Books by S. Y. Agnon
To This Day
by S. Y. Agnon
This novel presents the comically entertaining tale of a young writer - a Galician Jew who has lived in Palestine, returns to Europe on the eve of World War I, and is now stranded in Berlin - who wanders from rented room to rented room in a city with a severe wartime housing shortage.
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One for Each Night: The Greatest Chanukah Stories of All Time (A Very Christmas)
by Elie Wiesel, Mark Strand, Chaim Potok, A. B. Yehoshua, Rebecca Newberger Goldstein, Joanna Rakoff, Sholom Aleichem, S. Y. Agnon, Emma Lazarus, I. L. Peretz, Theodor Herzl, Emma Green
"Uniformly excellent."—The Jewish Standard
This rich medley of stories, poems, and essays features evocations of Chanukah by classic and contemporary authors including Sholom Aleichem, Nobel laureates S. Y. Agnon and Elie Wiesel, I. L. Peretz, Emma Lazarus, Theodor Herzl, Chaim Potok, Mark Strand, A. B. Yehoshua, Emma Green, Joanna Rakoff, and Rebecca Newberger Goldstein. There are humorous as well as meditative tales from Israel, Central Europe, and the United States—works that capture the Festival of Lights as observed on Manhattan's Upper West Side alongside accounts of celebrations in shtetls of the Old Country and far reaches of the Diaspora including Africa. The writings underscore what it means to be Jewish in a world that’s not always welcoming and include intriguing commentary about Chanukah's origins and what it means now.
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$26.95
Only Yesterday: A Novel (Princeton Classics, 35)
by S. Y. Agnon
When Israeli Nobel Laureate S. Y. Agnon published the novel Only Yesterday in 1945, it quickly became recognized as a major work of world literature, not only for its vivid historical reconstruction of Israel's founding society. The book tells a seemingly simple tale about a man who immigrates to Palestine with the Second Aliya--the several hundred idealists who returned between 1904 and 1914 to work the Hebrew soil as in Biblical times and revive Hebrew culture. This epic novel also engages the reader in a fascinating network of meanings, contradictions, and paradoxes all leading to the question, what, if anything, controls human existence?
Seduced by Zionist slogans, young Isaac Kumer imagines the Land of Israel filled with the financial, social, and erotic opportunities that were denied him, the son of an impoverished shopkeeper, in Poland. Once there, he cannot find the agricultural work he anticipated. Instead Isaac happens upon house-painting jobs as he moves from secular, Zionist Jaffa, where the ideological fervor and sexual freedom are alien to him, to ultra-orthodox, anti-Zionist Jerusalem. While some of his Zionist friends turn capitalist, becoming successful merchants, his own life remains adrift and impoverished in a land torn between idealism and practicality, a place that is at once homeland and diaspora. Eventually he marries a religious woman in Jerusalem, after his worldly girlfriend in Jaffa rejects him.
Led astray by circumstances, Isaac always ends up in the place opposite of where he wants to be, but why? The text soars to Surrealist-Kafkaesque dimensions when, in a playful mode, Isaac drips paint on a stray dog, writing "Crazy Dog" on his back. Causing panic wherever he roams, the dog takes over the story, until, after enduring persecution for so long without "understanding" why, he really does go mad and bites Isaac. The dog has been interpreted as everything from the embodiment of Exile to a daemonic force, and becomes an unforgettable character in a book about the death of God, the deception of discourse, the power of suppressed eroticism, and the destiny of a people depicted in all its darkness and promise.
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A Guest for the Night
by S. Y. Agnon
A Guest for the Night (first published in 1939 as Germany invaded Poland) is Agnon's depiction of how all modern movements aside from Zionism secularism, Haskalah, socialism, communism failed to provide a viable alternative to traditional life. But, he is clear, even traditional life was untenable, because it all fell apart from within before the first furnaces were ignited in Auschwitz. Even the Guest's well-intentioned attempt to revivify and to re-engage the lost world of piety is also doomed. The Alte Heim, the old home, can no longer exist it is a place where we can only be passing guests for the night. Therefore "you can't go home again," because home no longer exists. It has to be rebuilt, but it can only be rebuilt in the Bayit Hadash, in the new home in the Land of Israel. This is Agnon's greatest theme in the novel and, in differing ways, throughout his body of writing: The idea that modern man, modern Jews, are alienated from their spiritual home.
