Books by Michael Cunningham

Death in Venice

by Michael Cunningham, Michael Henry Heim, Thomas Mann

The world-famous masterpiece by Nobel laureate Thomas Mann―here in a new translation by Michael Henry Heim

Published on the eve of World War I, a decade after Buddenbrooks had established Thomas Mann as a literary celebrity, Death in Venice tells the story of Gustave von Aschenbach, a successful but aging writer who follows his wanderlust to Venice in search of spiritual fulfillment that instead leads to his erotic doom.

In the decaying city, besieged by an unnamed epidemic, he becomes obsessed with an exquisite Polish boy, Tadzio. “It is a story of the voluptuousness of doom,” Mann wrote. “But the problem I had especially in mind was that of the artist’s dignity.”

Death in Venice

by Michael Cunningham, Michael Henry Heim, Thomas Mann

The world-famous masterpiece by Nobel laureate Thomas Mann―here in a new translation by Michael Henry Heim

Published on the eve of World War I, a decade after Buddenbrooks had established Thomas Mann as a literary celebrity, Death in Venice tells the story of Gustave von Aschenbach, a successful but aging writer who follows his wanderlust to Venice in search of spiritual fulfillment that instead leads to his erotic doom.
In the decaying city, besieged by an unnamed epidemic, he becomes obsessed with an exquisite Polish boy, Tadzio. “It is a story of the voluptuousness of doom,” Mann wrote. “But the problem I had especially in mind was that of the artist’s dignity.”

The Hours

by Michael Cunningham

The Pulitzer Prize-winning novel becomes a motion picture starring Meryl Streep, Julianne Moore, and Nicole Kidman, directed by Stephen Daldry from a screenplay by David Hare

The Hours tells the story of three women: Virginia Woolf, beginning to write Mrs. Dalloway as she recuperates in a London suburb with her husband in 1923; Clarissa Vaughan, beloved friend of an acclaimed poet dying from AIDS, who in modern-day New York is planning a party in his honor; and Laura Brown, in a 1949 Los Angeles suburb, who slowly begins to feel the constraints of a perfect family and home. By the end of the novel, these three stories intertwine in remarkable ways, and finally come together in an act of subtle and haunting grace.

The Hours is the winner of the 1999 Pulitzer Prize for Fiction.

The Hours

by Michael Cunningham

In a novel of love, family inheritance, and desperation, the author offers a fictional account of Virginia Woolf's last days and her friendship with a poet living in his mother's shadow.

A Home at the End of the World: A Novel

by Michael Cunningham

From Michael Cunningham, the Pulitzer Prize-winning author of The Hours, comes the acclaimed novel of two boyhood friends A Home at the End of the World, now a feature film starring Colin Farrell and Dallas Roberts Jonathan.

There's Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family.

A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.

A Home at the End of the World: A Novel

by Michael Cunningham

For the first time, an audio production is available of Michael Cunningham’s critically acclaimed novel—published to coincide with the release of the feature film starring Colin Farrell and Dallas Roberts
M ichael Cunningham’s celebrated novel is the story of two boyhood friends: Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city’s erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare’s child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise “their” child together and create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.

A Home at the End of the World: A Novel

by Michael Cunningham

From Michael Cunningham, the Pulitzer Prize-winning author of The Hours, comes this widely praised novel of two boyhood friends: Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.

Crowns: Portraits of Black Women in Church Hats

by Michael Cunningham, Craig Marberry

An acclaimed photographer and award-winning journalist provide an intimate look at black women who would rather attend church naked than hatless.

For countless black women, a church hat, flamboyant as it may be, is no mere fashion accessory; it's a cherished African American custom, one observed with boundless passion.

A woman's hat speaks long before its wearer utters a word. It's what Deirdre Guion calls "hattitude... there's a little more strut in your carriage when you wear a nice hat. There's something special about you." If a hat says a lot about a person, it says even more about a people—the customs they observe, the symbols they prize, and the fashions they fancy.

