Books by Peter Watts

Peer Gynt : A Dramatic Poem

by Henrik Ibsen, Peter Watts

This high-spirited poetical fantasy, based on Norwegian folklore, is the story of an irresponsible, lovable hero. After its publication, Ibsen abandoned the verse form for more realistic prose plays.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Echopraxia

by Peter Watts

Prepare for a different kind of singularity in Peter Watts' Echopraxia, the follow-up to the Hugo-nominated novel Blindsight
It's the eve of the twenty-second century: a world where the dearly departed send postcards back from Heaven and evangelicals make scientific breakthroughs by speaking in tongues; where genetically engineered vampires solve problems intractable to baseline humans and soldiers come with zombie switches that shut off self-awareness during combat. And it's all under surveillance by an alien presence that refuses to show itself.
Daniel Bruks is a living fossil: a field biologist in a world where biology has turned computational, a cat's-paw used by terrorists to kill thousands. Taking refuge in the Oregon desert, he's turned his back on a humanity that shatters into strange new subspecies with every heartbeat. But he awakens one night to find himself at the center of a storm that will turn all of history inside-out.
Now he's trapped on a ship bound for the center of the solar system. To his left is a grief-stricken soldier, obsessed by whispered messages from a dead son. To his right is a pilot who hasn't yet found the man she's sworn to kill on sight. A vampire and its entourage of zombie bodyguards lurk in the shadows behind. And dead ahead, a handful of rapture-stricken monks takes them all to a meeting with something they will only call "The Angels of the Asteroids."
Their pilgrimage brings Dan Bruks, the fossil man, face-to-face with the biggest evolutionary breakpoint since the origin of thought itself.

Echopraxia

by Peter Watts

Prepare for a different kind of singularity in Peter Watts' Echopraxia, the follow-up to the Hugo-nominated novel Blindsight.

It's the eve of the twenty-second century: a world where the dearly departed send postcards back from Heaven and evangelicals make scientific breakthroughs by speaking in tongues; where genetically engineered vampires solve problems intractable to baseline humans and soldiers come with zombie switches that shut off self-awareness during combat. And it's all under surveillance by an alien presence that refuses to show itself.

Daniel Bruks is a living fossil: a field biologist in a world where biology has turned computational, a cat's-paw used by terrorists to kill thousands. Taking refuge in the Oregon desert, he's turned his back on a humanity that shatters into strange new subspecies with every heartbeat. But he awakens one night to find himself at the center of a storm that will turn all of history inside-out.

Now he's trapped on a ship bound for the center of the solar system. To his left is a grief-stricken soldier, obsessed by whispered messages from a dead son. To his right is a pilot who hasn't yet found the man she's sworn to kill on sight. A vampire and its entourage of zombie bodyguards lurk in the shadows behind. And dead ahead, a handful of rapture-stricken monks takes them all to a meeting with something they will only call "The Angels of the Asteroids."

Their pilgrimage brings Dan Bruks, the fossil man, face-to-face with the biggest evolutionary breakpoint since the origin of thought itself.

Starfish (Rifters Trilogy, 1)

by Peter Watts

Civilization rests on the backs of its outcasts.

So when civilization needs someone to run generating stations three kilometers below the surface of the Pacific, it seeks out a special sort of person for its Rifters program. It recruits those whose histories have preadapted them to dangerous environments, people so used to broken bodies and chronic stress that life on the edge of an undersea volcano would actually be a step up. Nobody worries too much about job satisfaction; if you haven't spent a lifetime learning the futility of fighting back, you wouldn't be a rifter in the first place. It's a small price to keep the lights going, back on shore.

But there are things among the cliffs and trenches of the Juan de Fuca Ridge that no one expected to find, and enough pressure can forge the most obedient career-victim into something made of iron. At first, not even the rifters know what they have in them―and by the time anyone else finds out, the outcast and the downtrodden have their hands on a kill switch for the whole damn planet...

BLINDSIGHT (Firefall, 1)

by Peter Watts

Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight

Two months since the stars fell...

Two months of silence, while a world held its breath.

Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route.

So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met?

You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist―an informational topologist with half his mind gone―as an interface between here and there.

Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find.

Maelstrom (Rifters Trilogy, 2)

by Peter Watts

This is the way the world ends:

A nuclear strike on a deep sea vent. The target was an ancient microbe―voracious enough to drive the whole biosphere to extinction―and a handful of amphibious humans called rifters who'd inadvertently released it from three billion years of solitary confinement.

The resulting tsunami killed millions. It's not as through there was a choice: saving the world excuses almost any degree of collateral damage.

Unless, of course, you miss the target.

Now North America's west coast lies in ruins. Millions of refugees rally around a mythical figure mysteriously risen from the deep sea. A world already wobbling towards collapse barely notices the spread of one more blight along its shores. And buried in the seething fast-forward jungle that use to be called Internet, something vast and inhuman reaches out to a woman with empty white eyes and machinery in her chest. A woman driven by rage, and incubating Armageddon.

Her name is Lenie Clarke. She's a rifter. She's not nearly as dead as everyone thinks.

And the whole damn world is collateral damage as far as she's concerned. . . .

Blindsight (Firefall, 1)

by Peter Watts

Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight

Two months since the stars fell...

Two months of silence, while a world held its breath.

Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route.

So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met?

You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist―an informational topologist with half his mind gone―as an interface between here and there.

Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find.

Peter Watts Is An Angry Sentient Tumor: Revenge Fantasies and Essays

by Peter Watts

“A brilliant bastard.” ―Cory Doctorow
“Comfort, of course, is the last thing that Watts wants to give.” ―New York Review of Science Fiction

Which of the following is true?
Peter Watts is banned from the U.S. Watts almost died from flesh-eating bacteria. A schizophrenic man living in Watts's backyard almost set his house on fire. Watts was raised by Baptists who really sucked at giving presents. Peter Watts said to read this book. Or else.

“Watts, undoubtedly, is a genius.” ?Medium

In more than fifty unpredictable essays and revenge fantasies, Peter Watts ― Hugo Award-winning author, former marine biologist, and angry sentient tumor ― is the savage dystopian optimist whom you can’t look away from. Even when you probably should.

Made To Order: Robots and Revolution

by Sarah Pinsker, Alastair Reynolds, Tochi Onyebuchi, Peter Watts, Peter F. Hamilton, Annalee Newitz, Ian R. MacLeod, Daryl Gregory, Brooke Bolander, Saad Z Hossain, Ken Liu, John Chu, Sofia Samatar, Suzanne Palmer, Rich Larson, Vina Jie-Min Prasad

A cutting-edge anthology, published on the 100th anniversary of the word “Robot”, exploring the possibilities and place of robots in society going forwards.

100 years after Karel Capek coined the word, “robots” are an everyday idea, and the inspiration for countless stories in books, film, TV and games.

They are often among the least privileged, most unfairly used of us, and the more robots are like humans, the more interesting they become. This collection of stories is where robots stand in for us, where both we and they are disadvantaged, and where hope and optimism shines through.

Including stories by: Brooke Bolander · John Chu · Daryl Gregory · Peter F. Hamilton · Saad Z. Hossain · Rich Larson · Ken Liu · Ian R. Macleod · Annalee Newitz · Tochi Onyebuchi · Suzanne Palmer · Sarah Pinsker · Vina Jie-Min Prasad · Alastair Reynolds · Sofia Samatar · Peter Watts

The Freeze-Frame Revolution

by Peter Watts