Books by Michael Eric Dyson
Is Bill Cosby Right?: Or Has the Black Middle Class Lost Its Mind
Nothing exposed the class and generational divide in black America more starkly than Bill Cosby's now-infamous assault on the black poor when he received an NAACP award in the spring of 2004. The comedian-cum-social critic lamented the lack of parenting, poor academic performance, sexual promiscuity, and criminal behavior among what he called the knuckleheads” of the African-American community. Even more surprising than his comments, however, was the fact that his audience laughed and applauded.Best-selling writer, preacher, and scholar Michael Eric Dyson uses the Cosby brouhaha as a window on a growing cultural divide within the African-American community. According to Dyson, the Afristocracy”lawyers, physicians, intellectuals, bankers, civil rights leaders, entertainers, and other professionalslooks with disdain upon the black poor who make up the Ghettocracy”single mothers on welfare, the married, single, and working poor, the incarcerated, and a battalion of impoverished children. Dyson explains why the black middle class has joined mainstream America to blame the poor for their troubles, rather than tackling the systemic injustices that shape their lives. He exposes the flawed logic of Cosby's diatribe and offers a principled defense of the wrongly maligned black citizens at the bottom of the social totem pole. Displaying the critical prowess that has made him the nation's preeminent spokesman for the hip-hop generation, Dyson challenges us allblack and whiteto confront the social problems that the civil rights movement failed to solve.
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Making Malcolm: The Myth and Meaning of Malcolm X
Malcolm X's cultural rebirth--his improbable second coming--brims with irony. The nineties are marked by intense and often angry debates about racial authenticity and "selling out," and the participants in these debates--from politicians to filmmakers to rap artists--often draw on Malcolm's scorching rebukes to such moves. Meanwhile, Malcolm's "X" is marketed in countless business endeavors and is stylishly branded on baseball hats and T-shirts sported by every age, race, and gender. But this rampant commercialization is only a small part of Malcolm's remarkable renaissance. One of the century's most complex black leaders, he is currently blazing a new path across contemporary popular culture, and has even seared the edges of an academy that once froze him out. Thirty years after his assassination, what is it about his life and words that speaks so powerfully to so many?
In Making Malcolm, Michael Eric Dyson probes the myths and meanings of Malcolm X for our time. From Spike Lee's film biography to Eugene Wolfenstein's psychobiographical study, from hip-hop culture to gender and racial politics, Dyson cuts a critical swathe through both the idolization and the vicious caricatures that have undermined appreciation of Malcolm's greatest accomplishments. The book's first section offers a boldly original and penetrating analysis of the major trends in interpreting Malcolm's legacy since his death, and the fiercely competing interests and ideologies that have shaped these trends. From mainstream books to writings published by the independent black press, Dyson identifies and examines the different "Malcolms" who have emerged in popular and academic investigations of his life and career. With impassioned and compelling force, Dyson argues that Malcolm was too formidable a historic figure--the movements he led too variable and contradictory, the passion and intelligence he summoned too extraordinary and disconcerting--to be viewed through any narrow cultural prism.
The second half of the book offers a fascinating exploration of Malcolm's relationship to a resurgent black nationalism, his influence on contemporary black filmmakers and musicians, and his use in progressive black politics. From sexism and gangsta rap to the painful predicament of black males, from the politics of black nationalism to the possibilities of race in the Age of Clinton, Dyson's trenchant and often inspiring analysis reveals how Malcolm's legacy continues to spur debate and action today.
A rare and important book, Making Malcolm casts new light not only on the life and career of a seminal black leader, but on the aspirations and passions of the growing numbers who have seized on his life for insight and inspiration.
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Pride: The Seven Deadly Sins (New York Public Library Lectures in Humanities)
Of the seven deadly sins, pride is the only one with a virtuous side. It is certainly a good thing to have pride in one's country, in one's community, in oneself. But when taken too far, as Michael Eric Dyson shows in Pride, these virtues become deadly sins.
Dyson, named by Ebony magazine as one of the 100 most influential African Americans, here looks at the many dimensions of pride. Ranging from Augustine and Aquinas, MacIntyre and Hauerwas, to Niebuhr and King, Dyson offers a thoughtful, multifaceted look at this "virtuous vice." He probes the philosophical and theological roots of pride in examining its transformation in Western culture. Dyson discusses how black pride keeps blacks from being degraded and excluded by white pride, which can be invisible, unspoken, but nonetheless very powerful. Dyson also offers a moving glimpse into the teachers and books that shaped his personal pride and vocation. Dyson also looks at less savory aspects of national pride. Since 9/11, he notes, we have had to close ranks. But the collective embrace of all things American, to the exclusion of anything else, has taken the place of a much richer, much more enduring, much more profound version of love of country. This unchecked pride asserts the supremacy of America above all others--elevating our national beliefs above any moral court in the world--and attacking critics of American foreign policy as unpatriotic and even traitorous.
Hubris, temerity, arrogance--the unquestioned presumption that one's way of life defines how everyone else should live--pride has many destructive manifestations. In this engaging and energetic volume, Michael Eric Dyson, one of the nation's foremost public intellectuals, illuminates this many-sided human emotion, one that can be an indispensable virtue or a deadly sin.
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Pride: The Seven Deadly Sins (New York Public Library Lectures in Humanities)
Of the seven deadly sins, pride is the only one with a virtuous side. It is certainly a good thing to have pride in one's country, in one's community, in oneself. But when taken too far, as Michael Eric Dyson shows in Pride, these virtues become deadly sins.