Photographer Michael Cunningham beautifully captures the self-expressions of women of all ages—from young glamorous women to serene but stylish grandmothers. Award-winning journalist Craig Marberry provides an intimate look at the women and their lives. Together they've captured a captivating custom, this wearing of church hats, a peculiar convergence of faith and fashion that keeps the Sabbath both holy and glamorous.

Specimen Days

by Michael Cunningham

In each section of Michael Cunningham's bold new novel, his first since The Hours, we encounter the same group of characters: a young boy, an older man, and a young woman. "In the Machine" is a ghost story that takes place at the height of the industrial revolution, as human beings confront the alienating realities of the new machine age. "The Children's Crusade," set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band that is detonating bombs, seemingly at random, around the city. The third part, "Like Beauty," evokes a New York 150 years into the future, when the city is all but overwhelmed by refugees from the first inhabited planet to be contacted by the people of Earth.
Presiding over each episode of this interrelated whole is the prophetic figure of the poet Walt Whitman, who promised his future readers, "It avails not, neither time or place . . . I am with you, and know how it is." Specimen Days is a genre-bending, haunting, and transformative ode to life in our greatest city and a meditation on the direction and meaning of America's destiny. It is a work of surpassing power and beauty by one of the most original and daring writers at work today.

The Hours: A Novel (Picador Modern Classics, 1)

by Michael Cunningham

Beautifully repackaged as part of the Picador Modern Classics series, this special edition of the Pulitzer Prize-winning novel is small enough to fit in your pocket and bold enough to stand out on your bookshelf.

In The Hours, Michael Cunningham, widely praised as one of the most gifted writers of his generation, draws inventively on the life and work of Virginia Woolf to tell the story of a group of contemporary characters struggling with the conflicting claims of love and inheritance, hope and despair. The narrative of Woolf's last days before her suicide early in World War II counterpoints the fictional stories of Samuel, a famous poet whose life has been shadowed by his talented and troubled mother, and his lifelong friend Clarissa, who strives to forge a balanced and rewarding life in spite of the demands of friends, lovers, and family.

Passionate, profound, and deeply moving, this is Cunningham's most remarkable achievement to date.

The Hours: A Novel (Picador Modern Classics, 1)

by Michael Cunningham

The Pulitzer Prize-winning novel that became a motion picture starring Meryl Streep, Julianne Moore, and Nicole Kidman, directed by Stephen Daldry from a screenplay by David Hare.

In The Hours, Michael Cunningham, widely praised as one of the most gifted writers of his generation, draws inventively on the life and work of Virginia Woolf to tell the story of a group of contemporary characters struggling with the conflicting claims of love and inheritance, hope and despair. The narrative of Woolf's last days before her suicide early in World War II counterpoints the fictional stories of Samuel, a famous poet whose life has been shadowed by his talented and troubled mother, and his lifelong friend Clarissa, who strives to forge a balanced and rewarding life in spite of the demands of friends, lovers, and family.

Passionate, profound, and deeply moving, this is Cunningham's most remarkable achievement to date.

Specimen Days: A Novel

by Michael Cunningham

Discover the Boundless Transformation of Life and Time

Welcome to the curated universe of Michael Cunningham's compelling novel, Specimen Days. Crafted with the elegance and power synonymous with this Pulitzer prize-winning author, this intricate work harmoniously blends literary fiction, historical narratives, and riveting science fiction. It's a bold exploration of New York City and the ultimate direction of America's destiny.

The novel masterfully weaves three riveting stories, each one echoing with the presence of characters familiar but uniquely adapted to their own era.

The first tale, "In the Machine," throws us back to the height of the industrial revolution, a chilling ghost story of humanity wrestling with the alien concepts of the new machine age.

Our journey continues with "The Children's Crusade," a thrilling narrative set in the 21st century, where a terrifying chain of seemingly random bombings plague a metropolis forcing us to examine the shadows of crisis and terror.

"Like Beauty" envisions New York 150 years into the future, a city teetering on the edge of collapse under the weight of refugees from Earth's first extraterrestrial contact.

