Books by Paul Perrin

Renoir Drawings

by Colin B. Bailey, Sarah Lees, Anne Distel, Paul Perrin

Drawings, pastels, prints and watercolors: Renoir's works on paper provide crucial insight into his instantly recognizable Impressionist paintings

The paintings of Pierre-Auguste Renoir have become icons of Impressionism. Although his works on paper are less widely known, drawing remained central to his artistic practice even as his interests and ambitions changed over the course of a long career. This book explores the ways in which Renoir used paper to test ideas, plan compositions and interpret both landscape and the human figure.
Renoir Drawings features more than 110 drawings, pastels, watercolors, prints and a small selection of paintings, enabling readers to engage with Renoir's creative process while offering insights into his artistic methods over five decades.
Thematic sections cover the full span of the artist's career, ranging from academic studies he made as a student, to on-the-spot impressions of contemporary urban and rural life, to finished, formal portraits, to intimate sketches of friends and family completed late in life. In-depth case studies of favored themes and preparatory work for landmark canvases further illuminate Renoir's drawing practice.
Together with Claude Monet, Edgar Degas and Camille Pissarro, Pierre-Auguste Renoir (1841-1919) was a founder of the style that became known as Impressionism, and one of its most prolific exponents. He was described by Herbert Read as "the final representative of a tradition which runs directly from Rubens to Watteau."

This book was published in conjunction with RMN-Grand Palais; Musée d'Orsay; Morgan Library & Museum.

Gustave Caillebotte Painting Men

by Gloria Groom, Scott Allan, Paul Perrin

This richly illustrated volume paints a complex portrait of Caillebotte, masculinity, and identity in late nineteenth-century France.

More than any other French Impressionist, painter Gustave Caillebotte (1848-1894) observed and depicted the many men in his life, including his brothers and friends, employees, and the workers and bourgeois in his Parisian neighborhood. Male subjects feature prominently in some of his best-known works, such as The Floor Scrapers, Man at His Bath, Young Man at His Window, Boating Party, and Paris Street, Rainy Day. The originality of his paintings of men is fully explored for the first time in this catalogue, published to accompany a major international exhibition co-organized by the J. Paul Getty Museum, Musée d'Orsay, and the Art Institute of Chicago.

Alongside paintings, drawings, and photographs, as well as an appendix featuring maps and new biographical research that sheds light on Caillebotte's social network, this volume includes historically grounded thematic essays by curators and leading scholars. By exploring the complex and varied facets of Caillebotte's identity--as son, brother, soldier, bachelor, amateur, sportsman, and so on--these essays pose questions of identity, leaving space for ambiguous and fluid expressions of gender and masculinity--for both Caillebotte and the larger late nineteenth-century French world.

This volume is published to accompany an exhibition on view at the Musée d'Orsay from October 8, 2024, to January 19, 2025, J. Paul Getty Museum at the Getty Center from March 25 to May 25, 2025, and The Art Institute of Chicago from June 29 to October 5, 2025.