Dyson, named by Ebony magazine as one of the 100 most influential African Americans, here looks at the many dimensions of pride. Ranging from Augustine and Aquinas, MacIntyre and Hauerwas, to Niebuhr and King, Dyson offers a thoughtful, multifaceted look at this "virtuous vice." He probes the philosophical and theological roots of pride in examining its transformation in Western culture. Dyson discusses how black pride keeps blacks from being degraded and excluded by white pride, which can be invisible, unspoken, but nonetheless very powerful. Dyson also offers a moving glimpse into the teachers and books that shaped his personal pride and vocation. Dyson also looks at less savory aspects of national pride. Since 9/11, he notes, we have had to close ranks. But the collective embrace of all things American, to the exclusion of anything else, has taken the place of a much richer, much more enduring, much more profound version of love of country. This unchecked pride asserts the supremacy of America above all others--elevating our national beliefs above any moral court in the world--and attacking critics of American foreign policy as unpatriotic and even traitorous.
Hubris, temerity, arrogance--the unquestioned presumption that one's way of life defines how everyone else should live--pride has many destructive manifestations. In this engaging and energetic volume, Michael Eric Dyson, one of the nation's foremost public intellectuals, illuminates this many-sided human emotion, one that can be an indispensable virtue or a deadly sin.
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A Memory, a Monologue, a Rant, and a Prayer: Writings to Stop Violence Against Women and Girls
by Alice Walker, Howard Zinn, Maya Angelou, Michael Eric Dyson, Edward Albee, Erin Cressida Wilson, Abiola Abrams, Suheir Hammad
Selections from the “Until the Violence Stops” Festival
Featuring writings by Abiola Abrams • Edward Albee • Tariq Ali • Maya Angelou • Periel Aschenbrand • Patricia Bosworth • Nicole Burdette • Kate Clinton • Kimberle Crenshaw • Michael Cunningham • Edwidge Danticat • Ariel Dorfman • Mollie Doyle • Slavenka Drakulic • Michael Eric Dyson • Dave Eggers • Kathy Engel • Eve Ensler • Jane Fonda • Carol Gilligan • Jyllian Gunther • Suheir Hammad • Christine House • Marie Howe • Carol Michèle Kaplan • Moisés Kaufman • Michael Klein • Nicholas Kristof • James Lecesne • Elizabeth Lesser • Mark Matousek • Deena Metzger • Susan Miller • Winter Miller • Susan Minot • Robin Morgan • Kathy Najimy • Lynn Nottage • Sharmeen Obaid-Chinoy • Sharon Olds • Hanan al-Shaykh • Anna Deavere Smith • Diana Son • Monica Szlekovics • Robert Thurman • Betty Gale Tyson • Alice Walker • Jody Williams • Erin Cressida Wilson • Howard Zinn
This groundbreaking collection, edited by author and playwright Eve Ensler, features pieces from “Until the Violence Stops,” the international tour that brings the issue of violence against women and girls to the forefront of our consciousness. These diverse voices rise up in a collective roar to break open, expose, and examine the insidiousness of brutality, neglect, a punch, or a put-down. Here is Edward Albee on S&M; Maya Angelou on women’s work; Michael Cunningham on self-mutilation; Dave Eggers on a Sudanese
abduction; Carol Gilligan on a daughter witnessing her mother being hit; Susan Miller on raising a son as a single mother; and Sharon Olds on a bra.
These writings are inspired, funny, angry, heartfelt, tragic, and beautiful. But above all, together they create a true and profound portrait of this issue’s effect on every one of us. With information on how to organize an “Until the Violence Stops” event in your community, A Memory, a Monologue, a Rant, and a Prayer is a call to the world to demand an end to violence against women.
“In the current era, it takes some brain racking to think of anyone else doing anything quite like Ensler. She’s a countercultural consciousness-raiser, an empowering figure, a truth-teller.”
–Chicago Tribune
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Debating Race: with Michael Eric Dyson
Whether chronicling the class conflict in the African-American community or exposing the failings of the government response in the wake of Hurricane Katrina, Michael Eric Dyson has never shied away from controversy. No stranger to intellectual combat, Dyson has always been ready to engage friends and foes alike in open conversation about the issues that matter. Debating Race collects many of Dyson's most memorable encounters and most poignant arguments. Dyson shows that he is as eloquent off the cuff as he is on the book page, and Debating Race gives readers a front row seat as he spars with politicians, pundits, and public intellectuals. From John Kerry and John McCain to Ann Coulter and the hosts of television's "The View"-Dyson shows the mental agility and rhetorical tenacity that have made him one of America's most astute intellectuals, and with topics ranging from civil rights, the legacy of the O.J. Simpson trial, and the authenticity of Colin Powell there is something in Debating Race to touch a nerve in all of us.
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Born to Use Mics: Reading Nas's Illmatic
by Michael Eric Dyson, Sohail Daulatzai
At the age of nineteen, Nasir "Nas" Jones began recording tracks for his debut album -- and changed the music world forever. Released in 1994, Illmatic was hailed as an instant masterpiece and has proven one of the most influential albums in hip-hop history. With its close attention to beats and lyricism, and riveting first-person explorations of the isolation and desolation of urban poverty, Illmatic was pivotal in the evolution of the genre.
In Born to Use Mics, Michael Eric Dyson and Sohail Daulatzai have brought together the best and brightest writers of the hip hop generation to confront Illmatic song by song, with each scholar assessing an individual track from the album. The result is a brilliant engagement with and commentary upon one of the most incisive sets of songs ever laid down on wax.
Featuring:
Adilifu Nama • Guthrie P. Ramsey Jr. • James Braxton Peterson • Marc Lamont Hill • Mark Anthony Neal • Kyra D. Gaunt • Eddie S. Glaude Jr. • Imani Perry • Jon Shecter • Matt Life • Bobbito the Barber • Greg Tate • Dream Hampton • Adam Mansbach • Kevin Coval • Jon Caramanica • Charlie Ahearn • Suheir Hammad
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Open Mike
Here, collected for the first time, are interviews and essays representing Michael Eric Dyson's most important thinking on race and identity. Exploring such topics as "whiteness" as seen through a black man's eye, modernism and postmodernism in black culture, and the emancipating role of black music from the plantation to the ghetto, Open Mike is a perfect introduction to Dyson's work and a must-have for students and scholars in African American Studies and Cultural Studies.
