Books by Osip Mandelstam

The Selected Poems of Osip Mandelstam (New York Review Books Classics)

by Osip Mandelstam

Osip Mandelstam is a central figure not only in modern Russian but in world poetry, the author of some of the most haunting and memorable poems of the twentieth century. A contemporary of Anna Akhmatova, Marina Tsvetayeva, and Boris Pasternak, a touchstone for later masters such as Paul Celan and Robert Lowell, Mandelstam was a crucial instigator of the "revolution of the word" that took place in St. Petersburg, only to be crushed by the Bolshevik Revolution. Mandelstam's last poems, written in the interval between his exile to the provinces by Stalin and his death in the Gulag, are an extraordinary testament to the endurance of art in the presence of terror.

This book represents a collaboration between the scholar Clarence Brown and W. S. Merwin, one of contemporary America's finest poets and translators. It also includes Mandelstam's "Conversation on Dante," an uncategorizable work of genius containing the poet's deepest reflections on the nature of the poetic process.

Black Earth: Selected Poems and Prose

by Osip Mandelstam

Russia’s foremost modernist master in a major new translation Osip Mandelstam has become an almost mythical figure of modern Russian poetry, his work treasured all over the world for its lyrical beauty and innovative, revolutionary engagement with the dark times of the Stalinist era. While he was exiled in the city of Voronezh, the black earth region of Russia, his work, as Joseph Brodsky wrote, developed into “a poetry of high velocity and exposed nerves, becoming more a song than ever before, not a bardlike but a birdlike song … something like a goldfinch tremolo.”
Peter France―who has been brilliantly translating Mandelstam’s work for decades―draws heavily from Mandelstam’s later poetry written in Voronezh, while also including poems across the whole arc of the poet’s tragically short life, from his early, symbolist work to the haunting elegies of old Petersburg to his defiant “Stalin poem.” A selection of Mandelstam’s prose irradiates the poetry with warmth and insight as he thinks back on his Petersburg childhood and contemplates his Jewish heritage, the sunlit qualities of Hellenism, Dante’s Tuscany, and the centrality of poetry in society.

Stolen Air Selected Poems of Osip Mandelstam

by Osip Mandelstam, Christian Wiman

A new selection and translation of the work of Osip Mandelstam, perhaps the most important Russian poet of the twentieth century

Political nonconformist Osip Mandelstam's opposition to Stalin's totalitarian government made him a target of the communist state. The public recitation of his 1933 poem known in English as "The Stalin Epigram" led to his arrest, exile, and eventual imprisonment in a Siberian transit camp, where he died, presumably in 1938. Mandelstam's work—much of it written under extreme duress—is an extraordinary testament to the enduring power of art in the face of oppression and terror.

Stolen Air spans Mandelstam's entire poetic career, from his early highly formal poems in which he reacted against Russian Symbolism to the poems of anguish and defiant abundance written in exile, when Mandelstam became a truly great poet. Aside from the famous early poems, which have a sharp new vitality in Wiman's versions, Stolen Air includes large selections from The Moscow Notebooks and The Voronezh Notebooks.

Going beyond previous translators who did not try to reproduce Mandelstam's music, Christian Wiman has captured in English—for the first time—something of Mandelstam's enticing, turbulent, and utterly heartbreaking sounds.

Journey to Armenia

by Osip Mandelstam

The last published work of a great poet who wrote a few lines attacking Stalin and was shortly thereafter exiled to Siberia where he died near Vladivostok six years later. An inimitable volume, Journey to Armenia is a travel book in name only.

Osip Mandelstam visited Armenia in 1930, and during the eight months of his stay, he rediscovered his poetic voice and was inspired to write an experimental meditation on the country and its ancient culture.

This edition also includes the companion piece, “Conversation About Dante,” which Seamus Heaney called “Osip Mandelstam’s astonishing fantasia on poetic creation.” An incomparable apologia for poetic freedom and a challenge to the Bolshevik establishment, the essay was dictated by the poet to his wife, Nadezhda Mandelstam, in 1934 and 1935, during the last phase of his itinerant life. It has close ties to Journey to Armenia.

The Noise of Time: Selected Prose (European Classics)

by Osip Mandelstam

Osip Mandelstam has in recent years come to be seen as a central figure in European modernism. Though known primarily as a poet, Mandelstam worked in many styles: autobiography, short story, travel writing, and polemic. Mandelstam's biographer, Clarence Brown, presents a collection of the poet's prose works that illuminates Mandelstam's far-ranging talent and places him within the canon of European modernism.

This volume includes Mandelstam's "The Noise of Time," a series of autobiographical sketches; "The Egyptian Stamp," a novella; "Fourth Prose;" and the famous travel memoirs "Theodosia" and "Journey to Armenia."

Poems of Osip Mandelstam (New Directions Poetry Pamphlet)

by Osip Mandelstam

Proudly part of the New Directions Poetry Pamphlets, a collection of Russian masterpieces Peter France writes in his foreword: “I have always been conscious that Mandelstam was an outstanding figure, arguably the outstanding Russian poet of the twentieth century. This is a personal selection from the poetry ― poems that for one reason or another I wanted to translate. I have tried to make it reasonably representative of different strands and periods in his work, with a certain stress on the brilliant and fragmentary Voronezh poems.”

Voronezh Notebooks (NYRB Poets)

by Osip Mandelstam

Osip Mandelstam is one of the greatest of twentieth-century poets and Voronezh Notebooks, a sequence of poems composed between 1935 and 1937 when he was living in internal exile in the Soviet city of Voronezh, is his last and most exploratory work. Meditating on death and survival, on power and poetry, on marriage, madness, friendship, and memory, challenging Stalin between lines that are full of the sights and sounds of the steppes, blue sky and black earth, the roads, winter breath, spring with its birds and flowers and bees, the notebooks are a continual improvisation and an unapologetic affirmation of poetry as life.