Promising an immersive, transformative, and genre-blending literary experience, this imaginative narrative illuminates the transcendent interconnectedness of time, humanity, and destiny.

Flesh and Blood: A Novel

by Michael Cunningham

From the bestselling author of The Hours and Specimen Days comes a generous, masterfully crafted novel with all the power of a Greek tragedy.

The epic tale of an American family, Flesh and Blood follows three generations of the Stassos clan as it is transformed by ambition, love, and history. Constantine Stassos, a Greek immigrant, marries Mary Cuccio, an Italian-American girl, and they have three children, each fated to a complex life. Susan is oppressed by her beauty and her father's affections; Billy is brilliant, and gay; Zoe is a wild, heedless visionary. As the years pass, their lives unfold in ways that compel them--and their parents--to meet ever greater challenges.

By Nightfall: A Novel

by Michael Cunningham

A New York Times Bestseller

Peter and Rebecca Harris, midforties, are prosperous denizens of Manhattan. He's an art dealer, she's an editor. They live well. They have their troubles―their ebbing passions, their wayward daughter, and certain doubts about their careers―but they feel as though they're happy. Happy enough. Until Rebecca's much younger, look-alike brother, Ethan (known in the family as Mizzy, short for the Mistake), comes to visit. And after he arrives, nothing will ever be the same again.

This poetic and compelling masterpiece is a heartbreaking look at a marriage and the way we now live. Full of shocks and aftershocks, By Nightfall is a novel about the uses and meaning of beauty, and the place of love in our lives.

A Wild Swan: And Other Tales

by Michael Cunningham

Fairy tales for our times from the Pulitzer Prize–winning author of The Hours

A poisoned apple and a monkey's paw with the power to change fate; a girl whose extraordinarily long hair causes catastrophe; a man with one human arm and one swan's wing; and a house deep in the forest, constructed of gumdrops and gingerbread, vanilla frosting and boiled sugar. In A Wild Swan and Other Tales, the people and the talismans of lands far, far away―the mythic figures of our childhoods and the source of so much of our wonder―are transformed by Michael Cunningham into stories of sublime revelation.
Here are the moments that our fairy tales forgot or deliberately concealed: the years after a spell is broken, the rapturous instant of a miracle unexpectedly realized, or the fate of a prince only half cured of a curse. The Beast stands ahead of you in line at the convenience store, buying smokes and a Slim Jim, his devouring smile aimed at the cashier. A malformed little man with a knack for minor acts of wizardry goes to disastrous lengths to procure a child. A loutish and lazy Jack prefers living in his mother's basement to getting a job, until the day he trades a cow for a handful of magic beans.
Reimagined by one of the most gifted storytellers of his generation, and exquisitely illustrated by Yuko Shimizu, rarely have our bedtime stories been this dark, this perverse, or this true.

The Snow Queen: A Novel

by Michael Cunningham

The New York Times bestselling novel from the Pulitzer Prize–winning author of The Hours

Michael Cunningham's luminous novel begins with a vision. It's November 2004. Barrett Meeks, having lost love yet again, is walking through Central Park when he is inspired to look up at the sky; there he sees a pale, translucent light that seems to regard him in a distinctly godlike way. Barrett doesn't believe in visions―or in God―but he can't deny what he's seen.
At the same time, in the not-quite-gentrified Bushwick neighborhood of Brooklyn, Tyler, Barrett's older brother, a struggling musician, is trying―and failing―to write a wedding song for Beth, his wife-to-be, who is seriously ill. Tyler is determined to write a song that will be not merely a sentimental ballad but an enduring expression of love.
Barrett, haunted by the light, turns unexpectedly to religion. Tyler grows increasingly convinced that only drugs can release his creative powers. Beth tries to face mortality with as much courage as she can summon.
Cunningham follows the Meeks brothers as each travels down a different path in his search for transcendence. In subtle, lucid prose, he demonstrates a profound empathy for his conflicted characters and a singular understanding of what lies at the core of the human soul.
The Snow Queen, beautiful and heartbreaking, comic and tragic, proves again that Cunningham is one of the great novelists of his generation.