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Is Bill Cosby Right?: Or Has the Black Middle Class Lost Its Mind?
Nothing exposed the class and generational divide in black America more starkly than Bill Cosby's now-infamous assault on the black poor when he received an NAACP award in the spring of 2004. The comedian-cum-social critic lamented the lack of parenting, poor academic performance, sexual promiscuity, and criminal behavior among what he called the "knuckleheads" of the African-American community. Even more surprising than his comments, however, was the fact that his audience laughed and applauded. Best-selling writer, preacher, and scholar Michael Eric Dyson uses the Cosby brouhaha as a window on a growing cultural divide within the African-American community. According to Dyson, the "Afristocracy" -- lawyers, physicians, intellectuals, bankers, civil rights leaders, entertainers, and other professionals -- looks with disdain upon the black poor who make up the "Ghettocracy" -- single mothers on welfare, the married, single, and working poor, the incarcerated, and a battalion of impoverished children. Dyson explains why the black middle class has joined mainstream America to blame the poor for their troubles, rather than tackling the systemic injustices that shape their lives. He exposes the flawed logic of Cosby's diatribe and offers a principled defense of the wrongly maligned black citizens at the bottom of the social totem pole. Displaying the critical prowess that has made him the nation's preeminent spokesman for the hip-hop generation, Dyson challenges us all -- black and white -- to confront the social problems that the civil rights movement failed to solve.
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Come Hell or High Water: Hurricane Katrina and the Color of Disaster
This work examines what Hurricane Katrina reveals about the fault lines of race and poverty in America - and what lessons we must take from the flood. When Hurricane Katrina tore through New Orleans, hundreds of thousands were left behind to suffer the ravages of destruction, disease and even death. The majority were black, and nearly all were poor. The Federal government's slow response to local appeals for help is now notorious. Yet despite the cries of outrage that have mounted since the levees broke, America has failed to confront the disaster's true lesson: to be poor, or black, in today's ownership society, is to be left behind. Displaying the intellectual rigour, political passion and personal empathy that have won him acclaim and fans all across the colour line, Michael Eric Dyson offers a searing assessment of the meaning of Hurricane Katrina. Combining interviews with survivors of the disaster with his deep knowledge of black migrations and government policy over decades, Dyson provides the historical context that has been sorely missing from public conversation.
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Come Hell or High Water: Hurricane Katrina and the Color of Disaster
When Hurricane Katrina tore through New Orleans and the Gulf Coast, hundreds of thousands were left behind to suffer the ravages of destruction, disease, and even death. The majority of these people were black; nearly all were poor. The Federal government's slow response to local appeals for help is by now notorious. Yet despite the cries of outrage that have mounted since the levees broke, we have failed to confront the disaster's true lesson: to be poor, or black, in today's ownership society, is to be left behind. Displaying the intellectual rigor, political passion, and personal empathy that have won him acclaim and fans all across the color line, Michael Eric Dyson offers a searing assessment of the meaning of Hurricane Katrina. Combining interviews with survivors of the disaster with his deep knowledge of black migrations and government policy over decades, Dyson provides the historical context that has been sorely missing from public conversation. He explores the legacy of black suffering in America since slavery and ties its psychic scars to today's crisis. And, finally, his critique of the way black people are framed in the national consciousness will shock and surprise even the most politically savvy reader. With this clarion call Dyson warns us that we can only find redemption as a society if we acknowledge that Katrina was more than an engineering or emergency response failure. From the TV newsroom to the Capitol Building to the backyard, we must change the way we relate to the black and the poor among us. What's at stake is no less than the future of democracy.
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Why I Love Black Women
Son and husband, soulmate and teacher, Michael Eric Dyson owes his success to the love and support of the black women in his life. Yet too often, he warns, African American women are the victims of negative stereotypes that dominate the larger culture and even many quarters of black America. It's time to stop viewing black women as scolding sapphires, welfare queens, professional prima donnas-and carping competitors with white women -and to start giving them the respect and the love they deserve.Why I Love Black Women is an act of cultural restoration that rescues black women from vicious rhetoric and irresponsible generalizations. It is a catalogue of virtues, an unapologetically cheerful view of black women that rescues their strengths and beauties from callous denial or cruel indifference. Deeply personal and socially provocative, Dyson singles out the defining virtues of African American women. More than a colored knock-off of "vanilla" virtues, these qualities evoke praise and conjure awe in the face of black women's struggles. In an era marred by bigoted and baleful beliefs about black women-from hip-hop to the pulpit, from the streets to scholarly focus-Dyson offers a welcome reprieve from cultural madness. Why I Love Black Women explodes taboos while it celebrates the perseverance and the pride, the sensuality and the sophistication, of African American women everywhere.
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Mercy, Mercy Me: The Art, Loves and Demons of Marvin Gaye
Twenty years after his murder at the hands of his own father, Marvin Gaye continues to define the hopes and shattered dreams of the Motown generation. A performer whose career spanned the history of rhythm and blues, from doo-wop to the sultriest of soul music, Gaye's artistry magnified the contradictions that defined America's coming of age in the tumultuous 1970s. In his most searching and ambitious work to date, acclaimed critic Michael Eric Dyson illuminates both Marvin Gaye's stellar achievements and stunning personal decline -- and offers an unparalleled assessment of the cultural and political legacy of R&B on American culture. Through interviews with those close to Gaye -- from his musical beginnings in a black church in Washington, D.C., to his days as a "ladies' man" in Motown's stable of young singers, from the artistic heights of the landmark album What's Going On? to his struggles with addiction and domestic violence -- Dyson draws an indelible portrait of the tensions that shaped contemporary urban America: economic adversity, the drug industry, racism, and the long legacy of hardship. Published to coincide with the twentieth anniversary of Gaye's death in 1984, and infused with the soulful prose that has become Michael Eric Dyson's trademark, Mercy, Mercy Me is at once a celebration of an American icon whose work continues to inspire, and a revelatory and incisive look at how a lost generation's moods, music, and moral vision continue to resonate today.
