Books by Ray Brassier
Speculations (The future is ______) (TRIPLE CANOPY)
by Christian Parenti, Rachel Kushner, Rivka Galchen, David Graeber, David Rieff, Ted Chiang, Trevor Paglen, Silvia Federici, Srikanth Reddy, Gopal Balakrishnan, Ray Brassier, Jayce Clayton, Samuel Delany, N. Katherine Hayles, Josh Kline, Lynn Leeson, Naeem Mohaiemen, Evgeni Morozov, Hu+O+Ng Ngô
In summer 2013 Triple Canopy invited writers, artists, scientists, activists, economists and technologists to bet on the future: which future do you want to see realized? How precisely can you describe it? What demands might this future make on the present? The answers were presented as Speculations ("The future is ______"), 50 days of lectures and discussions at MoMA PS1, Triple Canopy's contribution to the exhibition EXPO 1: New York. This book, a lexicon of the central terms of Speculations, conveys the relationship between ideation and action and suggests viable approaches to interpreting and changing the world. Triple Canopy considers economic interventions ("guaranteed basic income"), political abstractions ("autonomy," "prometheanism"), figments of the imagination ("planetary colonization"), modes of expression ("science fiction") and useful neologisms ("hedge-fund utilitarians").
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Speculative Aesthetics (Urbanomic / Redactions)
by Alex Williams, Mark Fisher, Ray Brassier, Amanda Beech, Robin Mackay, Nick Srnicek, James Trafford, Luke Pendrell, Benedict Singleton, Tom Trevatt, Ben Woodard
An examination of the new technological mediations between the human sensorium and the planetary media network and of the aesthetic as an enabler of new modes of knowledge.
This series of interventions on the ramifications of Speculative Realism for aesthetics ranges from contemporary art's relation to the aesthetic, to accelerationism and abstraction, logic and design.
From varied perspectives of philosophy, art, and design, participants examine the new technological mediations between the human sensorium and the massive planetary media network within which it now exists and consider how the aesthetic enables new modes of knowledge by processing sensory data through symbolic formalisms and technological devices.
Speculative Aesthetics anticipates the possibility of a theory and practice no longer invested in the otherworldly promise of the aesthetic, but acknowledging the real force and traction of images in the world today, experimentally employing techniques of modelling, formalisation, and presentation so as to simultaneously engineer new domains of experience and map them through a reconfigured aesthetics that is inseparable from its sociotechnical conditions.
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