The Snow Queen: A Novel

by Michael Cunningham

Pulitzer Prize-Winning Author of The Hours

"Michael Cunningham's best novel in more than a decade."-Megan O'Grady, Vogue

It's November 2004. Barrett Meeks, having lost love yet again, is walking through Central Park when he is inspired to look up at the sky; there he sees a pale, translucent light that seems to regard him in a distinctly godlike way. At the same time, in Brooklyn, Barrett's older brother, Tyler, is struggling to make his way as a musician-and to write a wedding song for Beth, his wife-to-be, who is seriously ill. While Barrett turns unexpectedly to religion, Tyler grows increasingly convinced that only drugs can release his creative powers, and Beth tries to face mortality with as much courage as she can summon.
Michael Cunningham follows the Meeks brothers as each travels down a different path in his search for transcendence, demonstrating a singular understanding of what lies at the core of the human soul. Beautiful and heartbreaking, comic and tragic, The Snow Queen proves again that Cunningham is one of the great novelists of his generation.

Spirit of Harlem: A Portrait of America's Most Exciting Neighborhood

by Michael Cunningham, Craig Marberry

The creative team behind the smash hit Crowns:Portraits of Black Women in Church Hats returns with a glorious tour of the spirit of Harlem—a collection of fifty stunning black-and-white photographs and unforgettable interviews that capture the heart and soul of one of the most famous and vibrant neighborhoods in the world.
Harlem, long known as the epicenter of black cultural life in America, is undergoing a radical change. An unprecedented infusion of hundreds of millions of dollars in development capital is revitalizing the community and transforming a cityscape marred by decades of poverty. In a striking show of exuberance, upscale shops are materializing in once-abandoned buildings, new homes are popping up in vacant lots, and sheets of glass twinkle in place of grim, boarded-up windows. The economic renewal has lured a host of new people to the neighborhood—doctors, lawyers, investment bankers, and even a former president. But it has also posed a threat to many residents who have lived through the worst of times and now fear that they will lose their homes and livelihoods as boom times sweep in.
Spirit of Harlem documents this extraordinary period of transition through the words and faces of newcomers and longtime residents alike. There are reminiscences of Harlem during the 1920s through the 1960s, stories of friends and families gathering at churches, in local shops, and on the streets, and thoughts on what the future holds for the neighborhood.
Millions of tourists visit Harlem each year, and many people in the United States can trace their roots to this legendary area or have read about its remarkable history and impact on American life and culture. In more than fifty stunning portraits and essays, Spirit of Harlem brings all its splendor, rancor, drama, and glamour vividly to life.

The voices of Spirit of Harlem:

“The minute you step out your door, everything in Harlem is in your face. There is a beauty and a poetry in all that . . .” —Lana Turner, real estate broker

“Bubba and me thought Harlem was Heaven, all the lights and the sights. I asked my aunt, ‘Where do all the white people live?’” —Rev. Betty Neal

“When I came up from the subway, I said, ‘Oh man, I'm lost!’ But then I saw the Apollo and it blew me away. I said, ‘Wow, this is it! I’m in Harlem!’ I had never been to Harlem before, but I just knew I belonged here.” —Bryan Collier, author and artist

Queens: Portraits of Black Women and their Fabulous Hair

by Michael Cunningham, George Alexander

Crowns photographer Michael Cunningham and author and journalist George Alexander have captured the marvelous trinity of black women, hair, and beauty salons in the glorious Queens: Portraits of Black Women and Their Fabulous Hair.

Angela Garner says that “The beauty salon is the one great thing we get to share as African American women. It’s therapeutic.” Tisch Sims says that wearing fantasy hair makes her feel “like a goddess, a queen.”

From the afro to the ponytail to dreadlocks to braids to relaxed hair to fantasy hair; from “good hair” to bad hair days, in this stunningly designed book black women from the United States, Africa, and London explore the fascination with hair and beauty that has long been a cherished part of African American culture.

