Books by Richard Fletcher
The Cross and The Crescent: The Dramatic Story of the Earliest Encounters Between Christians and Muslims
In this immensely readable history that couldn’t be more timely, award-winning historian Richard Fletcher chronicles the relationship between Islam and Christianity from the time of Muhammad to the Reformation. With lucidity and sound scholarship, Fletcher demonstrates that though there were fruitful trading and cultural interactions between Muslims and Christians during the period when the Arabs controlled most of the Mediterranean world, each group viewed the other’s religion from the beginning as fundamentally different and suspect. Eschewing moral judgments and easy generalizations, The Cross and the Crescent allows readers to draw their own conclusions and explore the implications for the present day.
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The Cross and the Crescent: Christianity and Islam from Muhammad to the Reformation
Richard Fletcher is one of todays most renowned medieval historians. In his latest book, he offers a brilliant survey of the relationship between the Islamic and Christian worlds from the seventh to the sixteenth centuries. He shows how, despite long periods of coexistence and overlap, religious misunderstanding between "the peoples of the book" has been present since their earliest encounters. He argues that though there were fruitful trading and cultural interactions between Islam and Christianity during the period when Arabs controlled most of the Mediterranean world, neither side was remotely interested in the actual religion of the other. Christians portrayed Muslims as bloodthirsty pagans and Muhammad as a false prophet while Islam viewed Christianity as a jumble of sects and conflicting stories.
Fletchers lucidity, scholarship, and gift for compression make this one of the most elegant and clear-sighted contributions to its subject for many years. It will appeal to readers of Karen Armstrongs bestselling Islam: A Short History and to all readers looking for a better understanding of the Islamic worlds relationship to the West.
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Moorish Spain
Beginning in the year 711 and continuing for nearly a thousand years, the Islamic presence survived in Spain, at times flourishing, and at other times dwindling into warring fiefdoms. But the culture and science thereby brought to Spain, including long-buried knowledge from Greece, largely forgotten during Europe’s Dark Ages, was to have an enduring impact on the country as it emerged into the modern era. In this gracefully written history, Richard Fletcher reveals the Moorish culture in all its fascinating disparity and gives us history at its best: here is vivid storytelling by a renowned scholar.
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The Barbarian Conversion: From Paganism to Christianity
In a work of splendid scholarship that reflects both a firm mastery of difficult sources and a keen intuition, one of Britain's foremost medievalists tells the story of the Christianization of Europe. It is a very large story, for conversion encompassed much more than religious belief. With it came enormous cultural change: Latin literacy and books, Roman notions of law and property, and the concept of town life, as well as new tastes in food, drink, and dress. Whether from faith or by force, from self-interest or by revelation, conversion had an immense impact that is with us even today. It is Richard Fletcher's achievement in this superb work that he makes that impact both felt and understood.
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Hippias Minor or The Art of Cunning: A New Translation of Plato's Most Controversial Dialogue
by Richard Fletcher, Paul Chan, Karen Marta
A provocative dialogue about art as a form of wrongdoing One of Plato's most controversial dialogues, Hippias Minor details Socrates' claims that there is no difference between a person who tells the truth and one who lies, and that the good man is the one who willingly makes mistakes and does wrong. But what if Socrates wasn't merely championing the act of lying--as the dialogue has been traditionally interpreted--but, rather, advocating the power of the creative act?
In this new translation by Sarah Ruden, Hippias Minor is rendered anew as a provocative dialogue about how art is a form of wrongdoing. The accompanying introduction by artist Paul Chan and essay by classicist Richard Fletcher argue that an understanding of the dialogue makes life more ethical by paradoxically teaching one to be more cunning.
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