times
"The most distinguished study of Woolf yet." --The New Republic
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Virginia Woolf
by The Overlook Press, Hermione Lee, Mary Ann Caws
Many of the accompanying illustrations showing Woolf and intimates from the famed Bloomsbury Circle-which included economist John Maynard Keynes and biographer Lytton Strachey-are published here for the very first time, along with other rare photos and po
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Henry James: Overlook Illustrated Lives
An account of the life and career of the late-nineteenth-century classic author places a particular emphasis on his use of the scenic method as a means of expressing his visual imagination, in an illustrated portrait that includes previously unpublished photographs of his family, friends, and works of art that inspired his writing.
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Virginia Woolf (Overlook Illustrated Lives)
Many of the accompanying illustrations showing Woolf and intimates from the famed Bloomsbury Circle-which included economist John Maynard Keynes and biographer Lytton Strachey-are published here for the very first time, along with other rare photos and portraits, providing rare insights into the mind of this enigmatic and influential writer.
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Provencal Cooking: Savoring the Simple Life in France
A savory tribute to the simple joys of life in Provence―including over thirty delicious recipes. More than thirty years ago, Mary Ann Caws, then a young professor, moved to Provence to translate the poetry of Provençal poet René Char. What sounded like a simple romantic sojourn turned into a journey of self-discovery on the joys of living simply: good company, good food, and great wine, preferably from your neighbor’s vineyard. There was little else in the way of material goods. Her little cottage, her cabanon, had no running water, no heat, no electricity, and was missing a wall and almost half the roof. The rest of the place seemed held together only by weeds and brambles. Mary Ann and her family were never happier.
The beauty of the olive trees, cherry orchards, marketplace and vineyards dictated the rhythm of their new lives. The process of preparing food and the sharing of it with friends and neighbors came to embody the essence of their existence on a hillside near the Mount Ventoux. Now, in this delightful and lyric meditation on Provence and its food, Mary Ann invites you to sit down at her table and share in some of her favorite recipes, the recipes of her neighbors, and her delicious memories of life in France. 12 color, 12 b&w illustrations
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Provençal Cooking
A savory tribute to the simple joys of life in Provence―great company, delicious food.
More than thirty years ago, Mary Ann Caws, then a young professor, moved to Provence to translate the poetry of Provençal poet René Char. What sounded like a simple romantic sojourn turned into a journey of self-discovery on the joys of living simply and enjoying the maxims of the Provençal "good life"―good company, good food, and great wine, preferably from your neighbor's vineyard. There was little else in the way of material goods. Her little cottage, her cabanon, had no running water, no heat, no electricity. When she arrived that first day with her young family in tow, the house was even missing a wall and almost half of the roof. The rest of the place seemed held together only by weeds and brambles. Mary Ann and her family were never happier.
The beauty of the olive trees, cherry orchards, marketplace and vineyards dictated the rhythm of their new lives. The process of preparing food and then sharing it with friends and neighbors came to embody the essence of their existence on the hillside of Mount Vertaux. Now, in this delightful and lyric meditation on Provence and its food, Mary Ann invites you to sit down at her table and share in some of her favorite recipes, the recipes of her neighbors, and her delicious memories of life in France.
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The Modern Art Cookbook
Matisse, Picasso, Hockney—they may not have been from the same period, but they all painted still lifes of food. And they are not alone. Andy Warhol painted soup cans, Claes Oldenburg sculpted an ice cream cone on the top of a building in Cologne, Jack Kerouac’s Sal ate apple pie across the country, and Truman Capote served chicken hash at the Black and White Ball. Food has always played a role in art, but how well and what did the artists themselves eat? Exploring a panoply of artworks of food, cooking, and eating from Europe and the Americas, The Modern Art Cookbook opens a window into the lives of artists, writers, and poets in the kitchen and the studio throughout the twentieth century and beyond.
From the early moderns to the impressionists; from symbolists to cubists and surrealists; from the Beats to the abstractionists of the New York School, Mary Ann Caws surveys how artists and writers have eaten, cooked, and depicted food. She examines the parallels between the art of cuisine and the visual arts and literature, using artworks, diaries, novels, letters, and poems to illuminate the significance of particular ingredients and dishes in the lives of the world’s greatest artists. In between, she supplies numerous recipes from these artists—including Ezra Pound’s poetic eggs, Cézanne’s baked tomatoes, and Monet’s madeleines—alongside one hundred color illustrations and thought-provoking selections from both poetry and prose. A joyous and illuminating guide to the art of food, The Modern Art Cookbook is a feast for the mind as well as the palate.
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The Yale Anthology of Twentieth-Century French Poetry
A comprehensive bilingual collection of twentieth-century French poetry
Not since the publication of Paul Auster’s The Random House Book of 20th Century French Poetry (1984) has there been a significant and widely read anthology of modern French poetry in the English-speaking world. Here for the first time is a comprehensive bilingual representation of French poetic achievement in the twentieth century, from the turn-of-the-century poetry of Guillaume Apollinaire to the high modernist art of Samuel Beckett to the contemporary verse of scourge Michel Houellebecq. Many of the English translations (on facing pages) are justly celebrated, composed by eminent figures such as T.S. Eliot, Wallace Stevens, and John Ashbery; many others are new and have been commissioned for this book.