In fifty gorgeous photographs accompanied by vivid, personal narratives, Queens, by turns moving and funny, is the ultimate all-occasion gift book, perfect for Christmas, Kwanzaa, Mother’s Day, and birthdays.

Day: A Novel

by Elie Wiesel, Michael Cunningham

NATIONAL BESTELLER • An “exquisite” (The Boston Globe) exploration of love and loss, the struggles and limitations of family life—and how we all must learn to live together and apart—from the Pulitzer Prize–winning author of The Hours

“The only problem with Michael Cunningham’s prose is that it ruins you for mere mortals’ work. He is the most elegant writer in America.”—The Washington Post

NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • A BEST BOOK OF THE YEAR: NPR, Harper’s Bazaar, Chicago Public Library, Lit Hub, Paste, Kirkus Reviews

April 5, 2019: In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, husband and wife, are slowly drifting apart—and both, it seems, are a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, is living vicariously through a glamorous avatar online; Robbie, who now has to move out of the house—and whose departure threatens to break the family apart. And then there is Nathan, age ten, taking his first uncertain steps toward independence, while his sister, Violet, five, does her best not to notice the growing rift between her parents.

April 5, 2020: As the world goes into lockdown, the cozy brownstone is starting to feel more like a prison. Violet is terrified of leaving the windows open, obsessed with keeping her family safe. Isabel and Dan communicate mostly in veiled sleights and frustrated sighs. And dear Robbie is stranded in Iceland, alone in a mountain cabin with nothing but his thoughts—and his secret Instagram life—for company.

April 5, 2021: Emerging from the worst of the crisis, the family reckons with a new, very different reality—and with what they’ve learned, what they’ve lost, and how they might go on.

“[Cunningham] is one of love’s greatest witnesses.”—Los Angeles Times

“An absolutely stunning portrait of humanity . . . a masterpiece.”—Literary Hub

Day: A Novel

by Elie Wiesel, Michael Cunningham

NATIONAL BESTELLER • An “exquisite” (The Boston Globe) exploration of love and loss, the struggles and limitations of family life—and how we all must learn to live together and apart—from the Pulitzer Prize–winning author of The Hours

“The only problem with Michael Cunningham’s prose is that it ruins you for mere mortals’ work. He is the most elegant writer in America.”—The Washington Post

NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • A BEST BOOK OF THE YEAR: NPR, Harper’s Bazaar, Chicago Public Library, Lit Hub, Paste, Kirkus Reviews

April 5, 2019: In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, husband and wife, are slowly drifting apart—and both, it seems, are a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, is living vicariously through a glamorous avatar online; Robbie, who now has to move out of the house—and whose departure threatens to break the family apart. And then there is Nathan, age ten, taking his first uncertain steps toward independence, while his sister, Violet, five, does her best not to notice the growing rift between her parents.

April 5, 2020: As the world goes into lockdown, the cozy brownstone is starting to feel more like a prison. Violet is terrified of leaving the windows open, obsessed with keeping her family safe. Isabel and Dan communicate mostly in veiled sleights and frustrated sighs. And dear Robbie is stranded in Iceland, alone in a mountain cabin with nothing but his thoughts—and his secret Instagram life—for company.

April 5, 2021: Emerging from the worst of the crisis, the family reckons with a new, very different reality—and with what they’ve learned, what they’ve lost, and how they might go on.

“[Cunningham] is one of love’s greatest witnesses.”—Los Angeles Times

“An absolutely stunning portrait of humanity . . . a masterpiece.”—Literary Hub

Day: A Novel

by Elie Wiesel, Michael Cunningham

"Not since Albert Camus has there been such an eloquent spokesman for man." --The New York Times Book Review

The publication of Day restores Elie Wiesel's original title to the novel initially published in English as The Accident and clearly establishes it as the powerful conclusion to the author's classic trilogy of Holocaust literature, which includes his memoir Night and novel Dawn. "In Night it is the ‘I' who speaks," writes Wiesel. "In the other two, it is the ‘I' who listens and questions."