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Mercy, Mercy Me: The Art, Loves and Demons of Marvin Gaye
Twenty years after his murder at the hands of his own father, Marvin Gaye continues to define the hopes and shattered dreams of the Motown generation. A performer whose career spanned the history of rhythm and blues, from doo-wop to the sultriest of soul music, Gaye's artistry magnified the contradictions that defined America's coming of age in the tumultuous 1970s. In his most searching and ambitious work to date, acclaimed critic Michael Eric Dyson illuminates both Marvin Gaye's stellar achievements and stunning personal decline--and offers an unparalleled assessment of the cultural and political legacy of R&B on American culture.Through interviews with those close to Gaye--from his musical beginnings in a black church in Washington, D.C., to his days as a "ladies' man" in Motown's stable of young singers, from the artistic heights of the landmark album What's Going On? to his struggles with addiction and domestic violence--Dyson draws an indelible portrait of the tensio
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Know What I Mean?: Reflections on Hip-Hop
Whether along race, class or generational lines, hip-hop music has been a source of controversy since the beats got too big and the voices too loud for the block parties that spawned them. America has condemned and commended this music and the culture that inspires it. Dubbed "the Hip-Hop Intellectual" by critics and fans for his pioneering explorations of rap music in the academy and beyond, Michael Eric Dyson is uniquely situated to probe the most compelling and controversial dimensions of hip-hop culture. Know What I Mean? addresses salient issues within hip hop: the creative expression of degraded youth that has garnered them global exposure; the vexed gender relations that have made rap music a lightning rod for pundits; the commercial explosion that has made an art form a victim of its success; the political elements that have been submerged in the most popular form of hip hop; and the intellectual engagement with some of hip hop's most influential figures. In spite of changing trends, both in the music industry and among the intelligentsia, Dyson has always supported and interpreted this art that bloomed unwatered, and in many cases, unwanted from our inner cities. For those who wondered what all the fuss is about in hip hop, Dyson's bracing and brilliant book breaks it all down.
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Michael Eric Dyson Reader
Over the past ten years, the work of Michael Eric Dyson has become the first stop for readers, writers, and thinkers eager for uncommon wisdom on the racial and political dynamics of contemporary America. Whether writing on religion or sexuality or notions of whiteness, on Martin Luther King, Jr. or Tupac Shakur, Dyson's keen insight and rhetorical flair continue to surprise and challenge. This collection gathers the best of Dyson's growing body of work: his most incisive commentary, his most stirring passages, and his sharpest, most probing and broadminded critical analyses. From Michael Jordan to Derrida, Ralph Ellison to the diplomacy of Colin Powell, the mastery and ease with which Dyson tackles just about any subject is without parallel.
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Can You Hear Me Now?: The Inspiration, Wisdom, and Insight of Michael Eric Dyson
"Before I wanted to write the world, I sought to right it," declares Michael Eric Dyson. As one of America's most visible, inspirational, and quotable public intellectuals, Dyson has weighed in on a vast array of issues. In his books and newspaper articles, over television and radio waves, and from podiums to pulpits, Dyson has brought awareness and insight to questions of culture, race, gender, and politics. Now, twenty years into his illustrious career, Michael Eric Dyson offers his fans and admirers a compendium of new and classic writing.
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The Black Presidency: Barack Obama and the Politics of Race in America
A provocative and lively deep dive into the meaning of America's first black presidency, from “one of the most graceful and lucid intellectuals writing on race and politics today” (Vanity Fair).
Michael Eric Dyson explores the powerful, surprising way the politics of race have shaped Barack Obama’s identity and groundbreaking presidency. How has President Obama dealt publicly with race—as the national traumas of Tamir Rice, Trayvon Martin, Michael Brown, Eric Garner, Freddie Gray, and Walter Scott have played out during his tenure? What can we learn from Obama's major race speeches about his approach to racial conflict and the black criticism it provokes?
Dyson explores whether Obama’s use of his own biracialism as a radiant symbol has been driven by the president’s desire to avoid a painful moral reckoning on race. And he sheds light on identity issues within the black power structure, telling the fascinating story of how Obama has spurned traditional black power brokers, significantly reducing their leverage.
President Obama’s own voice—from an Oval Office interview granted to Dyson for this book—along with those of Eric Holder, Al Sharpton, Jesse Jackson, Andrew Young, and Maxine Waters, among others, add unique depth to this profound tour of the nation’s first black presidency.
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The Black Presidency: Barack Obama and the Politics of Race in America
A New York Times Book Review Editor’s Choice
“A brilliant and complicated portrait of a brilliant and complicated president.”—Salon
Michael Eric Dyson dives deep into the true meaning of Barack Obama’s historic presidency and its effects on the changing landscape of race and blackness in America. How has race shaped Obama’s identity, career, and presidency? What can we learn from his major race speeches about his approach to racial conflict and the black criticism it provokes?
Dyson was granted an exclusive interview with the president for this book, and Obama’s own voice shines through. Along with interviews with Eric Holder, Al Sharpton, Maxine Waters, and others, this intimate access provides a unique depth to this engrossing analysis of the nation’s first black president, and how race shapes and will shape our understanding of his achievements and failures alike.