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Only Yesterday
by S. Y. Agnon
Israeli Nobel Laureate S.Y. Agnon's famous masterpiece, his novel Only Yesterday, here appears in English translation for the first time. Published in 1945, the book tells a seemingly simple tale about a man who immigrates to Palestine with the Second Aliya--the several hundred idealists who returned between 1904 and 1914 to work the Hebrew soil as in Biblical times and revive Hebrew culture. Only Yesterday quickly became recognized as a monumental work of world literature, but not only for its vivid historical reconstruction of Israel's founding society. This epic novel also engages the reader in a fascinating network of meanings, contradictions, and paradoxes all leading to the question, what, if anything, controls human existence?
Seduced by Zionist slogans, young Isaac Kumer imagines the Land of Israel filled with the financial, social, and erotic opportunities that were denied him, the son of an impoverished shopkeeper, in Poland. Once there, he cannot find the agricultural work he anticipated. Instead Isaac happens upon house-painting jobs as he moves from secular, Zionist Jaffa, where the ideological fervor and sexual freedom are alien to him, to ultra-orthodox, anti-Zionist Jerusalem. While some of his Zionist friends turn capitalist, becoming successful merchants, his own life remains adrift and impoverished in a land torn between idealism and practicality, a place that is at once homeland and diaspora. Eventually he marries a religious woman in Jerusalem, after his worldly girlfriend in Jaffa rejects him.
Led astray by circumstances, Isaac always ends up in the place opposite of where he wants to be, but why? The text soars to Surrealist-Kafkaesque dimensions when, in a playful mode, Isaac drips paint on a stray dog, writing "Crazy Dog" on his back. Causing panic wherever he roams, the dog takes over the story, until, after enduring persecution for so long without "understanding" why, he really does go mad and bites Isaac. The dog has been interpreted as everything from the embodiment of Exile to a daemonic force, and becomes an unforgettable character in a book about the death of God, the deception of discourse, the power of suppressed eroticism, and the destiny of a people depicted in all its darkness and promise.
Copies
No copies available.
The Parable and Its Lesson: A Novella (Stanford Studies in Jewish History and Culture)
by S. Y. Agnon
S.Y. Agnon was the greatest Hebrew writer of the twentieth century, and the only Hebrew writer to receive the Nobel Prize for literature. He devoted the last years of his life to writing a massive cycle of stories about Buczacz, the Galician town (now in Ukraine) in which he grew up. Yet when these stories were collected and published three years after Agnon's death, few took notice. Years passed before the brilliance and audacity of Agnon's late project could be appreciated.
The Parable and Its Lesson is one of the major stories from this work. Set shortly after the massacres of hundreds of Jewish communities in the Ukraine in 1648, it tells the tale of a journey into the Netherworld taken by a rabbi and his young assistant. What the rabbi finds in his infernal journey is a series of troubling theological contradictions that bear on divine justice. Agnon's story gives us a fascinating window onto a community in the throes of mourning its losses and reconstituting its spiritual, communal, and economic life in the aftermath of catastrophe. There is no question that Agnon wrote of the 1648 massacres out of an awareness of the singular catastrophic massacre of his own time―the Holocaust.
James S. Diamond has provides an extensive set of notes to make it possible for today's reader to grasp the rich cultural world of the text. The introduction and interpretive essay by Alan Mintz illuminate Agnon's grand project for recreating the life of Polish Jewry, and steer the reader through the knots and twists of the plot.
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A Book That Was Lost: Thirty Five Stories (Hebrew Classics)
by S. Y. Agnon
These stories span the lifetime of a quintessential wandering Jew - born in Buczacz, Poland, living in Germany, and finally settling in Jerusalem - and they bring to life the full gamut of the modern Jewish experience in fiction.
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