In its opening paragraphs, a successful journalist and Holocaust survivor steps off a New York City curb and into the path of an oncoming taxi. Consequently, most of Wiesel's masterful portrayal of one man's exploration of the historical tragedy that befell him, his family, and his people transpires in the thoughts, daydreams, and memories of the novel's narrator. Torn between choosing life or death, Day again and again returns to the guiding questions that inform Wiesel's trilogy: the meaning and worth of surviving the annihilation of a race, the effects of the Holocaust upon the modern character of the Jewish people, and the loss of one's religious faith in the face of mass murder and human extermination.

The Pilgrim Hawk: A Love Story (New York Review Books Classics)

by Michael Cunningham, Glenway Wescott

This powerful short novel describes the events of a single afternoon. Alwyn Towers, an American expatriate and sometime novelist, is staying with a friend outside of Paris, when a well-heeled, itinerant Irish couple drops in—with Lucy, their trained hawk, a restless, sullen, disturbingly totemic presence. Lunch is prepared, drink flows. A masquerade, at once harrowing and farcical, begins. A work of classical elegance and concision, The Pilgrim Hawk stands with Faulkner's The Bear as one of the finest American short novels: a beautifully crafted story that is also a poignant evocation of the implacable power of love.

The Pilgrim Hawk: A Love Story (New York Review Books Classics)

by Michael Cunningham, Glenway Wescott

This powerful short novel describes the events of a single afternoon. Alwyn Tower, an American expatriate and sometime novelist, is staying with a friend outside of Paris, when a well-heeled, itinerant Irish couple drops in—with Lucy, their trained hawk, a restless, sullen, disturbingly totemic presence. Lunch is prepared, drink flows. A masquerade, at once harrowing and farcical, begins.

A work of classical elegance and concision, The Pilgrim Hawk stands with Faulkner’s The Bear as one of the finest American short novels: a beautifully crafted story that is also a poignant evocation of the implacable power of love.

Wild Swan

by Michael Cunningham

Fairy tales for our times from the Pulitzer Prize–winning author of The Hours

Named a Best Book of the Year by NPR, Slate, and Bustle

A poisoned apple and a monkey’s paw with the power to change fate; a girl whose extraordinarily long hair causes catastrophe; a man with one human arm and one swan’s wing; and a house constructed of gumdrops and gingerbread. In A Wild Swan and Other Tales, the people and the talismans of lands far, far away―the mythic figures of our childhoods and the source of so much of our wonder―are transformed by Michael Cunningham into stories of sublime revelation.

Here are the moments that our fairy tales forgot or deliberately concealed: the years after a spell is broken, the rapturous instant of a miracle unexpectedly realized, or the fate of a prince only half cured of a curse. Reimagined by one of the most gifted storytellers of his generation, and exquisitely illustrated by Yuko Shimizu, rarely have our bedtime stories been this dark, this perverse, or this true.

Fight of the Century: Writers Reflect on 100 Years of Landmark ACLU Cases

by Morgan Parker, George Saunders, Jesmyn Ward, Jonathan Lethem, Louise Erdrich, Ann Patchett, Viet Thanh Nguyen, Salman Rushdie, Aleksandar Hemon, Marlon James, Timothy Egan, Elizabeth Strout, Brit Bennett, Lauren Groff, Anthony Doerr, Neil Gaiman, Yaa Gyasi, Geraldine Brooks, Michael Cunningham, Jacqueline Woodson, William Finnegan, Dave Eggers, Jennifer Egan, Andrew Sean Greer, Scott Turow, Meg Wolitzer, Hector Tobar, Sergio De La Pava, Rabih Alameddine, Victor LaValle, Adrian Nicole LeBlanc, David Handler, Moriel Rothman-Zecher, Steven Okazaki, Li Yiyun, Moses Sumney, C.J. Anders, Brenda J. Childs

To mark its 100-year anniversary, the American Civil Liberties Union partners with award-winning authors Michael Chabon and Ayelet Waldman to bring together many of our greatest living writers, each contributing an original piece inspired by a historic ACLU case.