Distinguished scholar and editor Mary Ann Caws has chosen work by more than 100 poets. Her deliberately extensive, international selection includes work by Francophone poets, by writers better known for accomplishments in other genres (novelists, songwriters, performance artists), and by many more female poets than have typically been represented in past anthologies of modern French poetry. The editor has opted for a chronological organization that highlights six crucial “pressure points” in modern French poetry. Accompanying the selections are a general introduction, informative essays on each period, and short biographical notes—all prepared by the editor.
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Surrealist Love Poems
Love poetry includes, yes, descriptions of the beloved. And images of a fantastic idyll complete with falling stars, the sound of the sea, and beautiful countryside. In the hands of Surrealists, though, love poetry also includes gravediggers and murderers, dice and garbage, snakeskin purses and "the drunken kisses of cyclones." Surrealism, the movement founded in the 1920s on the ashes of Dada's nihilism, embraced absurdity, contradiction, and, to a supreme extent, passion and desire. From André Breton's battle cry of "Mad Love" to the quiet lyricism of Robert Desnos, Surrealist writers and artists obsessively expressed the permutations of that fundamental human state, love, and they did so with the vocabulary of natural and unnatural worlds, the explicit language of sex, and a great deal of humor.
Surrealist Love Poems brings together sixty poems by Surrealists who charged their work with all forms of eroticism. Expertly and energetically edited by Mary Ann Caws, this collection seeks to demonstrate the truth of Breton's words, that "the embrace of poetry like that of bodies / As long as it lasts / Shuts out all the woes of the world."
"Erotic, impassioned and necrophilic, the sixty works gathered in Surrealist Love Poems celebrate the idea of obsessive and transformative love. 'I want to sleep with you side by side. . . . Stretched out on your shadow / Hammered by your tongue / To die in a rabbit's rotting teeth / Happy' writes Joyce Mansour. . . . Caws places poems by major surrealist writers like André Breton and Paul Eluard, along with the poetry of Picasso, Dalí, and Frida Kahlo, side by side with fourteen lushly printed and alluring black-and-white photos by the likes of Man Ray, Lee Miller, and Claude Cahun."—Publishers Weekly
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Selected Poems
by Mary Ann Caws, Saint-John Perse
The French poet Saint-John Perse (1887-1975) succeeded, according to critic Roger Caillois, “in giving as a scene for his wholly spiritual chronicles a kind of supreme civilization, composed of the essence of those which history records and going beyond them in grandeur and majesty.” In this bilingual edition of the Selected Poems, editor Mary Ann Caws has assembled extracts from all his major works––Anabasis, Praises, Exile, Rains, Snows, Winds, Seamarks, Chronique, Birds, and Song for an Equinox, in translations by T. S. Eliot, Louise Varse, Denis Devlin, Hugh Chisholm, Wallace Fowlie, Robert Fitzgerald, and Richard Howard
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Creative Gatherings: Meeting Places of Modernism
Art is seen as a solitary, even a reclusive, endeavor. But visual artists, writers, and musicians often find themselves energized by a collective environment. Sharing ideas around a table has always provided a starting, and a continuing, place for fruitful exchanges between artists of all kinds.
In her wide-ranging new book, Mary Ann Caws explores a rich variety of gathering places, past and present, which have been conducive to the release and sustenance of creative energies. Creative Gatherings surveys meeting locations across Europe and the United States, from cityscapes to island hideouts, from private homes to public cafes and artists’ colonies. Examples include Florence Griswold’s house in Old Lyme, Connecticut, meeting place of the Old Lyme Art Colony; Prague’s Le Louvre café, haunt of Kafka and Einstein; Picasso’s modernist hangout in Barcelona, Els Quatre Gats; Charleston, gathering place of Virginia Woolf and Vanessa and Duncan Bell; and the cafés of Saint-Germain-des-Prés and Montparnasse: the hangouts of Apollinaire, Sartre, and Patti Smith. Interweaving two hundred examples of collaborative artworks throughout the text, with more than one hundred in color, Creative Gatherings is a beautiful, erudite commingling as inspiring as the gathering places Caws depicts.
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Blaise Pascal: Miracles and Reason (Renaissance Lives)
Few people have had as many influences on as many different fields as true Renaissance man Blaise Pascal. At once a mathematician, philosopher, theologian, physicist, and engineer, Pascal’s discoveries, experiments, and theories helped usher in a modern world of scientific thought and methodology. In this singular book on this singular genius, distinguished scholar Mary Ann Caws explores the rich contributions of this extraordinary thinker, interweaving his writings and discoveries with an account of his life and career and the wider intellectual world of his time.
Caws takes us back to Pascal’s youth, when he was a child prodigy first engaging mathematics through the works of mathematicians such as Father Mersenne. She describes his early scientific experiments and his construction of mechanical calculating machines; she looks at his correspondence with important thinkers such as René Descartes and Pierre de Fermat; she surveys his many inventions, such as the first means of public transportation in Paris; and she considers his later religious exaltations in works such as the “Memorial.” Along the way, Caws examines Pascal’s various modes of writing—whether he is arguing with the strict puritanical modes of church politics, assuming the personality of a naïve provincial trying to understand the Jesuitical approach, offering pithy aphorisms in the Pensées, or meditating on thinking about thinking itself.
Altogether, this book lays side by side many aspects of Pascal’s life and work that are seldom found in a single volume: his religious motivations and faith, his scientific passions, and his practical savvy. The result is a comprehensive but easily approachable account of a fascinating and influential figure.
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