“Readers will recognize Dyson's practiced flair for language and metaphor as he makes an important and layered argument about American political culture and the narrowness of presidential speech. . . [The Black Presidency] might well be considered an interpretive miracle.”—New York Times Book Review
“Immensely engaging, unflinchingly honest, and appropriately provocative, Michael Eric Dyson proves, once again, that he is without peer when it comes to contextualizing race in twenty-first-century America. . . a must-read for anyone who wants to better understand America’s racial past, present, and future.”—Gilbert King, author of the Pulitzer Prize-winning Devil in the Grove
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Represent: The Unfinished Fight for the Vote
by Michael Eric Dyson, Marc Favreau
Read about the electrifying and continuing fight for voting rights—and discover your place in it—in this dramatic exploration of American democracy, from renowned thought leader Michael Eric Dyson and widely celebrated author Marc Favreau.
One of the most important and least understood true stories of our nation, the fight for representation is an ongoing and epic quest to build the democracy sketched out in the Constitution but unfinished in the twenty-first century. With impeccable research and exhilarating prose, Represent tells the story of voting rights in the United States from the American Revolution up to the present day.
Each chapter takes on a new battle between the forces of people power and forces opposed to it. Readers will meet champions of freedom, including formerly enslaved revolutionaries, a Chinese American teenager, a Lakota Sioux activist, Black World War II veterans, a Mexican American student, and others who fought for their right to vote.
Drawing clear lines from then to now, Represent weaves this important struggle into a single American drama that will help readers understand our past, present, and future.
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$19.99
Unequal: A Story of America
by Michael Eric Dyson, Marc Favreau
Finalist for the YALSA Excellence in Nonfiction for Young Adults Award
New York Times bestselling author Michael Eric Dyson and critically acclaimed author Marc Favreau show how racial inequality permeates every facet of American society, through the lens of those pushing for meaningful change
The true story of racial inequality—and resistance to it—is the prologue to our present. You can see it in where we live, where we go to school, where we work, in our laws, and in our leadership. Unequal presents a gripping account of the struggles that shaped America and the insidiousness of racism, and demonstrates how inequality persists. As readers meet some of the many African American people who dared to fight for a more equal future, they will also discover a framework for addressing racial injustice in their own lives.
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$12.99
Unequal: A Story of America
by Michael Eric Dyson, Marc Favreau
Finalist for the YALSA Excellence in Nonfiction for Young Adults Award
New York Times bestselling author Michael Eric Dyson and critically acclaimed author Marc Favreau show how racial inequality permeates every facet of American society, through the lens of those pushing for meaningful change
The true story of racial inequality—and resistance to it—is the prologue to our present. You can see it in where we live, where we go to school, where we work, in our laws, and in our leadership. Unequal presents a gripping account of the struggles that shaped America and the insidiousness of racism, and demonstrates how inequality persists. As readers meet some of the many African American people who dared to fight for a more equal future, they will also discover a framework for addressing racial injustice in their own lives.
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Entertaining Race: Performing Blackness in America
One of Kirkus Review's Best Books About Being Black in America | On Detroit Free Press' Holiday Book Gift List
"Dyson’s work clearly comes from a deep well of love―for his country, for his people and for the intellectual and cultural figures he admires." ―New York Times
"Entertaining Race is a splendid way to spend quality time reading one of the most remarkable thinkers in America today."
―Speaker Nancy Pelosi
"To read Entertaining Race is to encounter the life-long vocation of a teacher who preaches, a preacher who teaches and an activist who cannot rest until all are set free."
―Senator Reverend Raphael Warnock
For more than thirty years, Michael Eric Dyson has played a prominent role in the nation as a public intellectual, university professor, cultural critic, social activist and ordained Baptist minister. He has presented a rich and resourceful set of ideas about American history and culture. Now for the first time he brings together the various components of his multihued identity and eclectic pursuits.
Entertaining Race is a testament to Dyson’s consistent celebration of the outsized impact of African American culture and politics on this country. Black people were forced to entertain white people in slavery, have been forced to entertain the idea of race from the start, and must find entertaining ways to make race an object of national conversation. Dyson’s career embodies these and other ways of performing Blackness, and in these pages, ranging from 1991 to the present, he entertains race with his pen, voice and body, and occasionally, alongside luminaries like Cornel West, David Blight, Ibram X. Kendi, Master P, MC Lyte, Ta-Nehisi Coates, Alicia Garza, John McWhorter, and Jordan Peterson.
Most of this work will be new to readers, a fresh light for many of his long-time fans and an inspiring introduction for newcomers. Entertaining Race offers a compelling vision from the mind and heart of one of America’s most important and enduring voices.
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Tears We Cannot Stop: A Sermon to White America
NOW A NEW YORK TIMES, PUBLISHER'S WEEKLY, INDIEBOUND, LOS ANGELES TIMES, WASHINGTON POST, CHRONICLE HERALD, SALISBURY POST, GUELPH MERCURY TRIBUNE, AND BOSTON GLOBE BESTSELLER | NAMED A BEST/MOST ANTICIPATED BOOK OF 2017 BY: The Washington Post • Bustle • Men's Journal • The Chicago Reader • StarTribune • Blavity • The Guardian • NBC New York's Bill's Books • Kirkus • Essence
“One of the most frank and searing discussions on race ... a deeply serious, urgent book, which should take its place in the tradition of Baldwin's The Fire Next Time and King's Why We Can't Wait." ―The New York Times Book Review
Toni Morrison hails Tears We Cannot Stop as "Elegantly written and powerful in several areas: moving personal recollections; profound cultural analysis; and guidance for moral redemption. A work to relish."
Stephen King says: "Here’s a sermon that’s as fierce as it is lucid…If you’re black, you’ll feel a spark of recognition in every paragraph. If you’re white, Dyson tells you what you need to know―what this white man needed to know, at least. This is a major achievement. I read it and said amen."
Short, emotional, literary, powerful―Tears We Cannot Stop is the book that all Americans who care about the current and long-burning crisis in race relations will want to read.
As the country grapples with racist division at a level not seen since the 1960s, one man's voice soars above the rest with conviction and compassion. In his 2016 New York Times op-ed piece "Death in Black and White," Michael Eric Dyson moved a nation. Now he continues to speak out in Tears We Cannot Stop―a provocative and deeply personal call for change. Dyson argues that if we are to make real racial progress we must face difficult truths, including being honest about how black grievance has been ignored, dismissed, or discounted.