On January 19, 1920, a small group of idealists and visionaries, including Helen Keller, Jane Addams, Roger Baldwin, and Crystal Eastman, founded the American Civil Liberties Union. A century after its creation, the ACLU remains the nation’s premier defender of the rights and freedoms guaranteed by the Constitution.

In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays about landmark cases in the organization’s one-hundred-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in—Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona—need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now. Familiar or little-known, each case springs to vivid life in the hands of the acclaimed writers who dive into the history, narrate their personal experiences, and debate the questions at the heart of each issue.

Hector Tobar introduces us to Ernesto Miranda, the felon whose wrongful conviction inspired the now-iconic Miranda rights—which the police would later read to the man suspected of killing him. Yaa Gyasi confronts the legacy of Brown v. Board of Education, in which the ACLU submitted a friend of- the-court brief questioning why a nation that has sent men to the moon still has public schools so unequal that they may as well be on different planets. True to the ACLU’s spirit of principled dissent, Scott Turow offers a blistering critique of the ACLU’s stance on campaign finance.

These powerful stories, along with essays from Neil Gaiman, Meg Wolitzer, Salman Rushdie, Ann Patchett, Viet Thanh Nguyen, Louise Erdrich, George Saunders, and many more, remind us that the issues the ACLU has engaged over the past one hundred years remain as vital as ever today, and that we can never take our liberties for granted.

Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.

Fight of the Century: Writers Reflect on 100 Years of Landmark ACLU Cases

by Morgan Parker, George Saunders, Jesmyn Ward, Jonathan Lethem, Louise Erdrich, Ann Patchett, Viet Thanh Nguyen, Salman Rushdie, Aleksandar Hemon, Marlon James, Timothy Egan, Elizabeth Strout, Brit Bennett, Lauren Groff, Anthony Doerr, Neil Gaiman, Yaa Gyasi, Geraldine Brooks, Michael Cunningham, Jacqueline Woodson, William Finnegan, Dave Eggers, Jennifer Egan, Andrew Sean Greer, Scott Turow, Meg Wolitzer, Hector Tobar, Sergio De La Pava, Rabih Alameddine, Victor LaValle, Adrian Nicole LeBlanc, David Handler, Moriel Rothman-Zecher, Steven Okazaki, Li Yiyun, Moses Sumney, C.J. Anders, Brenda J. Childs

The American Civil Liberties Union partners with award-winning authors Michael Chabon and Ayelet Waldman in this “forceful, beautifully written” (Associated Press) collection that brings together many of our greatest living writers, each contributing an original piece inspired by a historic ACLU case.

On January 19, 1920, a small group of idealists and visionaries, including Helen Keller, Jane Addams, Roger Baldwin, and Crystal Eastman, founded the American Civil Liberties Union. A century after its creation, the ACLU remains the nation’s premier defender of the rights and freedoms guaranteed by the Constitution.

In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays “full of struggle, emotion, fear, resilience, hope, and triumph” (Los Angeles Review of Books) about landmark cases in the organization’s one-hundred-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in—Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona—need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now. Familiar or little-known, each case springs to vivid life in the hands of the acclaimed writers who dive into the history, narrate their personal experiences, and debate the questions at the heart of each issue.

Hector Tobar introduces us to Ernesto Miranda, the felon whose wrongful conviction inspired the now-iconic Miranda rights—which the police would later read to the man suspected of killing him. Yaa Gyasi confronts the legacy of Brown v. Board of Education, in which the ACLU submitted a friend of- the-court brief questioning why a nation that has sent men to the moon still has public schools so unequal that they may as well be on different planets. True to the ACLU’s spirit of principled dissent, Scott Turow offers a blistering critique of the ACLU’s stance on campaign finance.

