Books by Robert Bailey
The Wrong Side (Bocephus Haynes, 2)
A battle-worn lawyer fights for a young man’s life in this criminally enthralling legal thriller.
Teen pop star Brittany Crutcher is found dead in small-town Tennessee. For attorney Bocephus Haynes, it’s just another night in Pulaski. Bo swore off criminal work after his last case, but the beloved singer’s murder demands answers.
The prime suspect is local high school football hero and the victim’s boyfriend, Odell Champagne. However, this fallen athlete is one of Bo’s son’s best friends. Bo knows this young man and does not believe him capable of the crime.
When Odell is charged with murder, Bo reluctantly takes the case, sparking outrage throughout the town. But as Bo follows the evidence, he learns that the victim made decisions in her last hours that would give powerful forces motive to harm her. Feeling mounting pressure from the community and the DA, Bo forges ahead. But as the seconds count down, he wonders whether justice is even possible.
Copies
No copies available.
Copies
No copies available.
The Professor
by Charlotte Bronte, Robert Bailey
When the orphaned William refuses his uncles' proposal to become a clergyman and angrily leaves his job in the counting-house of his brother's mill, he decides to accept a position as an English teacher at a boys' school in Brussels. When his career leads him to take up an additional post at a girls' school nearby, William becomes emotionally involved with the manipulative headmistress of the establishment, Mademoiselle Reuter. The tensions rise until one of his pupils and fellow teachers – for whom he has tender feelings – is suddenly dismissed and is nowhere to be found.
Based on Charlotte Brontë's own autobiographical experience in Brussels as a teacher and only published posthumously, The Professor was Charlotte Brontë's first attempt at full-length fiction and bears all the hallmarks of her future work, with touches of genius and an unparalleled sharpness of style.
Copies
No copies available.
The Professor
by Charlotte Bronte, Robert Bailey
A retired Professor of Law who hasn’t tried a real case in forty years teams up with a former student who’s yet to trial a case at all, in order to clear both of their names…
The Professor introduces Thomas Jackson McMurtrie, a longtime law professor at the University of Alabama, who, 40 years after giving up a promising career as a trial lawyer to teach law students at the request of his mentor, Coach Paul “Bear” Bryant, retires to his farm an angry and bitter man, betrayed by both a Board member he mistook for a friend and his own failing health. Meanwhile, the young family of one of Tom’s oldest friends is killed in a tragic collision with an 18-wheeler.
Believing his career is over, Tom refers his friend to a brilliant, yet beleaguered, former student, Rick Drake, who begins to uncover that the truth behind the tragedy is buried in a tangled web of arson, bribery and greed. When a key witness is murdered on the eve of trial, the young attorney, in over his head and at the end of his rope, knows he needs help…and there’s only one man who can help him.
The Professor is the first in a series of tense legal thriller featuring the unusual and compelling legal team of McMurtie & Drake, combining the thrills and authenticity of a John Grisham novel for the audience that flocked to Friday Night Lights.
Copies
No copies available.
Art & Language International: Conceptual Art between Art Worlds
In Art & Language International Robert Bailey reconstructs the history of the conceptual art collective Art & Language, situating it in a geographical context to rethink its implications for the broader histories of contemporary art. Focusing on its international collaborations with dozens of artists and critics in and outside the collective between 1969 and 1977, Bailey positions Art & Language at the center of a historical shift from Euro-American modernism to a global contemporary art. He documents the collective’s growth and reach, from transatlantic discussions on the nature of conceptual art and the establishment of distinct working groups in New York and England to the collective’s later work in Australia, New Zealand, and Yugoslavia. Bailey also details its publications, associations with political organizations, and the internal power struggles that precipitated its breakdown. Analyzing a wide range of artworks, texts, music, and films, he reveals how Art & Language navigated between art worlds to shape the international profile of conceptual art. Above all, Bailey underscores how the group's rigorous and interdisciplinary work provides a gateway to understanding how conceptual art operates as a mode of thinking that exceeds the visual to shape the philosophical, historical, and political.
Copies
No copies available.