Books by Maxine Hong Kingston
the woman warrior: memoirs of a girlhood among ghosts
NATIONAL BESTSELLER • An exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities—immigrant, female, Chinese, American. • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER
“A classic, for a reason.” —Celeste Ng, bestselling author of Little Fires Everywhere and Our Missing Hearts, via Twitter
As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother’s “talk stories.” The fierce and wily women warriors of her mother’s tales clash jarringly with the harsh reality of female oppression out of which they come. Kingston’s sense of self emerges in the mystifying gaps in these stories, which she learns to fill with stories of her own. A warrior of words, she forges fractured myths and memories into an incandescent whole, achieving a new understanding of her family’s past and her own present.
Copies
No copies available.
The Fifth Book of Peace
A long time ago in China, there existed three Books of Peace that proved so threatening to the reigning powers that they had them burned. Many years later Maxine Hong Kingston wrote a Fourth Book of Peace, but it too was burned--in the catastrophic Berkeley-Oakland Hills fire of 1991, a fire that coincided with the death of her father. Now in this visionary and redemptive work, Kingston completes her interrupted labor, weaving fiction and memoir into a luminous meditation on war and peace, devastation and renewal.
Copies
No copies available.
I Love a Broad Margin to My Life
In her singular voice—humble, elegiac, practical—Maxine Hong Kingston sets out to reflect on aging as she turns sixty-five.
Kingston’s swift, effortlessly flowing verse lines feel instantly natural in this fresh approach to the art of memoir, as she circles from present to past and back, from lunch with a writer friend to the funeral of a Vietnam veteran, from her long marriage (“can’t divorce until we get it right. / Love, that is. Get love right”) to her arrest at a peace march in Washington, where she and her "sisters" protested the Iraq war in the George W. Bush years. Kingston embraces Thoreau’s notion of a “broad margin,” hoping to expand her vista: “I’m standing on top of a hill; / I can see everywhichway— / the long way that I came, and the few / places I have yet to go. Treat / my whole life as if it were a day.”
On her journeys as writer, peace activist, teacher, and mother, Kingston revisits her most beloved characters: she learns the final fate of her Woman Warrior, and she takes her Tripmaster Monkey, a hip Chinese American, on a journey through China, where he has never been—a trip that becomes a beautiful meditation on the country then and now, on a culture where rice farmers still work in the age-old way, even as a new era is dawning. “All over China,” she writes, “and places where Chinese are, populations / are on the move, going home. That home / where Mother and Father are buried. Doors / between heaven and earth open wide.”
Such is the spirit of this wonderful book—a sense of doors opening wide onto an American life of great purpose and joy, and the tonic wisdom of a writer we have come to cherish.
Copies
No copies available.
To Be the Poet (The William E. Massey Sr. Lectures in American Studies)
"I have almost finished my longbook," Maxine Hong Kingston declares. "Let my life as Poet begin...I won't be a workhorse anymore; I'll be a skylark." To Be the Poet is Kingston's manifesto, the avowal and declaration of a writer who has devoted a good part of her sixty years to writing prose, and who, over the course of this spirited and inspiring book, works out what the rest of her life will be, in poetry. Taking readers along with her, this celebrated writer gathers advice from her gifted contemporaries and from sages, critics, and writers whom she takes as ancestors. She consults her past, her conscience, her time--and puts together a volume at once irreverent and deeply serious, playful and practical, partaking of poetry throughout as it pursues the meaning, the possibility, and the power of the life of the poet.
A manual on inviting poetry, on conjuring the elusive muse, To Be the Poet is also a harvest of poems, from charms recollected out of childhood to bursts of eloquence, wonder, and waggish wit along the way to discovering what it is to be a poet.
Copies
No copies available.
Every Father's Daughter: Twenty-four Women Writers Remember Their Fathers
by Jane Smiley, Ann Hood, Bobbie Ann Mason, Alice Munro, Maxine Hong Kingston, Bliss Broyard, Jayne Anne Phillips, etc
What is it about the relationship between fathers and daughters that provokes so much exquisite tenderness, satisfying communion, longing for more, idealization from both ends, followed often if not inevitably by disappointment, hurt, and the need to understand and forgive, or to finger the guilt of not understanding and loving enough? writes Phillip Lopate, in his introduction to Every Father's Daughter, a collection of 24 personal essays by women writers writing about their fathers. The editor, Margaret McMullan, is herself a distinguished novelist and educator. About half of these essays were written by invitation for this anthology; others were selected by Ms. McMullan and her associate, Philip Lopate, who provides an introduction. The contributors include many well-known writers Alice Munro, Jayne Anne Phillips, Alexandra Styron, Ann Hood, Bobbie Ann Mason, Maxine Hong Kingston, among others as well as writers less well-known but no less cogent, inventive, perceptive, lacerating, questioning, or loving of their fathers.