These powerful stories, along with essays from Neil Gaiman, Meg Wolitzer, Salman Rushdie, Ann Patchett, Viet Thanh Nguyen, Louise Erdrich, George Saunders, and many more, remind us that the issues the ACLU has engaged over the past one hundred years remain as vital as ever today, and that we can never take our liberties for granted.

Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.

Land's End: A Walk in Provincetown

by Michael Cunningham

"Cunningham's short book is a haunting, beautiful piece of work. . . . A magnificent work of art." -The Washington Post

"Easily read on a plane-and-ferry journey from here to the sandy, tide-washed tip of Cape Cod, Massachusetts, Land's End is that most perfect of companions: slender, eloquent, enriching, and fun. . . . A casually lovely ode to Provincetown." -The Minneapolis Star Tribune

"Cunningham rambles through Provincetown, gracefully exploring the unusual geography, contrasting seasons, long history, and rich stew of gay and straight, Yankee and Portuguese, old-timer and 'washashore' that flavors Cape Cod's outermost town. . . . Chock-full of luminous descriptions . . . . He's hip to its studied theatricality, ever-encroaching gentrification and physical fragility, and he can joke about its foibles and mourn its losses with equal aplomb." -Chicago Tribune

"A homage to the 'city of sand'. . . Filled with finely crafted sentences and poetic images that capture with equal clarity the mundanities of the A&P and Provincetown's magical shadows and light . . . Highly evocative and honest. It takes you there." -The Boston Globe

The Hours / Mrs. Dalloway A Novel

by Virginia Woolf, Michael Cunningham

Michael Cunningham brings together his Pulitzer Prize–winning novel with the masterpiece that inspired it, Virginia Woolf’s Mrs. Dalloway.

In The Hours, the acclaimed author Michael Cunningham draws inventively on the life and work of Virginia Woolf and the story of her novel, Mrs. Dalloway, to tell the story of a group of contemporary characters struggling with the conflicting claims of love and inheritance, hope and despair. In this edition, Cunningham brings his own Pulitzer Prize–winning novel together with Woolf’s masterpiece, which has long been hailed as a groundbreaking work of literary fiction and one of the finest novels written in English.

The two novels, published side by side with a new introduction by Cunningham, display the extent of their affinity, and each illuminates new facets of the other in this joint volume. In his introduction, Cunningham re-creates the wonderment of his first encounter with Mrs. Dalloway at fifteen—as he writes, “I was lost. I was gone. I never recovered.” With this edition, Cunningham allows us to disappear into the world of Woolf and into his own brilliant mind.

Unsayable - A Life in Writing

by Michael Cunningham

An intimate memoir portraying a life spent trying to describe the indescribable—from the Pulitzer Prize-winning novelist of The Hours and Day

Go ahead. Try using language to slit the skin of mortality to see what’s on the other side.

At the age of three, Michael Cunningham began obsessively collecting the names of things: oak, Chevrolet, finch, tulip, Tupperware… Each word rendered the world ever so slightly more understandable, more describable, kicking off a lifelong love affair with language—one that would, eventually, maybe inevitably, lead him to become a writer.

In Unsayable, Cunningham’s memories spill forth, and with them, reflections on the craft of writing. He is fifteen, in a swimming pool at night, gazing at the first boy he ever fell in love with, who is lost in contemplative silence. He is a new college graduate, setting off for nowhere in a Dodge Dart, hoping to pull meaning (and a novel) from the expanse of America. He is on Cape Cod, regaling an elderly couple with invented tales of sexual escapades. He is in an art gallery, unwittingly having the first in a lifetime of conversations with the man he would marry. A thread ties each beautifully-wrought moment to the next: what is unspoken, what won’t yield to language, what is embellished beyond recognition, what is still left to say.

Luminous, perceptive, and powerful, Unsayable is an ode to literature, a meditation on craft, and an intimate account of a life spent trying to put into words that which resists depiction. This, it turns out, is the lifeblood of the fiction writer: the impossibility of capturing the human experience, and the relentless desire to try.