"The time is at hand for reckoning with the past, recognizing the truth of the present, and moving together to redeem the nation for our future. If we don't act now, if you don't address race immediately, there very well may be no future."
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Tears We Cannot Stop: A Sermon to White America
NOW A NEW YORK TIMES, PUBLISHER'S WEEKLY, INDIEBOUND, LOS ANGELES TIMES, WASHINGTON POST, CHRONICLE HERALD, SALISBURY POST, GUELPH MERCURY TRIBUNE, AND BOSTON GLOBE BESTSELLER | NAMED A BEST/MOST ANTICIPATED BOOK OF 2017 BY: The Washington Post • Bustle • Men's Journal • The Chicago Reader • StarTribune • Blavity • The Guardian • NBC New York's Bill's Books • Kirkus • Essence
“One of the most frank and searing discussions on race ... a deeply serious, urgent book, which should take its place in the tradition of Baldwin's The Fire Next Time and King's Why We Can't Wait." ―The New York Times Book Review
Toni Morrison hails Tears We Cannot Stop as "Elegantly written and powerful in several areas: moving personal recollections; profound cultural analysis; and guidance for moral redemption. A work to relish."
Stephen King says: "Here’s a sermon that’s as fierce as it is lucid…If you’re black, you’ll feel a spark of recognition in every paragraph. If you’re white, Dyson tells you what you need to know―what this white man needed to know, at least. This is a major achievement. I read it and said amen."
Short, emotional, literary, powerful―Tears We Cannot Stop is the book that all Americans who care about the current and long-burning crisis in race relations will want to read.
As the country grapples with racist division at a level not seen since the 1960s, one man's voice soars above the rest with conviction and compassion. In his 2016 New York Times op-ed piece "Death in Black and White," Michael Eric Dyson moved a nation. Now he continues to speak out in Tears We Cannot Stop―a provocative and deeply personal call for change. Dyson argues that if we are to make real racial progress we must face difficult truths, including being honest about how black grievance has been ignored, dismissed, or discounted.
"The time is at hand for reckoning with the past, recognizing the truth of the present, and moving together to redeem the nation for our future. If we don't act now, if you don't address race immediately, there very well may be no future."
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What Truth Sounds Like: Robert F. Kennedy, James Baldwin, and Our Unfinished Conversation About Race in America
Named a 2018 Notable Work of Nonfiction by The Washington Post
NOW A NEW YORK TIMES BESTSELLER • Winner, The 2018 Southern Book Prize
NAMED A BEST/MOST ANTICIPATED BOOK OF 2018 BY: Chicago Tribune • Time • Publisher's Weekly
A stunning follow up to New York Times bestseller Tears We Cannot Stop
The Washington Post: "Passionately written."
Chris Matthews, MSNBC: "A beautifully written book."
Shaun King: “I kid you not–I think it’s the most important book I’ve read all year...”
Harry Belafonte: “Dyson has finally written the book I always wanted to read...a tour de force.”
Joy-Ann Reid: A work of searing prose and seminal brilliance... Dyson takes that once in a lifetime conversation between black excellence and pain and the white heroic narrative, and drives it right into the heart of our current politics and culture, leaving the reader reeling and reckoning."
Robin D. G. Kelley: “Dyson masterfully refracts our present racial conflagration... he reminds us that Black artists and intellectuals bear an awesome responsibility to speak truth to power."
President Barack Obama: "Everybody who speaks after Michael Eric Dyson pales in comparison.”
In 2015 BLM activist Julius Jones confronted Presidential candidate Hillary Clinton with an urgent query: “What in your heart has changed that’s going to change the direction of this country?” “I don’t believe you just change hearts,” she protested. “I believe you change laws.”
The fraught conflict between conscience and politics – between morality and power – in addressing race hardly began with Clinton. An electrifying and traumatic encounter in the sixties crystallized these furious disputes.
In 1963 Attorney General Robert Kennedy sought out James Baldwin to explain the rage that threatened to engulf black America. Baldwin brought along some friends, including playwright Lorraine Hansberry, psychologist Kenneth Clark, and a valiant activist, Jerome Smith. It was Smith’s relentless, unfiltered fury that set Kennedy on his heels, reducing him to sullen silence.
Kennedy walked away from the nearly three-hour meeting angry – that the black folk assembled didn’t understand politics, and that they weren’t as easy to talk to as Martin Luther King. But especially that they were more interested in witness than policy. But Kennedy’s anger quickly gave way to empathy, especially for Smith. “I guess if I were in his shoes…I might feel differently about this country.” Kennedy set about changing policy – the meeting having transformed his thinking in fundamental ways.
There was more: every big argument about race that persists to this day got a hearing in that room. Smith declaring that he’d never fight for his country given its racist tendencies, and Kennedy being appalled at such lack of patriotism, tracks the disdain for black dissent in our own time. His belief that black folk were ungrateful for the Kennedys’ efforts to make things better shows up in our day as the charge that black folk wallow in the politics of ingratitude and victimhood. The contributions of black queer folk to racial progress still cause a stir. BLM has been accused of harboring a covert queer agenda. The immigrant experience, like that of Kennedy – versus the racial experience of Baldwin – is a cudgel to excoriate black folk for lacking hustle and ingenuity. The questioning of whether folk who are interracially partnered can authentically communicate black interests persists. And we grapple still with the responsibility of black intellectuals and artists to bring about social change.
What Truth Sounds Like exists at the tense intersection of the conflict between politics and prophecy – of whether we embrace political resolution or moral redemption to fix our fractured racial landscape. The future of race and democracy hang in the balance.