From the Foreword by Margaret McMullan
After my father died, I couldn't read or write, perhaps because, in the end, my father was unable to read or write. I didn't know it then, but I was looking for a collection of intensely personal essays, written by great women writers telling me about their fathers and how they came to know their fathers, a collection which might help me make some kind of sense of my own very close relationship with my father. I wanted to know from women, replacement sisters, if they had similar relationships with their fathers as I had with mine. Or, if their relationships were altogether different, I wanted to know how exactly these relationships were different. I wanted to know if the fact that my father was Southern had anything to do with anything. I suppose, more than anything, I just wanted to know that I wasn't alone in my love, my loss, my loneliness. I wanted to read this anthology, but it did not exist. Writers write the book they want to read. Editors do the same. This book came out of a need, my own, personal, selfish need.
Eventually, I contacted the authors I loved and admired some of them friends, some of them friends of my father s. I never wanted this to feel like an assignment, but I suppose it was. I simply asked these women to tell me about their fathers. They took it from there. For some authors, the idea of writing about a father just clicked, and they wrote their essays, often within days of the request. We all have stories about our fathers, even if it's a bad story or a non-story, it's a story. If you write, you will read these essays and feel the need to write your own.
I kept my father's tastes very much in mind during the difficult but joyful process of selecting essays for this book. This collection reflects my father, and, of course, other fathers as well. These essays are a sort of collage or mosaic of fatherhood and all the ways daughters communicate or don't with their fathers. Of course, there's a long list of wonderful women writers not included here this anthology really should extend itself into another volume.
Copies
No copies available.
China Men
The author chronicles the lives of three generations of Chinese men in America, woven from memory, myth and fact. Here's a storyteller's tale of what they endured in a strange new land.
Copies
No copies available.
Tripmaster Monkey His Fake Book
One of The Atlantic’s Great American Novels of the Past 100 Years • From the acclaimed author of The Woman Warrior and China Men comes a novel centered on the life of a Chinese-American hippie and aspiring playwright as he explores the complexities of identity, culture, and artistic ambition.
"A dazzling leap of imaginative sympathy [and] narrative magic."—The New York Times Book Review
Wittman Ah Sing is a young Chinese-American hippie in San Francisco during the late sixties. Named after America's quintessential poet, indomitably garrulous and free-spirited, Wittman is as American as James Dean. Yet he also bears a strking resemblance to Monkey, the trickster-saint of Chinese legend who helped bring the Buddhist scriptures from India.
Driven by his dream of writing and staging an epic production of interwoven Chinese novels and folktales, Wittman embarks on an extraordinary journey through an era as fantastic as his ambition. Tripmaster Monkey is by turns surreal; exuberantly charged with spectacle, violence, and Chinese "talk-story"; and wildly, bitterly funny. Kingston's masterful storytelling brings to life the struggles and triumphs of a young man caught between two worlds on a quest for self-discovery and cultural reconciliation.
Copies
No copies available.
I Love a Broad Margin to My Life (Vintage International)
In her singular voice—both humble and brave, touching and humorous—Maxine Hong Kingston gives us a poignant and beautiful memoir-in-verse that captures the wisdom that comes with age. As she reflects on her sixty-five years, she circles from present to past and back, from lunch with a writer friend to the funeral of a Vietnam veteran, from her long marriage to her arrest at a peace march in Washington. On her journeys as writer, peace activist, teacher, and mother, she revisits her most beloved characters—Wittman Ah-Sing, the Tripmaster Monkey, and Fa Mook Lan, the Woman Warrior—and presents us with a beautiful meditation on China then and now. The result is a marvelous account of an American life of great purpose and joy, and the tonic wisdom of a writer we have come to cherish.
Copies
No copies available.
Hawai'i One Summer
"I did not wait for twenty years to write the pieces in this book, which is like a diary. There is sometimes only a week or two between an event and my writing about it. I wrote about my son’s surfing upon coming home from it. I wrote about the high school reunion before going to it. The result is that I am making up meanings as I go along. Which is the way I live anyway. There is a lot of detailed doubt here."
In this collection of eleven pieces, originally issued as a limited hand-printed edition, Maxine Hong Kingston does not attempt to capture Hawai‘i but "instead and incidentally" to describe her "piece by piece, and hope that the sum praises her." The essays provide readers with a generous sampling of Kingston’s signature: an angle of vision, exquisitely balanced and clear-sighted, that awakens one to a knowledge of things.
Copies
No copies available.