Books by Patricia C. Phillips
Mel Chin: Rematch
by Andrei Codrescu, Lisa A. Crossman, Eleanor Heartney, Patricia Covo Johnson, Herb Tam, Miranda Lash, Patricia C. Phillips
Eschewing a trademark style, the common thread through Mel Chin’s practice is his conceptual rigor, thoughtful historicism and concern for social justice. His land-based works such as "Revival Field" from the early 1990s and "Operation Paydirt" (2008–ongoing) garnered significant international press for presenting the science of soil remediation as an art form. Challenging the traditional concept of a retrospective as a linear presentation of a single individual’s work over time, the publication celebrates the artist’s practice of constant evolution, re-examination, and collaboration. It includes an extensive illustrated chronology and an essay by the poet Andrei Codrescu, and is published on the occasion of a major Mel Chin exhibition at the New Orleans Museum of Art.
Copies
No copies available.
Ann Hamilton: Habitus
Artist Ann Hamilton’s celebrated, multi-venue installation is brought to the page in this striking volume that explores another facet of her work in textile and text. "Held by cloth’s hand, we are swaddled at birth, covered in sleep, and wound in death," muses artist Ann Hamilton. Rather than documenting the experience of her enormous immersive 2016–17 installation in Philadelphia, Hamilton offers here a document—one that is as much a part of the project as its three dimensional counterparts. Lush photography, archival imagery, and lucid prose come together to help readers understand Hamilton’s ideas about the fabric of and in our lives. Like a thread through cloth, these individual images and words weave together strands of history, technology, poetry, and motion into one extraordinary and compelling experience.
Copies
No copies available.
Mierle Laderman Ukeles: Maintenance Art
The first comprehensive monograph devoted to Mierle Laderman Ukeles and her groundbreaking participatory art practice. The work of Mierle Laderman Ukeles brilliantly bridges feminism, environmentalism, and participatory art practice. Whether it’s her groundbreaking Manifesto for Maintenance Art 1969!, which decries the separation, especially for women, between art on the one hand and caring for family, city, and planet on the other; or The Social Mirror, in which she covered a New York City Department of Sanitation truck entirely in mirrored glass—Ukeles's fascinating body of work includes public art installations, exhibitions, and performances around the world, frequently created in collaboration with sanitation and municipal workers, museum visitors, and the public. This first comprehensive book on the influential artist explores her legendary tenure as artist-in-residence at New York City’s Department of Sanitation, which has paved the way for similar "embedded artists" in government and community organizations. Essays, interviews, and striking illustrations offer important perspectives on an artist who has transformed our ideas about the feminist, urban, ecological, and resilient aspects of artistic experience.
Copies
No copies available.