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JAY-Z: Made in America
NOW A NEW YORK TIMES, USA TODAY, AND PUBLISHER'S WEEKLY BESTSELLER
"Dyson writes with the affection of a fan but the rigor of an academic. ... Using extensive passages from Jay-Z’s lyrics, 'Made in America' examines the rapper’s role as a poet, an aesthete, an advocate for racial justice and a business, man, but devotes much of its energy to Hova the Hustler." ―Allison Stewart, The Washington Post
"Dyson's incisive analysis of JAY-Z's brilliance not only offers a brief history of hip-hop's critical place in American culture, but also hints at how we can best move forward." ―Questlove
JAY-Z: Made in America is the fruit of Michael Eric Dyson’s decade of teaching the work of one of the greatest poets this nation has produced, as gifted a wordsmith as Walt Whitman, Robert Frost and Rita Dove. But as a rapper, he’s sometimes not given the credit he deserves for just how great an artist he’s been for so long.
This book wrestles with the biggest themes of JAY-Z's career, including hustling, and it recognizes the way that he’s always weaved politics into his music, making important statements about race, criminal justice, black wealth and social injustice. As he enters his fifties, and to mark his thirty years as a recording artist, this is the perfect time to take a look at JAY-Z’s career and his role in making this nation what it is today.
In many ways, this is JAY-Z’s America as much as it’s Pelosi’s America, or Trump’s America, or Martin Luther King’s America. JAY-Z has given this country a language to think with and words to live by.
Featuring a Foreword by Pharrell
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Long Time Coming: Reckoning with Race in America
AN INSTANT NATIONAL BESTSELLER and NAACP IMAGE AWARD NOMINEE
From the New York Times bestselling author of Tears We Cannot Stop, a passionate call to America to finally reckon with race and start the journey to redemption.
“Powerfully illuminating, heart-wrenching, and enlightening.” -Ibram X. Kendi, bestselling author of How to Be an Antiracist
“Crushingly powerful, Long Time Coming is an unfiltered Marlboro of black pain.” -Isabel Wilkerson, bestselling author of Caste
"Formidable, compelling...has much to offer on our nation’s crucial need for racial reckoning and the way forward." -Bryan Stevenson, bestselling author of Just Mercy
The night of May 25, 2020 changed America. George Floyd, a 46-year-old Black man, was killed during an arrest in Minneapolis when a white cop suffocated him. The video of that night’s events went viral, sparking the largest protests in the nation’s history and the sort of social unrest we have not seen since the sixties. While Floyd’s death was certainly the catalyst, (heightened by the fact that it occurred during a pandemic whose victims were disproportionately of color) it was in truth the fuse that lit an ever-filling powder keg.
Long Time Coming grapples with the cultural and social forces that have shaped our nation in the brutal crucible of race. In five beautifully argued chapters―each addressed to a black martyr from Breonna Taylor to Rev. Clementa Pinckney―Dyson traces the genealogy of anti-blackness from the slave ship to the street corner where Floyd lost his life―and where America gained its will to confront the ugly truth of systemic racism. Ending with a poignant plea for hope, Dyson’s exciting new book points the way to social redemption. Long Time Coming is a necessary guide to help America finally reckon with race.
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Holler If You Hear Me: Searching for Tupac Shakur
Acclaimed for his writing on Malcolm X and Martin Luther King, Jr., as well as his passionate defense of black youth culture, Michael Eric Dyson is known as the "hip-hop intellectual." With his Blackboard best seller Holler If You Hear Me, Dyson has reached his widest audience to date, bringing to life the hopes and dreams of slain hip-hop artist Tupac Shakur. Viewed by many as a "black James Dean," Tupac has attained cult status since his death six years ago, partly due to the posthumous release of several albums, three movies, and a collection of poetry. But Tupac lives on primarily because of the devotion of his loyal followers. Dyson helps us to understand why a twenty-five-year-old rapper, activist, poet, actor, and alleged sex offender looms even larger in death than he did in life. With his trademark skills of critical thinking and storytelling, Dyson examines the significance of Tupac Shakur for black youth, assessing the ways in which different elements of Shakur's persona-thug, confused prophet, fatherless child-are both vital and destructive. Deeply personal and sharply analytical at the same time, Dyson's book offers a wholly original way of looking at Tupac Shakur that will thrill those who already love the artist and enlighten those who want to understand him.
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I May Not Get There with You: The True Martin Luther King, Jr
Michael Eric Dyson—a cutting edge African American intellectual a la Henry Louis Gates and Cornel West—reignites the legacy of Martin Luther King in this relevant, revolutionary, and human look at the American icon's true ideology.
A private citizen who transformed the world around him, Martin Luther King, Jr., was arguably the greatest American who ever lived. Now, after more than thirty years, few people understand how truly radical he was. In this groundbreaking examination of the man and his legacy, provocative author, lecturer, and professor Michael Eric Dyson restores King's true vitality and complexity and challenges us to embrace the very contradictions that make King relevant in today's world.
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Between God and Gangsta Rap: Bearing Witness to Black Culture
A former welfare father from the ghetto of Detroit, Michael Eric Dyson is today a critic, scholar, and ordained Baptist minister who has forged a unique role: he is a compelling spokesman for the concerns of the black community, and also a leader who has a genuine rapport with that community, particularly with urban youth. In his essays, lectures, sermons, and books, he has emerged as one of the leading African-American voices of our day.
