Books by Natalia Sidlina

Red Star Over Russia: Revolution in Visual Culture 1905-55

by Matthew Gale, Natalia Sidlina

David King (1943–2016) amassed one of the world’s largest collections of Soviet political art and photographs. In exploring the intersection of art, politics, and society, few collections in the world can compare with the David King Collection, now part of Tate. King was not only a passionate collector, but also an artist, designer, and historian, and he produced revelatory and award-winning books on Soviet design history. Here, every step of the Soviet journey is documented with visual media, photomontage, photographs, paintings, handwritten notes, books (signed with annotations and marginalia), enclosures, and ephemera. Published to accompany an exhibition, this accessible and highly illustrated publication features key pieces from the collection, accompanied by short explanatory texts that bring this exceptional era in design history to life.

Cezanne

by Gloria Groom, Caitlin Haskell, Achim Borchardt-Hume, Natalia Sidlina

Evoking the sensory richness and ambitions of the beloved French artist's work through a multifaceted exploration of his art, career, and legacy

Cezanne presents a new examination of the work of Paul Cezanne (1839-1906) across media and genres, surveying his career from the varied perspectives of art historians, conservation scientists, and a roster of renowned contemporary painters, including Etel Adnan, Phyllida Barlow, Paul Chan, Julia Fish, Ellen Gallagher, Lubaina Himid, Kerry James Marshall, Rodney McMillian, Laura Owens, and Luc Tuymans. Featuring wide-ranging essays and a series of maps tracing Cezanne's travels across the French landscape, this lavishly illustrated publication highlights the artist's favorite motifs, influence on his peers, and pivotal role in the development of modern art, in addition to presenting state-of-the-art technical analysis of his pigments and methods. It offers a fresh look at the ways in which Cezanne, driven by what he described as "strong sensations," sought to develop a visual language that could fully translate his intense feelings into paintings. In doing so, he opened up possibilities that were embraced and elaborated by artists in his time and into the present.

Distributed for the Art Institute of Chicago

Exhibition Schedule:

Art Institute of Chicago (May 15-September 5, 2022)

Tate Modern, London (October 5, 2022-March 12, 2023)