Dyson's passion for contemporary black culture informs Between God and Gangsta' Rap, his latest foray into the ongoing debate about African-American identity which embraces the hopes of the church and the cool reality of hip-hop. Bringing together writings on music, religion, politics, and identity, and offering a multi-faceted view of black life, the book charts the progress of Dyson's own soul, from his roots in the Detroit ghetto, to his current status as a Baptist minister, professor, cultural critic, husband, and father. Dyson opens with a letter to his brother, who is serving life in prison on a murder charge. This painful piece reveals a violence in the author's own family that sets the tone for themes that will emerge throughout these writings: violence on the black body and soul; the redemptive power of hope through school, church, and family; sexuality as a source of anguish and of joy; and the struggle with entrenched white racism. There is a section of wonderful profiles Dyson calls "Testimonials"--studies of black men, from O.J. Simpson to Marion Barry, and from Baptist preacher Gardner Taylor to Michael Jordan and Sam Cooke. In "Obsessed with O.J.," Dyson offers an extremely personal and insightful series of reflections on the case. In "Lessons," Dyson takes up the subjects of politics and racial identity. Newt Gingrich and moral panic, Quabiliah Shabazz, Carol Moseley Braun, the NAACP, Martin Luther King, Jr., and Malcolm X all figure in these insightful and accessible pieces. And "Songs of Celebration" draws from Dyson's writings for the popular press such as Rolling Stone and Vibe, and explores the joys and pitfalls of black expression, from the black vernacular bible to gospel music, R & B, and hip-hop. Dyson concludes with an essay framed as a letter to his wife, which offers a positive counterbalance to the opening address to his brother. The letter serves as a tribute to the redemptive powers of love, the black family, spirit, and change.
Arguing that the richness of black culture today can be found in the interstices--between god and gangsta' rap--Dyson charts the progress and pain of African Americans over the past decade, showing that brilliance and beauty, pain and drudgery are components of this changing culture. As a compendium of his thinking about contemporary culture Between God and Gangsta' Rap will find a wide audience among black and white readers.
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April 4, 1968: Martin Luther King, Jr.'s Death and How it Changed America
On April 4, 1968, at 6:01 PM, while he was standing on a balcony at a Memphis hotel, Martin Luther King, Jr. was shot and fatally wounded. Only hours earlier King -- the prophet for racial and economic justice in America -- ended his final speech with the words, "I may not get there with you, but I want you to know tonight, that we as a people will get to the Promised Land."
Acclaimed public intellectual and best-selling author Michael Eric Dyson uses the fortieth anniversary of King's assassination as the occasion for a provocative and fresh examination of how King fought, and faced, his own death, and we should use his death and legacy. Dyson also uses this landmark anniversary as the starting point for a comprehensive reevaluation of the fate of Black America over the four decades that followed King's death. Dyson ambitiously investigates the ways in which African-Americans have in fact made it to the Promised Land of which King spoke, while shining a bright light on the ways in which the nation has faltered in the quest for racial justice. He also probes the virtues and flaws of charismatic black leadership that has followed in King's wake, from Jesse Jackson to Barack Obama.
Always engaging and inspiring, April 4, 1968 celebrates the prophetic leadership of Dr. King, and challenges America to renew its commitment to his deeply moral vision.
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This Is the Day: The March on Washington
by Michael Eric Dyson, Leonard Freed
This Is the Day: The March on Washington is a stirring photo-essay by photographer Leonard Freed documenting the March on Washington for Jobs and Freedom of August 28, 1963, the historic day on which Dr. Martin Luther King Jr. delivered his “I Have a Dream” speech at the base of the Lincoln Memorial. This book commemorates the fiftieth anniversary of the historic march that ultimately led to the passage of the Civil Rights Act of 1964.
Never before published in book form, the seventy-five photographs in this volume were chosen from among the hundreds of images that Freed made in the nation’s capitol—before, during, and after the march. These images not only present us with stunning wide-angle views of hundreds of thousands of marchers overflowing the National Mall but also focus on small groups of people straining to see the speakers and on individual faces, each one filled with hope and yearning, epitomized by the beautiful young woman who throws her entire being into singing "We Shall Overcome.” In addition are eighteen pictures from the twentieth-anniversary march of August 1983, conveying a sense of celebration coupled with peaceful protest.
Accompanying the photographs are a first-hand, backstage account of the preparations leading up to the march by social activist and civil rights leader Julian Bond; an essay on the importance of the march and Dr. King's involvement by sociology professor and author Michael Eric Dyson; and an informative discussion of Freed’s approach to the photographic project by scholar Paul Farber.
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What Truth Sounds Like Robert F. Kennedy, James Baldwin, and Our Unfinished Conversation About Race in America
In 1963 Attorney General Robert Kennedy sought out James Baldwin to explain the rage that threatened to engulf black America. Baldwin brought along some friends, including playwright Lorraine Hansberry, psychologist Kenneth Clark, and a valiant activist, Jerome Smith. It was Smith's relentless, unfiltered fury that set Kennedy on his heels, reducing him to sullen silence. Kennedy walked away from the nearly three-hour meeting angry that the black folk assembled didn't understand politics, and that they weren't as easy to talk to as Martin Luther King. But especially that they were more interested in witness than policy. But Kennedy's anger quickly gave way to empathy, especially for Smith. "I guess if I were in his shoes ... I might feel differently about this country." Kennedy set about changing policy, the meeting having transformed his thinking in fundamental ways. There was more: every big argument about race that persists to this day got a hearing in that room. Smith declaring that he'd never fight for his country given its racist tendencies, and Kennedy being appalled at such lack of patriotism, tracks the disdain for black dissent in our own time. His belief that black folk were ungrateful for the Kennedys' efforts to make things better shows up in our day as the charge that black folk wallow in the politics of ingratitude and victimhood. The contributions of black queer folk to racial progress still cause a stir. BLM has been accused of harboring a covert queer agenda. The immigrant experience, like that of Kennedy, versus the racial experience of Baldwin, is a cudgel to excoriate black folk for lacking hustle and ingenuity. The questioning of whether folk who are interracially partnered can authentically communicate black interests persists. And we grapple still with the responsibility of black intellectuals and artists to bring about social change. What Truth Sounds Like exists at the tense intersection of the conflict between politics and prophecy : of whether we embrace political resolution or moral redemption to fix our fractured racial landscape. The future of race and democracy hang in the balance.--Publisher information.
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